Relevant bibliographies by topics / French Art pottery

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Academic literature on the topic 'French Art pottery'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "French Art pottery"

1

Dickinson, Oliver. "Coulié, Anne 2013. La céramique grecque aux époques géometrique et orientalisante (XIe–VIe siècles av.J.-C.)." Journal of Greek Archaeology 3 (January 1, 2018): 461–63. http://dx.doi.org/10.32028/jga.v3i.544.

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This is a finely produced volume, but the title of the series to which it belongs is significant. It is a manual, written in clear, uncomplicated French, which provides information in a succinct way, but includes more detail than most people will need about these interesting phases of Greek pottery, even (from the reviewer’s experience) if they are teaching them as part of a university course in Greek art. But it will be generally useful as an up-to-date source of information and comment and should be of considerable value to PhD students specialising in the field.
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Karyakina, Tatyana Dmitrievna. "Portrait in Western European porcelain of the XVIII century." Исторический журнал: научные исследования, no. 5 (May 2021): 9–20. http://dx.doi.org/10.7256/2454-0609.2021.5.36215.

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This article is dedicated to portrait images in Western European porcelain of the XVIII century. Research is conducted on the works created in various European countries, such as Germany (Meissen), France (Sevres), Austria (Vienna), and England (Wedgwood Pottery Manufactory). Prominent masters of porcelain –Kendler, Boizot, Grassi – are the authors of the portraits. Sculptural portrait images of August III – painter of the court of the French Queen Marie Antoinette and the Holy Roman Emperor Joseph II are notable for exquisite artistic merit. The article reviews p
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Arden, Heather, and Kathryn Lorenz. "The Harry Potter Stories and French Arthurian Romance." Arthuriana 13, no. 2 (2003): 54–68. http://dx.doi.org/10.1353/art.2003.0005.

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4

Quillen, Ethan G. "The Justice Potter Stewart Definition of Atheism." Alternative Spirituality and Religion Review 11, no. 2 (2020): 197–234. http://dx.doi.org/10.5840/asrr2021102976.

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In 1964, the United States Supreme Court affirmed by its decision in Jacobellis vs. Ohio that the French art film, Les Amants, was not, as the State of Ohio had previously defined it, “hardcore pornography.” In his concurrent opinion, Justice Potter Stewart wrote that, though he couldn’t properly define what might constitute “hardcore pornography,” it was something that would be obvious to most of us, especially when compared to a bawdy, yet otherwise harmless, foreign film. His exact words were: “but I know it when I see it.” And while Justice Stewart’s simple acknowledgment that we might “kn
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 3-4 (1997): 317–91. http://dx.doi.org/10.1163/13822373-90002612.

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-Leslie G. Desmangles, Joan Dayan, Haiti, history, and the Gods. Berkeley: University of California Press, 1995. xxiii + 339 pp.-Barry Chevannes, James T. Houk, Spirits, blood, and drums: The Orisha religion in Trinidad. Philadelphia: Temple University Press, 1995. xvi + 238 pp.-Barry Chevannes, Walter F. Pitts, Jr., Old ship of Zion: The Afro-Baptist ritual in the African Diaspora. New York: Oxford University Press, 1993. xvi + 199 pp.-Robert J. Stewart, Lewin L. Williams, Caribbean theology. New York: Peter Lang, 1994. xiii + 231 pp.-Robert J. Stewart, Barry Chevannes, Rastafari and other Af
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Chinita, Fátima. "A Tale of Sound and Fury Signifying Everything: Argentine Tango Dance Films as Complex Self-Reflexive Creation." Acta Universitatis Sapientiae, Film and Media Studies 20, no. 1 (2021): 68–85. http://dx.doi.org/10.2478/ausfm-2021-0015.

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Abstract This article equates the multidimensional artistic form of Argentine tango (dance, music and song) with the innately hybrid form of film. It compares Argentine tango culture to the height of French cinephilia in the 1950s Paris, France, arguing that they are both passionate, erotic and nostalgic ways of life. In Carlos Saura’s Tango (1998) and Sally Potter’s The Tango Lesson (1997), the intertwining of the related skills of tango practice and filmmaking are an audio-visual treat for the senses and a cognitive challenge for the mind. Their self-reflexivity promotes excess and the resul
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Rybina, M. S. "EKPHRASIS AS MEMORY SPACE IN M. PROUST’s “PORTRAITS DE PEINTRES”." Bulletin of Udmurt University. Series History and Philology 32, no. 3 (2022): 630–35. http://dx.doi.org/10.35634/2412-9534-2022-32-3-630-635.

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The article considers ekphrasis as one of the ways to create visual images in M. Proust’s “Portraits de Peintres”. The relevance of the research is resulted from arising interest to the phenomenon of literary visuality as well as the absence of specialised works devoted to the early lyric cycle of French modernist. The purpose of the article is to analyse devices of intersemiotic translation from a visual impression into a verbal description. Despite the full neglect on the part his contemporaries and researchers’ scepticism to Proust’s sole lyric cycle, this early experience contains, in our
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8

Dewald, Jonathan. "David Potter. War and Government in the French Provinces: Picardy 1470-1560. Cambridge and New York: Cambridge University Press, 1993. xv + 393 pp. $69.95." Renaissance Quarterly 48, no. 3 (1995): 625–26. http://dx.doi.org/10.2307/2862883.

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9

Hartkamp, Arthur, and Beatrijs Brenninkmeyer-De Rooij. "Oranje's erfgoed in het Mauritshuis." Oud Holland - Quarterly for Dutch Art History 102, no. 3 (1988): 181–232. http://dx.doi.org/10.1163/187501788x00401.

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AbstractThe nucleus of the collection of paintings in the Mauritshuis around 130 pictures - came from the hereditary stadholder Prince William v. It is widely believed to have become, the property of the State at the beginning of the 19th century, but how this happened is still. unclear. A hand-written notebook on this subject, compiled in 1876 by - the director Jonkheer J. K. L. de Jonge is in the archives of the Mauritshuis Note 4). On this basis a clnsor systematic and chronological investigation has been carried out into the stadholder's. property rights in respect of his collectcons and t
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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 69, no. 3-4 (1995): 315–410. http://dx.doi.org/10.1163/13822373-90002642.

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-Dennis Walder, Robert D. Hamner, Derek Walcott. New York: Twayne Publishers, 1993. xvi + 199 pp.''Critical perspectives on Derek Walcott. Washington DC: Three continents, 1993. xvii + 482 pp.-Yannick Tarrieu, Lilyan Kesteloot, Black writers in French: A literary history of Negritude. Translated by Ellen Conroy Kennedy. Washington DC: Howard University Press, 1991. xxxiii + 411 pp.-Renée Larrier, Carole Boyce Davies ,Out of the Kumbla: Caribbean women and literature. Trenton NJ: Africa World Press, 1990. xxiii + 399 pp., Elaine Savory Fido (eds)-Renée Larrier, Evelyn O'Callaghan, Woman version
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Books on the topic "French Art pottery"

1

Cartier, Jean. L' art céramique des Gréber, 1868-1974. Groupe de Recherches et d'Études de la Céramique du Beauvaisis, 2007.

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2

Sandra, Benadretti-Pellard, Musée d'art et d'industrie de Roubaix., and Musée d'art moderne (Céret, France), eds. La terre est si lumineuse: Chagall et la céramique : [exposition présentée à Vallauris, musée Magnelli, musée de la céramique, du 30 juin au 30 septembre 2007 ; à Roubaix, à la piscine, musée d'art et d'industrie André Diligent du 19 octobre 2007 au 20 janvier 2008 ; à Céret, au musée d'art moderne du 16 février au 25 mai 2008]. Gallimard, 2007.

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Cazaux, Edouard. Edouard Cazaux: Céramiste-sculpteur, art déco. Editions Monelle Hayot, 1994.

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4

Fanica, Pierre-Olivier. Céramiques impressionnistes et grès art nouveau: Barbotines, faïences et grès, Montigny-sur-Loing, Marlotte, 1872-1958. Sous Le Vent, 1988.

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5

Jacques, Inc Jason. Masterpieces of French art pottery, 1885-1910: October 27-December 31, 2005. Jason Jacques, Inc., 2005.

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Katz, Marshall P. 19th century French followers of Palissy. M.P. Katz, 1994.

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Antoinette, Faÿ-Hallé, Heisbourg-Sulbout Francine, Thomas Thérèse, Réunion des musées nationaux (France), and Musée national de céramique (France). Service technique., eds. Villeroy & Boch, 1748-1985: Art et industrie céramique. Ministère de la culture, Editions de la Réunion des musées nationaux, 1985.

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8

Lambiotte, Maurice. Céramique contemporaine: Collection Maurice Lambiotte = Contemporary pottery. Norma, 2007.

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9

Cazenove, Yoland. Des reflets métalliques. Revue de la céramique et du verre, 2010.

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Fanica, Pierre-Olivier. Céramiques impressionnistes & grès art nouveau: Montigny-sur-Loing et Marlotte, 1872-1958. Massin, 2005.

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Book chapters on the topic "French Art pottery"

1

Hinton, David A. "Expressions of the Elites." In Gold and Gilt, Pots and Pins. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199264537.003.0007.

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Because both Gildas and Bede wrote of mutual antipathy between Britons and Anglo-Saxons, it used to be thought self-evident that their hostility was expressed by the cultural differences that appear so obvious in the formers’ Christianity, Celtic speech, hillforts, and unfurnished graves, and the latters’ cremations, furnished inhumations, sunken-featured buildings, great squareheaded brooches, and the like. Different ideas about the adaptations that had to be made to meet changing circumstances have led to reappraisals of extreme positions about racial exclusiveness, however, and emphasis is
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2

Rouet, Philippe. "Two Works by Pottier." In Approaches to the Study of Attic Vases. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198152729.003.0003.

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Abstract ‘The consequences of war,’ he said, ‘are never-ending. I learn in a letter from my excellent friend William Harrison that French science has been despised in England since 1871, and that the Universities of Oxford, Cambridge, and Dublin affect to know nothing of the manual of archaeology by Maurice Raynouard, even though it is likely to be of more use to students than any other work of its kind.
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Morgan, David W., and Kevin C. Macdonald. "Pots Sauvage." In Archaeological Perspectives on the French in the New World. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054391.003.0007.

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This chapter uses archival and archaeological data to identify the broad range of cultural trajectories that may have contributed to the creolization of the colonoware assemblage present at the Whittington site in Louisiana. Between 1788 and 1816 this site was the plantation residence of Marie-Thérèse Coincoin, a formerly enslaved woman of African parentage who found freedom through an extended liaison with a French bourgeois. Analysis focuses on colonowares deposited in a single household midden feature dating ca. 1788-1794, yet even such a narrow time slice produces a prodigious web of possi
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Bhatt, Ela R. "Vendors." In We Are Poor but So Many. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195169843.003.0005.

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Abstract Three generations ago, Lakshmiben Teta’s family grew melons and pumpkins on the Sabarmati riverbed and sold their produce in Manekchowk, Ahmedabad’s vegetable market. They lived outside the walled city in Chamanpura, an area that has long since become a working-class slum. Farmers, weavers, potters, cobblers, and other producers from the neighboring villages came into the city to sell their wares. With the advent of textile mills and other industry in Ahmedabad, the river water had so many industrial effluents that it could no longer support crops. While the men looked for work in the
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Harding, D. W. "Regional Diversity in Britain and Beyond." In Rethinking Roundhouses. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192893802.003.0007.

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Abstract Dating the transition from timber to stone roundhouses in Wales is fraught with similar issues as in Northern Britain, not least the poverty of material remains and lack of pottery. In south-west Wales, roundhouses occur in precipitous promontory fort locations, as they do in Cornwall. Cornwall also has distinctive settlements in ‘rounds’ and courtyard houses (some with ‘fogous’), both of which have origins in the pre-Roman Iron Age, but continue into the Roman period. In Ireland hillforts are now demonstrably Bronze Age, with some evidence for hierarchy of buildings in the Baltinglas
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Dove, Rita. "1elvin B. Tolson." In Invisible Giants. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195168839.003.0046.

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Abstract Levin was born in the right place-the United States of America, grand melting pot and Democratic experiment-but at the wrong time: Melvin B. Tolson, black poet and.fiery intellectual, had the grave misfortune of publishing his seminal work-Harlem Gallery, Book I: The Curator-in Ig65, at the height of the Black Power movement. A book-length poem centered around the struggles of three artists and their snooty clientele, Harlem Gallery eschews the easy sentiment of unilateral ethnic identity and pride but instead seeks to examine the contradictions and glorious ambivalences that being hu
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Golden, Catherine J. "Caricature and Realism." In Serials to Graphic Novels. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813062297.003.0005.

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At the fin de siècle, the Victorian illustrated book experienced what some critics consider a decline and others call a third period of development. “Caricature and Realism” examines the validity of both viewpoints. Publishing trends and intertwining economic and aesthetic factors led to the decline of newly released, large-circulation fiction during the final decades of the nineteenth century in England. These include the waning of serial fiction, cost factors, a rise in literacy, the changing nature of the novel, new developments in illustration, and competition from other media. However, th
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