Relevant bibliographies by topics / French Baroque choral music

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'French Baroque choral music'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "French Baroque choral music"

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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis
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Smith, Richard Langham. "French Baroque." Early Music XXII, no. 2 (1994): 333–34. http://dx.doi.org/10.1093/earlyj/xxii.2.333.

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Smyrnova, Tetyana. "MUSIC AND CHOIR EDUCATION IN UKRAINE XVI–XVIII СЕNTURIES". Academic Notes Series Pedagogical Science 1, № 195 (2021): 28–32. http://dx.doi.org/10.36550/2415-7988-2021-1-195-28-32.

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The article analyzes the development of music and choral education during the Slavic Renaissance and Ukrainian Baroque. The special significance of the ideas of spirituality and the revival of Ukrainian-Slavic values of religious and folk singing is revealed in view of the absence of statehood, the decline of Orthodox musical traditions. The significance of the reformist ideas of «purification of the church» and the culture of the Enlightenment is highlighted. Positive results of the development of music and choral education on the basis of Renaissance-Baroque (Cossack) Ukrainian culture were
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Smith, Richard Langham, Rachel Brown, Mark Caudle, and James Johnstone. "French Baroque Flute Music." Musical Times 135, no. 1811 (1994): 42. http://dx.doi.org/10.2307/1002839.

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Thompson, S. "French Baroque chamber music." Early Music 36, no. 1 (2008): 142–44. http://dx.doi.org/10.1093/em/cam146.

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Thompson, Shirley. "French Baroque sacred music." Early Music 44, no. 2 (2016): 348–50. http://dx.doi.org/10.1093/em/caw040.

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Thompson, Shirley. "French Baroque devotions." Early Music 33, no. 2 (2005): 356–58. http://dx.doi.org/10.1093/em/cah089.

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Robinson, Lucy. "A French Baroque miscellany." Early Music XXII, no. 2 (1994): 349–52. http://dx.doi.org/10.1093/earlyj/xxii.2.349.

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Trukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.

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Among the Russian composers of the turn of the 17th and 18th centuries a special position is held by the sacred choral works of Vassily Titov (ca. 1650 — ca. 1715), one of the bright representatives of the polyphonic part singing, in which the originality of the Russian Baroque musical culture. The music of Vassily Titov, an outstanding master of choral writing, is diverse in terms of its genres, it comprises nearly two hundred compositions, many of which predominated in the church music repertoire of Russian churches during the course of the 18th century. A study of Vassily Titov’s choral wor
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Dissertations / Theses on the topic "French Baroque choral music"

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Moomaw, Charles Jay. "Augmented mediant chords in French Baroque music /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37059818t.

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LAMB, ROBERT E. "Michel-Richard de Lalande's In convertendo Dominus: A Performing Commentary." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1155518518.

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Busarow, Linda Cressman. "Selected baroque compositions with instrumental accompaniment for amateur choir." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1181305158.

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Burdick, Adam David. "The influence of French Baroque dance on the cantatas of Johann Sebastian Bach /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11389.

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Falvey, Joseph T. "An Equipment Guide to Performing Baroque Horn Music." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/525.

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Since the renewed interest in Baroque music in the twentieth century, no instrument has been more vexing for performers than the horn. The valveless Baroque horn, coupled with the anachronistic technique of clarino playing places hornists at a major disadvantage when faced with music of the Baroque Period. This study is an equipment guide that can be used as a starting point for conquering the upper-register, sound quality, and endurance challenges posed by Baroque horn writing. Chapter Two focuses on the options available to present-day period horn performers. Although it is not practical to
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Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.
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Marckx, Leslie Hirt. "French Baroque influences on Johann Sebastian Bach's Six suites for violoncello solo : with an emphasis on French court dance and Suite V /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11220.

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Tasher, Cara Suzanne. "A Conductor’s Guide to the Choral Works of Lili Boulanger (1893-1918)." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148303598.

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Reeves, Anthony R. "Understanding French Baroque performance practice via a modern edition of Jean-Philippe Rameau's "In convertendo"." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/298728.

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This study explores performance practices used in French choral music of the late Baroque era, using In convertendo (ca. 1713; rev. 1751), a grand motet by Jean-Philippe Rameau (1683-1764), as the exemplar. As the foundation of the project, the author created a new edition of the motet (which is included in an appendix to the document) from primary source material. The document is divided into two major sections. History and Performance Practice. After a brief overview of Rameau's life and career, the first section summarizes the development of the grand motet genre from the early works of Eus
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Rogers, Brent. "The Messe de Requiem op. 54 of Camille Saint-Saëns: An Amalgamation of Contrasting Stylistic Trends in Requiem Composition in Nineteenth-Century Paris." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/581253.

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Camille Saint-Saëns's (1835–1921) Messe de Requiem op. 54 (1878) is among the many works by that composer that are all but forgotten by contemporary musicians. As is the case with most of Saint-Saëns's forgotten works, it is of remarkably high quality, possessing numerous features that make it desirable and accessible to a variety of ensembles. This study seeks to bring greater awareness of the piece to a wider audience, to provide a framework for understanding the most prominent style features of the work, and to ascertain its relationship to other well-known French Requiems of the nineteenth
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Books on the topic "French Baroque choral music"

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Anthony, James R. French baroque music from Beaujoyeulx to Rameau. Amadeus Press, 1997.

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M, Karns Dean, ed. Dance rhythms of the French Baroque: A handbook for performance. Indiana University Press, 1987.

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Style and performance for bowed string instruments in French baroque music. Ashgate Pub., 2012.

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Musique baroque en Basse-Normandie (1994 Caen, France). Semaine sainte: Festival de musique baroque en Basse-Normandie du 26 mars au 2 avril 1994. Actes Sud, 1994.

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Cyr, Mary. Essays on the performance of Baroque music: Opera and chamber music in France and England. Ashgate, 2008.

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Cyr, Mary. Essays on the performance of Baroque music: Opera and chamber music in France and England. Ashgate, 2008.

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French baroque music of New Orleans: Spiritual songs from the Ursuline convent (1736) = Musique francaise baroque a la Nouvelle-Orleans : recueil d'airs spirituels des ursulines (1736). The Historic New Orleans Collection, 2014.

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Dance to Honour Kings (1996 King's College (University of London)). Dance & music in French baroque theatre: Sources & interpretations ; papers presented at Dance to honour kings : sources for court & theatrical entertainments, 1680-1740, King's College London, August 1996. Institute of Advanced Musical Studies, King's College London, 1998.

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1949-, Wetsel David, Canovas Frédéric 1965-, Probes Christine, and Norman Buford 1945-, eds. Les femmes au Grand Siècle: Le baroque, musique et littérature : musique et liturgie : actes du 33e Congrès annuel de la North American Society for Seventeenth-Century French Literature, Arizona State University (Tempe), May 2001. Gunter Narr Verlag, 2003.

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Huelle, August Emil. The success of the French Baroque lute. 2003.

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Book chapters on the topic "French Baroque choral music"

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Alwes, Chester L. "French Baroque Music (1650–1750)." In A History of Western Choral Music, Volume 1. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780195177428.003.0008.

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Ellis, Katharine. "Baroque Choral Music: The Popular and the Profound." In Interpreting the Musical Past. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195365856.003.0007.

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Alwes, Chester L. "Choral Music of the Italian Baroque (1600–1725)." In A History of Western Choral Music, Volume 1. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780195177428.003.0006.

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Alwes, Chester L. "French Choral Music from Debussy to Messiaen." In A History of Western Choral Music, Volume 2. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199376995.003.0005.

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"French Developments." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.11.

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"The French Slide, 1689-1776." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.27.

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"The French Trill, 1630-1715." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.33.

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"The French Trill, 1715-1785." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.35.

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"The French Mordent, 1630-1715." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.46.

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"The French Compound Trill, 1685-1760." In Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9g3.42.

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