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Journal articles on the topic 'French Calligraphy'

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1

Dervišević, Haris. "Julien Breton: Maestro of Light Calligraphy." Društvene i humanističke studije (Online) 7, no. 1(18) (2022): 267–80. http://dx.doi.org/10.51558/2490-3647.2022.7.1.267.

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This paper presents the artistic work of the French artist Julien Breton, known by the nicknameKaalam. In the beginning, he was influenced by graffiti art and Islamic calligraphy. Breton did not follow classical calligraphic styles but sought to find his own calligraphic expression that mirrored diwani, thuluth, and kufi script. The biggest leap in his aesthetics happened when he replaced pen and paper with light calligraphy, and a change of medium made him one of the protagonists of this art. In addition to exploring the possibilities of light calligraphy, Bretoncollaborates with other artist
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2

Daniels, Peter T. "Calligraphy and Islamic Culture. Annemarie SchimmelThe Arabic Book. Johannes Pedersen , Geoffrey French." Journal of Near Eastern Studies 46, no. 3 (1987): 237–39. http://dx.doi.org/10.1086/373250.

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3

Amiri, Lida. "Atiq Rahimi’s Exophonic Entanglements: Multilingual and Multimodal Poetics." Journal of Literary Multilingualism 1, no. 2 (2023): 200–224. http://dx.doi.org/10.1163/2667324x-20230205.

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Abstract In 2008, first-generation Afghan migrant novelist-artist Atiq Rahimi published his first translingual work in French, Syngué Sabour: Pierre de patience. This article interrogates his multilingual and multimodal aesthetics across his translingual oeuvre. In his exophonic novel Les Porteurs d’eau (2019), Rahimi valorizes a polyvocal and culturally diverse Central Asian history. The Prix Goncourt–awarded author introduces Afghanistan’s past and present beyond its intracultural challenges. The epitome of the Rahimi-esque aesthetic is the author’s publication L’Invité du miroir (2020), whi
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4

Gerasimova, Ekaterina. "V. N. Malov and his contribution to the study of Latin paleography." Vspomogatel'nye istoricheskie distsipliny, no. 43 (1) (2024): 90. https://doi.org/10.7868/s0130086524010074.

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The article is devoted to V. N. Malov’s contribution to the study of Latin paleography, which the scientist addressed throughout his scientific activity. V. N. Malov was the first among Russian historians of paleography to determine the place of treatises on calligraphy in the development of Modern writing; introduced a part of the archive of Cardinal Boisgelin de Cuse into scientific circulation, described Latin and German letters of the XV-XV centuries much more. V N. Malov has published many works on Latin paleography. The article deals with the most important articles and monographs of the
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Kukuryk, Agnieszka. "Écrire l’image dans l’espace – transgression des formes poétiques au début du XXème siècle." Quêtes littéraires, no. 5 (December 30, 2015): 99–108. http://dx.doi.org/10.31743/ql.242.

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The aim of this article is to present the connections between literature and art, as well as a graphic and artistic sing. The main subject of the study is the problem of typography, pictography, calligraphy and the visualisation as a sign created from the merging of a verbal code and a drawing representation. The dialogue of two sisters, due to which poetry has become a verbal painting /pictura loquens/, exhibits the variety of artistic creations based on the selected French literature of the early 20th century. The new tendencies which provoked the writers and painters, they could define the
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Čapaitė, Rūta. "Boguslavo Radvilos autografas XVII a. lotyniškojo kursyvo kontekste." Lietuvos istorijos metraštis 2020/2 (December 2, 2020): 5–40. http://dx.doi.org/10.33918/25386549-202002001.

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THE AUTOGRAPH OF BOGUSLAVAS RADVILA IN THE CONTEXT OF THE 17TH-CENTURY ROMAN CURSIVE The article dwells on the autograph of Boguslavas Radvila (Bogusław Radziwiłł) (1620–1669). The earliest autograph of the duke in the analysed material is detected in two letters in the Polish language dating back to 1622, and one letter in the same language dating back to 1623, written in his name by an adult to Kristupas II Radvila (Krzysztof Radziwiłł). The assumption is that the validation ręką swą in the letters of 1622 and the subscription, signature and validation in the letter of 1623 were made by the
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7

Zakhama, Yousra. "Artistic communication through light painting technique: Julien Breton model." International Uni-Scientific Research Journal 5 (2024): 57–61. http://dx.doi.org/10.59271/s45298.024.0245.8.

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With technological and technical advancements, the field of visual arts has become a vast space for both artistic and technical interaction. New creative expressions have emerged, and artistic practices have opened up to each other, breaking down barriers. The exhibition space is no longer just a collector of arts; rather, other arts showcase their creativity using the latest technological mechanisms, which create images capable of raising various intellectual questions. Through this simplified definition, we shed light on the presentations of the French artist Julien Breton, who has imposed a
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8

Natchkebia, Irène, and Nikoloz Nakhutsrishvili. "ON THE AUTHORSHIP OF THE PERSIAN QASID DEDICATED TO NAPOLEON." Near East and Georgia 14 (December 15, 2022): 35–48. http://dx.doi.org/10.32859/neg/14/35-48.

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This article focuses on a Persian qasida consisting of 19 bayts (verses) praising Napoléon. Written in nasta’liq calligraphy, the manuscript is held in the catalog of Persian and Turkish manuscripts at the University Library of Languages and Civilizations in Paris. It is not signed or dated, and was established by Dr. Francis Richard in March 2014, for which we thank him. The qasida is organized into three rows: the first and second contain six bayts each, while the third contains seven. Although the title suggests that it primarily praises Napoleon, the content indicates that it equally conce
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9

Cankurt, Fatih. "Early Qur’anic Manuscripts Studies: Foreign Resources." Journal Of The Near East Unıversıty Islamıc Research Center 8, no. 1 (2022): 75–90. http://dx.doi.org/10.32955/neu.istem.2022.8.1.05.

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Ancient mushafs are important works that carry the writing experience of the first centuries of Islam to the present day. Early mushaf manuscripts, the way the words are written, the beginning of the chapter information, the number of verses, the signs of verse/stop/prostration, letter points, movements, illumination etc. From many points, it is a source of information for sciences such as calligraphy, history of mushaf, recitation, resm-i mushaf. At the same time, they are works that prove that the Qur'an has not been harmed, and that it has survived to the present day without any distortion,
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Suparba, Radian. "Dilema Droit De Suite Untuk Karya Seni Rupa." JIPRO : Journal of Intellectual Property 2, no. 2 (2019): 38–44. http://dx.doi.org/10.20885/jipro.vol2.iss2.art4.

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Droit de suite is a French term that introduces a law in the sense of the artist's resale right, namely the right granted to artists and their heirs to the resale of their copyrighted works. Then the creator of artworks and his heirs get a part of the return of their works when artworks change ownership through selling. This will bring a balance for copyright in Indonesia, that gave more attention in music and literature. Because music and literature can bring a passive income for all economic activities through royalty. in otherwise artworks couldn't get passive income, because artists just s
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11

Грищенко, О. "ЕКСКЛЮЗИВНІ ВИДАННЯ НА ОСНОВІ ПРОЕКТІВ «КНИГИ ХУДОЖНИКА» В УКРАЇНІ". Традиції та новації у вищій архітектурно-художній освіті, № 4 (30 листопада 2018): 49–54. https://doi.org/10.5281/zenodo.1756697.

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The article addresses and analyzes the topic of artist’s book projects that became the basis for the polygraphic editions produced together with the leading Ukrainian publishing houses. It traces the path from an original book as a work of art to its implementation as a fullfl edge polygraphic product intended for a general audience. It analyzes the formative elements of original projects and the ways of their transfer or adaptation in typographic processes. It substantiates the influence of such exclusive artistic projects on the development of the book publishing culture in Ukraine. An
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12

Zhulynskiy, Mykola. "NATIONAL EDUCATION IS THE MAIN GUARANTEE OF ESTABLISHING NATIONAL ELITE." Scientific bulletin of KRHPA, no. 11 (2019): 89–94. http://dx.doi.org/10.37835/2410-2075-2019-11-9.

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In the article, the scientist focuses on the goal of education – the formation of a leading strata of the Ukrainian people – intellectuals, the national elite. The article states that the national character is formed only by the national school. The purpose of education is defined - formation of the leading layer of the Ukrainian people - intellectuals, national elites. It is noted that a conscious volyn political elite was formed. In a systematic analysis of archival sources, the author notes that in the State Archives of Ternopil region (fund 351) you can learn about the teachers of the gymn
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13

Kostova-Panayotova, Magdalena. "“T H E L A N G U A G E S” O F T H E L I T E R A R Y W O R K." Ezikov Svyat volume 18 issue 2, ezs.swu.v18i2 (June 30, 2020): 79–84. http://dx.doi.org/10.37708/ezs.swu.bg.v18i2.10.

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The work of François Cheng – a writer, poet, calligrapher, essayist, academician of Chinese origin and laureate of the French Francophone Academy is undoubtedly part of the cross-cultural literature of the end of the 20th and the beginning of the 21st century, when writers and poets from different, in this case Eastern background, like Yoko Tawada, Anna Moi, Amy Tan, Salman Rushdie, Haruki Murakami and others, have adopted the cross-cultural perspective of the migrant, the person who finds oneself in a context in which one begins to make sense of the living world by reading the foreign signs,
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14

М.А., Курышева,. "World map in a 16th-century Greek manuscript." Историческая география, no. 6 (December 30, 2022): 181–91. http://dx.doi.org/10.21267/aquilo.2022.21.38.001.

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В статье вводится в научный оборот уникальная карта мира, содержащаяся в рукописи РГБ Греч. 150 середины XVI века. Рукопись написана рукой знаменитого каллиграфа Ангелоса Вергикиоса, почерк которого был определен Б.Л. Фонкичем. Нами по гербу в рукописи был идентифицирован ее заказчик — знатный епископ-натуралист Рене дю Белле. Карта мира иллюстрирует трактат византийского ученого Георгия Гемиста Плифона. Однако она не является иллюстрацией к тексту Плифона, а отражает представления об ойкумене, характерные для французских интеллектуалов середины XVI века. Стилистически карта выполнена в античн
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15

Ghaniya, M. Fyza, and Suranta Suranta. "ZOULIKHA BOUABDELLAH VISUAL ART AND CONTEMPORARY CALLIGRAPHY IN MODERN ALGERIA." International Review of Humanities Studies 4, no. 1 (2019). http://dx.doi.org/10.7454/irhs.v4i1.155.

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This study discusses the development of traditional poles that influence modern visual arts based on Aljazair culture, from conservative cultures under Ottoman influence to become Liberals after the French colonization brought to the Modern era. The majority of previous studies only discussed descriptive art variations in Algerian culture or only included elements of art in Algeria. This study uses qualitative methods, data collected by in-depth interviews with Visual Art experts at the best institutions in Indonesia and literature studies on art and culture in Algeria. This paper does not enc
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16

Valiyev, Sarvar Usmonkhon ugli. "IS`HAKHKHAN TORA - ELEGANT POET AND SCIENTIST, PUBLISHER AND TRANSLATOR." December 15, 2022. https://doi.org/10.5281/zenodo.7443288.

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Аnnоtаtiоn: Is`haqkhan Tora Ibrat left a rich legacy as a poet, historian, linguist and Islamic scholar. A skilled calligrapher who penned seventeen types of letters, he was one of the first Uzbek publishers who founded "Matbaai Is`haqiya" under his own name. Jame ulHutut provides information about 41 different writing systems known in the world, including forms of Arabic script such as suls, tawqe', rayhan, zulf, Humayun, turra, and at the same time, it includes husnikhat san Opinions about the horse are expressed. In this work, Ibrat emphasizes that the study of foreign languag
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17

"Catalogus." Oud Holland - Quarterly for Dutch Art History 120, no. 1-2 (2007): 70–106. http://dx.doi.org/10.1163/187501707x00257.

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AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. There is evidence he was living in The Hague in the year 1622, though there is a strong possibility that he had been in the country for some time before then. It is probable that he learned the trade of glass making from a Master in Arnhem. Whilst living in The Hague Breckerveld befriended David Beck, Master of the French School there. Beck kept a diary of the year 1624 from which much information on the daily lives o
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18

Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his
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