Relevant bibliographies by topics / French Biographical fiction

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Academic literature on the topic 'French Biographical fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "French Biographical fiction"

1

Evans, Arthur B. "Gustave Le Rouge, Pioneer of Early French Science Fiction." Science Fiction Studies 29, Part 1 (2002): 1–14. https://doi.org/10.1525/sfs.29.1.0001.

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A prolific writer Of French pulp fiction at the dawn of the twentieth century. Gustave Le Rouge (1867-1938) penned an estimated 312 works in a wide variety of genres: science fiction, horror, detective fiction, spy novels, historical dramas, poetry collections, theater and screenplays, biographical studies, essays on occultism, and even cookbooks. His best-known sf works include such scientific-adventure tales as La Conspiration des milliardaires (1899), La Princesse des airs (1902), and Le Sous-marin “Jules Verne” (1902); an imaginative two-volume space opera Le Prisonnier de la planète Mars
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2

Trott, Sarah. "‘Remembrance, alas, is a tricky business’: Memory and biography in the established account of Raymond Chandler’s experience of the First World War." European Journal of American Culture 40, no. 1 (2021): 45–62. http://dx.doi.org/10.1386/ejac_00037_1.

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This article re-examines the First World War experience of renowned American crime fiction author Raymond Chandler in order to demonstrate that the established biographical account masks an experience more traumatic than previously acknowledged. Like Carlos Baker’s version of Ernest Hemingway’s wartime experience, Frank MacShane’s original biographical account relies heavily on small sections of Chandler’s own correspondence that are taken out of context. Later biographies have reproduced this vague and ambiguous account without much further investigation, which has permitted various theories
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3

Siskind, Mariano. "Paul Groussac’s Void: The French Writer and the Argentine Tradition." Journal of Foreign Languages and Cultures 5, no. 2 (2021): 039–55. http://dx.doi.org/10.53397/hunnu.jflc.202102005.

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The French-Argentine Paul Groussac embodied a wide range of writerly functions and cultural-political positions within the Argentine cultural field between the 1880s and the 1920s: writer, playwright, chronicler, traveler, literary, art, and music critic, historian, educator, editor, and director of the National Library during 44 years. This essay considers his place in the history of Argentine literature looking at two of the many ways in which he inscribed himself in it. The first takes up the production and reproduction of the ontological privilege of French identity as a form of legitimiza
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4

Ichim-Radu, Mihaela Nicoleta. "Vasile Alecsandri: Unique Aspects of the Biographical Itinerary vs. Recovery of the Writer's Memory." Intertext, no. 1/2 (57/58) (October 2021): 76–81. http://dx.doi.org/10.54481/intertext.2021.1.08.

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Among the writers of his generation, Alecsandri is the most comprehensive one, expressing not only the patriotic aspirations and desires, but also the discoveries from the universe of the private life and trying to make himself noticed in almost all the main literary genres and species. By different circumstances, Alecsandri gets to travel through Moldavia, Wallachia, Bucovina and Transylvania, to the European part of Turkey, to Italy, Austria, Germany, France, Spain, Great Britain, North of Africa, either for personal pleasure, to accompany Elena Negri, who was trying to find a more favourabl
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5

Muravieva, Larissa E. "THE REFUSAL OF REPRESENTATION: EXOFICTION BY MARIE DARRIEUSSECQ AND CAMILLE LAURENS." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 2 (2022): 134–49. http://dx.doi.org/10.18522/2415-8852-2022-2-134-149.

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Modern French literature is marked by the flowering of hybrid genres. The article is devoted to the study of novels belonging to exofiction, one of the leading hybrid genres in modern French literature. At the heart of exofiction is the appropriation of someone else’s experience and the entering into someone else’s personal narrative. Instead of the chain of events that organizes the traditional biographical novel, the exofictional narrative focuses on filling in the gaps with the narrator’s personal experience, instead of representation, on the “perceptual autonomy of the narrator” (S.L. Daut
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6

Ilie, Emanuela. "Women, Horses and Dogs. A Reading of Sorana Gurian's Novel from the Animal Studies Perspective." Acta Marisiensis. Philologia 6, no. 6 (2024): 80–89. http://dx.doi.org/10.62838/amph-2024-0108.

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Sorana Gurian's proverbial passion for pets, almost unnoticed in Romanian literary history, deserves a careful analysis, especially because it was directly recognized as and even constituted the foundation of some substantial pages of memoir or fiction prose, written by this cosmopolite, intriguing, and spectacular author, who linked her biographical existence to several Moldavian, Romanian and French spaces. Animals have a completely exceptional importance especially in the novel "The days never come back" (1945) – where the number of animal references is huge (compared to any other Romanian
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7

Babikov, Andrei. "Ada’s Penmanship To the publication of an excerpt from the Russian translation of Nabokov’s novel." Literary Fact, no. 16 (2020): 8–67. http://dx.doi.org/10.22455/2541-8297-2020-16-8-67.

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The material offered to the readers is a translation into Russian, with extensive notes, of an excerpt from the First Part of Vladimir Nabokov’s novel Ada, or Ardor: A Family Chronicle (1969). The published material consists of a translator’s Preface, five chapters from the novel, notes by V.V. Nabokov and the translator’s annotations. The Preface to the publication describes the creative and biographical circumstances of the creation of one of the most significant and controversial novels of the twentieth century, and indicates the sources of its conception, which goes back to the English sho
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8

Pearn, John. "A Biographical Note on Marcel Proust's Professor Cottard." Journal of Medical Biography 11, no. 2 (2003): 103–6. http://dx.doi.org/10.1177/096777200301100212.

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A medical practitioner, Professor Cottard, features in Marcel Proust's À la recherche du temps perdu, which has been described as one of the supreme achievements of world literature. Proust modelled the character of Cottard on the real-life Parisian neurologist and psychiatrist Dr Jules Cotard (1840–1889). Marcel Proust's father, Dr Adrien Proust, was an eminent Parisian surgeon and a contemporary of Cotard. A review of the biographical literature (in French) relating to Dr Jules Cotard and an analysis of his published work (in English and French) have revealed a striking parallelism between t
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9

Alina_Liana, Pintican Petriș. "IMAGINARY EKPHRASIS IN THE WORK OF PIERRE MICHON." Incursions Into The Imaginary 15, no. 2 (2024): 167–88. https://doi.org/10.29302/inimag.2024.15.2.6.

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Pierre Michon’s work is an illustration of the contemporary generation of French writers, representing an original work, a mixture of erudition and imaginaton. The problematic perspective of this paper focuses on description, in some of his filiation novels and biographical fictions: Vies Minuscules [Small lives], Vie de Joseph Roulin [The life of Joseph Roulin], Abbés [Abbots], La Grande Beune [The origin of the world], Roi du bois [The King Of The Wood]. If traditionally, in the realistic novel for example, the description was a detachable piece in the text and this sparked a criticism of th
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10

Rocha, Mariane Pereira. "“Contra-imagem da dor”: o cinema para elaborar o luto em C’est loin Bagdad [fotogramas] de Leila Danziger// “Counter-image of pain”: the cinema to elaborate mourning in C’est loin Bagdad [fotogramas] by Leila Danziger." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 3 (2023): 79. http://dx.doi.org/10.17851/2358-9787.32.3.79-97.

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Resumo: O presente artigo propõe uma análise do livro C’est loin Bagdad [fotogramas] (2018), da poeta carioca Leila Danziger, a partir de suas intersecções com o cinema. O livro, que contém apenas um poema subdividido em nove partes, já em seu título faz referência ao curta-metragem do mesmo nome, de 1985, dirigido pela cineasta francesa Valérie Brégaint. Ao longo do poema, Danziger vai elaborar a dor do luto e da perda de Brégaint, que era sua amiga. Assim, mescla-se o enredo do filme C’est loin Bagdad com aspectos biográficos tanto da vida da poeta, quanto da cineasta. O objetivo deste artig
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Books on the topic "French Biographical fiction"

1

1947-, Koraïchi Rachid, ed. La couronne de vent. Al Manar, 2009.

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Kelby, N. M. White truffles in winter. Center Point Pub., 2011.

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3

Tirado, Heidi Denzel de. Biographische Fiktionen: Das Paradigma Denis Diderot im interkulturellen Vergleich (1765-2005). Königshausen & Neumann, 2008.

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4

Gastines, Clothilde de. Passion Zellidja: Itinéraire d'un homme pressé: roman. Édition Le Fennec, 2018.

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5

Veillette, Paul T. A man for three seasons: Jean Veillet, sieur de la Plante : a biographical and historical novella. P.T. Veillette, 1994.

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6

Schwob, Marcel. Imaginary lives. Longwood Academic, 1991.

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7

Hivert-Carthew, Annick. Cadillac and the dawn of Detroit. Wilderness Adventure Books, 1994.

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8

Sermier, Emilien. Variations sur un standard: Jeux et métamorphoses dans les trois romans biographiques de Jean Echenoz. Archipel, 2013.

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9

Radzinskiĭ, Ėdvard. Napoleon: Zhiznʹ posle smerti : [drama vremen Velikoĭ Fran︠t︡suzskoĭ revol︠i︡u︠t︡sii v trekh deĭstvi︠i︡akh]. Argumenty i fakty, 2005.

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10

Bégaudeau, François. The class. Seven Stories Press, 2009.

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Book chapters on the topic "French Biographical fiction"

1

Aude, Nicolas. "Critique from the Underground: Interpretation of Dostoevsky’s Novels and the Concept of Mimetic Desire in Rene Girard’s theory." In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-291-297.

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The article aims to study conceptual metaphor of the “underground” in Rene Girard’s mimetic theory. French literary theorist and anthropologist began to mention the dostoevskian topography developed in Notes from Underground (1864) within his first book Deceit, Desire and the Novel (1961), where he started to shape his views on triangular desire. A study of Dostoevsky’s reception in the works of Girard allows emphasizing the significance of literary works in the very process of theoretical thinking of Girard, even though his books quickly went beyond the framework of traditional literary criti
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2

Flughunde, Marcel Beyer‘s, Michel Tournier‘s Le Roi des Aulnes, and Volker Schlöndorff‘s Der Unhold. "Sound Effects and Language Barriers." In Refractions of the Third Reich in German and Austrian Fiction and Film. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199266111.003.0005.

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Abstract Marcel Beyer‘s Flughunde has been seen as a new departure in Germanlanguage fiction about the Nazi past: written by an author ‘not one, but two stages removed from biographical involvement in National Socialism’, it moves on from questions of guilt, denial, and intergenerational conflict and attempts to recover the voices of the perpetrators that fell silent after 1945.1 And yet Beyer‘s 1995 novel Flughunde has much in common with a novel published twenty-five years earlier by the French author Michel Tournier: Le Roi des Aulnes.2 Set largely in the Third Reich after 1940, both novels
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3

Powell, Jim. "Sappho Of Lesbos." In The Poetry of Sappho. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195326710.003.0002.

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Abstract Sappho’s poetry made her famous throughout the ancient Greek world, probably within her lifetime. Soon, like the medieval French poet François Villon, she became a subject of legend and figured later as a character in comedy. Surviving biographical facts are few and are transmitted to us mixed up with the lore of fables and with bits of dramatic fiction.* Sappho was born on Lesbos around 630 b.c., probably in the town of Eresos, but spent most of her life in Mytilene, the most important of the island’s five cities. Her mother’s name was Kleïs; her father’s name may have been Skamandro
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4

Polonsky, Vadim V. "“Conjurer” of the Wrong World: the Biographical Work of Dmitry Merezhkovsky in the Context of Life Description Genre Traditions." In The Merezhkovskys and Europe. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0739-7-20-45.

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Western criticism often compared Merezhkovsky’s historical and biographical writing with the archaeology of Georg Ebers, the aesthetic stylization of Flaubert as the author of “Salammbô” and the universals of Hippolyte Taine. At the same time, the question of the nature of the impressive similarity between the biographies of Napoleon created by Léon Bloy and Merezhkovsky remains open, since there is indirect evidence, still not verified, in favour of the influence of the Russian writer’s early texts on the French author. It is important to correlate Merezhkovsky’s late works with the genre rep
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Conference papers on the topic "French Biographical fiction"

1

JICU, Adrian. "Docufiction as an alternative for the research of George Bacovia's life and work." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p9-16.

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The starting point of the present paper is the question how can we re-read the life and work of a canonic writer, already re-interpreted in various and exquisite studies and books, which developed subtle and hued approaches. Accepting that the reception of a work is the result of continuous negotiations and critical changes, we aim at proving that the recent forms of the so-called subjective criticism (docufiction, biographic metafiction, fictional biography and so on) can be a reliable alternative to the philologic research, thus becoming a useful hermeneutic instrument for better understandi
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