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Journal articles on the topic 'Freie Fantasie'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Krummacher, Friedhelm. "Phantastik und Kontrapunkt: Zur Kompositionsart Frescobaldis." Die Musikforschung 48, no. 1 (2021): 1–14. http://dx.doi.org/10.52412/mf.1995.h1.1056.

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In seiner <Musurgia universalis> (1650) unterscheidet Athanasius Kircher acht Kompositionsstile, darunter den Stylus phantasticus, der als Lehre einer Art des Kontrapunkts definiert ist. Inwieweit diesem Stilbegriff so verschiedene Gattungen wie Fantasia und Toccata zuzuweisen sind, wird anhand von Frescobaldis <Fantasie a quattro> (1608) und seinen beiden Toccatenbüchern (1615/16 und 1627) näher untersucht. Ist die Fantasia als Ansatz konstanter Thematisierung verstehbar, so erscheint die Toccata umgekehrt als Versuch athematischen Komponierens. Beide Genera sind nicht nur abstrak

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Latifi, Yulia Nasrul. "WOMEN’S LIBERTY IN RELIGIOUS DISCOURSE (NAWĀL AL-SA’DĀWĪ’S FANTASY IN ZĪNAH)." Poetika 9, no. 1 (2021): 11. http://dx.doi.org/10.22146/poetika.v9i1.61327.

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The objective of this research is to reveal Nawāl al-Sa’dāwī’s fantasy and to find out why she builds a fantasy of women’s autonomy in religious discourse as depicted in her latest novel, Zīnah. This study focuses on the concept of fantasy in Žižek's theory of subjectivity, which sees fantasy as a screen covering the lacks and inconsistencies of the shackling Symbolic. Fantasy is also an estuary of meaning that confirms the existence of a divided and dialectical subject that continues to move in search of self-fulfillment. The research method is hermeneutic, namely by interpreting the actions

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3

Ceballos, Sara Gross. "Sympathizing with C. P. E. Bachs Empfindungen." Journal of Musicology 34, no. 1 (2017): 1–31. http://dx.doi.org/10.1525/jm.2017.34.01.1.

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Carl Philipp Emanuel Bach’s late Free Fantasia in F-sharp Minor exists in two versions—one for solo keyboard (Wq. 67/H. 300), the other for keyboard and violin accompaniment (Wq. 80/H. 536)—and bears the subtitle C. P. E. Bachs Empfindungen. For some modern listeners and scholars, the chamber version of the fantasia transforms the private outpourings characteristic of the genre into a public display that condescends to the sociability of the popular accompanied sonata and forces an interloper accompanist onto the solo fantasist. Adding insult to injury, the arrangement ends with a seemingly in

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4

Krummacher, Friedhelm. "Bach und die norddeutsche Orgeltoccata." Bach-Jahrbuch 71 (March 23, 2018): 119–34. http://dx.doi.org/10.13141/bjb.v19852094.

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Dies ist ein Versuch, die Entwicklung zu verfolgen, die von der mehrteiligen norddeutschen Orgel-Toccata mit ihren häufigen Wechseln von freien und strengen Stilkomponenten zum Formpaar - Präludium (Toccata, Fantasia, etc.) und Fuge - führte. Auf eine relativ schnelle Aneignung der Tradition folgte Bachs schrittweise Transformation, insbesondere im Hinblick auf das Verhältnis von freier Improvisation und thematischer Dichte und seine spätere Abkehr vom norddeutschen Prototyp. (Übertragung des englischen Resümees am Ende des Bandes)

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5

Head, M. "Review: The Free Fantasia and the Musical Picturesque." Music and Letters 84, no. 2 (2003): 284–90. http://dx.doi.org/10.1093/ml/84.2.284.

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6

Bellman, Jonathan. "The Free Fantasia and the Musical Picturesque (review)." Notes 58, no. 3 (2002): 572–73. http://dx.doi.org/10.1353/not.2002.0006.

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7

Gilbert, John. "The Free Fantasia and the Musical Picturesque. Annette Richards." Wordsworth Circle 32, no. 4 (2001): 227–28. http://dx.doi.org/10.1086/twc24044880.

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8

Jepsen, Rasmus Rask. "Fanget i fantasien om kærlighed." Dansk Sociologi 29, no. 4 (2019): 55–75. http://dx.doi.org/10.22439/dansoc.v29i4.5950.

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Vi lever i dag i, hvad den slovenske filosof Slavoj Žižek har diagnosticeret som et nydelsessamfund. Vi stræber efter at være lykkelige, glade og succesfulde, men uanset hvor hårdt vi anstrenger os, er det, som om vi altid kan nyde lidt mere og lidt bedre. Et af de domæner, hvor denne diagnose viser sig tydeligt, er i kærlighedens. Temaet for artiklen er den nydelse, som kan opstå, når kærlighed og seksualitet fører mennesker sammen, men også især hvilke nye udfordringer vi står overfor i dag, når vi deltager i jagten på netop denne nydelse. Mødet ansigt til ansigt med en anden person i en dat

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9

Gammelgaard, Signe Leth, and Jakob Gaardbo Nielsen. "Fortidsløse fantaster." K&K - Kultur og Klasse 47, no. 127 (2019): 153–72. http://dx.doi.org/10.7146/kok.v47i127.114748.

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The latter half of the 19th century saw a rise in novels focusing directly on the stock-exchange and its various actors. Scholarship on these has naturally zoomed in on the main character of the speculator and on the economic paradigm of speculation and financialization, and to a lesser degree concerned itself with the information circuits of the field. However, these studies almost invariably stay rooted within the national literatures; in this article we address the issue of comparativism within the stock-exchange novel, zeroing in on two rather canonical works, namely Anthony Trollope’s The

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10

Sporer, Siegfried Ludwig, and Beate Küpper. "Fantasie und Wirklichkeit - Erinnerungsqualitäten von erlebten und erfundenen Geschichten." Zeitschrift für Psychologie / Journal of Psychology 212, no. 3 (2004): 135–51. http://dx.doi.org/10.1026/0044-3409.212.3.135.

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Zusammenfassung. Im Zentrum dieser Untersuchung steht die Frage, wodurch wir tatsächlich Erlebtes von lediglich Vorgestelltem, durch Gedanken oder unsere Fantasie Geschaffenem, unterscheiden können. Diese und ähnliche Fragestellungen werden im Rahmen des Realitätsüberwachungsansatzes untersucht, allerdings mit relativ einfachen Handlungssequenzen. Ziel dieser Untersuchung war, diesen Ansatz auf komplexere autobiografische Erlebnisse auszudehnen und seine Brauchbarkeit bei der Diskrimination von erlebten vs. erfundenen Erlebnissen zu überprüfen. Wir ließen 100 Studierende, Schüler und Auszubild

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11

Cvejić, Žarko. "From "Bach" to "Bach's son": The work of aesthetic ideology in the historical reception of Carl Philipp Emanuel Bach." New Sound, no. 54-2 (2019): 90–108. http://dx.doi.org/10.5937/newso1954090c.

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The paper explores the historical correlation between the marginalization of C. P. E. Bach in his posthumous critical reception in the early and mid 19th century and the paradigm shift that occurred in the philosophical, aesthetic, and ideological conception of music in Europe around 1800, whereby music was reconceived as a radically abstract and disembodied art of expression, as opposed to the Enlightenment idea of music as an irreducibly sensuous, sonic art of representation. More precisely, the paper argues that the cause of C. P. E. Bach's marginalization in his posthumous critical recepti

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12

Wheelock, Gretchen A. "Review: The Free Fantasia and the Musical Picturesque By Annette Richards." Journal of the American Musicological Society 57, no. 2 (2004): 401–9. http://dx.doi.org/10.1525/jams.2004.57.2.401.

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13

Halstead, Huw. "Cyberplace: From fantasies of placelessness to connective emplacement." Memory Studies 14, no. 3 (2021): 561–71. http://dx.doi.org/10.1177/17506980211010693.

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Digital memories have often been interpreted – both pejoratively and positively – as free-floating and placeless. On the one hand, digital technology is dismissed for creating a placeless sameness and meaninglessness: memories cut loose from the distinctive places in which they were formed and which gave them meaning. On the other hand, it is celebrated for creating a progressive placelessness in which memories may develop unencumbered by the restrictions, antagonisms and exclusivity of boundaries, borders and rootedness. Yet, an increasingly everted and pervasive 21st century Internet – and t

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14

Busch, Fred. "Understanding the Patient's use of the Method of Free Association: an Ego Psychological Approach." Journal of the American Psychoanalytic Association 45, no. 2 (1997): 407–23. http://dx.doi.org/10.1177/00030651970450020701.

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While most of our methods of listening have been geared toward unearthing unconscious fantasies, those directed toward the ego's all-inclusive role in effecting the associative process have lagged far behind. It is the thesis of this paper that listening from the perspective of the ego allows the analyst to work more closely with what the patient is ready to understand. Clinical technique, using an ego psychological view, is elaborated, demonstrated, and compared to technique dependent on the reading of signs and symbols of the unconscious.

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15

Manning, Paul. "Just like England: On the Liberal Institutions of the Circassians." Comparative Studies in Society and History 51, no. 3 (2009): 590–618. http://dx.doi.org/10.1017/s0010417509000243.

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With Pushkin's narrative poem Prisoner of the Caucasus (1822), Circassians entered the Russian imperial imaginary as exemplary personifications of the savagery and freedom of the Caucasus as a whole (Layton 1994; 1997; Grant 2005; 2007). Accordingly, the Russian imagination of Circassian polity, now as egalitarian “free societies,” now as hierarchical aristocracies, now as “noble savages,” now as ignoble brutes, Muslim “fanatics,” or “Asiatic despots,” was a microcosm of the Russian colonial engagement with the Caucasus as a whole, often as not reflecting tensions in the self-perception of imp

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Oettingen, Gabriele, Hyeon-ju Pak, and Karoline Schnetter. "Self-regulation of goal-setting: Turning free fantasies about the future into binding goals." Journal of Personality and Social Psychology 80, no. 5 (2001): 736–53. http://dx.doi.org/10.1037/0022-3514.80.5.736.

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17

Atanasoski, Neda, and Kalindi Vora. "Surrogate Humanity: Posthuman Networks and the (Racialized) Obsolescence of Labor." Catalyst: Feminism, Theory, Technoscience 1, no. 1 (2015): 1–40. http://dx.doi.org/10.28968/cftt.v1i1.28809.

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Historical forms of domination and power, encompassed but not limited to social categories and hierarchies of difference, get built into seemingly non-human objects and the infrastructures that link them, thus sanitizing digital media technologies as human-free. Rather than questioning the epistemological and ontological underpinnings of the human, fantasies about the revolutionary nature of new media and technology developments as posthuman carry forward and re-universalize the historical specificity of the category “human” whose bounds they claim to surpass. To begin to theorize some of the

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18

Schoenfeld, C. G. "Omnipotence and the Law: A Psychoanalytically Oriented Analysis." Journal of Psychiatry & Law 16, no. 3 (1988): 421–58. http://dx.doi.org/10.1177/009318538801600306.

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This article seeks to illuminate the effect of unconscious infantile omnipotence fantasies upon the law and some of its major officials. First, psychoanalytic discoveries about the omnipotence ideas of infants and young children are detailed, and an attempt is made to relate these ideas to the current overestimation of the status and effectiveness of international law. Then the possible relationship between such infantile notions and today's incredible litigiousness is discussed. Considered next in the light of infantile omnipotence beliefs is a series of landmark Supreme Court decisions since

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19

Mayer, Daniela, Christina Bernhard, and Annette Peters. "Spielumwelten im Kindergarten: Auswirkungen auf Geschlechterunterschiede in Spielverhalten und Kompetenzentwicklung." Frühe Bildung 2, no. 4 (2013): 185–95. http://dx.doi.org/10.1026/2191-9186/a000115.

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Die explorative Studie hatte zum Ziel, die Auswirkungen von Spielumwelten im Kindergarten auf Geschlechtertrennung im freien Spiel sowie auf Geschlechterunterschiede im Spielverhalten und der Entwicklung von Mädchen und Jungen in den Bereichen sozial-emotionale Kompetenzen und räumliches Denken zu untersuchen. Die geschlechtstypischen Spielbereiche Bau- und Puppenecke wurden zu einem geschlechtsneutral gestalteten Spielbereich zusammengelegt. Vor und zwei Monate nach der Umgestaltungsmaßnahme wurden in der Kindergartengruppe (14 Mädchen, 10 Jungen) das gleich- und gemischtgeschlechtliche Spiel

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20

du Bois, R. "Wie gefährlich sind Jugendliche, die Massenmord in ihren Schulen androhen?" Nervenheilkunde 29, no. 07/08 (2010): 431–35. http://dx.doi.org/10.1055/s-0038-1628788.

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ZusammenfassungGegenstand und Ziel: Das kriminologische Täterprofil bei Massenmorden an Schulen reicht nicht aus, um zu verstehen, warum einzelne Jugendliche zu Tätern werden. Es sollen zusätzliche Erkenntnisse gewonnen werden, die geeignet erscheinen, eine Risikopopulation zu definieren und einzuengen. Material und Methoden:Die kriminologische und forensisch psychiatrische Literatur wird ausgewertet und mit klinischen Erfahrungen verglichen. Die klinischen Erfahrungen werden in Anlehnung an die OPD-KJ-Strukturachse operationalisiert. Sowohl das kriminologische wie das psychiatrische Risiko wi

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21

Guedes, Pedro. "Free Plan for the 1850s: Forgotten Imagined Architectures from Mid-Century." Architectural History 57 (2014): 239–75. http://dx.doi.org/10.1017/s0066622x0000143x.

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This study focuses on two little-known mid-nineteenth-century pamphlets which proposed radical changes to the ways in which large public and administrative buildings were planned. Although one author went to some lengths to remain anonymous, the other was soon to become recognized and respected as a major critic and historian of architecture. These ideas were thus by no means the fantasies of peripheral dreamers. Indeed, they were possible, practical solutions to current problems which used both proven and emerging technologies. Both authors advocated deep, top-lit, single-storey, ‘universal’,

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LAWRENCE, BRUCE B. "DALE F. EICKELMANAND JON W. ANDERSON, ED., New Media in the Muslim World: The Emerging Public Sphere (Bloomington and Indianapolis: Indiana University Press, 1999). Pp. 199. $39.95 cloth, $15.95 paper." International Journal of Middle East Studies 33, no. 1 (2001): 167–69. http://dx.doi.org/10.1017/s0020743801471066.

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The debate about the Internet revolution has been marked by a double dystopia. One comes from the Scandinavian cybernauts who are far more extensively wired than their West European, or even North American, counterparts. In “Digital Arrogance,” the Swedish media scholar Andreas Kitzmann laments that the global expansion of multimedia technology and cyber-culture “is motivated not by the promise of human emancipation and enlightenment but by fantasies of power and complete control.” The South Asian cultural critic Ziauddin Sardar is even more harsh. “Cyberspace is social engineering of the wors

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Silva, Marta Regina Paulo da. "LER O MUNDO, DIZER O MUNDO: OS BEBÊS E SUAS LINGUAGENS." Olhares: Revista do Departamento de Educação da Unifesp 4, no. 2 (2016): 77–93. http://dx.doi.org/10.34024/olhares.2016.v4.613.

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Este artigo tem por objetivo compartilhar o trabalho realizado com bebês de 6 a 18 meses em três creches municipais, sendo este vinculado ao subprojeto PIBID “Brincadeiras de agora, brincadeiras de outrora: as crianças e a produção das culturas infantis”. Fundamentado em Paulo Freire, em especial nos conceitos de dialogicidade e amorosidade, em uma interlocução com outros estudos e pesquisas na área da infância, são apresentadas aqui algumas atividades realizadas com os bebês no intuito de instigar sua curiosidade, fantasia, imaginação e inventividade, potencializando assim suas e

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Chimitov, Vyacheslav N. "“CONNECTED TO HIS TIMES”: THE ORIGINS OF N.D. GRITSIUK’S ABSTRACT COMPOSITIONS FROM THE SERIES “FANTASIES AND INTERPRETATIONS”." Articult, no. 3 (2020): 107–16. http://dx.doi.org/10.28995/2227-6165-2020-3-107-116.

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The article considers the late works of the Novosibirsk artist N.D. Gritsiuk and analyzes several pieces from the series “Fantasies and Interpretations” which was a vehicle for his free self-expression. In some abstract compositions of the late 1960s and early 1970s, Gritsiuk strives to make sense out of the contemporary political events, through the use of metaphorical imagery which occasionally turns into an allegorical language. The main source of this technique are the numerous “doodles” and autographs of the artist which reflect the automatism and intuitive quality of his writing. The met

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Jarfe, Günther. "A Few Provisional Observations Concerning Gabriel Josipovici’s Story ‘Steps’." European Judaism 52, no. 1 (2019): 51–54. http://dx.doi.org/10.3167/ej.2019.520108.

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This article tries to elucidate Gabriel’s story ‘Steps’ to some extent. Here, as elsewhere, the narrator’s deliberate failure to clearly separate actual from imaginary facts and incidents causes problems of understanding. Initially, we are told that the protagonist has long been living in Paris. A little later, however, we hear that he has moved to Wales with his second wife. So where does the man live? While other stories remain ambiguous throughout, ‘Steps’ seems less impenetrable. The protagonist, we learn, often indulged fantasies when he went for his strolls in Paris and is quoted as sayi

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Clynes, Manfred. "Methodology in Sentographic Measurement of Motor Expression of Emotion: Two-Dimensional Freedom of Gesture Essential." Perceptual and Motor Skills 68, no. 3 (1989): 779–83. http://dx.doi.org/10.2466/pms.1989.68.3.779.

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Measures of motor expression of specific emotions recently reported by Trussoni, et al. in 1988 in this journal used large one-dimensional displacement (7 cm or more, vertical) as a measure, and not pressure, free in two dimensions as in the sentographic measurement of dynamic form used by Clynes. But to be forced to provide such one-dimensional movement strongly inhibits emotional expression. Additional problems of using displacement are discussed, including resetting. Also, to obtain adequate emotion generation experimentally, it is desirable to use the emotion-generating properties of a flo

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Frawley-O'Dea, Mary Gail. "Free to Fantasize: The Impact of Psychoanalytically Informed Psychotherapy on the Fantasy Life of Adult Survivors of Childhood Sexual Abuse." Journal of Child Sexual Abuse 6, no. 2 (1997): 93–105. http://dx.doi.org/10.1300/j070v06n02_06.

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28

King, Jayne. "WomenWork It On Out: An Intergenerational Encounter through Dance." Congress on Research in Dance Conference Proceedings 40, S1 (2008): 151–60. http://dx.doi.org/10.1017/s2049125500000637.

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In “Dance Narratives and Fantasies” Angela Mc Robbie writes that for generations of women dance has represented “an arena for self expression … away from the difficulties of everyday life. … a symbolic escape route from the more normative expectations of young women.” “I dance because it … makes me feel free,” writes Ms Mae, one of twenty seniors who participated in Work It On Out, a community dance project that brought elders together with dance majors at Northwest Vista College. Sharing dances and stories about dance, we would form a unique intergenerational community to celebrate a woman's

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Iqbal, Muh. "WAHYU PERTAMA AL-QUR'AN SEBAGAI PONDASI METAFISIKA PENDIDIKAN ISLAM." EDUSOSHUM: Journal of Islamic Education and Social Humanities 1, no. 1 (2021): 01–15. http://dx.doi.org/10.52366/edusoshum.v1i1.2.

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There are three aspects of education that can be taken from the first five verses of surah Al-Alaq, is divine education (tauhid), intellectual education (intellect) and skills education. Education cannot be separated from things that are free from physical reach (metaphysics), for example tauhid education, the delivery of material or lessons must be in accordance with facts, not just fantasies, assumptions, and illusions. This paper uses a library research with data sources in the form of scientific articles, books, documents, journals, and other sources that are library in nature. The data co

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30

RILEY, MATTHEW. "ANNETTE RICHARDS THE FREE FANTASIA AND THE MUSICAL PICTURESQUE Cambridge: Cambridge University Press, 2001 pp. xiii + 256, ISBN 0 521 64077 6." Eighteenth Century Music 2, no. 1 (2005): 146–48. http://dx.doi.org/10.1017/s147857060527029x.

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Ackers, Peter. "Protestant Sectarianism in Twentieth-Century British Labour History: From Free and Labour Churches to Pentecostalism and the Churches of Christ." International Review of Social History 64, no. 1 (2019): 129–42. http://dx.doi.org/10.1017/s0020859019000117.

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The British educated classes have long worried and fantasized about working-class religious belief and unbelief. Anglican churchmen feared Methodist “enthusiasm” in the eighteenth century, radicalism in the aftermath of the French Revolution, and urban, industrial irreligion after the 1851 Religious Census on churchgoing. In a mirror image of these old anxieties, most labour historians have wished away Christianity in the twentieth century. The long-standing shared socialist teleology of Marxists and Fabians leads to the modern, socialist labour movement. In this Marxian take on secularization

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Paye, Michael. "Regulating Desire: The Nature of Exhaustion in Ali Smith’s Hotel World and Ewan Morrison’s Tales from the Mall." Humanities 8, no. 1 (2019): 51. http://dx.doi.org/10.3390/h8010051.

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This article offers an ecocritical analysis of Ali Smith’s Hotel World (2001) and Ewan Morrison’s Tales from the Mall (2012). Through a combination of the world-ecology paradigm, feminist approaches, and queer theory, I argue that these texts connect normative desires to capitalism’s “organization of nature.” The opening section of the article links Nancy Fraser’s work on social reproduction to Jason Moore’s argument that nature, in world-ecological terms, provides the “free gifts” (of work, energy, and even care) necessary for capitalist productivity. Morrison’s and Smith’s texts register thi

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CG, Tsipouridis, X. Papanikolaou, and Stylianidis DC. "Adaptation of peach-nectarine varieties to different soil and climatic conditions of Greece." Horticultural Science 29, No. 1 (2012): 26–34. http://dx.doi.org/10.17221/4467-hortsci.

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Forty two peach-nectarine (Prunus persica [L.] Batsch.) varieties (i.e Spring Time, Precocissima Morettini, Southhaven, Halehaven, Blazing Gold, Cardinal, Gialla Precoce Morettini, Dixired, Fertilia Morettini, Golden Jubilee, Coronet, Red Haven, Red Globe, Cotonia Massima, Morettini 5/14, Peach of Station, Alexander, Early Elberta, Elberta of Middle Season, Beauty of Georgia, J.H. Hale, Late Elberta, Gold Drest, Morettini No. 1, Jerseyland, Desert Gold, Red Cup, Spring Crest, Loring, June Gold, Merril Gem Free, Early Red, Red Skin, Merril Fortyminer, Roubidoux, Fantasia, Sunhaven, Flavour Top,

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Soelton, Mochamad, Tati Nugrahati, and Rajab Ritonga. "WHAT IF OUR BELOVED CHILDREN ARE ADDOCTED TO PHONESEX?" ICCD 2, no. 1 (2019): 273–76. http://dx.doi.org/10.33068/iccd.vol2.iss1.125.

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Adolescence is a time of rapid changes in the process of physical, cognitive and psychosocial or behavioral andhormonal growth. At the age of adolescence, namely the age range of 15 to 18 years adolescents will experiencethe first puberty, even some children experience puberty more quickly, which is around 10-13 years. In puberty,there is a strong urge that comes from within the individual to know something that he had neverknown. Circumstances like this that encourage adolescents in this case to try new things in life, including freesex (free sex). Sexual activity via mobile phones has now mu

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Somaiya, Janaki. "Travel Images, Capitalism and the Ideology of Enjoyment." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 62–66. http://dx.doi.org/10.47659/m5.062.art.

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A commonly held assumption about social media is that because users create their own content such as images, videos and so on and thereby their own representations, social media are largely free from any ideological dispositions imposed from above. Creating images is a discursive practice, mediated by a myriad of social and cultural influences that we encounter in our everyday lives. Like in any other form of communication, certain image sharing practices become more dominant, where they intersect with a range of connotative meanings and their ideological dimensions. Within our current conjunc

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Priya, A. "Haruki Murakami’s Characters and Works-as the Representation of Postmodernism." Think India 22, no. 3 (2019): 56–62. http://dx.doi.org/10.26643/think-india.v22i3.8073.

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As one of the most outstanding Japanese authors, Haruki Murakami always comes up with excellent ideas of surrealistic stories. The Postmodern condition is evident in most of Murakami’s novels. A sense of alienation of character and world is evident by a language medium invented to form a kind of rhythmic syntax structure which complements the illustration of the main characters’ subconscious fears and paranoia in the course of his exploration of a seemingly chaotic world. His portrayal of characters is unique and significant that expresses the dichotomy of characters who fight between reality

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Rao, Ursula, and Graham William Greenleaf. "Subverting ID from above and below: The uncertain shaping of India’s new instrument of e-governance." Surveillance & Society 11, no. 3 (2013): 287–300. http://dx.doi.org/10.24908/ss.v11i3.4496.

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This article traces the contours of a new biometric project in India that aims to develop a universal biometric database for the unique identification of India’s residents (UID, The Indian Unique Identification Project). It was launched in 2009 and by mid-2013 registered 430 million enrolments, making it the largest biometric experiment in the world. What is the rationale for and structure of this new instrument of governance and how does it affect the relation between citizens and state institutions? We discuss the legal framing of the project and present an ethnographic case study about its

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Meiri, Sandra, and Odeya Kohen Raz. "Fellini's 8½: Dreams, guilt, casting and 'the code of codes' of the cinematographic image." Journal of Italian Cinema & Media Studies 8, no. 1 (2020): 5–22. http://dx.doi.org/10.1386/jicms_00002_1.

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Abstract This article argues that Guido's two dreams in Federico Fellini's 8½ reflect guilt stemming from his inability to meet his mother's expectations to remain chaste and pure. This is a faulty belief based on an early childhood memory representing Guido's mixed feelings of sexual exaltation and shame, resulting in fantasies that attempt to solve the riddle of his mother's desire. The film thus raises the question of fantasy 'what does the Other want from me?' and shows that assuming to know the answer involves guilt, stagnation and indecisiveness. This becomes evident in the screentests s

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Hudson, Dale. "Toward a Cinema of Contact Zones." Afterimage 47, no. 4 (2020): 26–49. http://dx.doi.org/10.1525/aft.2020.47.4.26.

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Dubai is often defined by aerial shots of its landmark architecture in Bollywood and Hollywood films. By activating fantasies of seeing the whole city, the lived social realities of the city’s inhabitants fade from view. With Ali F. Mostafa’s City of Life (Dar al-haya, 2009, United Arab Emirates) as an example, this article explores the possibility of a cinema of contact zones, drawing upon Dubai’s historical interconnections with the world through intersecting globalizations. The film offers parallel narratives about different classes of residents that overlap, mingle, compete, align, and rea

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Matheus, Tiago Corbisier, and Ricardo Bresler. "Organização, este obscuro objeto do desejo? Caminhos da sexualidade nas organizações." Organizações & Sociedade 9, no. 25 (2002): 163–74. http://dx.doi.org/10.1590/s1984-92302002000300010.

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Nas últimas décadas, a Organização passa a ocupar lugar privilegiado na dinâmica dos investimentos libidinais dos indivíduos. Seja como a sedutora, que se mostra completa, e por isso mesmo de uma exigência radical, impondo ao sujeito a angus tia de nunca estar à altura de sua grandiosidade; seja como figura totalitária, que se coloca como mal necessário, tirânica e dominadora, ainda que difamada, se mostra como condição de sobrevivência do sujeito. Partindo da noção de sexualidade fundada na teoria freudiana, este trabalho pretende discutir alguns caminhos que a libido vem tomando em sua dimen

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Kapołka, Karolina. "Les tourments de l’absence dans Gazole de Bertrand Gervais." Quêtes littéraires, no. 2 (December 30, 2012): 152–61. http://dx.doi.org/10.31743/ql.4636.

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In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touch

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Krumm, Bernard. "Mammon in the Market; or, How Ben Jonson Learned to Stop Worrying and Love Capitalism." Ben Jonson Journal 28, no. 1 (2021): 37–65. http://dx.doi.org/10.3366/bjj.2021.0299.

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I will argue that the “middle comedies” of Ben Jonson, specifically The Alchemist and Bartholomew Fair, address concerns that are not only social and economic but also political in nature. Or, to put it another way, the economic issues that these plays address are also political. As the economic landscape shapes social life in city comedy, so too do political concerns exert an important, if perhaps less apparent, influence over the plays that I will examine here. In The Alchemist, Sir Epicure Mammon fantasizes about relocating to a “free state” so that he may enjoy the pleasures that his newly

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Stević, Aleksandar. "CONVENIENT COSMOPOLITANISM:DANIEL DERONDA, NATIONALISM, AND THE CRITICS." Victorian Literature and Culture 45, no. 3 (2017): 593–614. http://dx.doi.org/10.1017/s1060150317000067.

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The specter of cosmopolitanismhauntsDaniel Deronda. In a curious reversal of critical fortune, the novel condemned by many of its initial reviewers for dabbling into obscure mystical doctrines and for pontificating far too explicitly about the significance of narrow loyalties and local attachments has recently come to embody a scrupulous investigation of cosmopolitan ethics. The sources of this radical shift in the understanding ofDaniel Deronda’s politics are theoretical as much as they are interpretative. For some time now, humanistic scholarship has been simultaneously attracted to cosmopol

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Mits, Oksana. "The genre of the piano miniature in the creative work of M. Moszkowski." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 136–48. http://dx.doi.org/10.34064/khnum1-50.10.

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Statement of the problem. Recently, there has been growing interest in the personality of the outstanding Polish composer, pianist, teacher and conductor M. Moszkowski (1854–1925), whose creativity occupies a significant place in the history of European musical art of the second half of the nineteenth – early twentieth centuries. The multifaceted composer’s legacy of M. Moszkowski gives a large variety of materials for researchers. His piano creativity, which encompasses composing, performing, teaching and editorial activities, is an outstanding phenomenon in the European musical culture. One

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Mazon, Luciana Maria, Ariane Wohel, Esvaldo Antunes, Sussane Stritzinger Cassias, Alexandre Engel, and Hellen Natali Correa Lagos Guimaraes. "Utilizando metodologias ativas para a educação permanente em saúde para qualificação do Programa Saúde na Escola." Saúde e meio ambiente: revista interdisciplinar 6, no. 3 (2017): 9. http://dx.doi.org/10.24302/sma.v6i3.1674.

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INTRODUÇÃO: A Educação Permanente em Saúde (EPS) é uma proposta ético-político-pedagógica que visa transformar e qualificar a atenção à saúde, os processos formativos, as práticas de educação em saúde, além de incentivar a organização das ações e dos serviços numa perspectiva intersetorial (BRASIL, 2004). Nesse contexto as metodologias ativas surgem como proposta para focar o processo de ensinar e aprender na busca da participação ativa de todos os envolvidos, centrados na realidade em que estão inseridos. Como enfrentamento ao modelo tradicional imposto e aceito ao longo do tempo, tem-se lanç

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Cardoso, Clodoaldo Meneguello. "DOSSIÊ: A literatura infantil na educação em direitos humanos: fundamentos e ideologia." Revista Interdisciplinar de Direitos Humanos 9, no. 1 (2021): 7–10. http://dx.doi.org/10.5016/ridh.v9i1.34.

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Já se vão 40 anos que Maria de Lourdes Chagas Nosella publicou, pela Editora Moraes (1981), sua dissertação de mestrado com o título: As belas mentiras: a ideologia subjacente aos textos didáticos. Dando continuidade à tarefa, que Umberto Eco e Marisa Bonazzi realizaram em livros didáticos na Europa, com tradução aqui como: Mentiras que parecem verdades (Summus, 1980), Nosella trouxe essa crítica ideológica para a realidade brasileira. Com o avanço e fortalecimento das lutas de resistência à ditadura militar e a visão da escola como aparelho ideológico do Estado (Althusser), o livro As B

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Souza Junior, Osmar Moreira de, and Glauco Nunes Souto Ramos. "Apresentação Seção Especial Motricidades (v. 5, n. 1, seç. esp.)." MOTRICIDADES: Revista da Sociedade de Pesquisa Qualitativa em Motricidade Humana 5, no. 1 (2021): 93–95. http://dx.doi.org/10.29181/2594-6463-2021-v5-n1-secesp-p93-95.

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Convidados para contribuir com a organização da Seção Especial da Motricidades sobre Educação Física Escolar, fomos provocados pelos editores no sentido de compartilhar “algumas amostras” da produção de conhecimentos emergentes de contextos pedagógicos dos/as professores(as)-pesquisadores(as) participantes do Programa de Mestrado Profissional em Educação Física em Rede Nacional (ProEF). O ProEF está inserido no Programa de Mestrado Profissional para Professores da Educação Básica (ProEB), lançado em 2011. Trata-se de uma política de formação continuada stricto sensu dos(as) professores(as) em

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Felfeli-Crawford, Karishmeh. "Analysing Mozart's Fantasia K.475 through Intersections of Schematic and Schenkerian Thought." Journal of the Society for Musicology in Ireland, January 15, 2020, 123–62. http://dx.doi.org/10.35561/jsmi14198.

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This article orientates an investigation of the late eighteenth-century fantasia around a case study of Mozart's Fantasia in C Minor K.475, relating its findings to an array of historical contexts generating new insights into a genre, which remains 'an inherently problematic object of study' compared to formally closed genres of sonata and rondo (Richards 2001:15). Musicological literature on the subject has focused mainly on keyboard fantasias by C.P.E. Bach (1714-1788) as well as on nineteenth-century fantasias by Beethoven, Schubert, Schumann, Liszt et al. The dearth of analytical engagemen

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Karpinski, Eva C. "Transversal Alliances: White Fantasies of Indigeneity in Suzanne Desrochers’s Bride of New France." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 3, no. 1-2 (2013). http://dx.doi.org/10.33776/candb.v3i1-2.3042.

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Suzanne Desrochers' novel Bride of New France (2011) constructs interesting historical transnationalities linking the French biopolitics of population implemented by Louis XIV, with the story of filles du roi and encounters with indegeneity in colonial New France. Although her narrative explores the possibility of illicit transversal alliances between the oppressed, in this case involving a poor white French woman and an indigenous man, I argue that its potential to reconfigure gendered and racialized spaces of the Empire is thwarted by its generic indebtedness to the genre of the colonial got

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Permata Widjayanti, Ellita, and Chaerul Anwar. "Fanfiction: Morality Challenges in Hyperreality Worlds." KnE Social Sciences, November 11, 2020. http://dx.doi.org/10.18502/kss.v4i14.7904.

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In 4.0 era, in which popular culture is flourishing, fanfiction is experiencing rapid growth. Many fans write about their idols, characters in movies, anime, games, and TV series. They make simulations, create simulacra, and hyperreality. Unfortunately, there are many fan-fiction productions which have pornographic content that is not in accordance with Indonesian cultural norms and moral ethics. This then becomes a moral challenge for the nation, especially for the youth, as they have free access to the internet. This research aims to look the challenges of morality within fanfiction, explain

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