Relevant bibliographies by topics / French-Canadian literature - history and criticism

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Academic literature on the topic 'French-Canadian literature - history and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "French-Canadian literature - history and criticism"

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Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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PARRIS, D. L. "Review. French-Canadian Authors: A Bibliography of their Works and of English-Language Criticism. Kandiuk, Mary." French Studies 47, no. 1 (1993): 113. http://dx.doi.org/10.1093/fs/47.1.113-a.

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Maritchik-Sioli, Youlia A. "“Very Russian, the French Would Say... Very French, the Russians Would Say”: The Metamorphosis of E. Bakunina’s Novel ‘The Body’ in French and Russian Literary Criticism." Literary Fact, no. 1 (31) (2024): 217–41. http://dx.doi.org/10.22455/2541-8297-2024-31-217-241.

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The article is devoted to the reception of the novel “The Body” (1933) by emigré writer E.V. Bakunina in French and Russian literary criticism in the early 1930s. A number of researchers have already analyzed the responses of Russian critics to the publication of the novel but have not paid enough attention to a cross-sectional view of the perception of the writer’s work. This question is of interest insofar as it allows us to identify weaknesses and strengths of Bakunina’s work and rethink the literary and cultural norms established in the early 20th century. One of the article’s crucial ques
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Niang, Sada, and Belinda E. Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African Studies Review 41, no. 2 (1998): 176. http://dx.doi.org/10.2307/524847.

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Arnold, A. James, and Belinda Elizabeth Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African American Review 32, no. 2 (1998): 336. http://dx.doi.org/10.2307/3042131.

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Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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Kravets, Yarema. "VASYL STEFANYK IN THE FRENCH LINGUAL READING." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 323–34. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-323-334.

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French-speaking literary criticism and translation, dedicated to Vasyl Stefanyk, have already more than centenary history. Already in 1912 and 1915 the French reader has known separate novellas of the Ukrainian writer. Since his creative activity has been constantly present in individual Ukrainian monographs which appeared in Swiss, Belgium and France. The most significant publications of the French-speaking Stefanykiana are the book “Croix de pierre” that contained more than 40 writer’s novellas, separate chapters about V. Stefanyk in 12-volume Belgian anthology «Patrimoine littéraire europée
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Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha
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Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li
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Dissertations / Theses on the topic "French-Canadian literature - history and criticism"

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Ménard, Valérie. "L'influence de Réjean Ducharme chez les écrivains de la génération x." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83128.

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Generation X has often been defined as being without role models or inspiration. Nevertheless, it is possible to detect a sizeable amount of intertextual references in several Quebecer books written by authors of that generation. In Quebec, these young writer's influences are as distinct as they are diverse, varying from Kerouac to Hemingway and from Sartre to Camus. But concerning their Quebecer role model, one name continually returns, that of Rejean Ducharme.<br>The goal of this thesis is to illustrate the presence of ducharmesque universe in three Generation X novels, namely Le souf
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McNamara, Josephte Isabel. "Fact or fiction : L'Histoire du Canada and its influence on French Canadian novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ39925.pdf.

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Campeau, Sylvain 1960. "Poésie et discours poétique au Canada français (1889-1909)." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36560.

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In 1892, in one of his characteristic attacks, Arthur Buies denounced the "deplorable" style of certain young French-Canadian writers of the day. The "jeunes barbares", as he called them, published in small magazines such as Le Recueil litteraire and L'Echo des jeunes, and were strongly influenced by French fin-de-siecle writing (the decadent and Symbolist schools in particular). The creation of the Ecole litteraire de Montreal in 1895 can be seen as a continuation of these varied literary endeavours. Quite aware of the criticisms leveled at young writers by Buies and others, the members of th
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Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

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The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.<br>The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intell
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Boisclair, Isabelle. "Ouvrir la voie/x, le processus constitutif d'un sous-champ littéraire féministe au Québec, 1960-1990." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ46684.pdf.

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Brown, Anne. "L'image de la femme dans le roman féminin québécois de 1960 à 1970." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75761.

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During the sixties decade, the literature of Quebec is marked by the emergence of the works of women writers who give precedence to the female protagonist. Thus, contrary to her counterpart prior to 1960, the fictitious woman of the sixties is no longer relegated to the background of the novel. This image of the female as a principal character around whom all the elements of the narrative unfold is new to our literature. Our writers seem to desire, consciously or not, to create heroines who are more than mere props for their husbands or their children. Furthermore, these heroines are portrayed
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Joubert, Lucie 1957. "L' ironie dans la prose fictionnelle des femmes du Québec: 1960-1980." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41624.

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This thesis explores the various manifestations of irony in prose-fiction by women in Quebec from 1960 to 1980. Traditionally used by men, irony is gradually becoming more widespread in women's writing, which in itself is an interesting reversal: more often "objects" of irony, women now reverse the rules of the game and become ironizing "subjects". The first part of the thesis investigates explicit irony; that is, irony which is duly identified and already decoded for the reader; for example, the author might emphasize an ironic fate or destiny for her characters, or might invest a character w
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L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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D'Ulisse, Nicolas. "La critique de Robert Charbonneau /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60039.

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This study focuses on a rather neglected, although significant, part of Robert Charbonneau's (1911-1967) works: his criticism. Founder, with some friends from college, of la Releve (1934) and les editions de l'Arbre (1940), well-known novelist Charbonneau creates a critical work closely linked to that publishing and intellectual experience. Thus, literature, according to Charbonneau, is an economic phenomenon. But literature also fits in a world where the human is the dominant feature, where it is a preferred way to shed light on the human mystery. Influenced by Maritain and Mounier, admirer o
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Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

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French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.
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Books on the topic "French-Canadian literature - history and criticism"

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Lighthall, W. D. French-Canadian literature. s.n., 1997.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Dionne, René. Canadian literature in French. Canadian Studies Directorate, 1988.

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New, William H. A history of Canadian literature. Macmillan Education, 1989.

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Shek, Ben-Zion. French-Canadian & Québécois novels. Oxford University Press, 1991.

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Winnick, Nick. Canadian literature. Weigl Educational Publishers, 2010.

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Bisztray, George. Hungarian-Canadian literature. University of Toronto Press, 1987.

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Book chapters on the topic "French-Canadian literature - history and criticism"

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Cameron, Barry. "5. Theory and Criticism: Trends in Canadian Literature." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, et al. University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-007.

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Rosenthal, Caroline. "22: English-Canadian Literary Theory and Literary Criticism." In History of Literature in Canada. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781571137975-024.

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Banfield, Ann. "I. A. Richards." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0007.

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Abstract A. Richards’s critical activity spans the period from Modernism—Principles of Literary Criticism appeared in 1924—to French structuralism. Richards reviewed a structuralist analysis of Shakespeare by his Harvard colleague, the Russian linguist Roman Jakobson, in 1970. He also commented on generative grammar in two articles published in 1967–8. He thus recalls a time when criticism acknowledged the importance of language and the existence of linguistics. Yet that acknowledgement also meant severing the academic study of literature from Germanic philology, which had ushered in the study of English literature over classics through the history of English: the chair of Anglo-Saxon at Cambridge was first occupied in 1878 by W. W. Skeat, editor of Beowulf.
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Skiveren, Tobias. "Feminist New Materialism and Literary Studies: Methodological Meditations on the Tradition of Feminist Literary Criticism and (Post)Critique." In How Literature Comes to Matter, edited by Sten Pultz Moslund, Marlene Karlsson Marcussen, and Martin Karlsson Pedersen. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461313.003.0007.

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This chapter examines the potential embedded in feminist New Materialism for transforming established methods, conceptualizations, and attitudes within feminist literary criticism. It sketches a chronological outline of feminist theory and feminist literary criticism in order to situate feminist New Materialism as the latest cross-disciplinary transfer in an ongoing history of dialogues and appropriations from (1) second wave feminism, (2) French feminist theory and (3) queer theory. Drawing on ideas from Mayra Rivera, Donna Haraway, Karen Barad and others, the chapter argues that the lines of thought promoted by these figures are best adopted to literary criticism by engaging literature as an affective and imaginative site for witnessing what it feels like to live as a specific carnal configuration, subjected not only to the powers of discourse, but also to the recalcitrant materiality of the flesh, thereby revitalizing the emphasis on affect and experience also characteristic of the gynocritical approaches of the 1970s.
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Djwa, Sandra. "Canada." In The Oxford Guide to Contemporary Writing. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198182627.003.0005.

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Abstract In the past thirty years Canadian writing in English (with which I shall be exclusively concerned here: Quebec literature has a tradition of its own) has come of age. Up until the 1950s the major genre was poetry; the 1960s saw the rise of the novel; drama emerged in the 1970s; after 1980 there was a flurry of autobiographical writing. Nor should one forget literary criticism, strong in Canada thanks to the influence of two leading figures: Marshall McLuhan (1911-80), who was hailed as a guru of the new ‘information age’ after publication of The Gutenberg Galaxy (1962) and The Meium is the Message (1967); and Northrop Frye (1912-91), whose work has been extraordinarily influential, largely because of the synoptic intelligence of books such as his Anatomy of Criticism (1957), The Great Code (1982), and the ‘Conclusion’ to the first Literary History of Canada (1965), in which Frye established a paradigm for Canadian criticism when he asserted that the country’s poetry (and, by extension, writing) was characterized by a ‘deep note of terror’ and a ‘garrison mentality’-the response of the pioneer to the wilderness.
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Sommer, Tim. "Usable Pasts: Anglo-American Literature and the Authority of Tradition." In Carlyle, Emerson and the Transatlantic Uses of Authority. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474491945.003.0003.

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This chapter analyses how discussions about race and nationhood surfaced in nineteenth-century British and American literary criticism and literary historiography. It discusses Carlyle’s and Emerson’s writings about the relationship between literature and nationality and argues that, drawing on a handful of near-contemporary German and French authors, they positioned themselves at the crossroads of cultural nationalism and literary cosmopolitanism. The second half of the chapter explains how Carlyle and Emerson conceptualised continuity and change in literary history and highlights the role of Romantic expressivism in their nation-centred poetics. The two developed conflicting accounts of English literary history: where Carlyle’s narrative emphasised the past achievement and future global dominance of metropolitan writing, Emerson tended to invest in the authority of the English canon to locate the future of a specifically Anglo-American tradition in the cultural periphery.
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Eibl, Doris G. "19: The French-Canadian Short Story." In History of Literature in Canada. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781571137975-021.

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Belyea, Barbara. "Native societies and French colonization." In The Cambridge History of Canadian Literature. Cambridge University Press, 2009. http://dx.doi.org/10.1017/chol9780521868761.003.

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Mathis-Moser, Ursula. "32: Orality and the French-Canadian Chanson." In History of Literature in Canada. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781571137975-034.

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Eibl, Doris G. "30: The French-Canadian Short Prose Narrative." In History of Literature in Canada. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781571137975-032.

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