Relevant bibliographies by topics / French Dialect drama

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'French Dialect drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "French Dialect drama"

1

Tegelberg, Elisabeth. "Nyöversättning – när, hur och varför?" Tidskrift för litteraturvetenskap 41, no. 3-4 (2011): 77–90. http://dx.doi.org/10.54797/tfl.v41i3-4.11788.

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Literary Re-translation: How, When and Why?
 This article deals with the issue of literary re-translation, its causes and characteristics. The analysis is illustrated by means of examples mainly derived from Swedish literary texts that have been translated and retranslated into French. Here, I aim to examine the particular premises of retranslation, as opposed to those of first translation, and the different roles which, depending on these premises, the individual translator faces in the translation process. The article stresses the importance of the “subjective traces” that every transla
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2

Leonard, Alice. "“Enfranchised” Language in Mulcaster’s Elementarie and Shakespeare’s Henry V." Revista Alicantina de Estudios Ingleses, no. 25 (November 15, 2012): 127. http://dx.doi.org/10.14198/raei.2012.25.10.

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This article is a study of early literary theory and practice in Renaissance England, which focuses specifically on Shakespeare’s language use. The end of the sixteenth century in England experienced a linguistic revolution as Latin was gradually replaced by vernacular English. Renaissance rhetoricians such as George Puttenham and Thomas Wilson patriotically argued that English was capable of employing figures of speech to express complex ideas. Yet in this period the vernacular was in a process of formation, demonstrated by Richard Mulcaster’s Elementarie (1582). He argued for the expansion o
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3

Balandina, Natalia P. "Franco-Italian Laughter. The Development of French and Italian Film Comedy in the 1950s." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 2 (June 2024): 140–73. http://dx.doi.org/10.35852/2588-0144-2024-2-140-173.

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The article explores the relationship between French and Italian cinema on the example of the comedy genre of the late 1940s-1950s. In France, this interaction was made through the dialogue with the tradition of the silent comic cinema and pantomime, discoveries in the field of sound score, convergence with the genre of cloak and sword drama and costume movies. At the same time, comedy was a reaction to the trauma and despondency associ- ated with the long occupation and competing with “the black film”. In Italy, the rise of this genre was connected with neo-realism and competition with the Am
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4

Mikusi, Balázs. "Minerva’s Hat and the Emperor’s Tailcoat: August Adelburg’s Cosmopolitan “National Opera” Zrínyi." Studia Musicologica 52, no. 1-4 (2011): 65–83. http://dx.doi.org/10.1556/smus.52.2011.1-4.5.

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Born to a Croatian father in Constantinople and educated in Vienna, August Adelburg (1830–1873) was a true cosmopolitan. His explicitly “national opera” about Miklós Zrínyi (c1508–1566), a Hungarian national hero of Croatian origins, was premiered in Hungarian translation on 23 June 1868 in the National Theater in Pest. The libretto (originally in German, and adapted by the composer from a drama by Theodor Körner) includes a preface that adumbrates a wholesale theory of cosmopolitanized national opera, as it were. Elaborating his views as expressed in his 1859 essay against Liszt’s On the Gyps
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Dissertations / Theses on the topic "French Dialect drama"

1

Read, Andrew. "Translating and adapting fictional speech : the case of Philip Pullman's 'Northern Lights'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/translating-and-adapting-fictional-speech-the-case-of-philip-pullmans-northern-lights(3dff0298-ca8a-4795-9bed-cc0c3a69cabc).html.

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This thesis is an examination of the effects of translation into French and of adaptation for the stage, in English, on the dialogue of Philip Pullman’s novel Northern Lights (published in North America as The Golden Compass). The study focuses on the speech of Lyra, the novel’s protagonist, in terms of both its linguistic qualities and the functions it supports within the novel and the trilogy of which it forms part, His Dark Materials. The study aims to identify the ways in which not just the linguistic surface of fictional speech is affected by translation and adaptation but also the degree
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Books on the topic "French Dialect drama"

1

Union royale des fédérations dramatiques et littéraires wallonnes., ed. Répertoire des œuvres dramatiques en wallon, en picard et en gaumais. Editions du CRIWE, 1988.

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2

Rouffiange, Robert. Le parler paysan dans les romans de Marcel Aymé. Association bourguignonne de dialectologie et d'onomastique, 1989.

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Bhuglah, Assad. Dr. Idrice Ameer Goumany: Drama an kreol. Éditions Le Printemps, 2018.

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Bhuglah, Assad. Dr. Idrice Ameer Goumany: The forgotten hero of Mauritius : a short-lived blossom of an emerging society during colonial time. Tweet Publications, 2017.

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Guérin-Dubois, Josette. Aneut, ol'est pus coume avant!: Quatre pièces de théâtre en saintongeais. Régionalismes, 2011.

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6

Eugene-Wafe, Barbara. Folktales from Paramin and Pageant of Lopinot. Caribbean Educational Publishers, 2014.

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7

Shakespeare, William. Macbeth. Troll Communications, 2001.

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Shakespeare, William. Macbeth: Complete and unabridged. Macmillan, 1986.

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Shakespeare, William. Macbeth: Trago die. Schaubu hne am Lehniner Platz, 1988.

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Shakespeare, William. Macbeth: Englisch/Deutsch. Bremer Shakespeare Company, 1989.

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