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Relevant bibliographies by topics / Freie Fantasie

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Academic literature on the topic 'Freie Fantasie'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Freie Fantasie"

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Krummacher, Friedhelm. "Phantastik und Kontrapunkt: Zur Kompositionsart Frescobaldis." Die Musikforschung 48, no. 1 (2021): 1–14. http://dx.doi.org/10.52412/mf.1995.h1.1056.

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In seiner <Musurgia universalis> (1650) unterscheidet Athanasius Kircher acht Kompositionsstile, darunter den Stylus phantasticus, der als Lehre einer Art des Kontrapunkts definiert ist. Inwieweit diesem Stilbegriff so verschiedene Gattungen wie Fantasia und Toccata zuzuweisen sind, wird anhand von Frescobaldis <Fantasie a quattro> (1608) und seinen beiden Toccatenbüchern (1615/16 und 1627) näher untersucht. Ist die Fantasia als Ansatz konstanter Thematisierung verstehbar, so erscheint die Toccata umgekehrt als Versuch athematischen Komponierens. Beide Genera sind nicht nur abstrak

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Latifi, Yulia Nasrul. "WOMEN’S LIBERTY IN RELIGIOUS DISCOURSE (NAWĀL AL-SA’DĀWĪ’S FANTASY IN ZĪNAH)." Poetika 9, no. 1 (2021): 11. http://dx.doi.org/10.22146/poetika.v9i1.61327.

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The objective of this research is to reveal Nawāl al-Sa’dāwī’s fantasy and to find out why she builds a fantasy of women’s autonomy in religious discourse as depicted in her latest novel, Zīnah. This study focuses on the concept of fantasy in Žižek's theory of subjectivity, which sees fantasy as a screen covering the lacks and inconsistencies of the shackling Symbolic. Fantasy is also an estuary of meaning that confirms the existence of a divided and dialectical subject that continues to move in search of self-fulfillment. The research method is hermeneutic, namely by interpreting the actions

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Ceballos, Sara Gross. "Sympathizing with C. P. E. Bachs Empfindungen." Journal of Musicology 34, no. 1 (2017): 1–31. http://dx.doi.org/10.1525/jm.2017.34.01.1.

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Carl Philipp Emanuel Bach’s late Free Fantasia in F-sharp Minor exists in two versions—one for solo keyboard (Wq. 67/H. 300), the other for keyboard and violin accompaniment (Wq. 80/H. 536)—and bears the subtitle C. P. E. Bachs Empfindungen. For some modern listeners and scholars, the chamber version of the fantasia transforms the private outpourings characteristic of the genre into a public display that condescends to the sociability of the popular accompanied sonata and forces an interloper accompanist onto the solo fantasist. Adding insult to injury, the arrangement ends with a seemingly in

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Krummacher, Friedhelm. "Bach und die norddeutsche Orgeltoccata." Bach-Jahrbuch 71 (March 23, 2018): 119–34. http://dx.doi.org/10.13141/bjb.v19852094.

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Dies ist ein Versuch, die Entwicklung zu verfolgen, die von der mehrteiligen norddeutschen Orgel-Toccata mit ihren häufigen Wechseln von freien und strengen Stilkomponenten zum Formpaar - Präludium (Toccata, Fantasia, etc.) und Fuge - führte. Auf eine relativ schnelle Aneignung der Tradition folgte Bachs schrittweise Transformation, insbesondere im Hinblick auf das Verhältnis von freier Improvisation und thematischer Dichte und seine spätere Abkehr vom norddeutschen Prototyp. (Übertragung des englischen Resümees am Ende des Bandes)

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Head, M. "Review: The Free Fantasia and the Musical Picturesque." Music and Letters 84, no. 2 (2003): 284–90. http://dx.doi.org/10.1093/ml/84.2.284.

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Bellman, Jonathan. "The Free Fantasia and the Musical Picturesque (review)." Notes 58, no. 3 (2002): 572–73. http://dx.doi.org/10.1353/not.2002.0006.

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Gilbert, John. "The Free Fantasia and the Musical Picturesque. Annette Richards." Wordsworth Circle 32, no. 4 (2001): 227–28. http://dx.doi.org/10.1086/twc24044880.

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Jepsen, Rasmus Rask. "Fanget i fantasien om kærlighed." Dansk Sociologi 29, no. 4 (2019): 55–75. http://dx.doi.org/10.22439/dansoc.v29i4.5950.

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Vi lever i dag i, hvad den slovenske filosof Slavoj Žižek har diagnosticeret som et nydelsessamfund. Vi stræber efter at være lykkelige, glade og succesfulde, men uanset hvor hårdt vi anstrenger os, er det, som om vi altid kan nyde lidt mere og lidt bedre. Et af de domæner, hvor denne diagnose viser sig tydeligt, er i kærlighedens. Temaet for artiklen er den nydelse, som kan opstå, når kærlighed og seksualitet fører mennesker sammen, men også især hvilke nye udfordringer vi står overfor i dag, når vi deltager i jagten på netop denne nydelse. Mødet ansigt til ansigt med en anden person i en dat

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Gammelgaard, Signe Leth, and Jakob Gaardbo Nielsen. "Fortidsløse fantaster." K&K - Kultur og Klasse 47, no. 127 (2019): 153–72. http://dx.doi.org/10.7146/kok.v47i127.114748.

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The latter half of the 19th century saw a rise in novels focusing directly on the stock-exchange and its various actors. Scholarship on these has naturally zoomed in on the main character of the speculator and on the economic paradigm of speculation and financialization, and to a lesser degree concerned itself with the information circuits of the field. However, these studies almost invariably stay rooted within the national literatures; in this article we address the issue of comparativism within the stock-exchange novel, zeroing in on two rather canonical works, namely Anthony Trollope’s The

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Sporer, Siegfried Ludwig, and Beate Küpper. "Fantasie und Wirklichkeit - Erinnerungsqualitäten von erlebten und erfundenen Geschichten." Zeitschrift für Psychologie / Journal of Psychology 212, no. 3 (2004): 135–51. http://dx.doi.org/10.1026/0044-3409.212.3.135.

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Zusammenfassung. Im Zentrum dieser Untersuchung steht die Frage, wodurch wir tatsächlich Erlebtes von lediglich Vorgestelltem, durch Gedanken oder unsere Fantasie Geschaffenem, unterscheiden können. Diese und ähnliche Fragestellungen werden im Rahmen des Realitätsüberwachungsansatzes untersucht, allerdings mit relativ einfachen Handlungssequenzen. Ziel dieser Untersuchung war, diesen Ansatz auf komplexere autobiografische Erlebnisse auszudehnen und seine Brauchbarkeit bei der Diskrimination von erlebten vs. erfundenen Erlebnissen zu überprüfen. Wir ließen 100 Studierende, Schüler und Auszubild

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Dissertations / Theses on the topic "Freie Fantasie"

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Wilson, Nancy. "Ars combinatoria in selected works of C.P.E. Bach : an analytic investigation." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61758.

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Weinstein-Reiman, Michael. "Young Man's Fancy: Enlightenment Taxonomy and the Feminization of the Free Musical Fantasia." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18409.

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In this thesis, I explicate the linkage between gender and the phenomenology of musical extemporaneity in the Enlightenment. In so doing, I trace the development of the free musical fantasia from its improvisatory roots in the music of courtesans to its codification as a Baroque topos and its eighteenth-century classification in the treatises of philosophers and music theorists. Enlightenment discourses on the free fantasia coincide with the emergence of the fantastic as a literary genre. This association manifests in the construction of the idea of "feminine music as other," signified by an i

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Peters, Julie Claire. ""No one's free who isn't free to love": love and history across Canadian boundaries in George Elliot Clarke's «Beatrice Chancy» and «Québécité: A Jazz Fantasia in Three Cantos»." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21924.

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Abstract George Elliott Clarke's 1999 opera Beatrice Chancy is the story of the daughter of a slave owner and a slave in Nova Scotia in 1801. It addresses Canada's ignorance about its history of slavery from 1689-1834. The play shows how love becomes perverted in a society in which bodies can be owned, to the point that the landscape becomes "transfigured by unfulfilled love" (143). Québécité, on the other hand, is an opera about two interracial couples getting married in contemporary Quebec City. It is Clarke's utopia and Beatrice's dream: a world where love is possible across any historical

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Rech, Rogerio. "A subversividade em Paulo Freire: um espectro nos ronda, o fantasma das ditaduras no Brasil e na Argentina." Universidade Estadual do Oeste do Paraná, 2018. http://tede.unioeste.br/handle/tede/3936.

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Submitted by Fabielle Cheuczuk (fabielle.cheuczuk@unioeste.br) on 2018-09-12T19:04:15Z No. of bitstreams: 2 (01) Dissertação completa com nova ficha catalogtáfica (1).pdf: 2204251 bytes, checksum: 1d4781f606239e777d4d5fcae7b3d838 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpace on 2018-09-12T19:04:15Z (GMT). No. of bitstreams: 2 (01) Dissertação completa com nova ficha catalogtáfica (1).pdf: 2204251 bytes, checksum: 1d4781f606239e777d4d5fcae7b3d838 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previo

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Pond, Julia. "Divine destiny or free choice Nietzsche's strong wills in the Harry Potter series /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-03312008-142833/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from file title page. Pearl McHaney, committee chair; Stephen Dobranski, Nancy Chase, committee members. Electronic text (71 p.) : digital, PDF file. Description based on contents viewed July 2, 2008. Includes bibliographical references (p. 63-71).

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Fick, Kimary E. "Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822804/.

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This dissertation examines pre-Kantian rational philosophy and the development of the discipline of aesthetics in the North German Enlightenment. With emphasis on the historical conception of the physiological and psychological experience of music, this project determines the function of music both privately and socially in the eighteenth century. As a result, I identify the era of rational aesthetics (ca.1750-1800) as a music-historical period unified by the aesthetic function and metaphysical experience of music, which inform the underlying motivation for musical styles, genres, and means of

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Svensson, Åsa. ""[T]he Free Play of Fantasy" The Interrelations between Ethnicity and Sexuality in Shyam Selvadurai´s Funny Boy." Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2178.

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<p>The goal of this essay is to pursue a reading of ethnicity and sexuality in Shyam Selvadurai’s novel Funny Boy to show the importance of the interrelations between the two and how equally crucial both of these are in order to understand the protagonist Arjie’s journey and search for identity. To investigate the interrelation between ethnicity and sexuality, the analysis makes use of a method of simultaneous consideration that is similar to Mae Gwendolyn Henderson’s focus on “simultaneity of discourse” used by black women writers.</p><p>The turning points in the protagonist’s life and search

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Pressley, April Nicole. "Discovering the vision in Beth Moore's "Breaking Free" message applying Bormann's Fantasy Theme Analysis to evaluate the message /." Lynchburg, Va. : Liberty University, 2010. http://digitalcommons.liberty.edu.

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Kirim, Fatma. "Fri leg i daginstitutionerne : En kvalitativ undersøgelse i multietnisk og monoetnisk daginstitution, om fri legens betydelse for børn og pædagogernes rolle i det." Thesis, Södertörns högskola, Lärarutbildningen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5348.

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This work is about the study of the children's free play in kindergartens. The study aims to investigate what significance free play has in kindergartens and what role pedagogues have in their children's free play. This study was conducted in two different kindergartens located in the same municipality. One of the kindergartens is located in a monocultural area and the other in a multicultural area. That provides the opportunity to explore what differences exist between the two kindergartens. A qualitative investigation, consisting of interviews and participatory observation, was performed to

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Hsieh, Shin-yi, and 謝欣宜. "The Free Fantasia Concept of C. P. E. Bach." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/05410958263666236814.

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碩士<br>國立中山大學<br>音樂學系研究所<br>99<br>Carl Philipp Emanuel Bach (1714-1788) published his Versuch über die wahre Art das Clavier zu spielen in 1753 and 1762. It was the most important essay on keyboard performance practice of the mid-eighteenth century. The publication of this book also made C. P. E. Bach the most influential keyboard pedagogue of the eighteenth century. The last chapter of the Versüch, titled “Improvisation”, explains his concepts of “Freie Fantasia” and provides suggestions for performing the fantasia. C. P. E. Bach points out that Freie Fantasia is a kind of composition in which

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Books on the topic "Freie Fantasie"

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Schenker, Heinrich. Free composition =: Der freie Satz : volume III of New musical theories and fantasies. Schirmer Books, 1990.

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Landier, Augustin. Le grand méchant marché: Décryptage d'un fantasme français. Flammarion, 2007.

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The free bards. Baen, 1997.

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Krulik, Nancy E. Free the Worms! Penguin Group USA, Inc., 2008.

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Pratchett, Terry. The Wee Free Men. Random House Children's Books, 2008.

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Pratchett, Terry. The wee free men. Doubleday, 2003.

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Pratchett, Terry. The Wee Free Men. HarperCollins Pub., 2003.

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Pratchett, Terry. The Wee Free Men. HarperCollins Pub., 2003.

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Pratchett, Terry. The Wee Free Men. HarperTrophy, 2004.

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Pratchett, Terry. The wee free men: A story of Discworld. Corgi, 2004.

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Book chapters on the topic "Freie Fantasie"

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Phillips, Ronnie J. "Absolutely Free: Only If You Want It to Be!" In Rock and Roll Fantasy? Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5900-2_8.

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Janssen, Leon P. B. M. "Reactive Extrusion for Solvent-Free Processing: Facts and Fantasies." In Integrated Chemical Processes. Wiley-VCH Verlag GmbH & Co. KGaA, 2005. http://dx.doi.org/10.1002/3527605738.ch13.

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van Dijk, Tara. "The Impossibility of World-Class Slum-Free Indian Cities and the Fantasy of ‘Two Indias’." In Urban Utopias. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47623-0_2.

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BACH, CARL PHILIPP EMANUEL. "Freie Fantasie in F sharp minor, Wq.67, H.300." In The Piano. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1t1kfj8.9.

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"Fantasies and Free Speech." In Pornography and The Criminal Justice System. CRC Press, 2014. http://dx.doi.org/10.1201/b17727-18.

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"Free Trade." In Democracy and Other Neoliberal Fantasies. Duke University Press, 2009. http://dx.doi.org/10.1215/9780822390923-003.

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"Free Trade." In Democracy and Other Neoliberal Fantasies. Duke University Press, 2009. http://dx.doi.org/10.2307/j.ctv11smj29.6.

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"2 Free Trade the neoliberal fantasy." In Democracy and Other Neoliberal Fantasies. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822390923-004.

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November, Nancy. "“Like an overly large fantasy”." In Beethoven's String Quartet in C-sharp Minor, Op. 131. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190059200.003.0005.

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Audiences at Iganz Schuppanzigh’s 1820s quartet concerts in Vienna would have expected a string quartet to be a weighty, four-movement work with an emphasis on a sonata form, thematische Arbeit (motivic working) between parts, and an overall tonal plan based on one or two primary key areas. Beethoven no doubt had such connoisseur listeners in mind with this work, but was pushing far beyond that traditional idea of the string quartet. Op. 131 is full of all sorts of different kinds of writing. The chapter explores the quartet in terms of fantasia, a word found frequently in connection with Op. 131, starting with a discussion of the free fantasia as a work exhibiting apparently chaotic musings over a highly logical ground plan. As Carl Philipp Emmanuel Bach pointed out in his influential discussion of the subject, there is method in the seeming madness of the free fantasia, especially as regards harmonic links. The chapter considers the entire work as a fantasia, exploring the clever linkage of seemingly disparate ideas within and between movements. The fantasia form might seem the opposite of the formalized string quartet genre as it was starting to be understood by Beethoven’s time, but in one important respect it was not. The free fantasia was a work for the connoisseur: as Carl Friedrich Michaelis noted in his article on music and humor of 1807, the free fantasia, in particular, reveals to the connoisseur listener the soul (or inventive repository) of the composer.

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Jerng, Mark C. "Fantasies of Blackness and Racial Capitalism." In Racial Worldmaking. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277759.003.0007.

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This chapter traces sword and sorcery’s re-emergence as a popular genre in the 1960s and 1970s during the era of U.S. Civil Rights movements. It shows how strategies for reproducing racism despite changing political sensibilities are constructed through the genre of sword and sorcery. These strategies go hand in hand with soon-to-be dominant re-imaginations of free market economics by economists such as Milton Friedman and Gary Becker. The chapter analyzes the work on the economics of discrimination in relation to Samuel Delany’s use of sword and sorcery to reflect on how race gets used to imagine market processes. Delany’s Nevèrÿon series adds another dimension to understandings of racial capitalism by focusing on race as economic utility.

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