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1

Céline, Louis-Ferdinand. The Church: A comedy in five acts. København [Denmark]: Green Integer, 2003.

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2

Philippe, Caylus Anne Claude. Histoire et recueil des Lazzis. Oxford: Voltaire Foundation, 1996.

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3

Perret, Donald. Old comedy in the French Renaissance, 1576-1620. Genève: Droz, 1992.

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4

Lewicka, Halina. Bibliographie du théâtre profane français des XVe et XVIe siècles. Wrocław: Zakład Narodowy Im. Ossolińskich, 1987.

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5

Norrish, Peter. New tragedy and comedy in France, 1945-1970. Totowa, N.J: Barnes & Noble Books, 1988.

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6

Philip, Michel. Les plaisirs scélérats de la viellesse. Paris: L'Avant-Scène, 2001.

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7

de, Girardin Emile. La joie fait peur: Comédie en un acte et en prose. Paris: C. Lévy, 1985.

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8

Girardin, Emile de. La joie fait peur: Comédie en un acte et en prose. Paris: M. Lévy, 1985.

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9

Feydeau, Georges. kA ca-ve nhà hàng Maxim =: La dame de chez Maxim. Hà Nuoi: NXB Văn học, 1999.

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10

Goncourt, Académie, ed. Le barbier de Séville: Suivi de Le mariage de Figaro : théâtre. [France?]: Grands Écrivains, 1985.

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11

Beaumarchais, Pierre Augustin Caron de, 1732-1799 and Beaumarchais, Pierre Augustin Caron de, 1732-1799, eds. Le barbier de Séville: Le mariage de Figaro ; La mère coupable. Paris: Le Figaro, 2009.

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12

Feydeau, Georges. Le dindon: Pie ce en trois actes de Georges Feydeau : premie re repre sentation au The a tre du Palais-Royal le7 septembre 1984. Paris: L'Avant-Sce ne, 1985.

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13

Feydeau, Georges. Le dindon: Piéce en trois actes. Paris: Avant-scène, 1985.

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14

Rostand, Edmond. Cyrano de Bergerac: Come die he roi que. Paris: Hachette Livre, 1997.

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15

Gabriel, Conesa. La comédie de l'âge classique (1630-1715). Paris: Seuil, 1995.

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16

Lemonnier, Pierre-René. La Matrone chinoise, ou, L'épreuve ridicule: Comédie (1765). Exeter: University of Exeter Press, 2003.

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17

Thiele, Ansgar. Individualität Im Komischen Roman Der Frühen Neuezeit: Sorrel, Scarron und Furetière. Berlin: Walter de Gruyter, 2007.

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18

Molière: The theory and practice of comedy. London: Athlone Press, 1993.

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19

Norrish, Peter. New tragedyand comedy in France, 1945-1970. Totowa, N.J: Barnes & Noble Books, 1987.

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20

Deichsel, Wolfgang. Der hessische Molière. Frankfurt am Main: Verlag der Autoren, 1989.

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21

1862-1921, Feydeau Georges, Becque Henry 1837-1899, and Molière 1622-1673, eds. Boulevard comedies: Free adaptations of Becque, Feydeau, and Molière. Lyme, NH: SK, 2000.

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22

1868-1918, Rostand Edmond, ed. Cyrano de Bergerac: A new version of Edmond Rostand's 'heroic comedy'. Oldcastle, County Meath, Ireland: Gallery Press, 2004.

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23

Australian National University. Humanities Research Centre., ed. New tragedy and comedy in France, 1945-70. Basingstoke: Macmillan in association with the Humanities Research Centre, the Australian National University, Canberra, 1988.

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24

Rostand, Edmond. The fantasticks: A romantic comedy in three acts. New York: H. Fertig, 1987.

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25

Rostand, Edmond. The fantasticks: A romantic comedy in three acts. New York: R.H. Russell, 1989.

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26

Guichemerre, Roger. La Comédie classique en France: De Jodelle à Beaumarchais. 2nd ed. Paris: Presses universitaires de France, 1989.

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27

Les audiences de Thalie: La comédie allégorique, théâtre des idées à l'âge classique. Paris: Classiques Garnier, 2013.

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28

Gruppo di studio sul Cinquecento francese. Convegno. La Commedia dell'arte tra Cinque e Seicento in Francia e in Europa: Atti del convegno internazionale di studio, Verona-Vicenza, 19-21 ottobre 1995. Fasano (Br-Italia): Schena, 1997.

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29

Capitani, Patrizia de. Du spectaculaire à l'intime: Un siècle de Commedia erudita en Italie et en France, (début du XVIe siècle-milieu du XVIIe siècle). Paris: Champion, 2005.

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30

Capitani, Patrizia de. Du spectaculaire à l'intime: Un siècle de Commedia erudita en Italie et en France, (début du XVIe siècle-milieu du XVIIe siècle). Paris: Champion, 2005.

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31

Du spectaculaire à l'intime: Un siècle de "commedia erudita" en Italie et en France (début XVIe siècle-milieu du XVIIe siècle). Paris: H. Champion, 2005.

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32

Molière. The learned ladies. London: Nick Hern Books, 1996.

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33

Aristophanes, Doe Miriam, and Cameron Keith, eds. La Néphélococugie, ou, La Nuée des cocus: Première adaptation des Oiseaux d'Aristophane en français. Geneve: Droz, 2004.

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34

Mamczarz, Irène. Le masque et l'âme: De l'improvisation à la création théâtrale. Paris: Klincksieck, 1999.

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35

Harrison, Helen L. Pistoles/paroles: Money and language in seventeenth-century French comedy. Charlottesville, VA: Rookwood Press, 1996.

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36

Harrison, Helen L. Pistoles, paroles: Money and language in seventeenth-century French comedy. Charlottesville: Rookwood Press, 1996.

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37

Le pièces par écriteaux nel teatro della Foire (1710-1715): Modi di una teatralità. Venezia: Cafoscarina, 2007.

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38

Martin, Isabelle. Le théâtre de la foire: Des tréteaux aux boulevards. Oxford: Voltaire Foundation, 2002.

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39

Nicholas, Cronk, and Mervaud Christine, eds. Les Notes de Voltaire: Une écriture polyphonique. Oxford: Voltaire Foundation, 2002.

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40

Joan, Oliver. Versions de teatre. [Barcelona]: Edicions Proa, 1989.

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41

La réception de la comédie française dans les pays de langue allemande (1694-1799): Vue à travers les traductions et leurs préfaces. Berne: P. Lang, 1995.

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42

Barbara, Marczuk, Skrzeszewska Beata, and Tylus Piotr, eds. Les comédies bibliques. Genève: Droz, 2000.

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43

Molière. The school for husbands ; and, Sganarelle, or, The imaginary cuckold. San Diego: Harcourt Brace & Co., 1993.

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44

Gignoux, Hubert. Un rire: Essai d'histoire subjective de la comédie. Paris: L'Harmattan, 2001.

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45

Molière. Komedii. Moskva: Ripol Klassik, 1997.

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46

Molière. One-act comedies of Molière. 3rd ed. New York: Applause Theatre Books, 1992.

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47

Franchetti, Anna Lia. Il salotto e la scena: Le forme della commedia galante da Corneille a Musset. Ospedaletto, Pisa: Pacini editore, 1992.

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48

Molière. L' Imposteur de 1667: Prédécesseur du Tartuffe. Durham: University of Durham, 1999.

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49

Gnidehoue, Edgard. Chéri, pas ce soir: Théâtre comique. Abidjan: Anglocom Editions, 2010.

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50

Gabriel, Conesa. Pierre Corneille et la naissance du genre comique, 1629-1636: Étude dramaturgique. Paris: Société d'édition d'enseignement supérieur, 1989.

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