Relevant bibliographies by topics / Freemasonry and music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Freemasonry and music'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Freemasonry and music"

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Elliott, PAUL, and STEPHEN Daniels. "The ‘school of true, useful and universal science’? Freemasonry, natural philosophy and scientific culture in eighteenth-century England." British Journal for the History of Science 39, no. 2 (2006): 207–29. http://dx.doi.org/10.1017/s0007087406007965.

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Freemasonry was the most widespread form of secular association in eighteenth-century England, providing a model for other forms of urban sociability and a stimulus to music and the arts. Many members of the Royal Society and the Society of Antiquaries, for instance, were Freemasons, while historians such as Margaret Jacob have argued that Freemasonry was inspired by Whig Newtonianism and played an important role in European Enlightenment scientific education. This paper illustrates the importance of natural philosophy in Masonic rhetoric and utilizes material from Masonic histories, lodge rec
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Zhang, Xinyi. "The Analysis of the Queen of the Night." Communications in Humanities Research 22, no. 1 (2023): 170–76. http://dx.doi.org/10.54254/2753-7064/22/20231701.

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Mozarts Die Zauberflote stands as one of his masterpieces, characterized by a significant Freemasonic influence. Within the opera, the Queen of the Nights aria serves as a defining moment for the soprano singer. Portrayed as the mother of the heroine Pamina, she undergoes a transformation in her personality, transitioning from a loving mother to an evil one. This paper will delve into the elements of Freemasonry that shape her character, such as the inclusion of Egyptian motifs, the conflict between fatherhood and motherhood, and the rituals of the Freemasons. Furthermore, it will conduct a ps
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CLARK, JANE. "FARINELLI AS QUEEN OF THE NIGHT." Eighteenth Century Music 2, no. 2 (2005): 321–33. http://dx.doi.org/10.1017/s147857060500031x.

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The popular conception of the eighteenth century as The Age of Reason has perhaps obscured the values cherished by many people at the time. The strength of its ‘legitimist political movements’ is hard for a modern mind to grasp. Even harder is the ‘political fantasy’ of the ‘renewed empire’ prophesied by Virgil. But these ideas were very real to the eighteenth-century mind. To this must be added the sacred nature of the ancient Orders of Chivalry and their origins in the Crusades, as well as their connections with the Templars and ancient Freemasonry. All this must be taken into account when c
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Fleming, Simon. "Harmony and Brotherly Love: Musicians and Freemasonry in 18th-Century Durham City." Musical Times 149, no. 1904 (2008): 69. http://dx.doi.org/10.2307/25434556.

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Brunet, Lynn. "Homage to Freemasonry or Indictment? The Cremaster Cycle." PAJ: A Journal of Performance and Art 31, no. 1 (2009): 98–112. http://dx.doi.org/10.1162/pajj.2009.31.1.98.

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Burgess, Geoffrey. "Enlightening Harmonies: Rameau's corps sonore and the Representation of the Divine in the tragédie en musique." Journal of the American Musicological Society 65, no. 2 (2012): 383–462. http://dx.doi.org/10.1525/jams.2012.65.2.383.

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Abstract In his late writings, Jean-Philippe Rameau attributed mystical, almost divine qualities to the corps sonore, a fundamental element in his theory of harmonic generation. This article traces the use that Rameau made of the corps sonore in his stage works as part of a tradition of the oracular pronouncements in the French opera. In addition to using it to symbolize enlightenment, starting from the late 1740s Rameau used it to accompany the spells of the benevolent magicians who take the place of the deities of Classical mythology. The fact that the librettist of these works, Louis de Cah
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7

Prihatno, Setyahadi. "PENGARUH THEOSOFI DAN FREEMASON DI INDONESIA (Kajian Analitis Simbol-simbol Theosofi dan Freemason dalam Lirik Lagu dan Sampul Kaset Album Grup Musik Dewa 19)." Profetika: Jurnal Studi Islam 17, no. 01 (2016): 23. http://dx.doi.org/10.23917/profetika.v17i01.2098.

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The lyrics and album cover of Dewa 19 wave of criticism with many symbols or emblemsthat allegedly represent the ancient mystical beliefs and visually turns almost identicalto the symbols on the Thesofi anf Freemason. It lead to the possibility of meaning similarity.Four main points discussed in this study is about the meaning of the lyrics of the album’ssongs of Dewa 19 band, regarding the visual appearance and meaning of symbols in the coverof the album of Dewa 19, reviewing the structure of the relationship between the lyrics and thesymbols in the album of Dewa 19 with Theosofi and Freemaso
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Maddox-Harle, Robert. "Freemasonry and the Visual Arts from the Eighteenth Century Forward: Historical and Global Perspectives." Leonardo 54, no. 2 (2021): 255–56. http://dx.doi.org/10.1162/leon_r_02023.

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9

Brunet, Lynn P. ""Worse than the Pantomime ... The Circus ... The Music Hall": Spurious Freemasonry, Ritual Parody and Initiatory Trauma in Beckett's 'Waiting for Godot'." International Journal of the Humanities: Annual Review 4, no. 2 (2006): 41–50. http://dx.doi.org/10.18848/1447-9508/cgp/v04i02/41807.

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10

Pink, A. "A music club for freemasons: Philo-musicae et -architecturae societas Apollini, London, 1725-1727." Early Music 38, no. 4 (2010): 523–36. http://dx.doi.org/10.1093/em/caq077.

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Dissertations / Theses on the topic "Freemasonry and music"

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Cadrin, Béatrice. "Symphonie no 3 en mi bémol majeur, op. 55, dite « Eroica », de Ludwig van Beethoven : a nalyse musicale de l’Allegro con brio et exégèse maçonnique." Thesis, 2019. http://hdl.handle.net/1866/24699.

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Au début du XIXe siècle, le paysage socio-politique européen est dominé par les bouleversements en provenance de France. Réagissant à ceux-ci, l’empereur Franz I restreint les libertés individuelles des sujets du Saint Empire Romain, tandis qu’au sein de l’aristocratie se trouvent au contraire des adeptes de l’Aufklärung, défenseurs de liberté et de tolérance. C’est dans ce contexte que Beethoven compose sa troisième symphonie en 1803-1804. Solomon (2004) a démontré que le compositeur a fréquenté sa vie durant des adhérents aux principes de l’Aufklärung, dont plusieurs francs-maçons. Des sym
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Books on the topic "Freemasonry and music"

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Autexier, Philippe A. La colonne d'harmonie: Histoire, théorie et pratique. Editions Detrad/A.V.S., 1995.

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2

Nardin, Alessandro. Musiche e ritualità massonica: In grado di Apprendista. Jouvence, 2021.

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3

Sichrovsky, Heinz. Mozart, Mowgli, Sherlock Holmes: Die königliche Kunst in Musik und Dichtung der Freimaurer. Erhard Löcker GesmbH, 2013.

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4

Legardien, Paul. Symbolisme & franc-maçonnerie dans la Tétralogie wagnérienne. Zurfluh, 1995.

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5

Bianchini, Luca. Goethe, Mozart e Mayr, fratelli illuminati. Archè, 2001.

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Autexier, Philippe A. La lyre maçonne: Haydn, Mozart, Spohr, Liszt. Detrad/A.V.S., 1997.

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7

William, Hutchinson. The spirit of masonry. Aquarian Press, 1987.

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8

Decadi, Alessandro. Mozart e la musica massonica. Bonanno editore, 2022.

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9

Pinaud, Pierre-François. Les musiciens francs-maçons, au temps de Louis XVI de Paris à Versailles: Histoire et dictionnaire biographique. Véga, 2009.

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Schuler, Heinz. Musik und Freimaurerei: Studien, Fakten, Biographien. Noetzel, 2000.

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Book chapters on the topic "Freemasonry and music"

1

Chailley, Jacques. "Joseph Haydn and the Freemasons." In Studies in Eighteenth-Century Music. Routledge, 2024. http://dx.doi.org/10.4324/9781003543947-10.

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"Freemasonry and Music." In Handbook of Freemasonry. BRILL, 2014. http://dx.doi.org/10.1163/9789004273122_028.

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Thomson, Katharine. "Mozart and Freemasonry." In Music and Ideology. Routledge, 2017. http://dx.doi.org/10.4324/9781315090979-3.

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McVeigh, Simon. "Freemasonry and Musical Life in London in the Late Eighteenth Century." In Music in Eighteenth-Century Britain. Routledge, 2017. http://dx.doi.org/10.4324/9781315090870-3.

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Schaeffer, Andrew. "Peace and Harmony Prevailing." In The Oxford Handbook of Community Singing. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197612460.013.21.

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Abstract If one were to visit a Masonic lodge, they might be surprised to find a piano or pipe organ, and a cabinet—likely coated with a layer of dust—containing old songbooks such as The Masonic Harp (1858) or Holden’s Sacred Music for Men’s Voices for Masonic Use (1893), which serve as artifacts of a largely bygone era of Masonic communal singing. From its arrival in the United States in the 17th century through the present day, Freemasonry has been compelled to respond to a shifting religious landscape in the United States and a continuing redefinition of masculinity itself. From the primit
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