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Dissertations / Theses on the topic 'French Colonial Africa'

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1

White, Owen. "Children of the French empire : miscegenation and colonial society in French West Africa, 1895-1960 /." Oxford : Clarendon press, 1999. http://catalogue.bnf.fr/ark:/12148/cb376525368.

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2

White, Owen. "Miscegenation and colonial society in French West Africa c.1900-1960." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318997.

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3

Chipman, John. "France as an African power : history of an idea, and its post colonial practice." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670330.

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4

Smith, Michael L. "Sir Percy Girouard : French Canadian proconsul in Africa, 1906- 1912." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55637.

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5

Sèbe, Berny. "Celebrating British and French imperialism : the making of colonial heroes acting in Africa, 1870-1939." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670137.

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This thesis investigates the ways in which British and French imperial heroes involved in the exploration, conquest or administration of Mrica between 1870 and 1939 were selected, packaged and promoted to the various sections of the public of their respective countries. It seeks to unveil the commercial, political and personal interests that lay behind the imperial hero-making business. This research analyses the hidden mechanisms, as well as the reasons that led to the appearance of a new type of hero in the context of the 'new' T Imperialism and the 'Scramble for Mrica': private connections, political lobbies (especially colonial advocates and nationalists), commercial interests (journalists, writers, biographers, hagiographers, publishers, film-makers) and personal ambition, the combination of which underpinned the creation and success ofheroic reputations. The first part of the thesis investigates the process through which imperial heroes progressively became widely known in their homelands, and how it was facilitated by the technical and social improvements of the Second Industrial Revolution. Drawing upon a wide variety of printed and manuscript sources, it shows the ever-increasing commercial success of imperial heroes throughout the period, analyses how they could serve political ends, and explains the values for which 'they were held up as examples. The second part examines the case studies of two military commanders in times of Anglo-French rivalry in Africa (the Sirdar Kitchener and Major Marchand before, during and after the Fashoda confrontation of 1898), in order to compare the modalities of the development of these legends, and the different backdrops against which they took shape. This thesis is the first to combine quantitative evidence (such as print run figures) and qualitative sources (such as police records) to demonstrate conclusively the prevalence and complexity of the hero-making process brought about by the conquest of Mrica, and to evaluate the reception of these heroic myths among the public.
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Sebe, Berny. "'Celebrating' British and French Imperialism: the Making of Colonial Heroes Acting in Africa, 1870-1939." Thesis, University of Birmingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487522.

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This thesis investigates the ways in which British and French imperial heroes involved in the exploration, conquest or administration of Mrica between 1870 and 1939 were selected, packaged and promoted to the various sections of the public of their respective countries. It seeks to unveil the commercial, political and personal interests that lay behind the imperial hero-making business. This research analyses the hidden mechanisms, as well as the reasons that led to the appearance of a new type of hero in the context of the 'new' T Imperialism and the 'Scramble for Mrica': private connections, political lobbies (especially colonial advocates and nationalists), commercial interests (journalists, writers, biographers, hagiographers, publishers, film-makers) and personal ambition, the combination of which underpinned the creation and success ofheroic reputations. The first part of the thesis investigates the process through which imperial heroes progressively became widely known in their homelands, and how it was facilitated by the technical and social improvements of the Second Industrial Revolution. Drawing upon a wide variety of printed and manuscript sources, it shows the ever-increasing commercial success of imperial heroes throughout the period, analyses how they could serve political ends, and explains the values for which 'they were held up as examples. The second part examines the case studies of two military commanders in times of Anglo-French rivalry in Africa (the Sirdar Kitchener and Major Marchand before, during and after the Fashoda confrontation of 1898), in order to compare the modalities of the development of these legends, and the different backdrops against which they took shape. This thesis is the first to combine quantitative evidence (such as print run figures) and qualitative sources (such as police records) to demonstrate conclusively the prevalence and complexity of the hero-making process brought about by the conquest of Mrica, and to evaluate the reception of these heroic myths among the public.
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Masey, Rachael. "Living French colonial theory : an examination of France's complex relationship with Islam in its African colonies as viewed through the lives of Octave Houdas and Xavier Coppolani." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/14318.

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Includes bibliographical references (leaves 89-94).
In current scholarship, the colonial period within Africa has long been defined as a controversial era, almost encapsulating the entirety of Occidental hubris in one distinct age of time. By and large, the European powers invaded foreign lands, claimed them as their own by right of superior cultural standing, attempted to spread their way of life, and manipulated both the occupied territories and their inhabitants for their own economic, cultural, and spiritual gain. Such incursions were morally justified by the Oriental paradigm, which broadly claimed that European cultural and intellectual superiority gave the cultural Occident the authority to control, speak for, and know the entirety of the Oriental world. As a colonial power, France brought its own unique perspective to the pursuit of colonial might in the form of the concept of the mission civilisatrice and the legacy of the French Revolution. Within the auspices of the larger Orientalist paradigm which guided the second colonial empire, France imposed its civilizing mission on the largely Muslim North and West African colonies. These occupied lands posed a special threat to French hegemony because they shared a common monotheistic religion which could not be easily dismissed on the basis of Orientalist logic and could potentially pose a very real threat to French control. Thus, French policy toward Islam was unceasingly suspicious of Islam ' evolving in its understanding of the religion and Muslim African culture but always with an eye to the practical aspects of administrating and controlling an Islamic colony. This paper utilizes the larger complexities surrounding the French relationship with Islam as the basis for an examination of the lives of two colonial figures, Octave Houdas and Xavier Coppolani. Both men were prominent Islamists with career trajectories deeply steeped within Orientalist rhetoric in the late nineteenth-century and with strong ties to Algeria. However, a detailed and comprehensive accounting of the significance of their contributions and how they each advanced the Orientalist perspective has not yet been a focus of scholarly historical inquiry. Octave Houdas functioned within the realm of scholarly study ' educating a new generation of Orientalists at institutions in both Algeria and France and translating documents relative to the Islamic histories of North and West Africa. In contrast, Xavier Coppolani worked as a self-styled Islamists for the French colonial government, exploring and writing strategic treatises on how the pre-existing Muslim culture could be best employed to French gain. During their respective lifetimes both men played a critical role in the evolving French conceptions of Islam yet have had their lives and works essentialized and undervalued by modern historical study. By employing a wide variety of their works, spanning from French archival material to government reports to textbooks, this paper will address both their individual contributions to Franco Islamic relations and the larger roles they, as the Orientalist scholar and administrator, respectively, played in the perpetuation of the Orientalist paradigm. Many documents represented primary sources which were in French and were reviewed at locations in France.
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Schulman, Gwendolyn. "Colonial education for African girls in Afrique occidentale française : a project for gender reconstruction, 1819-1960." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56913.

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This thesis is a survey of the development of religious and secular colonial education for African girls and women in Afrique Occidentale Francaise, from 1819 to 1960. The historiography of colonial education in AOF has dismissed the education of African girls and women as they were numerically too insignificant to merit any special attention.
This study argues that an examination of educational objectives, institutions and curricula provides a rare and valuable window on French colonial discourse on African women. It was a discourse fed by sexism and ethnocentrism, that ultimately intended to refashion women's gender identities and roles to approximate those prescribed by the French ideology of domesticity.
The system took the form of a number of domestic sciences training centres that aimed to change the very social definition of what constituted an African woman--to remake her according to the Euro-Christian, patriarchal ideal of mother, wife and housekeeper. Colonial educators argued that such a woman, especially in her role as mother, was the best conduit for the propagation of French mores, practices, and most importantly, submission to French hegemony.
The final decades of formal colonial rule in AOF saw the emergence of a small African male bourgeoisie. Members of this class, called "assimiles", accepted to varying degrees French language, lifestyle and values. This study further examines how many of them embraced the ideology of domesticity and became active in the debate on African women's education and the need to control and transform their gender identities.
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Ahmed, Meouloud Tah. "The Internationalization Process of Firms from Francophone Africa: “L’effet Métropolitain”." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/421972.

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Business Administration/International Business Administration
Ph.D.
Emerging market firms (EMFs) have become a significant contemporary global economic force in terms of their international presence and influence. However, given the extreme poverty and lack of development in their home countries, many Francophone firms in Africa seeking to internationalize lack resources as well as legitimacy in international markets. Compared to higher income emerging markets, Francophone firms in Africa face significantly greater challenges in their internationalization efforts. For such firms, initial internationalization may occur through the former colonial center as a result of “l’effet métropolitain” (or the metropolitan effect). They may take advantage of their French relationship to overcome the disadvantages of being located in underdeveloped countries and markets. Once established in France, they are able to internationalize more broadly. The aim of this research was to investigate “l’effet métropolitain” and learn about the factors influencing the internationalization process of Francophone firms in Africa. To meet these aims, data on internationalization processes of firms from Francophone Africa were collected through case study analysis and semi-structured interviews with senior management of seven, Francophone firms from Africa. The case study findings largely provide confirmation of a proposed model of “l’effet métropolitain” wherein certain firm resources and motivations moderate the internationalization of Francophone firms in Africa to France first and then beyond.
Temple University--Theses
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Fink, Rachael. "France and the Soviet Union: Intervention in Africa Post-Colonialism." Wittenberg University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617892018822665.

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11

Sanusi, Ramonu Abiodun. "Representations of Sub-Saharan African Women in Colonial and Post-Colonial Novels in French." Thesis, view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3136444.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 175-186). Also available for download via the World Wide Web; free to University of Oregon users.
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12

Adamo, Elizabeth. "Complicity and Resistance: French Women's Colonial Nonfiction." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428264527.

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13

Gendry, Thaïs. "Le droit de tuer, La peine de mort au service de l’ordre colonial en Afrique occidentale française, 1900-1950." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0059.

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La justice rendue aux colonies n’est pas une excroissance de la justice française métropolitaine. Faisant fi de la séparation de pouvoirs, autoritaire et racialisée, elle est une manière singulière d’organiser le droit de punir et le droit de tuer. Celle-ci n’a généré dans l’historiographie que peu d’analyses et reste marginale dans les réflexions sur le maintien de l’ordre colonial. Elle est pourtant l’aboutissement d’un processus central à l’établissement et au maintien de la domination coloniale : celui de la séparation d’un pouvoir de mort légitime, d’autres formes de violences meurtrières, illégitimes. Ce travail cherche à saisir les usages de la peine de mort, dans le contexte colonial de l’Afrique occidentale française entre 1900 et 1950. Nous proposons d’analyser la peine de mort comme un lieu du déploiement des fondamentaux de la politique coloniale. Les condamnations et les exécutions génèrent et font circuler des discours sur les comportements africains, créent des figures criminelles, voire ennemies, à éliminer. Ainsi, la mise en scène de la violence légitime, dans les tribunaux et aux pelotons d’exécutions, institue et rejoue sans cesse les divisions de pouvoirs, de statuts (sujet/citoyen), de races et des cultures si centrales à l’ordre colonial
The justice handed out in the French colonies of West Africa is not a by-product of French metropolitan justice. Oblivious to the separation of power, while being authoritarian and racialized, it is a distinctive way of organizing the right to punish and the right to kill. The death penalty has a scarce historiography in the French empire. It is also marginal in studies pertaining to colonial tools of power, law and order. Yet, it is the culmination of a process central to the establishment and maintenance of colonial domination: the separation between a legitimate right to kill and other types of illegitimate lethal violence. This dissertation explores the role played by the death penalty in the context of French West Africa between 1900 and 1950.The death penalty is analysed as a space where the fundamentals of colonial policies are deployed. Condemnation and executions generate and circulate colonial discourses about African behaviour, giving rise to criminal and enemy figures that ought to be eliminated. The staging of legitimate violence, within courts and by firing squads, continuously re-enacts divisions of power, of status (citizen/subject), of race and culture—the very pillars of the colonial order
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Banguiam, Kodjalbaye Olivier. "Les officiers français : constitution et devenir de leurs collections africaines issues de la conquête coloniale." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100045/document.

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Consacrée aux collections africaines des officiers coloniaux français, cette recherche soulève la question de l’exploration et de la conquête de l’Afrique à la fin du XIXè siècle et au début du XXè siècle. Parmi les explorateurs envoyés par les pays européens pour coloniser les populations africaines figurent des hommes de couches sociales et de professions différentes. On peut citer, par exemple, les missionnaires, les administrateurs, les militaires. Il est privilégié ici l’étude de l’action coloniale des officiers français engagés dans une série de régions (Mali, Sénégal, Congo, Tchad, République Centrafricaine…). Lors des missions d’exploration, ces hommes y découvraient un éventail d’objets (armes, instruments de musique, objets d’utilité quotidienne, objets rituels…) qu’ils collectaient sous l’incitation des instructions reçues en France avant leur départ. Il convient d’étudier les provenances géographiques et les conditions d’acquisition de ces objets afin de dégager la particularité des collections rassemblées par les officiers. Au terme de leurs périples, ceux-ci rapportaient en France ces collections qu’ils offraient aux musées comme le Musée de l’Homme et le Musée de l’Armée. Aujourd’hui, le Musée du Quai Branly conserve de précieux dossiers sur ces militaires (Archinard, Brazza, Marchand, Tilho…) ainsi que les traces de leurs dons. Après avoir répertorié environ 1500 objets dont l’histoire est indissociable à celle de la colonisation de l’Afrique, on déduit que ces oeuvres constituent un véritable héritage colonial permettant d’analyser la vision européenne et la perception des militaires français par rapport à la culture matérielle africaine. Par ailleurs, l’étude de cet acquis colonial peut révéler le degré de civilisation des populations locales qui avaient fabriqué et utilisé les articles concernés à la fin du XIXè siècle et au début du XXè siècle
This research concerns the French officers contribution during the colonization of Africa and the quality of the african objects that they collected. It aims to study the exploration and the conquest of Africa at the end of the 19th century and the beginning of the 20th century. During this period, European countries sent in the different parts of the continent many explorers to colonize the population. Those explorers had different social classes and jobs. Among them, there were, for example, religious persons, administrators and soldiers. It is the colonial action of the French officers in the different countries of Africa (Mali, Senegal, Congo, Chad, Central Africa Republic…) that is studing. During the exploration travel, the colonial officers discovered in those countries different kinds of objects. According of the instructions they received in France before their travel, they collected the local objects as the arms, the royal objects, the music objects, the cooking objects, the objects of the traditional ceremony. It’s interesting to study where the objects provided and the conditions of the collect. It’s a best way to know the particularities of the result of the officers discoveries. At the end of the journey in Africa, the officers brought to France the result of the collect and offered the objects to the French museums as the Musée de l’Homme, the Musée de l’Armée. Today, the Musée du Quai Branly is conserving the documents about the exploration travels of many officers (Archinard, Brazza, Marchand, Tilho, Lenfant…) and some of the objects they had collected for studying the customs of the African populations. We interroged about 1500 objects they had collected. The history of those objects is associated to the Africa colonization history. Nowadays, those objects constitute a colonial heritage and permit to analyze the European vision and the military perception about the African material culture and to know the degree of the civilization of the African populations who made and used those objects in Africa at the end of the 19th century and the beginning of the 20th
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Maderspacher, Alois. "European colonialism in sub-Saharan Africa : the Germans, French, and British in Cameroon, 1884-1939." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609449.

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Gonçalves, Rosana Andréa. "Sociedades africanas frente à situação colonial europeia: o Estado Independente do Congo (1876-1908)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-25102016-123623/.

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O Estado Independente do Congo foi reconhecido internacionalmente em 1885 como resultado da ação de representantes europeus em obter tratados de cessão de soberania junto às autoridades e chefes africanos da região da bacia do Congo. No entanto, a implantação de uma missão civilizadora, em consonância com os interesses comerciais do monarca belga Leopoldo II, não se deu sem conflitos, embates e resistências. A crueldade e a arbitrariedade que marcaram tal processo ecoaram na opinião pública internacional, gerando movimentos de denúncias sobre as violências que vitimaram as populações africanas. Este trabalho busca analisar as reações e acomodações ocorridas a partir da situação colonial que se impôs frente a um contexto no qual se faziam presentes múltiplas e variadas formas de organização política das sociedades africanas da região.
The Congo Free State was internationally recognized in 1885 as a result of the action of European representatives in obtaining sovereignty transfer treaties with the African authorities and leaders of the Congo Basin region. However, the implementation of a \"civilizing mission\" aligned to the commercial interests of the Belgian king Leopold II, has not been without conflicts, struggles and resistances. The cruelty and arbitrariness that have marked this process echoed on the international public opinion, generating movements of complaints about violence toward the African populations. This work seeks to analyze the reactions and accommodations that followed the colonial situation that was imposed in a context in which were present multiple and varied forms of political organization of African societies in the region.
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Tiako, Djomatchoua Murielle Sandra. "Sports et Routes Migratoires : entre Imaginaires (Post) Coloniaux et Experiences Individuelles dans Fais peter les basses, Bruno! et Le Chemin de L' Amerique de Baru." Miami University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1626239430252334.

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Brunet-La, Ruche Bénédicte. ""Crime et châtiment aux colonies" : poursuivre, juger, sanctionner au Dahomey de 1894 à 1945." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00979289.

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Saisir le projet pénal colonial et le dérouler dans sa mise en œuvre, depuis l'acte criminel ou délictuel jusqu'à la sanction, en passant par la poursuite et le jugement, tel est l'objet de cette recherche menée dans un territoire de l'Afrique occidentale française entre 1894 et 1945, le Dahomey. Le principe de séparation entre citoyen européen et sujet indigène sur lequel se construit le mécanisme judiciaire s'étend à tout le parcours pénal suivi par les Dahoméens, avec la perception d'une criminalité proprement indigène ou l'exécution différenciée de la sanction selon le statut du condamné. Mais ce processus répressif ségrégué reste peu réfléchi dans sa continuité. Alors que la justice indigène est de plus en plus investie par le gouvernement colonial, les extrémités de la chaîne pénale sont peu pensées en termes d'intégration à la société civile. Les polices et les prisons restent au service d'un ordre politique et économique évolutif. La police judiciaire et le fonctionnement carcéral sont donc largement laissés entre les mains des chefs locaux et des auxiliaires africains, ce qui conduit à aménager le régime répressif dans un système de " domination sans hégémonie ". La colonne vertébrale de ce système, la justice indigène, est quant à elle au cœur des critiques contre l'ordre colonial, mais elle est aussi le lieu où se renégocient les rapports de pouvoir et où s'exposent les conflits sociaux en situation coloniale. Le parcours pénal suivi par les Dahoméens au cours de la première partie du XXe siècle apparaît comme un reflet déformé, et même transformé d'un projet répressif dominé par le souci de maintien de l'ordre mais relativement informe.
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Wagner, Madison. "La modernité tunisienne dévoilée : une étude autour de la femme célibataire." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1368.

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This thesis explains recent accounts of discrimination and cutbacks in reproductive health spaces in Tunisia. Complicating dominant analyses, which attribute these events to the post-revolution political atmosphere which has allowed the proliferation of islamic extremism, I interpret these instances as a manifestation of a deeply rooted stigma against sexually active single women. I trace this stigma’s inception to the contradictory way that Habib Bourguiba conceptualized modernity after independence, and the responsibility he assigned to Tunisian women to embody that modernity. This responsibility remains salient today, and is putting Tunisian women in an increasingly untenable and vulnerable position. After independence, Bourguiba instated a series of policies and programs aimed at demonstrating the modernity of Tunisia. The success of Tunisia’s modernization was determined, and continues to be determined by the woman’s social transformation and embodiment of modernist values. Bourguiba’s modernist platform was constituted not only by typically ‘Western’ values, such as economic prosperity, family planning, education, and gender equality, but was also deeply informed by the islamic and cultural values that hold the woman’s primordial role to be mother and wife, and expect her to abstain from sex until marriage. The modern Tunisia woman thus became expected to both obtain higher levels of education and actively participate in the public sphere, and also uphold virtues around premarital virginity, marriage, and motherhood. Her fulfillment of these tasks marked the independent nation’s progress and modernity. Today, as more and more Tunisian women are increasingly empowered to fulfill one facet of their obligation and attend university, participate in the labor market, and make use of the growing contraceptive technologies available to them, they become more likely to postpone marriage and engage in premarital sexual relations. These latter behaviors transgress the second facet of the woman’s obligation, and threaten the very integrity of the modern nation. Women are thus becoming more and more subjected to societal punishment — stigma — which manifests in many forms, including discrimination in reproductive health care spaces.
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Decouvelaere, Stéphanie Françoise. "L'illusoire « meilleure chance » : Le travailleur immigré dans la fiction maghrébine en langue française et dans la fiction caribéenne en langue anglaise, 1948-1979." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030059/document.

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Cette thèse examine la représentation littéraire de migrations depuis des colonies vers les centres impériaux à l'époque de la décolonisation par l'analyse comparative de romans antillais en langue anglaise et maghrébins en langue française traitant d'immigration vers la Grande-Bretagne et la France respectivement. L'attention portée à la relation de domination est un point de convergence majeur. Lamming, Chraïbi et Kateb la présentent comme une relation coloniale ayant des effets tant économiques que psychologiques et culturels. Boudjedra et Ben Jelloun dans les années 1970 placent et l'immigration et la colonisation dans le cadre plus large de l'exploitation capitaliste. La représentation des conditions de vie difficiles et de la marginalisation des immigrés participe dans ces romans d'une critique générale de la modernité européenne. Les auteurs maghrébins dénoncent le caractère oppressant de la rationalité occidentale, tandis que les romanciers antillais se concentrent sur les racines coloniales de l'attitude des Britanniques face aux populations non-Européennes. Des deux côtés, on répond au discours colonialiste et à la représentation positive du colonisateur à travers la manipulation du point de vue et de la voix narratifs et le thème de la folie. La plupart des écrivains réfutent les images négatives des immigrés en insistant sur des aspects négligés, tels que la dimension émotionnelle de leur vécu et les tenants et aboutissants coloniaux des relations entre immigrés et autochtones. Ce faisant, leurs représentations finissent par se conformer à la figure de l'immigré sous-tendant les discours qu'ils dénoncent. Leurs préoccupations se distinguent de celles de générations d'auteurs ultérieures et de discours récents sur les populations d'origine maghrébine et antillaise en France et en Grande-Bretagne
This thesis examines the literary representation of migration from a colony to the imperial metropolis in the period of decolonisation through a comparative analysis of novels by Anglophone Caribbean and Francophone Maghribi writers about migration to Britain and France respectively. A major point of convergence is the focus on the relationship of domination. Lamming, Chraïbi and Kateb address this explicitly as a colonial relationship that is psychological and cultural as well as economic, whereas the 1970s writers Boudjedra and Ben Jelloun place both immigration and colonisation within a wider framework of capitalist exploitation. The difficult material conditions and the racism targeting immigrants are not depicted for their own sake but are the occasion of a wide-ranging critique of European modernity. Maghribi writers attack the rationality of Western civilisation as oppressive, whereas the Caribbean novelists focus on the colonial roots of attitudes to non-Europeans. Both sets of writers nonetheless provide responses to European colonialist discourse and to the positive self-presentation of the coloniser through the manipulation of narrative point of view and voice and through the theme of mental breakdown. Most of the novelists set out to refute negative representations of immigrants by restoring aspects they feel are neglected, in particular the emotional dimension of the immigrant experience and the colonial determinants of the relationship between immigrants and natives. In doing so their representations of immigration often conform to the immigrant figure underpinning the discourses they attack. Their preoccupations are distinct from those of later writers and recent discourses about Caribbean and Maghribi populations in Britain and France : with the exception of Selvon and, more ambiguously, Mengouchi and Ramdane, the novelists are not interested in the process of formation of ethnic-diasporic minorities in France and Britain
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Valenti, Eva. "La Sociolinguistique Postcoloniale en Amérique Hispanophone et en Afrique Francophone : Un Drame Linguistique en Deux Actes." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/57.

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This thesis analyzes the sociolinguistic situations in postcolonial Latin America and francophone North Africa (the Maghreb) through a comparative lens. Specifically, it examines the ways in which Spain and France’s differing colonial agendas and language ideologies affected the relationships between colonizer and colonized, and, by extension, the role that Spanish and French play(ed) in these regions after decolonization. Finally, it explores how Spain and France’s contemporary discourses frame colonial participation in the two languages’ development, and the psychological effects these ideologies have had on the formerly colonized.
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Cooper, Ann Clare. "Public health, the native medical service, and the colonial administration in French West Africa, 1900-1944." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2244.

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From 1900 to 1944, public health was a pillar of the French colonial project in French West Africa. African medical workers became the backbone of the Native Medical Service, which sought to “grow the race” (faire du noir) and popularize French cultural ideals while improving the general health of the African population and combating epidemic diseases. Through successive yellow fever and plague epidemics, the Medical Service honed a set of health measures that it utilized in epidemic outbreaks. These health measures remained largely unchanged throughout the period. The political environment and the reactions of African residents, especially residents of the Four Communes, to these anti-epidemic measures did change though. Intermittent popular resistance to health measures, along with persistent personnel shortages, budget constraints, the sparsely settled population, and the vast land area of West Africa conspired to make the goals of the Native Medical Service difficult to achieve. An examination of the internal profile (personnel numbers, job descriptions, evaluations, organization and organizational changes, and policies) of the Native Medical Service from 1900 - 1944 demonstrates some of the aspects of how the ideology of French colonialism was at odds with itself and with colonial realities. The Native Medical Service was an arm of the colonial government in areas where it was weak, such as spreading French civilization and appreciation for French culture. Despite being used to compensate for some of the government’s shortcomings, the Native Medical Service experienced disjunctions between its goals and the means to achieve them that hindered its effectiveness. The ideological core of French colonialism was built around the Civilizing Mission, development (la mise en valeur), and the myth of the indissolubility of Greater France. The widespread French belief in African inferiority and that the benefits of French imperial rule to the subject peoples outweighed the drawbacks both worked against the success of French goals in West Africa to spread their civilization, foster economic and human development, and form a lasting addition to France Outre-Mer.
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Boretsky, JuliAnne. "To see is to know postcards from French West Africa and the presentation of colonial progress, 1900-1918 /." 2003. http://purl.galileo.usg.edu/uga%5Fetd/boretsky%5Fjulianne%5F200312%5Fma.

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Bevill, Whitney. "Subversive Representations of Education in Francophone Novels of the Colonial Maghreb." 2011. https://scholarworks.umass.edu/theses/582.

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Much work exploring alterity and hybridity in the Maghreb ignores representations of education which confront seminal formative experiences, specifically education. French colonial education was problematic because it granted access to the colonizer’s culture, yet it also created a rupture in self-identity for Maghrebi students. In this thesis, I interrogate the literary representations of sites and sources of education by analyzing how these representations discuss the tension between formal French education and informal Maghrebi education. My thesis begins with a historical overview of colonial education in the Maghreb. I then discuss literary methods of negotiating identity, contrasting Arab and Western autobiography especially. Furthermore, I compare writing practices informed by a French education and a North African upbringing. Next, I compare formal and informal sites of education—the school, home and community—which articulate sources of alterity experienced during colonial childhood. Writers interrogate formal settings, including the school, classrooms, teachers, and examinations, and gaze upon the normative space and dominant culture which contradict that of the home. Conversely, informal settings provide subversive sources of education that resist the power structures of colonial France. These sites, including parents, the home, and community, provide an oppositional education and a means of resistance to rejected systems of power. Both settings represent spaces of cultural confrontation that serve as both a means of betrayal as well as benefit to students. The texts I consider discuss the dynamic end of the French colonial period yet were written over a period of time that allowed for personal reflection by the authors as well as for contributions by literary critics and historians that affected the perception and comprehension of the volatile period at the end of French colonialism and the fall of the Fourth Republic.
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Camara, Fatoumata. "Savoirs et pratiques autour de la tuberculose à Dakar, 1924-1969 : le destin d’une maladie sociale, du colonial au postcolonial." Thesis, 2020. http://hdl.handle.net/1866/25614.

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Alors que des stratégies ont été développées par les pouvoirs publiques qui officiaient à Dakar depuis les années 1920 pour contenir l’évolution de la tuberculose, maladie sociale alors identifiée comme constituant un obstacle aux projets socio-politiques et économique de la France en Afrique de l’ouest, cette maladie continuait en 2019, environ 40 ans après la décolonisation du Sénégal, à figurer parmi les préoccupations des autorités sanitaires de la ville. Se posent dès lors plusieurs questions: pourquoi, en dépit de l’existence d’un vaccin antituberculeux depuis les années 1920 et malgré la découverte de médicaments spécifiques au cours des années 1940-1950, la tuberculose continue de défier les plans mis en œuvre à Dakar pour contenir son évolution? Quels ont été les moyens mobilisés pour stopper son évolution? La lutte contre la tuberculose à Dakar impliquait-elle une action sur les facteurs qui favorisaient l’extension de la maladie? Serait-ce l’exécution des mesures antituberculeuses qui était défaillante? L’hypothèse qui sous-tend cette thèse est que la lutte contre la tuberculose ne constituait pas une priorité pour les autorités sanitaires de Dakar mais aussi que l’inadéquation des différentes mesures préventives et curatives opposées à cette maladie explique les limites de l’action jusque-là entreprise et, par conséquent, sa persistance dans cette ville. À travers une évaluation de l’organisation et de l’exécution des différentes mesures qui ont été prises depuis 1924, ce travail de recherche tente de faire la lumière sur les facteurs explicatifs de la persistance de la tuberculose à Dakar jusqu’en 1969 et d’identifier des continuités, et pas seulement des ruptures, entre la période coloniale et nationale pour mieux saisir la place actuelle de la maladie infectieuse au pays. Ce travail envisage aussi de voir en référence à quels savoirs et à quelles pratiques ont été opérés les choix concernant les mesures à opposer à la tuberculose. Il cherche également à étudier les modalités d’exécution des différentes mesures arrêtées pour stopper le développement de cette maladie afin de saisir les distances entre les intentions et les gestes posés. Pour évaluer l’incidence des différents plans de lutte mis en œuvre contre la tuberculose à Dakar dans la durée choisie, une attention est enfin portée à leur réception ainsi que les attitudes qu’elles ont suscitées chez la population dakaroise.
While strategies had been developed by the public authorities that had been operating in Dakar since the 1920s to contain the spread of tuberculosis, a social disease then identified as an obstacle to France's socio-political and economic projects in Dakar and West Africa, in 2019, some 40 years after Senegal's decolonization, the disease continued to be a concern for the city's health authorities. This raises several questions: Why, despite the manufacture of an anti-tuberculosis vaccine since the 1920s and the discovery of specific drugs in the 1940s and 1950s, tuberculosis continues to defy the plans implemented in Dakar to contain its spread? What has been done to halt its spread? Did the fight against tuberculosis in Dakar also involve action on the factors that contributed to the spread of the disease? Was it the implementation of TB control measures that was failing? The hypothesis underlying this thesis is that the fight against tuberculosis was not a priority for Dakar health authorities, but also that the inadequacy of the various preventive and curative measures against this disease explains the limits of the action taken so far and, consequently, the persistence of tuberculosis in this city. Through an evaluation of the organization and execution of the various measures taken since 1924, this thesis attempts to shed light on the factors explaining the persistence of tuberculosis in Dakar until 1969 and to identify continuities, and not only breaks, between the colonial and national periods in order to better understand the current place of the infectious disease in the country. It also envisages seeing with reference to what knowledge and practices were maked choices concerning measures to combat tuberculosis and seeks to study the modalities of implementation of the various measures adopted to halt the development of this disease in order to grasp distances between intentions and actions taken. In order to assess the impact of the various plans to combat tuberculosis in Dakar over the chosen period, attention is also paid to their reception and the attitudes that they have aroused among the population of Dakar.
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SHAMBA, MBUMBURWANZE N. "SOUS LE SPECTRE DU PÈRE: POÉTIQUE ET POLITIQUE DE LA DÉPENDANCE ET DU SEVRAGE DANS LE ROMAN POSTCOLONIAL AFRICAIN." Thesis, 2011. http://hdl.handle.net/1974/6579.

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This thesis analyzes the major theme of ‘postcolonial genealogy’ in portraying the African bending under the weight of colonial history in Le vieux nègre et la médaille, Une vie de boy of Ferdinand Oyono and Le Chercheur d’Afriques of Henri Lopes. Being a product of a colonial Genesis, the African character runs behind the colonizer’s mirror through his Civilizing Mission. René Girard’s ‘double bind’ theory explains how this cultural assimilation is, in Le vieux nègre et la médaille and Une vie de boy, a dead end because the colonizer needs a subordinate and not an equal. The cohabitation of a black housewife with the French Commander in Le Chercheur d’Afriques should be seen as simply an allegory of postcolonial Africa’s dependency on the West. The consequences of the feminization of the African continent are enormous in the post-colonial imaginary. While the colonizer had conquered Africa with his Herculean body, in Oyono’s novels, his Fall is obtained through the aesthetics of Bakhtinian ‘rabaissement’ which degrades his ‘grotesque body’ to that of the colonized. The colonizer and the colonized are neutralized and leveled in their perishable bodies, thus, making futile the Civilizing Mission that operated by ranking races. Power is never total. It is always imperfect, and can never destroy a subjectivity that resists it. In Oyono’s novels, the Fall of the colonial Father is also obtained through the inquisitive gaze that the colonized return back to the colonizer, and through their ‘subversive mimicry’ that parodies his codes. In Une vie de boy and Le Chercheur d’Afriques, the ‘son-Father’ relationship between the hero and the colonial Father, is also symbolic of the ‘Africa-West’ rapports. Living under the specter of the Father, the son has to negotiate his survival between weaning and parricide. The biological miscegenation in Le Chercheur d’Afriques is a metaphor of the ‘rhizome identity’ of the postcolonial African who renounces both the Fathers of Negritude and those of the Civilizing Mission.
Thesis (Ph.D, French) -- Queen's University, 2011-06-24 12:43:30.006
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Barbacane, Kristy Kaye. "On Colonial Textuality and Difference: Musical Encounters with French Colonialism in Nineteenth-Century Algeria." Thesis, 2012. https://doi.org/10.7916/D8W09CZM.

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As France expanded its empire in North Africa, French artists, writers and explorers traveled to Algeria in order to gain artistic inspiration and greater understanding of the culture, geography and inhabitants of the new colony. This dissertation places music within the context of French colonial culture, identifying the interconnections between government policies and cultural production during France's occupation of Algeria. A central theme is the examination of colonial difference and a phenomenon that may be characterized as colonial textuality in music. Drawing from Homi Bhabha, I define colonial textuality as a space where signifiers of value, judgment and power are encountered, negotiated and embedded within colonial discourse. Three composers--Ernest Reyer (1823-1909), Francisco Salvador Daniel (1831-1871) and Camille Saint-Saëns (1835-1921)--are presented as case studies to understand the complexities and tensions that arose out of the colonial moment and to examine how each figure negotiated his own compositional style, musical career and artistic identity vis-à-vis colonial Algeria. The dissertation is organized chronologically by examining the lives and compositions of three composers living in Algeria during three key periods of French political history, the July Monarchy, Second Empire, and Third Republic. Chapters draw on archival research, reception studies, travel journals, government reports, cultural and political history, and musical analysis to explore the ways in which music, broadly defined, addressed social issues of identity, nation, race, and ethnicity. Topics include how violent tactics and events during the 1840s infiltrated the early musical compositions of Reyer and how music may be considered an act of violence; Salvador Daniel's opportunistic musical career in Algeria from 1853-1865; Salvador Daniel's Album de chansons arabes, mauresques et kabyles as a reflection of French politics and travel writing; Algerian tourism and Saint-Saëns's Africa fantasy and Suite algérienne; and unisonance, soundscape and the typography of what I call Saint-Saëns's "colonial marches." In conclusion, I discuss a 2008 recording of Salvador Daniel's Algerian song transcriptions by the soprano Amel Brahim-Djelloul and the Ensemble Amedyez, thus illustrating that musical encounters with colonialism are continually reunderstood and readapted in the twenty-first century.
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Mashihi, Thapelo. "Narrating post-colonial crisis: the post-colonial state and the individual in the works of Sony Labou Tansi." Thesis, 2014.

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Thesis (M.A.)--University of the Witwatersrand, 1999.
In this study I will examine two texts by the Congolese author Sony Labou Tansi, namely The Seven Solitudes of Lorsa Lopez and Parenthesis of Blood. The aim of the research is to examine how and why the author uses techniques of allegory and magic realism instead of realism in his work. By closely examining the two texts and with the help of comparisons with his other works, I intend to show that the world he is representing is too fabulous to be rendered in a realistic manner. The use of allegory and irony in the text is a strategy that helps the author to challenge the oppression and despair in his society. The issue of gender is also important in both texts, therefore, I will examine how Labou Tansi portrays women in his works. I will do this by comparing his presentation of women to other female characters found in African canonical works by male writers.
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Dieude, Aude. "Toussaint Louverture and Haiti's History as Muse: Legacies of Colonial and Postcolonial Resistance in Francophone African and Caribbean Corpus." Diss., 2013. http://hdl.handle.net/10161/7194.

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This dissertation explores the themes of race and resistance in nineteenth-century Haitian writings and highlights their impact on French-speaking nineteenth- and twentieth-century African and Caribbean literature. This exploration spans across literary genres and centuries, and juxtaposes disciplines that are rarely put into dialogue with each other. Central to my approach is an interdisciplinary perspective that sheds light on the key interactions between colonial history, legal decrees, anthropology and engaged literature in nineteenth-century French and Francophone studies. And in charting the impact of these writings on the twentieth-century Francophone landscape, this project also addresses current debates in Caribbean, French and Haitian studies and contributes to the growing literature in black Atlantic and postcolonial studies. This research project begins by analyzing rhetorical representations of race and resistance in rare texts from Toussaint Louverture, Pompée-Valentin de Vastey and Juste Chanlatte, in particular with respect to their representations of the Haitian revolution (1791-1804), the only successful slave revolt in history to have resulted in the creation of a new state. By focusing on how Louverture, Vastey and Chanlatte responded to slavery, pseudo-scientific theories of racial difference, and the pernicious effects of the colonial system, it explores both the significance of the revolution's literary representation and the extent of its impact on postcolonial imaginations in Haiti, and the rest of the Caribbean, Africa and France. In particular, I analyze the impact these texts had on subsequent African and Caribbean literature by Emeric Bergeaud, Joseph-Anténor Firmin, Marie Vieux-Chauvet, Aimé Césaire, Edouard Glissant, and Bernard Dadié.


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Curtis, Lesley S. "Utopian (Post)Colonies: Rewriting Race and Gender after the Haitian Revolution." Diss., 2011. http://hdl.handle.net/10161/5639.

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"Utopian (Post)Colonies: Rewriting Race and Gender after the Haitian Revolution" examines the works of French women authors writing from just before the first abolition of slavery in the French colonies in 1794 to those writing at the time of the second and final abolition in 1848. These women, each in different and evolving ways, challenged notions of race and gender that excluded French women from political debate and participation and kept Africans and their descendants in subordinated social positions. However, even after Haitian independence, French authors continued to understand the colony as a social and political enterprise to be remodeled and ameliorated rather than abandoned. These authors' rewritings of race and gender thus played a crucial role in a more general French engagement with the idea of the colony-as-utopia.

In 1791, at the very beginning of the Haitian Revolution--which was also the beginning of France's unexpected first postcolonial moment--colonial reform, abolitionism, and women's political participation were all passionately debated issues among French revolutionaries. These debates faded in intensity as the nineteenth century progressed. Slavery, though officially abolished in 1794, was reestablished in 1802. Divorce was again made illegal in 1816. Even in 1848, when all men were granted suffrage and slavery was definitively abolished in the French colonies, women were not given the right to vote. Yet, throughout the early nineteenth century, the notion of the colony-as-utopia continued to offer a space for French women authors to imagine gender equality and women's empowerment through their attempts to alter racial hierarchy.

My first chapter examines the development of abolitionism through theatre in the writings of Olympe de Gouges (1748-1793). At a time when performance was understood to have influential moral implications, de Gouges imagines a utopian colony to be possible through the power of performance to produce moral action. In my second chapter, I analyze how, during the slowly re-emerging abolitionist movements of the 1820s, Sophie Doin (1800-1846) and Marceline Desbordes-Valmore (1786-1859) expose the individual emotional suffering of slaves in an effort to make the violence of enslavement visible. In the process of making this violence visible, Doin's La Famille noire suivie de trois nouvelles blanches et noires (1825-6) and Desbordes-Valmore's Sarah (1821), in contrast with Claire de Duras's Ourika (1823), mobilize respect for motherhood to bolster their abolitionist claims. My third chapter analyzes the colonial novels of Madame Charles Reybaud (1802-1870), a forgotten but once-popular novelist, who uses the idea of the colony to develop a feminist re-definition of marriage involving the emancipation of males from their own categories of enslavement. Influenced by the Saint-Simonian thought of the July Monarchy, Reybaud imagines a utopian colony organized by a feminized French humanitarianism that attempts to separate French racial identity from that of the "Creole" colonizer. My final chapter compares this French desire to yoke utopia to colony with nineteenth-century Haitian attempts to reveal the opposite synergy: the inseparability of the institutions of slavery and colonialism. Haiti's first novel, Stella (1859) by Émeric Bergeaud (1818-1858), opposes racial hierarchy and defends Haitian independence in the face of harsh discrimination from an international community whose economies still depended on colonialism and slavery. In contrast with the previous texts studied in this dissertation, Stella imagines Haiti to have the potential to become a utopian postcolony, a nation freed from the constraints of colonialism in such a way as to serve as a model for a future in which racial hierarchy has no power.


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Bollettino, Maria Alessandra. "Slavery, war, and Britain's Atlantic empire : black soldiers, sailors, and rebels in the Seven Years' War." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-12-543.

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This work is a social and cultural history of the participation of enslaved and free Blacks in the Seven Years’ War in British America. It is, as well, an intellectual history of the impact of Blacks’ wartime actions upon conceptions of race, slavery, and imperial identity in the British Atlantic world. In addition to offering a fresh analysis of the significance of Britain’s arming of Blacks in the eighteenth century, it represents the first sustained inquiry into Blacks’ experience of this global conflict. It contends that, though their rhetoric might indicate otherwise, neither race nor enslaved status in practice prevented Britons from arming Blacks. In fact, Blacks played the most essential role in martial endeavors precisely where slavery was most fundamental to society. The exigencies of worldwide war transformed a local reliance upon black soldiers for the defense of particular colonies into an imperial dependence upon them for the security of Britain’s Atlantic empire. The events of the Seven Years’ War convinced many Britons that black soldiers were effective and even indispensable in the empire’s tropical colonies, but they also confirmed that not all Blacks could be trusted with arms. This work examines “Tacky’s revolt,” during which more than a thousand slaves exploited the wartime diffusion of Jamaica’s defensive forces to rebel, as a battle of the Seven Years’ War. The experience of insecurity and insurrection during the conflict caused some Britons to question the imperial value of the institution of slavery and to propose that Blacks be transformed from a source of vulnerability as slaves to the key to the empire’s strength in the southern Atlantic as free subjects. While martial service offered some Blacks a means to gain income, skills, a sense of satisfaction, autonomy, community, and even (though rarely) freedom, the majority of Blacks did not personally benefit from their contributions to the British war effort. Despite the pragmatic martial antislavery rhetoric that flourished postwar, in the end the British armed Blacks to perpetuate slavery, not to eradicate it, and an ever more regimented reliance upon black soldiers became a lasting legacy of the Seven Years’ War.
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Keady, Joseph. "A Translation of Dominik Nagl’s Grenzfälle with an Introductory Analysis of the Translation Process." 2020. https://scholarworks.umass.edu/masters_theses_2/881.

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My thesis is an analysis of my own translation of a chapter from Dominik Nagl's legal history 'Grenzfälle,' which addresses questions of citizenship and nationality in the context of the German colonies in Africa and the South Pacific. My analysis focuses primarily on strategies that I used in an effort to preserve the strangeness of a linguistic context that is, in many ways, "foreign" to twenty first-century North Americans while also striving to avoid reproducing the violence embedded in language that is historically laden with extreme power disparities.
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