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Dissertations / Theses on the topic 'Freischütz (Weber, Carl Maria von)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Müller, Meinard, Thomas Prätzlich, and Christian Dittmar. "Freischütz Digital: When Computer Science Meets Musicology." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23347.

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2

Hontanilla, Alfonso Pedro. "Estudio sobre la utilización del lenguaje armónico con fines expresivos. Un modelo de aplicación: la ópera Der Freischütz de Carl Maria von Weber." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90433.

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Estudio sobre la utilización del lenguaje armónico con fines expresivos. Un modelo de aplicación: la ópera Der Freischütz de Carl Maria von Weber Doctorando: Pedro Hontanilla Alfonso ABSTRACT Throughout history, societies have used organised sound as music in different fields in their activities. From soft songs to sleep babies to energetic war marches, with cheerful festive songs or religious invocations, music scorts human beings as an inherent expression of its existence, and on each of these areas, music adapts to the features of each situation. Something similar happens with abstra

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3

Jergle, Almquist Fredrik. "Carl Maria von Weber: Fagottkonsert och operan Der Freischütz : En undersökning om att inspireras av annan musik av samma kompositör för att kunna göra en mer välgrundad interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3050.

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Carl Maria von Weber är en av de första romantiska kompositörerna. Han skrev främst opera men även en fagottkonsert som är en grundpelare i fagottrepertoaren. I den här examensuppsatsen studeras och jämförs Webers opera Der Freischütz och hans fagottkonsert i F-dur i syfte att få en mer välgrundad tolkning av fagottkonserten. Undersökningen genomfördes med studier av Webers historia, studier av notmaterial från fagottkonserten och operan Der Freischütz, lyssnande av operan och sedan analys och jämförelser av de två verken. Referensmaterielat är John Warracks bok Carl Maria von Weber från 1968,

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4

Betzwieser, Thomas. "Kann man eine musikalische Interpretation ‚edieren‘?: Anmerkungen zur Freischütz-Aufnahme von Eugen Jochum und ihren Quellen." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A20964.

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5

Schreiter, Solveig. "„Kann ich denn den Diebshändler Zulehner nicht gerichtlich belangen?“: Die Auseinandersetzungen um Carl Zulehners ‚Geschäfte‘ mit dem Freischütz vor dem Hintergrund der Entwicklung des Urheberrechts in Deutschland." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23353.

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6

Terzer, Armin. "Transcribing Symphonic Repertoire for Eight Horns: Principles and Process Leading from Sources of Inspiration to Final Product." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/366660.

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While music for all sizes of horn ensembles is becoming more popular, with arrangements and original compositions appearing in increasing numbers, literature on how to transcribe symphonic repertoire is sparse. Focusing on transcribing for eight horns, this dissertation provides an overview of the current state of transcribing for horn octet, followed by an in-depth analysis of the practice of the author, comparing it to that of other major exponents in the field. The main areas examined are the use of the horn and its extended techniques, the treatment of the horn octet as a chamber ensemble,

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7

Schroer, Markus. "Carl Maria von Webers Oberon." Münster Agenda-Verl, 2003. http://d-nb.info/998836613/04.

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8

Wagner, Wolfgang Michael. "Carl Maria von Weber und die deutsche Nationaloper /." Mainz ; London ; Paris : Schott, 1994. http://catalogue.bnf.fr/ark:/12148/cb35806555j.

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9

Wolanski, Andrzej. "Zbigniew Kościów, Karol Maria Weber. Opowiesc biograficzna, Opole 1996 [Carl Maria von Weber. Biographische Erzählung, Oppeln 1996] [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222943.

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10

Heidlberger, Frank. "Carl Maria von Weber und Hector Berlioz : Studien zur französischen Weber-Rezeption /." Tutzing : H. Schneider, 1994. http://catalogue.bnf.fr/ark:/12148/cb356978465.

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11

Schreiter, Solveig. "Das Libretto zu Carl Maria von Webers Oberon." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-132072.

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Das Libretto zu Webers letzter Oper Oberon von James Robinson Planché hat seit seiner Entstehung nicht nur viel Kritik hervorgerufen, sondern auch das Image der Oper bis heute geprägt. Zahlreiche Bearbeitungsversuche, besonders die deutsche Übertragung von Karl Gottfried Theodor Winkler betreffend, zeugen davon das Werk verändern zu wollen. Die Dissertation unternimmt durch die eingehende und umfassende Betrachtung und Auswertung aller zum Textbuch gegenwärtig nachweisbaren authentischen und autorisierten überlieferten Quellen, die Einbettung in den zeitgenössischen Kontext der deutschen und

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12

Gould, Alannah. "The bassoon at the time of Carl Maria von Weber /." St. Lucia, Qld, 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16523.pdf.

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13

Schreiter, Solveig. "Das Libretto zu Carl Maria von Webers Oberon." Doctoral thesis, Hochschule für Musik Carl Maria von Weber Dresden, 2013. https://slub.qucosa.de/id/qucosa%3A4164.

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Das Libretto zu Webers letzter Oper Oberon von James Robinson Planché hat seit seiner Entstehung nicht nur viel Kritik hervorgerufen, sondern auch das Image der Oper bis heute geprägt. Zahlreiche Bearbeitungsversuche, besonders die deutsche Übertragung von Karl Gottfried Theodor Winkler betreffend, zeugen davon das Werk verändern zu wollen. Die Dissertation unternimmt durch die eingehende und umfassende Betrachtung und Auswertung aller zum Textbuch gegenwärtig nachweisbaren authentischen und autorisierten überlieferten Quellen, die Einbettung in den zeitgenössischen Kontext der deutschen und

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14

Wiermann, Barbara. "Musik und Bibliothek - Der Erweiterungsbau der Hochschule für Musik „Carl Maria von Weber“ Dresden." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2008. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1228925071708-19286.

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15

Lopez, Richard C. "The piano concertos of Carl Maria von Weber : precursors of the romantic piano concerto." Connect to resource, 1989. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228836117.

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16

Holtsträter, Knut. "„Drahtgestelle, die Wortdraperien tragen“: Zur Figurenführung in der Euryanthe von Helmina von Chézy und Carl Maria von Weber." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23336.

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17

Veit, Joachim. "Der Junge Carl Maria von Weber : Untersuchungen zum Einfluss Franz Danzis und Abbé Georg Joseph Voglers /." Mainz ; London ; Paris : Schott, 1990. http://catalogue.bnf.fr/ark:/12148/cb35350461x.

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18

Chen, Wen-Mi. "An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363864.

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19

Ziegler, Frank. "„… und jezt gerne einen Ruhigen Platz annehmen würde“: Edmund von Weber und seine Familie zwischen Rheinland, Lippe und Franken (1825–1831)." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23359.

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20

Warrack, John. "Beethoven, Weber and Berlioz: Imitation and influence." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23358.

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21

Murray, Lauren Baker. "The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides." Thesis, view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/murray%5Flauren%5Fbaker/index.htm.

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22

Beck, Dagmar. "Weber, Karl Förster und der Dresdner Liederkreis im Spiegel ihrer Tagebuchaufzeichnungen." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A20963.

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23

Capelle, Irmlind. "„Für gedrehte Eicheln an die Costüme zu Oberon“: Zur Kostüm-Ausstattung von Webers Oberon am Hoftheater in Detmold." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A20967.

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24

Tentler, Isabell, and Barbara Wiermann. "Musikwissenschaft total." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-130438.

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Die Arbeit wissenschaftlicher Bibliotheken setzt eine klare Orientierung an Nutzeranforderungen voraus. Die Weiterentwicklung der Dienstleistungsangebote erfordert präzise Definitionen der Bedürfnisse in Lehre und Forschung, die sich nur mit der wissenschaftlichen Community finden lassen. Die Jahrestagung der Gesellschaft für Musikforschung bot Gelegenheiten für diesen Austausch: das „Forum Virtuelle Fachbibliothek Musikwissenschaft“, den Roundtable „Musikgeschichtliche Quellen digital“ und den „SLUB-Tag“.

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25

Bandur, Markus. "Französische Jagdsignale im deutschen Wald: Zu Marc-Antoine Dampierres Halali-Fanfare in Webers Silvana." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A20961.

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26

Johnson, Luke D. "An examination of the works of Mother Earth by David Maslanka, English Folk Song Suite by Ralph Vaughan Williams, Symphony #1 In Memoriam Dresden - 1945 by Daniel Bukvich, and Concertino for B[flat] clarinet by Carl Maria Von Weber, OP. 26 arranged by M.L. Lake." Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/977.

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27

Eaverson, Anna K. "A graduate recital in wind band conducting featuring analysis of : Eric Ewazen's Symphony in brass, Shelley Hanson's Dances with winds, and Paul Hindemith's March from symphonic metamorphosis on themes by Carl Maria von Weber." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4137.

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Eaverson, Anna K. "A graduate recital in wind band conducting featuring analysis of: Eric Ewazen’s Symphony in brass, Shelley Hanson’s Dances with winds, and Paul Hindemith’s March from symphonic metamorphosis on themes by Carl Maria von Weber." Kansas State University, 2010. http://hdl.handle.net/2097/4137.

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Master of Music<br>Department of Music<br>Frank C. Tracz<br>This document was submitted to the Graduate School of Kansas State University as a partial requirement for the Master’s of Music Education degree. Enclosed is information pertaining to quality literature selection, a music education philosophy, theoretical and historical analyses, and rehearsal plans for the Graduate Conducting Recital of Anna K. Eaverson held on Wednesday, March 19, 2010. The analytical methods used in this document are based on the Blocher/Miles unit studies found in the Teaching Music Through Performance in Band

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29

"Stylistic change in the Lieder of C.M. von Weber, from the time of Abu Hassan (1811) to that of Der Freischütz (1820)." Chinese University of Hong Kong, 1992. http://library.cuhk.edu.hk/record=b5895751.

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by Wu Yuet-wah, Ruth.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1992.<br>Includes bibliographical references (leaves 93-99).<br>Chapter Chapter One : --- Introduction --- p.1<br>Chapter Chapter Two: --- The background of the Lieder and the two operas 一 Abu Hassan and Der Freischutz --- p.4<br>Chapter Chapter Three: --- The Style of Weber's Lieder Composed between 1810 and 1820 --- p.26<br>Chapter Chapter Four: --- The Stylistic Relationship of the Solo Songs of Abu Hassan and Der Freischutz with the Lieder --- p.73<br>Chapter Chapter Five: --- The Reception of Weber's Lieder --

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30

Ping, Shuai Cheng, and 帥正平. "The Conducting and Interpretation of Carl Maria von Weber Overture " Der Freischütz"." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/04280939380342496282.

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碩士<br>輔仁大學<br>音樂研究所<br>99<br>Abstract The German composer Carl Maria von Weber is one of the most important composers in the initial stage of Romantic school. His opera Der Freischütz is regarded as the most significant achievement in his life, and his instrumental music, chamber music, piano music, and vocal music are also extraordinary masterpieces. The appearance of Der Freischütz not only affected the development of German Romantic opera in the Western musical history, but also reached the aethetic goal of national identification in the form of national opera. Der Freischütz made its debu

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Tien, Chiang Hsin, and 江欣恬. "The Interpretation of the Character of Agathe in《Der Freischütz》by Carl Maria von Weber." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/68370509578689825968.

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32

Conroy, Thomas Martin. "Symphonic Metamorphosis on a Theme of Carl Maria von Weber." Thesis, 2006. http://hdl.handle.net/1911/18886.

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Symphonic Metamorphosis on a theme of Carl Maria von Weber was inspired by Paul Hindemith's work of the same name. While Hindemith's title suggests that the original themes might have gone through transformations, he based his work not on themes, but on entire short pieces and changed very little of Weber's thematic material. I have selected the third piano duet, in F major, from Weber's Huit Pieces, Op. 60 as my source material. Having analyzed the motivic content, I derived new and expanded ideas of several prominent motives to create my work. Linear lines from the Weber have been transforme

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33

Deal, Bama Lutes Weber Carl Maria von Seaton Douglass. "The origin and performance history of Carl Maria von Weber's Das Waldmädchen." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04112005-153758/.

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Dissertation (PhD) Florida State University, 2005.<br>Advisor: Douglass Seaton, Florida State University, College of Music. Title and description from dissertation home page (viewed 6-20-07). Document formatted into pages; contains 196 pages. Includes biographical sketch. Includes bibliographical references.

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34

LO, YU-TING, and 羅友廷. "The Analysis and Interpretation of 《Clarinet Concerto No. 2 in E-flat major, Op. 74》 by Carl Maria von Weber." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/u4qp4q.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>106<br>Carl Maria von Weber(1786-1826)was a pioneer of German Romanticism music in the nineteenth century. In 1811, he composed Clarinet Concerto No. 2 in E-flat major,Op. 74, because of his friendship with clarinetist Heinrich Bärmann (1784-1847). Weber used musical style of the Polacca and strong operatic style in this clarinet work.The author will conduct an in-depth study of the composer and the clarinet concerto;also will provide an accurate analysis of the musical style and form. Hopefully this thesis will help and provide some references for each reader in t

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35

CHENG, YUNG-HSIN, and 鄭詠心. "The Analysis and Interpretation of《Grand Duo Concertant in E flat major For Clarinet and Piano》by Carl Maria von Weber." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/vetxx3.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>105<br>Carl Maria von Weber (1786-1826) was a representative German Romantic composer and pianist in the Nineteenth century. Several pieces of famous clarinet works were written by him, and among his works, Grand Duo Concertant for Clarinet and Piano, op.48 was written in 1817 for Johann Simon Hermstedt (1778-1846), who was a famous clarinetist in that time. The duet for clarinet and piano were used to compose this work; it is not only the conversation between two instruments, but also used virtuoso as well. This thesis presents the study of composition in three

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36

Liu, Yueh-Feng, and 劉悅楓. "The Analysis and Interpretation of Concerto No.1 in f minor for Clarinet and Orchestra, Op.73 by Carl Maria von Weber." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/s4xr4z.

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37

CHANG, CHIA-YUAN, and 張嘉媛. "The Analysis and Interpretation of Grand Duo Concertant in E flat major for Clarinet and Piano, Op.48 by Carl Maria von Weber." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/00904401472364643905.

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38

Shih, Cian-Siou, and 施芊秀. "Discussions of Basic Techniques Applied in Clarinet Pieces-Carl Maria von Weber Clarinet Concerto No.2 in Eb Major, Op.74 and Cyrille Rose Studies." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/tbg7wp.

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碩士<br>國立臺北藝術大學<br>音樂系碩士在職專班音樂專業師資教育組<br>99<br>This thesis focuses on basic techniques applied in Clarinet pieces, and provides studies which are corresponding to the basic techniques. Chapter one states the research motive and the purpose as well as the research range and method. Chapter two, the development of clarinet and the introduction of composers, introduces the origin and the development of clarinet, and the composers, Cyrille Rose and Carl Maria von Weber. Chapter three stresses on the virtuosity of finger from the aspects of scales and arpeggio. Chapter four discusses the methods of

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39

Lin, Tzu-Yin, and 林姿吟. "A Discussion on Practice and Application of Basic Clarinet Skill - Case Cyrille Rose Studies for Clarinet and Carl Maria von Weber Concerto for Clarinet and Orchestra Op. 73, No. 1." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/ey7r7s.

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碩士<br>國立臺北藝術大學<br>音樂系碩士在職專班音樂專業師資教育組<br>105<br>This research based on my own teaching experience and learning process discusses the practice and application of basic clarinet skills. This is a comprehensive analysis and discussion according to the problems occurred during teaching, observation of students'' learning process and relevant references. Cyrille Rose was the famous clarinetist and educator in the 19th century in France. One of his great contributions in teaching wasthose Clarinet Etudes, including basic skills applied for all kinds of music, which were essential etudes to learn how

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