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Books on the topic 'Freie Fantasie'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Schenker, Heinrich. Free composition =: Der freie Satz : volume III of New musical theories and fantasies. Schirmer Books, 1990.

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2

Landier, Augustin. Le grand méchant marché: Décryptage d'un fantasme français. Flammarion, 2007.

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3

The free bards. Baen, 1997.

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4

Krulik, Nancy E. Free the Worms! Penguin Group USA, Inc., 2008.

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5

Pratchett, Terry. The Wee Free Men. Random House Children's Books, 2008.

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6

Pratchett, Terry. The wee free men. Doubleday, 2003.

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7

Pratchett, Terry. The Wee Free Men. HarperCollins Pub., 2003.

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8

Pratchett, Terry. The Wee Free Men. HarperCollins Pub., 2003.

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9

Pratchett, Terry. The Wee Free Men. HarperTrophy, 2004.

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10

Pratchett, Terry. The wee free men: A story of Discworld. Corgi, 2004.

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11

The female fantastic: Evolution, theories and the poetics of perversion : nomadic subjects, free play of differences and different ways of generating sounds : per un progetto di traduzione del fantastico femminile italiano dal 1880 al 1990. Aras, 2009.

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12

Following Gandalf: Epic battles and moral victory in the Lord of the rings. Brazos Press, 2003.

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13

A Hobbit journey: Discovering the enchantment of J.R.R. Tolkien's Middle-earth. Brazos Press, 2012.

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14

Chivers, Matthew. Resonance, Vol. I (Approaching the Dark Age Series). Matthew Chivers, 2009.

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15

King, Stephen. Skeleton Crew. Futura, 1986.

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16

King, Stephen. Skeleton Crew. 4th ed. G.P. Putnam's Sons, 1985.

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17

King, Stephen. Skeleton crew. BCA, 1993.

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18

King, Stephen. Skeleton Crew. New American Library, 1986.

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19

King, Stephen. Skeleton crew. Guild, 1985.

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20

King, Stephen. Komanda skeletov. AST, 2000.

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21

King, Stephen. Skeleton crew. G.P. Putnam's Sons, 1985.

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22

King, Stephen. Sis. Aetin Kitoplar, 1986.

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23

King, Stephen. Skeleton Crew. New American Library, 1986.

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24

King, Stephen. Skeleton Crew. Penguin USA, Inc., 2009.

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25

King, Stephen. Stephen King's Skeleton crew. Scream Press, 1985.

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26

King, Stephen. La niebla. Grijalbo, 1987.

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27

King, Stephen. Scheletri. Sperling Paperback, 2000.

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28

King, Stephen. Skeleton Crew. Signet, 2004.

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29

King, Stephen. Historias fantásticas. Plaza & Janés, 1992.

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30

King, Stephen. Skeleton Crew. New American Library, 1986.

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31

King, Stephen. Skeleton Crew. Signet, 1991.

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32

Gooley, Dana. The Kapellmeister Network and the Performance of CommunityHummel, Moscheles, and Mendelssohn. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0003.

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Chapter 2 concerns the free fantasy and its relationship to the public concert life that emerged after 1815. Its main protagonists are Johann Nepomuk Hummel, the undisputed master of improvised free fantasia in this period, and his rival Ignaz Moscheles. Hummel’s free fantasias were admired for hybridizing the learned style of the kapellmeisters with the popular style associated with modern virtuosi, modeling a solution to one of the period’s major problems: the gap between experts and laypersons. In private circumstances Hummel improvised in a different way addressed to the values of connoiss

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33

Sky adventures: Fantasies of free flight. Sky Dog Publications, 1997.

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34

Sky adventures: Fantasies of free flight. Sky Dog Publications, 1997.

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35

Gooley, Dana. Fantasies of Improvisation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.001.0001.

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This book is the first history of keyboard improvisation in European music in the postclassical and romantic periods (c. 1815–1870). Grounded in primary sources, it documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century’s leading improvisers. The book further discusses the reception and valuation o

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36

Fantasie für kleine Hände. Freies Gestalten und Basteln mit Kindern. Christophorus-Verlag, 2000.

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37

Fantasies of Improvisation: Free Playing in Nineteenth-Century Music. Oxford University Press, Incorporated, 2018.

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38

Heinrich, Schenker. Free Composition: Vol. 3 of New Musical Theories and Fantasies, Text Edition. Pendragon Pr, 2001.

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39

Gooley, Dana. Saving Improvisation. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.006.

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This chapter surveys improvisation in the western classical tradition during a period of transition ca. 1800–1830. It considers not only why improvisational practices declined in this period, but also how they were preserved and revalidated in accordance with new musical values. It examines the free fantasies of Johann Nepomuk Hummel, an exceptionally famous composer-virtuoso of this period who was renowned for his improvisational brilliance. Critical responses and public reactions suggest that Hummel’s free fantasies were valued for their capacity to bridge the gap between connoisseurs and di

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40

Richards, Annette. The Free Fantasia and the Musical Picturesque (New Perspectives in Music History and Criticism). Cambridge University Press, 2001.

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41

Richards, Annette. The Free Fantasia and the Musical Picturesque (New Perspectives in Music History and Criticism). Cambridge University Press, 2006.

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42

Ruckley, Brian. The Free. 2014.

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43

Free Fall. LUNA, 2008.

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44

Gilman, Laura Anne. Free Fall. Luna, 2008.

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45

Free Agent. Penguin Publishing Group, 2014.

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46

Pratchett, Terry. Wee Free Men. HarperCollins Publishers, 2015.

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47

Pratchett, Terry. Wee Free Men. HarperCollins Publishers Limited, 2009.

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48

Gilman, Laura Anne. Free Fall. Harlequin Enterprises, Limited, 2008.

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49

Gilman, Laura Anne. Free Fall. Harlequin Mills & Boon, Limited, 2011.

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50

Gilman, Laura Anne. Free Fall. Harlequin Enterprises, Limited, 2010.

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