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Journal articles on the topic 'Freewoman'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Haughton, Thomas. "‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression." Modernist Cultures 18, no. 3 (2023): 197–217. http://dx.doi.org/10.3366/mod.2023.0401.

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This article examines Dorothy Richardson’s engagement with The Freewoman’s discussion of women’s individuality. Of Marsden’s three periodicals, The Freewoman, the New Freewoman, and The Egoist, it is her final periodical that is best associated with Richardson’s work. It was in The Egoist that May Sinclair published her influential review of Richardson, which referred to Richardson’s style as ‘stream of consciousness’. However, Richardson’s most engaged interaction with the Marsden periodicals was actually The Freewoman. Indeed, Richardson’s Pilgrimage series represents a literary example of t

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2

Milo, M. Sage. "‘Intellectual Acid’:Cultural Resistance, Cultural Citizenship, and Emotional (Counter)Community in the Freewoman." Journal of European Periodical Studies 2, no. 1 (2017): 39. http://dx.doi.org/10.21825/jeps.v2i1.3618.

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This article explores the Freewoman’s relation to culture, as well as its role as a countercultural periodical — one that resisted hegemonic ideas and styles — and in the creation of an emotional (counter)community. It follows Raymond Williams’s understanding of culture as having two senses: one is ‘a whole way of life’ — everyday practices — the other arts and other creative endeavours. The Freewoman was cultivating a view of feminism as a way of life that encompassed both these meanings, as its editor, Dora Marsden, encouraged the expression of both traditional and novel perspectives, workin

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3

Mourant, Chris. "Rebecca West, the Forgotten Vorticist?" Modernist Cultures 14, no. 4 (2019): 469–97. http://dx.doi.org/10.3366/mod.2019.0268.

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The inclusion of Rebecca West's short story ‘Indissoluble Matrimony’ in the first issue of BLAST (1914) has much to tell us about the intellectual debts the Vorticist movement owed to West and to the feminist periodical culture with which she was associated. West composed her story in 1912–13, years when she was highly active as both contributor to and literary editor of Dora Marsden's The Freewoman (1911–12) and The New Freewoman (1913). In this article, I examine how the ‘energy’ promoted across BLAST aligned with feminist political conceptions of energy in Marsden's journals, and how these

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4

McMahon. "Freespinsters and Bondspinsters: Negotiating Identity Categories in the Freewoman." Journal of Modern Periodical Studies 6, no. 1 (2015): 60. http://dx.doi.org/10.5325/jmodeperistud.6.1.0060.

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5

Lucy Delap. "The Freewoman, Periodical Communities, and the Feminist Reading Public." Princeton University Library Chronicle 61, no. 2 (2000): 233. http://dx.doi.org/10.25290/prinunivlibrchro.61.2.0233.

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6

Franklin, Cary. "Marketing edwardian feminism: Dora Marsden, votes for women and the freewoman." Women's History Review 11, no. 4 (2002): 631–42. http://dx.doi.org/10.1080/09612020200200341.

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7

BARASH. "Dora Marsden's Feminism, the "Freewoman", and the Gender Politics of Early Modernism." Princeton University Library Chronicle 49, no. 1 (1987): 31. http://dx.doi.org/10.2307/26404206.

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8

Bland, Lucy. "Heterosexuality, feminism and The Freewoman journal in early twentieth-century England [1]." Women's History Review 4, no. 1 (1995): 5–23. http://dx.doi.org/10.1080/09612029500200074.

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9

Clarke, Bruce. "Dora Marsden and Ezra Pound: "The New Freewoman" and "The Serious Artist"." Contemporary Literature 33, no. 1 (1992): 91. http://dx.doi.org/10.2307/1208375.

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10

Anson, Patrick. "Rebecca West's ‘Seamed Red Hand’." Modernist Cultures 16, no. 2 (2021): 139–63. http://dx.doi.org/10.3366/mod.2021.0326.

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The political commitments of Rebecca West's The Return of the Soldier (1918) have proven hard to define. More subdued in its tone and telos than her volleys against patriarchal capitalism in publications such as The Freewoman and The Clarion, some argue that Return undermines West's socialist-feminist pronouncements, while others contend that the novel engages subtler modes of critique. Deepening and extending the latter vein of scholarship, this essay reveals uncharted lines of connection between West's early fiction and nonfiction by performing a ‘palm reading’ of Return: an examination of t

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11

Sarah Lee, Sze Wah. "Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914." Modernist Cultures 16, no. 3 (2021): 340–66. http://dx.doi.org/10.3366/mod.2021.0338.

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This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillau

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12

Joannou, Maroula. "The angel of freedom [1] : Dora Marsden and the transformation of the freewoman into the egoist." Women's History Review 11, no. 4 (2002): 595–611. http://dx.doi.org/10.1080/09612020200200339.

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13

Green, Barbara. "Complaints of Everyday Life: Feminist Periodical Culture and Correspondence Columns in The Woman Worker, Women Folk and The Freewoman." Modernism/modernity 19, no. 3 (2012): 461–85. http://dx.doi.org/10.1353/mod.2012.0055.

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14

Zaharijević, Adriana, Kristen Ghodsee, Efi Kanner, et al. "Book Reviews." Aspasia 13, no. 1 (2019): 188–240. http://dx.doi.org/10.3167/asp.2019.130118.

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Athena Athanasiou, Agonistic Mourning: Political Dissidence and the Women in Black, Edinburgh: Edinburgh University Press, 2017, xii + 348 pp., £19.99 (paperback), ISBN 978-1-4744-2015-0.Maria Bucur and Mihaela Miroiu, Birth of Democratic Citizenship: Women and Power in Modern Romania, Bloomington: University of Indiana Press, 2018, 189 pp., $35.00 (рaperback), ISBN 978-0-25302-564-7.Katherina Dalakoura and Sidiroula Ziogou-Karastergiou, Hē ekpaideusē tôn gynaikôn, gynaikes stēn ekpaideusē: Koinônikoi, ideologikoi, ekpaideutikoi metaschēmatismoi kai gynaikeia paremvasē (18os–20os ai.) (Women’s

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15

Mullholland, Terri. "Anne Fernihough,Freewomen and Supermen: Edwardian Radicals and Literary Modernism." Notes and Queries 63, no. 2 (2016): 333–35. http://dx.doi.org/10.1093/notesj/gjw064.

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16

J. Justel, Josué. "Freewomen, Patriarchal Authority, and the Accusation of Prostitution, Stephanie Lynn Budin." Lectora: revista de dones i textualitat, no. 28 (October 28, 2022): 407–9. http://dx.doi.org/10.1344/lectora2022.28.25.

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17

Lucy, Delap. "‘Philosophical vacuity and political ineptitude’: the freewoman's critique of the suffrage movement 1." Women's History Review 11, no. 4 (2002): 613–30. http://dx.doi.org/10.1080/09612020200200676.

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18

Collins, Jessica. "Jane Holt, Milliner, and Other Women in Business: Apprentices, Freewomen and Mistresses in The Clothworkers’ Company, 1606–1800." Textile History 44, no. 1 (2013): 72–94. http://dx.doi.org/10.1179/0040496913z.00000000020.

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19

Booth, Howard J. "Freewomen and Supermen: Edwardian Radicals and Literary Modernism by Anne Fernihough Oxford University Press | 2013 | 288 pp | isbn 9780199668625." Critical Quarterly 58, no. 1 (2016): 119–21. http://dx.doi.org/10.1111/criq.12240.

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20

SAILLANT, JOHN. "Traveling in Old and New Worlds with John Jea, the African Preacher, 1773–1816." Journal of American Studies 33, no. 3 (1999): 473–90. http://dx.doi.org/10.1017/s0021875899006209.

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Nineteenth-century exslave narratives allow us to understand the way in which freedmen, freedwomen, and runaways experienced and enjoyed liberty. In such narratives, liberty, naturally enough, it seems, is the opposite of slavery. Once free, one was no longer a slave. Yet we should view this understanding of slavery and freedom as a problem in itself, as a rhetorical and time-bound use of the notions of enslavement and liberty. This article argues that an early exslave narrativist, John Jea, articulated a dichotomous, unrealistic, yet characteristically American, notion of the relationship bet

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21

Binard, Florence. "The Debate on Homosexuality1 in The Freewoman Journal (1911-12)." Cahiers victoriens et édouardiens, no. 79 Printemps (June 1, 2014). http://dx.doi.org/10.4000/cve.1072.

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22

Коларић, Ана. "Дора Марсден и „The Freewoman”: уређивачка политика и идејни плурализам". Књиженство : часопис за студије књижевности, рода и културе 6, № 6 (2016). http://dx.doi.org/10.18485/knjiz.2016.1.9.

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