Relevant bibliographies by topics / French Diaries 20th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'French Diaries 20th century'

Author: Grafiati
Published: 11 December 2022
Last updated: 25 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'French Diaries 20th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "French Diaries 20th century"

1

Bovtun, Anastasiia. "Oneiric images in artworks of 19th-century French artists." Text and Image: Essential Problems in Art History, no. 1 (2022): 152–62. http://dx.doi.org/10.17721/2519-4801.2022.1.12.

Full text
Abstract:
The article reviews the artistic activity of representatives of French graphic art – Jean-Jacques Grandville (1803–1847), Victor Hugo (1802–1885), and Odilon Redon (1840–1916), who became founders of new interpretations for dreams in 19th-century art. We analyzed artists’ key works representing the world of dreams with the help of concrete images and symbols. The article outlines special features of dream depiction in French graphic art of the second half of the 19th century. In the 19th century, the increased interest in the topic of dreams in France related to French scientist Alfred Maury (1817-1892). His book “Sleep & Dreams” (1861) influenced conceptually the activity of French artists who researched the unconscious with the help of visual language. The French art of the 19th century gradually withdrew from traditional European plots of dreams depiction of previous years that can be encountered in the artworks of Henry Fuseli, Francisco Goya, and William Blake. French graphic artists focused their attention on depicting the inner nature of dreams and oneiric space. They were not interested in plots with a sleeping person – they aimed to delve into the most hidden part of human subconsciousness during sleep and embody what is happening there. They approached philosophical and medical tracts devoted to the nature of dreams, inspired by spiritualism, and studied various oneiric states – insomnia, hallucinations, somnambulism, and nightmares. Dreams became the source of inspiration and infinite fantasies for 19th-century French artists. They turned into art researchers of dreams, kept «night» diaries, and wrote down their observations. Their artworks became exceptional results of these oneiric searches. The research of 19th-century French graphic artists and their innovative approaches to the depiction of dreams also play an important role in understanding the establishment and development of surrealist art at the beginning of the 20th century.
APA, Harvard, Vancouver, ISO, and other styles
2

Ibáñez Ibáñez, María de las Nieves. "La literatura enfrentada a la total pérdida de humanidad en episodios del siglo XX." Interpretatio. Revista de Hermenéutica 5, no. 2 (August 17, 2020): 185–206. http://dx.doi.org/10.19130/iifl.it.2020.5.2.0012.

Full text
Abstract:
The first half of the 20th century has witnessed tragic episodes in Europe where the topic understood as humanity has being closed down. This article addresses the way literature, or the best of it —written by the survivors at the Nazi death camps, French camps, those who, broken and in front of everyone’s eyes, experienced the progress of evil, like Victor Klemperer— in the light of the difficulty to depict the horror and the decline of the human being, takes charge of genres close to the real —the report or the chronicle, the diary, the essay— and it opposes to horror the necessity of stating an unrealistic human experience in order to, ultimately, prevent it from happening again. As examples we can mention: Primo Levy in Auschwitz Trilogy; Max Aub in French Camp; Victor Klemperer in Diaries; Jean Améry in Beyond Guilt and Atonement.
APA, Harvard, Vancouver, ISO, and other styles
3

Schmitt, Arnaud. "Sam Ferguson's Diaries Real and Fictional in Twentieth-century French Writing." European Journal of Life Writing 9 (June 12, 2020): R6—R11. http://dx.doi.org/10.21827/ejlw.9.36160.

Full text
Abstract:
Over the last two decades, Philippe Lejeune’s research has established diary-writing as maybe the only form of life-writing immune from panfictionalism. In an oft-quoted article (Lejeune 2007), the French theorist famously expressed his fiction and autofiction fatigue (‘[…] j’ai créé “antifiction” par agacement devant “autofiction”, le mot et la chose’, 3) and set up an insurmountable ontological barrier between autobiographies and diaries: ‘autobiography has fallen under the spell of fiction, diaries are enamored with truth’ (‘[…] l’autobiographie vit sous le charme de la fiction, le journal a le béguin pour la verité’, 3).1 In his more recent book, Aux Origines du Journal Personnel: France, 1750–1815 (2016), Lejeune not only reasserted this privileged connection between diaries and truth/reality—not unlike Barthes’s claim in La Chambre claire that photography cannot be distinguished from its referent— but went as far as removing diaries from the field of literary studies as, according to him, they do not constitute a literary genre (or only as an epiphenomenon). In Diaries Real and Fictional in Twentieth-Century French Writing, Sam Ferguson opts for an altogether different approach.
APA, Harvard, Vancouver, ISO, and other styles
4

Żarnowski, Janusz. "Dzienniki Marii Dąbrowskiej jako źródło wiedzy o historii." Kultura i Społeczeństwo 52, no. 1 (January 22, 2008): 27–45. http://dx.doi.org/10.35757/kis.2008.52.1.2.

Full text
Abstract:
The author considers the diaries of Maria Dąbrowska covering the period 1914 to 1966 which have recently been made available in electronic form and recognises her as the most important Polish storyteller of the first half of the 20th century. He considers the importance of this work to research into the history of Poland during the 20th century. He emphasises Maria Dąbrowska’s specific view of political and social reality, which is not surprising given that she was a leading intellectual and artist. However, the diaries are not just a reflection of the author’s personality but they also illustrate the attitudes that part of the Polish intelligentsia which during the years prior to independence in 1989 was called the “independence intelligentsia”. This was a community which was largely liberal and left-wing whose views were shaped by concepts adopted at the turn of the 19th and 20th centuries. A broad spectrum of Polish society did not fully accept the views of that community. Nevertheless, at critical times (e.g. the invasion of Poland in 1939, resistance against the Germans in 1939–1944 or the communist crisis in 1956) Maria Dąbrowska’s diaries reflect the attitudes of most Poles. The diaries shed light on the situation and attitudes of the intelligentsia and intellectuals during the communist era and their attitudes to the authorities and the communist or socialist social and political programme.
APA, Harvard, Vancouver, ISO, and other styles
5

Engelbrecht, Wilken. "Zwermen mensen en véél water – Tsjechen over het Nederlandse landschap." Neerlandica Wratislaviensia 28 (June 26, 2019): 105–18. http://dx.doi.org/10.19195/0860-0716.28.9.

Full text
Abstract:
Swarms of people and lots of water – Czech people on the Dutch landscapeThe paper concerns the image of Dutch scenery in several travel messages of Czech people from the 17th through the 20th centuries. The paper starts with the presentation of two diaries written in the 17th century by the Counts Sternberg and the Protestant Hartmann. One of the first real Czech tourists of the 19th century Josef Štolba is the third author discussed in this study. Then, the paper focuses on the better-known writer Karel Čapek and ends with the discussion of two 20th-century travellers. The paper aims to show which elements are constant in the Czech picture of the Dutch landscape throughout the centuries.
APA, Harvard, Vancouver, ISO, and other styles
6

Esaulenko, Larisa Andreevna. "Problems of artistic representation: French novel of 20th century." Vestnik of Saint Petersburg State University of Culture 4 (December 2017): 20–23. http://dx.doi.org/10.30725/2619-0303-2017-4-20-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Shinn, Terry. "Failure or Success? Interpretations of 20th Century French Physics." Historical Studies in the Physical and Biological Sciences 16, no. 2 (January 1, 1986): 353–69. http://dx.doi.org/10.2307/27757569.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Shinn, Terry. "Failure or Success? Interpretations of 20th Century French Physics." Historical Studies in the Physical and Biological Sciences 17, no. 2 (January 1, 1987): 361. http://dx.doi.org/10.2307/27757588.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Markova, M. V. "Dmitrieva, E. and Golubkov, A., eds. (2019). Manuscripts written in the French language by French and bilingual authors in Russia (18th c. – early 20th c.). Moscow: IMLI RAN. (In Russ.)." Voprosy literatury, no. 3 (July 29, 2020): 277–82. http://dx.doi.org/10.31425/0042-8795-2020-3-277-282.

Full text
Abstract:
A review of the collective monograph dedicated to various problems related to the study of French-language manuscripts and bilingual culture in Russia, as well as analysis of minor genres and unpublished archived materials. The monograph introduces a number of hitherto unpublished sources from the period of the 18th–20th c., each supplied with a commentary. Several authors and works are recalled from obscurity into the scope of academic research. The book also contains articles concerned with the problems of conquering an ‘alien’ literary market in the early 20th c. (French authors H. Barbusse, A. Malraux, and A. Gide, as well the Belgian F. Hellens, tried to succeed in Soviet Russia, whereas D. Merezhkovsky tried in France). All works in the monograph – a French lexicon and its 18th-c. Russian translation, letters, diaries, political pieces and noble ladies’ autograph books – are published with detailed supplementing articles.
APA, Harvard, Vancouver, ISO, and other styles
10

Ferreira-Meyers, Karen. "Diaries Real and Fictional in Twentieth-Century French Writing by Sam Ferguson." Biography 43, no. 2 (2020): 471–73. http://dx.doi.org/10.1353/bio.2020.0041.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "French Diaries 20th century"

1

Ferguson, Samuel James. "Diaries real and fictional in twentieth-century French writing." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b90b6015-0de9-41a8-b852-b16f0cb69540.

Full text
Abstract:
Whereas the relationship between real autobiography and its fictional forms has been studied at length, the equivalent relationship for diaries has barely been acknowledged, let alone explored. This thesis follows the history of diary-writing – as a field that includes real and fictional diaries and the complex relations between them – in twentieth-century French writing. I take as my starting point the moment in the 1880s when, following a series of successful posthumous diary publications, a new generation of writers became aware that their own journaux intimes would probably come to be published, with considerable consequences for the way their literary œuvre and their very persona as an author (or their textual author-figure) would appear to readers. Of this generation, André Gide exerted by far the greatest influence over the course of diary-writing, and four works in particular experiment, in extremely diverse forms, with the literary possibilities of the diary: Les Cahiers d'André Walter (1891), Paludes (1895), Le Journal des faux-monnayeurs (1926), and his Journal 1889–1939 (1939). After the Second World War, diary-writing continued to draw on forms established by Gide, but now inflected by radical changes in attitudes towards the writing subject: Raymond Queneau's works published under the pseudonym of Sally Mara (1947–62) cast light on attitudes towards the diary at the time of a theoretical exclusion of the writing subject; Roland Barthes experimented with diaries at the point of a return of the writing subject (1977–79); and Annie Ernaux's published diaries between 1993 and 2011 demonstrate the role of diary-writing within the modern field of life-writing. Rather than making a gradual progress towards literary recognition, this history of diary-writing shows that, in a great variety of ways, diaries have consistently been used for their marginal or supplementary role, which simultaneously constructs and qualifies a literary œuvre and author-figure.
APA, Harvard, Vancouver, ISO, and other styles
2

De, Rouvray Cristel Anne. "Economists writing history : American and French experience in the mid 20th century." Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/36/.

Full text
Abstract:
If one considers the fortunes of economic history in the 20th century U.S., the 1940s, 50s and 60s stand out as a particularly vibrant time for the field and economists’ contributions to it. These decades saw the creation of the main association and journals - the Economic History Association, the Journal of Economic History for example – and the launching of large research programs – Harvard’s history of entrepreneurship, Simon Kuznets’ retrospective accounts, cliometrics for example. Why did American economists write so much history in the decades immediately following WWII, and why and how did this change with cliometrics? To answer these questions I use interviews with scholars who were active in the mid 20th century, their publications and archival material. The bulk of the analysis focuses on the U.S., yet it relies in part on a comparison with France where economic history also experienced a golden period at this time, though it involved few economists. Instead it was the domain of Annales historians. This comparison sheds light on the ways in which the labels “economist” and “historian” changed meaning throughout the period of study. Economists’ general interest for history is best understood as a part of an ongoing debate on scientific method, specifically about whether and how to observe and what constitutes reliable empirical evidence. These debates contributed both to draw social scientists to history, and change the way they wrote history. In the U.S. the mid 20th century surge in economist-history was principally due to the post-war demand for knowledge about growth and development. The sense of urgency that came with this task increased scholars’ willingness to work with estimated (as opposed to found) data. This was reinforced by American economists’ experience in war planning and ensuing spread of an operations research mentality among graduate students. The issue of whether or not to estimate became a new demarcation line between “historians” and “economists”. By the late 1960s, scholars who wanted to turn to the past to observe economies evolve over several decades, and let these facts “speak for themselves” had largely been replaced by researchers who used modern economic theory to frame historical investigation, and relied on quantification and estimation as their main empirical inputs.
APA, Harvard, Vancouver, ISO, and other styles
3

O'Brien, Carolyn 1957. "Immigrant integration, European integration : the Front national and the manipulation of French nationhood." Monash University, Centre for European Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8548.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Murdock, Mark Cammeron. "In the Company of Cheaters (16th-Century Aristocrats and 20th-Century Gangsters)." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1775.

Full text
Abstract:
This document contains a meta-commentary on the article that I co-authored with Dr. Corry Cropper entitled Breaking the Duel's Rules: Brantôme, Mérimée, and Melville, that will be published in the next issue of Essays in French Literature and Culture, and an annotated bibliography of primary and secondary sources featuring summaries and important quotes dealing with duels, honor, honor codes, cheating, historical causality, chance, and sexuality. Also, several examples of film noir are cited with brief summaries and key events noted. The article we wrote studies two instances of cheating in duels: one found in Brantôme's Discours sur les duels and the other in Prosper Mérimée's Chronique du règne de Charles IX, and the traditional, as well as anti-causal, repercussions they had. Melville's Le Deuxième souffle is also analyzed with regards to the Gaullist Gu Minda and the end of the aristocratic codes of honor that those of his generation dearly respected but that were overcome by the commercial world of republican law and order.
APA, Harvard, Vancouver, ISO, and other styles
6

Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

Full text
Abstract:
The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.
The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intellectuals is not unrelated to the process of modernization and autonomization undertaken at that time by the major sectors of the Quebecer literary apparatus.
A conflict of interest in the publishing sector as well as ideological differences spark a controversy between Robert Carbonneau and some members of the Comite National des Ecrivains. This "quarrel", to quote Charbonneau, is an unprecedented example of direct confrontation between Quebecer and French literary agents. On this occasion, Robert Charbonneau redefines French Canadian literature outside of France's sphere of influence, France being a country whose status he wishes to limit to that of just one foreign reference among many.
This desire for autonomy can also be found in literary texts which, using means available to them, bear witness to an appreciable decline of the French literature. But whereas literary discourse attempts to resist annexation to French literature, the literary apparatus is subject, upon the Liberation, to a material and symbolic domination by the French authorities, a domination it cannot fight. In this respect, the conditions of literary production in the fifties are paradoxical since the text, while voicing its rejection of the French institution and its French Canadian identity, continues to receive its ultimate consecration from France.
APA, Harvard, Vancouver, ISO, and other styles
7

Rivest, Mélanie. "Nouveau théatre et nouveau roman : la quête d'un art perdu." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79975.

Full text
Abstract:
The histories of the Theater and of the Novel have rarely been linked to one another. Nevertheless, studying the evolution of the two arts as of the seventeenth century, allows us to pinpoint and define the sources of contamination. It is more precisely in the nineteenth century that the history of both the Theater and the Novel became envenomed, going from fresh influences to disloyal relations during which time the Theater faded by admitting romanesque realism to take the stage. By denying its capacity to reveal the "real", the Theater failed its possibilities and let its art be disinterested from the theatricality showing all that should have been evoked. Men of theater participated at recapturing the theatrical art so to regain confidence on stage and near 1950, an avant-garde movement flourished to favor a renewal of vitality for the theater with a new language which utilizes all of what the scene could provoke. This "New Theater" is soon followed by a similar romanesque enterprise, the "New Novel", a group of novelists also wishing to acknowledge the right to explore a new style of writing.
APA, Harvard, Vancouver, ISO, and other styles
8

Cole, Alistair. "Factionalism in the French Parti Socialiste, 1971-1981." Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:45540f01-8b00-4837-9920-b970c04e5ab6.

Full text
Abstract:
This thesis concentrates on the cause, structure, location and context (rather than the function) of factions within the French Parti Socialiste, from the Congress of Epinay, in June 1971, until Mitterrand's election as Socialist President of the Republic, on May 10th, 1981. It argues that factionalism results from a complex, interrelated cleavage structure: groups are differentiated according to a number of salient variables, of which the most important are personality (accentuated by the presidentialised Fifth Republic); ideology/policy; strategy/tactics; organisational interests and different historical origins. Factional relations are a product both of the intra-party consequences of the party's external objectives, and the internal dynamic created by factional competition itself. The party is thus an evolutive, rather than a static entity. [continued in text ...]
APA, Harvard, Vancouver, ISO, and other styles
9

Longwell, Ann E. "France, man and language in French Resistance poetry." Thesis, University of St Andrews, 1989. http://hdl.handle.net/10023/13376.

Full text
Abstract:
The Second World War witnessed what was recognised at the time as a poetic revival in France. The phenomenon of Resistance poetry in particular commanded literary attention throughout the war. Immediately afterwards, however, this large corpus of poetry was widely dismissed as an unfortunate aberration. Viewed as ephemeral poetry of circumstance with only a documentary value, as tendentious poésie engagée, as propaganda or as conservative patriotic verse, it was thought unworthy of consideration as poetry. Marked by the reputation it gained just after the war, Resistance poetry has been given short shrift in critical studies, and has only rarely been the focus of academic attention. This study reexpounds in detail and with a wide range of reference the debate concerning Resistance poetry, and draws attention to a number of poets who are not widely known, or who are not known as Resistance poets. It demonstrates through a thematic and formal analysis of a selection of Resistance poetry that it is in fact no different from poetry as implicitly understood by critics who have dismissed it. A description of commitment in Resistance poetry is followed by a thematic study of its three related objects, namely France, man and language. Detailed examinations of these three major concerns in the poetry challenge the received view that Resistance poetry is conservative in its patriotism, dogmatic or essentialist in its commitment, and reactionary in its use of language. This thematic study is complemented by illustrative analyses of individual poems or parts of poems, and by a concluding commentary.
APA, Harvard, Vancouver, ISO, and other styles
10

Collins, Anne Marie. "Changes in pictorial construction and types of representation which formed the basis of modern art." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1010579.

Full text
Abstract:
The erosion of traditional French academic methods of picture-construction, and the eclipse of hierarchical subject-matter, ensured the emergence of a diversity of new painting styles in France by 1900 and the possibility of even more drastic departures from tradition in the 20th century, particularly in the work of Picasso, from 1900 to 1914.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "French Diaries 20th century"

1

L' année du tigre: Journal de l'année 1998. Paris: Editions du Seuil, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rapports: Carnets 1982. [Paris]: Gallimard, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ernaux, Annie. Je ne suis pas sortie de ma nuit. [Paris]: Gallimard, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1955-, Quella-Villéger Alain, ed. Istanbul: Le regard de Pierre Loti. Paris: Casterman, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

1890-1980, Genevoix Maurice, ed. Carnet de route: Suivi de lettres de Maurice Genevoix et autres documents. Paris: Table ronde, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Campagne contre l'Allemagne, 1914-1919: Mon journal. [Paris]: Les 3 Orangers, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dessaulles, Henriette. Hopes and dreams: The diary of Henriette Dessaulles, 1874-1881. Willowdale, Ont., Canada: Hounslow Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jean-Claude, Lemagny, Sayag Alain 1941-, Barbican Art Gallery, and Association française d'action artistique, eds. 20th century French photography. London: Published on behalf of Barbican Art Gallery by Trefoil Publications, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Saint-Cyr, Agnès de Gouvion. 20th century French photography. [New York]: Rizzoli, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ernaux, Annie. Je ne suis pas sortie de ma nuit. [Paris]: Gallimard, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "French Diaries 20th century"

1

Cohen-Tannoudji, Gilles. "Philosophy and 20th Century Physics." In French Studies In The Philosophy Of Science, 115–40. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9368-5_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Pérez Eguíluz, Víctor. "French Tools for Urban Heritage Protection in the Second Half of the Twentieth Century." In European Planning History in the 20th Century, 127–38. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

D’hulst, Lieven. "Forms and functions of anthologies of translations into French in the nineteenth century." In Translation in Anthologies and Collections (19th and 20th Centuries), 17–34. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.04dhu.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Débarbat, S. "Strasbourg Observatory: A Breeding Place for French Astronomical Instrumentation in the 20TH Century." In The Multinational History of Strasbourg Astronomical Observatory, 133–51. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3644-2_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pernin, J. "Quicker, cheaper, higher: A “new” French scaffolding system in the first half of the 20th century." In History of Construction Cultures, 765–71. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-100.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Peppas, N. A. "Academic Connections of the 20th Century U.S. Chemical Engineers: Influence of the 18th and 19th Century Swedish, French and German Chemists." In One Hundred Years of Chemical Engineering, 27–37. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2307-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

López, Laurent. "Crossing Frontiers to Chase Offenders: The Hardships of French and Belgian Police Collaboration at the Beginning of the 20th Century." In Policing New Risks in Modern European History, 22–35. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137544025_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Vivier, Nadine. "3. The Interventions of the French State in Rural Society. The Major Concerns of the State, Mid-18th Mid-20th century." In Rural History in Europe, 57–76. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.rurhe-eb.4.00049.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "French Diaries 20th century"

1

Vevere, Velga. "FEMINIST AUTOTHANATOGRAPHIES: ALICE JAMES AND SIMONE DE BEAUVOIR." In NORDSCI International Conference Proceedings. Saima Consult Ltd, 2019. http://dx.doi.org/10.32008/nordsci2019/b1/v2/34.

Full text
Abstract:
Feminist autobiography is a genre with long-standing literary and philosophical tradition, still some aspects, like, autobiography as “death writing” have come to scholarly attention as of relatively recent. The conceptual framework hinged on the concepts of “tanatography” (defined as an account of a person’s death) and “autotanatography” (defined as an account of one’s own death) makes it possible to take a fresh look into feminist writings from 19th and 20th centuries (Alice James and Simone de Beauvoir). Among the questions for the critical reflection we can mention the following ones: issues of memory and forgetting, of death of the significant other, of aging, of suicide, of literary death (ending the writing career path). Autothanatography is self-death-writing, instead of self-life-writing, even if death is an experience that cannot be had for oneself. The current article takes a look into the auto-death-writing of two women writers: Alice James (1848-1892) – a sister of William and Henry James and Simone de Beauvoir (1908-1986). Although both women’s lives are set almost a century apart and none of them define herself as a feminist writer, their memoirs are written from the vantage point of imminent death. In the first case (James’s) we can speak of her posthumously published diaries, especially their second part written after she was diagnosed with breast cancer. Whereas in the latter (Beauvoir’s) case the autothanatological vibe is felt throughout the whole series of her memoirs (“Memoirs of a dutiful daughter”, “The prime of life”, “Force of circumstance”, “A very easy death”), but especially in the oeuvre “All is said and done” – the writing in anticipation of one’s death. The aspect that is common to both writers is that their memoirs exhibit the strategy of recollection, of re-reading their life events anew in the wake of the end (physical and/or authorial).
APA, Harvard, Vancouver, ISO, and other styles
2

Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bakešová, Václava. "The poetics of reconciliation in French literary work of the 20th century. From Marie Noël to Sylvie Germain." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-18.

Full text
Abstract:
Because of the Holocaust, World War II is the focal point for capturing spiritual experience in the 20th-century literature. How did the transformation of French spiritual literature from the poet Marie Noël in the 1st half of the century to the novelist Sylvie Germain at its end come about? Using examples from their work, this paper shows both authors’ sources of inspiration and highlights the means of expressing spirituality of a person going through an inner struggle. Although the authors describe a dark night, both of them they have a desire to overcome it, to reconcile with God, with the world and with themselves.
APA, Harvard, Vancouver, ISO, and other styles
4

Zhitin, R., and A. Topil'skiy. "“Manor libraries of the Tambov province of the late 18th – early 20th centuries”: a method of creating an information resource." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1805.978-5-317-06529-4/166-172.

Full text
Abstract:
The article analyzes the main approaches to creating an information resource “Estate libraries of the Tambov province of the late XVIII – early XX century. The author analyzes the source base, identifies ways to systematize book collections of Tambov nobles of the XVIII–XIX centuries in Russian, French, Greek, Latin, English and German, and their significance for the study of book culture in the region
APA, Harvard, Vancouver, ISO, and other styles
5

Zhitin, R., and A. Topil'skiy. "“Manor libraries of the Tambov province of the late 18th – early 20th centuries”: a method of creating an information resource." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1805.978-5-317-06529-4/166-172.

Full text
Abstract:
The article analyzes the main approaches to creating an information resource “Estate libraries of the Tambov province of the late XVIII – early XX century. The author analyzes the source base, identifies ways to systematize book collections of Tambov nobles of the XVIII–XIX centuries in Russian, French, Greek, Latin, English and German, and their significance for the study of book culture in the region
APA, Harvard, Vancouver, ISO, and other styles
6

Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

Full text
Abstract:
In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were revalued along with the recovery of the rococo. This political and cultural movement resulted not only in domestic interiors decorated with authentic pieces from the 18th century gathered together by collectors, but also in the production of new objects. Following decorative practices, studies anachronistically reclassified 18th artisans as artists, constructing their biographies, circumscribing their peculiarities, and identifying their works. Many pieces from the privates collections ended in museums. The porcelain aristocratic figures won the world and are produced until today. It was at the end of the 19th century, in the region of Thuringia, that the technique of lace porcelain emerged. Produced by women in a male-dominated environment, the technique involved the use of cotton fabric soaked with porcelain mass which was then sewed and molded over the porcelain bodies of male and female figures. After that, the piece was placed in the oven at high temperature, burning the fabric and leaving the lace porcelain. It is significant and relevant for the purposes of this research that the lace porcelain technique was never recognized as a object of interest by the academic literature on porcelain. It is likely that the presence of the female labor, the practice of sewing and the use of fabric have been interpreted by the male academic and amateur elite as discredit elements. Added to this, the lace porcelain became very popular in the 20th century. The reinterpretation of rococo in the 20th century was also understood as a lack of artistic inventiveness associated with marketing interests, which resulted in the marginalization of these sculptures. What is proposed here is to study these objects as pieces of domestic decoration practices, recognizing in them capacities to act on the production of social, age and gender distinctions. I intend, therefore, to demonstrate how these small and seemingly insignificant objects were associated with decorative practices of fixing women in the domestic space in Brazil during the 20th century. They acted not alone but in connection with other contemporary phenomena such as post-war fashion, the glamorization of personalities from the American movie and European aristocracy and the rise of Disney movies, which promoted the gallant pair as a romantic idea for children in the western world.
APA, Harvard, Vancouver, ISO, and other styles
7

Marinković, Milica. "RAZVITAK FRANCUSKE ADVOKATURE U XIX VEKU." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.1067m.

Full text
Abstract:
The paper is dedicated to the development of advocacy in France throughout history, and special attention is paid to the struggle of lawyers to repair the damage caused to their position by the Bourgeois Revolution. The goals of the legal struggle were fully achieved in the period of the Third Republic, rightly called the "Republic of Lawyers", when they took over the legislative and executive power. French lawyers, especially in the 19th century, were often real political dissidents. With their work as a politival opposition, they redefined the relationship between the state and society and set a clear border of state power, all of which enabled the easier emergence of a liberal constitutional monarchy, and then a republic. Due to the constant opposition activities in the courtroom, the lawyers demonstrated in the best possible way how closely law and politics stand in each state. In the introductory chapter of the paper, the author gives an overview of the historical development of advocacy from the Frankish period to the Revolution itself. During the Old Regime, lawyers enjoyed the status of "secular clergy" and, although members of the Third Class, were an unavoidable political factor in absolutist France. The second chapter contains an analysis of the devastating impact of the Revolution on the legal profession and timid attempts to improve the position of the legal profession with the advent of the Restoration. The third chapter provides an overview of the period from 1830 to 1870, which was characterized by the increasingly serious interference of lawyers in politics in order to fight for the advancement of the profession. The chapter on the Third Republic talks about the successful outcome of the lawyer's fight for their own rights, and the final chapter talks about the tendencies in the French legal profession in the 20th century.
APA, Harvard, Vancouver, ISO, and other styles
8

Moret, Sébastien. "A. MEILLET ABOUT N. YA. MARR: AN OVERLOOK." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.12.

Full text
Abstract:
At the beginning of the 20th century, the French Antoine Meillet (1866–1936) and the Soviet Nikolaj Yakovlevich Marr (1864–1934) were probably the most prominent linguists in their respective “worlds”: Meillet, in Western Europe, as the chief of the Indo-European comparative linguistics, and, in the Soviet Union, Marr as the herald of the so-called Marxist Soviet linguistics. These two approaches generally considered antagonistic, but that did not prevent Marr and Meillet from maintaining contacts, corresponding with each other for many years and knowing about their respective research. First, this paper aims to present the contacts these two linguists had, focusing on the correspondence between Meillet and Marr. Secondly, the paper examines what Meillet thought about Marr and his theories, on the basis, in particular, of the numerous reviews that Meillet wrote about Marr’s works. Refs 11.
APA, Harvard, Vancouver, ISO, and other styles
9

Orduña Giró, Paula. "Ordenación del suelo allende la ciudad: desarrollo conceptual y tendencias desde principios del s. XX en el planeamiento territorial en Francia." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República., 2015. http://dx.doi.org/10.5821/siiu.6100.

Full text
Abstract:
En Europa las preocupaciones del planeamiento urbanístico han evolucionado: el ámbito rural se descubre como sede de valores y estructuras que la cultura urbanística desea ver preservados. En el pensamiento urbanístico francés del s. XX se aprecia esa evolución. Con la particularidad de que en la cultura de ese país la campiña no solo representa un entorno de producción agraria o una referencia artístico-literaria constante, sino también una seña de identidad histórica, pues la distribución de la propiedad agraria actual se remonta al legado de la Revolución. El trabajo estudia esa evolución a tenor de las directrices emanadas para abordar las intervenciones en la aglomeración urbana de Lyon, un área con una larga historia de planeamiento, a menudo señalada como ejemplar. In Europe, concerns regarding urban planning have evolved: rural areas are now recognized as a seat of value or principles and structures that urban culture wishes to see preserved. This change is reflected in 20th century french urban planning. In France, countryside represents not only an environment of agricultural production or a recurrent artistic and literary reference, but also a sign of historical identity, as the distribution of the current landownership dates back to the legacy of the Revolution. This paper examines these developments in accordance with planning guidelines issued to tackle operations in the urban agglomeration of Lyon, often viewed as exemplary.
APA, Harvard, Vancouver, ISO, and other styles
10

Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

Full text
Abstract:
Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'French Diaries 20th century' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography