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Relevant bibliographies by topics / French classicism

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Academic literature on the topic 'French classicism'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "French classicism"

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CHAPIN, KEITH. "SCHEIBE’S MISTAKE: SUBLIME SIMPLICITY AND THE CRITERIA OF CLASSICISM." Eighteenth Century Music 5, no. 2 (2008): 165–77. http://dx.doi.org/10.1017/s1478570608001474.

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ABSTRACTIt is as a classicist that Johann Adolph Scheibe has entered the annals of music history, either as a propagator of the principles of French literary classicism, or as a champion of a ‘galant’ style that later critics would view as a foundation for a German musical classicism. But if Scheibe insisted on a quality of striking simplicity, using words clearly indebted to those of Nicolas Boileau, the doyen of seventeenth-century French critics, he was no classicist according to the French model. While all classicists depend to a certain degree on the regulation of their material – for suc

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Olson, Todd. "Skeletal Classicism." Representations 151, no. 1 (2020): 74–95. http://dx.doi.org/10.1525/rep.2020.151.4.74.

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Modern critics of French Classicism in the visual arts were indebted to a formalism derived from the natural sciences. A nineteenth-century biological discourse identified hidden analogies rather than visual similarities among different specimens, whether animals or paintings. An ambivalence to the use of biological metaphors in North American art history may be traced back to this theoretical genealogy.

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Tang, C. "Ceremonial Theater and Tragedy from French Classicism to German Classicism." Comparative Literature 66, no. 3 (2014): 277–300. http://dx.doi.org/10.1215/00104124-2764058.

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Canovas, Frédéric. "De Gide à Denis ou de Cézanne à Athman : la relation peintre–écrivain face à la question du classicisme." Romanica Wratislaviensia 64 (October 27, 2017): 57–73. http://dx.doi.org/10.19195/0557-2665.64.6.

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FROM GIDE TO DENIS OR FROM CÉZANNE TO ATHMAN : THE PAINTER–WRITER RELATIONSHIP AND THE ISSUE OF CLASSICISMIn 1900, French writer André Gide purchased Maurice Denis’s Homage to Cézanne, nowadays in the collection of Musée d’Orsay. Considered a turning point in Denis’s career, the painting celebrates the new values of classicism that Denis discovered in the company of Gide while in Rome two years earlier. This essay discusses the similarities between the painter’s and the writer’s own definitions of classicism, while focusing also on the way in which each one of them applied this definition to

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Bahr, Ehrhard. "German Classicism and the French Revolution." Eighteenth-Century Studies 39, no. 1 (2005): 134–37. http://dx.doi.org/10.1353/ecs.2005.0046.

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Maraka, Lila. "French classicism in 19th-century Greek dramatic theory." Neohelicon 31, no. 2 (2004): 109–20. http://dx.doi.org/10.1007/s11059-004-0538-6.

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Huet, Marie-Hélène. "Monstrous Imagination: Progeny as Art in French Classicism." Critical Inquiry 17, no. 4 (1991): 718–37. http://dx.doi.org/10.1086/448609.

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Nogueira, Luciana Persice. "Proust e o cadafalso de Camus: a "Festa da velhice" e "Sobre a leitura"." Caligrama: Revista de Estudos Românicos 19, no. 1 (2014): 167. http://dx.doi.org/10.17851/2238-3824.19.1.167-186.

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<p><strong>Resumo: </strong>O artigo de Albert Camus “A inteligência e o cadafalso” trata do classicismo literário francês e elege a cena do “<em>bal de têtes</em>”, de <em>Le temps retrouvé </em>de Marcel Proust, como um dos grandes momentos do romance francês. Essa cena é abordada aqui segundo a perspectiva camusiana, e em função dos conceitos e imagem desenvolvidos no artigo: repetição, inteligência, e cadafalso. Em seguida, a imagem do cadafalso é estendida ao momento de início de reviravolta na carreira de Proust, quando da escritura e da publicaç

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Leonard, Miriam. "Irigaray's Cave: Feminist Theory and the Politics of French Classicism." Ramus 28, no. 2 (1999): 152–68. http://dx.doi.org/10.1017/s0048671x00001764.

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Although there are countless feminist readings of Plato and readings of Plato as (a) feminist, the French feminist theorist Luce Irigaray's extended—nearly 200 page!—reading of the cave passage from Book 7 of Plato's Republic may still come as something of a surprise to the classicist. In the recently published book Feminist Interpretations of Plato, however, there is an essay by Irigaray on Plato's Symposium included as just another example of this now established genre. Just any other?—well not quite… As in its sister volume Feminist Interpretations of Aristotle, the editors have decided tha

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Carlson, Marvin. "The Eighteenth Century Pioneers in French Costume Reform." Theatre Survey 28, no. 1 (1987): 37–47. http://dx.doi.org/10.1017/s0040557400008966.

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In the middle years of the eighteenth century a major shift took place in France concerning the idea of appropriate stage costume. The traditional dress of high classicism, with its helmets and high plumes for the men, large hoop skirts for the women, and elegant, symmetrical, and highly artificial dress for both began to be challenged by leading critics and artists, who sought—for greater realism, greater historical accuracy, or greater ease and beauty of movement on stage—a more relaxed and informal approach to stage dress.

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Dissertations / Theses on the topic "French classicism"

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Cronk, Nicholas. "The classical sublime : Boileau's Traite du sublime in the context of contemporary poetic theory 1650-1720." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305800.

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Smith, Anthony David Stephen. "Patriotism and neo-classicism : the 'historical revival' in French and English painting and sculpture, 1746-1800." Thesis, University College London (University of London), 1987. http://discovery.ucl.ac.uk/1317949/.

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The aim of this thesis is to explore the links between historicism and patriotism in French and English painting and sculpture From 1748 to 1800. It argues that the reaction to Rococo hedonism took the Form of an 'historical revival' to rejuvenate European culture and society by a return to an heroic morality for the individual and the community. While artists generally Followed historians and poets in their choice of themes, they managed to produce images that defined and diffused the exemplary heroic virtues, and to endow different periods of history with tangibility and verisimilitude. Whil

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Hibbitt, Richard. "'Dilettantism' and its values : the study of a critical concept in French and German literature from Weimar Classicism to the fin de sieÌ€cle." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246955.

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Levin, Suzanne Michelle. "Shades of Cato and Brutus: Classical References in the Révolutions de Paris and the Rise of Republicanism, June-October 1791." Oberlin College Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1338322217.

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Popa, Marius. "Présence du classicisme français dans la critique littéraire roumaine (de la Révolution de 1821 à la fin du communisme)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL020.

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La présente thèse se propose de répertorier et d’analyser les références au classicisme français et le rôle qu’il a joué dans la critique littéraire roumaine, depuis la Révolution de Tudor Vladimirescu (1821) jusqu’à la chute du régime communiste (1989). Après avoir replacé la réception du modèle dans le cadre de l’histoire de la Roumanie et de ses relations politiques et intellectuelles avec la France (notamment par une étude de la traduction des classiques français en langue roumaine) et après une analyse généalogique et esthétique du concept de « classicisme français », on s’est efforcé de

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Giboux, Audrey. "Hugo von Hofmannsthal et la littérature française classique : enjeux d’une réception créatrice." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040175.

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Auteur emblématique de la Modernité viennoise, Hofmannsthal valorise pourtant systématiquement les notions de classicisme et de tradition littéraire, selon lui davantage instituées en France que dans les pays germanophones. Cette thèse étudie sa perception de l’héritage de la culture française, qui représente à ses yeux, d’une manière rendue critique dans le contexte de crise du tournant des XIXe et XXe siècles, un modèle esthétique et civilisateur. Elle montre la coïncidence surprenante établie par Hofmannsthal entre la création théâtrale et la référence française, toutes deux placées sous le

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Forment, Lise. "L’invention du post-classicisme de Barthes à Racine. L’idée de littérature dans les querelles entre Anciens et Modernes." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA163.

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Cette thèse remet en question le soupçon pesant sur les catégories de « classique » et « classicisme ». Centrales dans les manuels, ces notions sont pourtant renvoyées par les spécialistes à de purs anachronismes, et jugées impertinentes pour caractériser le XVIIe siècle et sa littérature. Marqués par la rhétorique et la sociologie historique, les travaux actuels écartent l’opposition idéologique entre classicisme et modernité. Mais l’analyse de l’antagonisme chez Barthes, et l’étude des querelles impliquant les Classiques de 1898 à 1966, permettent de donner un contenu inattendu au classicism

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Bartha, Ilinca. "L'utopie dans la littérature française de l'aube du classicisme à l'aube des lumières." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30014/document.

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Complexe et mystérieuse, l’utopie représente sans doute l’une des notions dont la longue carrière dans l’histoire de la pensée et de la culture humaines est incontestable. Compte tenu de cette grande richesse conceptuelle, notre analyse de l’utopie dans la littérature française de l’aube du classicisme à l’aube des Lumières commence par l’esquisse du cadre théorique de l’utopie, à partir du mot lui-Même, des multiples significations qu’il a reçues au long du temps et par la mise en évidence des deux paradigmes qui le caractérisent, à savoir un paradigme théorique et un paradigme littéraire. To

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Celestrin, Yannel. "Re-Imagining the Victorian Classics: Postcolonial Feminist Rewritings of Emily Brontë." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3665.

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ABSTRACT OF THE THESIS RE-IMAGINING THE VICTORIAN CLASSICS: POSTCOLONIAL FEMINIST REWRITINGS OF EMILY BRONTË by Yannel M. Celestrin Florida International University, 2018 Miami, Florida Professor Martha Schoolman, Major Professor Through a post-structural lens, I will focus on the Caribbean, specifically Cuba, Guadeloupe, Marie-Galante, and Roseau, and how the history of colonialism impacted these islands. As the primary text of my thesis begins during the Cuban War of Independence of the 1890s, I will use this timeframe as the starting point of my analysis. In my thesis, I will compare Emily

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Fairbank, Rebecca Bennett. "Devastating Diva: Pauline Viardot and Rewriting the Image of Women in Nineteenth-Century French Opera Culture." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3788.

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Historically vilified, the vocalizing woman developed a stereotyped image with the emergence of the prima donna in eighteenth-century opera. By the nineteenth century, the prima donna became the focal point for socio-cultural polemics: women sought financial and social independence through a career on the operatic stage while society attempted to maintain through various means the socio-cultural stability now threatened by women's mobility. The prima donna represented both a positive ideal for women as well as a great threat to western patriarchy. A discourse emerged in which the symbol of fem

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Books on the topic "French classicism"

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Renaissance art in France: The invention of Classicism. Flammarion, 2003.

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Oberhuber, Konrad. Poussin, the early years in Rome: The origins of French classicism. Hudson Hills Press, 1988.

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Poussin: The early years in Rome : the origins of French classicism. Phaidon Christie's, 1988.

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Hubert, Blanc-André. Lire le classicisme. Dunod, 1995.

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Blanc, André. Lire le classicisme. Dunod, 1995.

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Architectural History Foundation (New York, N.Y.), ed. Charles Garnier's Paris opéra: Architectural empathy and the renaissance of French classicism. Architectural History Foundation, 1991.

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Raffaello e il classicismo francese del XVII secolo. Accademia Raffaello, 2004.

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Corneille, classicism, and the ruses of symmetry. Cambridge University Press, 1986.

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Génetiot, Alain. Le classicisme. Presses universitaires de France, 2005.

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Le classicisme français: Masterpieces of seventeenth century painting : a loan exhibition from the Louvre and French regional museums at the National Gallery of Ireland, 30 April-9 June l985. The Gallery, 1985.

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Book chapters on the topic "French classicism"

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Birkett, Jennifer, and James Kearns. "Classicism: Writing in the Absolute State, 1600–80." In A Guide to French Literature. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25758-4_3.

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Blanchard, Jean-Vincent. "Postcolonial Courtiers: Performing French Classicism from Versailles to Nouvelle-France." In Postcolonial Moves. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403980236_11.

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Secretan, Dominique. "French Classicism: a climax." In Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315115429-5.

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"8. The Conditions of French Classicism." In Intellectual Origins of the French Enlightenment. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400873012-009.

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"Baroque, French Classicism and Rococo (1650–1750)." In Architect's Drawings. Routledge, 2006. http://dx.doi.org/10.4324/9780080454658-8.

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"French Classicism in Jesuit Theater Poetics of the Eighteenth Century." In Politics and Aesthetics in European Baroque and Classicist Tragedy. BRILL, 2016. http://dx.doi.org/10.1163/9789004323421_015.

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"The rebirth of French classicism I: the Académie Royale d’Architecture." In François Blondel. Routledge, 2012. http://dx.doi.org/10.4324/9780203718063-8.

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McCann, Ben. "Late style." In Julien Duvivier. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719091148.003.0007.

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This last chapter looks at Duvivier’s late style, and makes the case that his final films, before his death in 1967, retain the classicism of mise en scène, the evocative location shooting, and the core thematic concerns – deception, misanthropy, the fragility of the (male) group, the dangerous woman – that characterise Duvivier’s career. It will explore how Duvivier continued to return to source texts (Pot-Bouille [1957], Chair de poule [1963]), made chamber pieces (Marie-Octobre [1959], Diaboliquement vôtre [1967]) and Gothic noir (La Chambre ardente [1962]). This period also saw Duvivier re-imagine the coordinates of French noir and the fantasy film, two genres generally overlooked by most critics at the time. The chapter also evaluates Duvivier’s contributions to the look and logic of the ‘Tradition of Quality’ cinema. He continued to push at the rigid boundaries between commercial and auteur work, working with significant stars (Brigitte Bardot, Danielle Darrieux, Alain Delon and Jean-Pierre Léaud).

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"COMPLEX INVERSION IN FRENCH." In Mouton Classics. De Gruyter Mouton, 2002. http://dx.doi.org/10.1515/9783110886009.195.

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"Un idéal de la culture française entre humanisme et classicisme: “civiliser la doctrine”." In Civilization in French and Francophone Literature. Brill | Rodopi, 2006. http://dx.doi.org/10.1163/9789004333055_007.

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Conference papers on the topic "French classicism"

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Sousa, Alberto J. "Towards a Reinterpretation of the So-Called Brazialian Neo-Classical Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.22.

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Brazilian architectura d historians have identified in Brazilian architecture a style of classicist nature, adopted during the period ranging broadly from 1810, which has been regarded as the Brazilian version of European Neo-classicism – and therefore has been named Neo-classical – and as a language derived mainly from French models. The have said, at the same time, that the French architect Grandjean de Montigny (who lived in Rio de Janeiro from 18 16 until his death in 1850) was the main propagator of that style and also the most prominent of the designers who made use of it. A careful rese

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