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Relevant bibliographies by topics / French drama (Comedy) – History and criticism / Books

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Books on the topic 'French drama (Comedy) – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Norrish, Peter. New tragedy and comedy in France, 1945-1970. Totowa, N.J: Barnes & Noble Books, 1988.

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2

Perret, Donald. Old comedy in the French Renaissance, 1576-1620. Genève: Droz, 1992.

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3

Molière: The theory and practice of comedy. London: Athlone Press, 1993.

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4

Australian National University. Humanities Research Centre., ed. New tragedy and comedy in France, 1945-70. Basingstoke: Macmillan in association with the Humanities Research Centre, the Australian National University, Canberra, 1988.

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5

Norrish, Peter. New tragedyand comedy in France, 1945-1970. Totowa, N.J: Barnes & Noble Books, 1987.

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6

Gabriel, Conesa. La comédie de l'âge classique (1630-1715). Paris: Seuil, 1995.

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7

Lemonnier, Pierre-René. La Matrone chinoise, ou, L'épreuve ridicule: Comédie (1765). Exeter: University of Exeter Press, 2003.

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8

Thiele, Ansgar. Individualität Im Komischen Roman Der Frühen Neuezeit: Sorrel, Scarron und Furetière. Berlin: Walter de Gruyter, 2007.

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9

Capitani, Patrizia de. Du spectaculaire à l'intime: Un siècle de Commedia erudita en Italie et en France, (début du XVIe siècle-milieu du XVIIe siècle). Paris: Champion, 2005.

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10

Capitani, Patrizia de. Du spectaculaire à l'intime: Un siècle de Commedia erudita en Italie et en France, (début du XVIe siècle-milieu du XVIIe siècle). Paris: Champion, 2005.

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11

Du spectaculaire à l'intime: Un siècle de "commedia erudita" en Italie et en France (début XVIe siècle-milieu du XVIIe siècle). Paris: H. Champion, 2005.

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12

Harrison, Helen L. Pistoles/paroles: Money and language in seventeenth-century French comedy. Charlottesville, VA: Rookwood Press, 1996.

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13

Harrison, Helen L. Pistoles, paroles: Money and language in seventeenth-century French comedy. Charlottesville: Rookwood Press, 1996.

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14

Guichemerre, Roger. La Comédie classique en France: De Jodelle à Beaumarchais. 2nd ed. Paris: Presses universitaires de France, 1989.

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15

Les audiences de Thalie: La comédie allégorique, théâtre des idées à l'âge classique. Paris: Classiques Garnier, 2013.

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16

Gignoux, Hubert. Un rire: Essai d'histoire subjective de la comédie. Paris: L'Harmattan, 2001.

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17

Franchetti, Anna Lia. Il salotto e la scena: Le forme della commedia galante da Corneille a Musset. Ospedaletto, Pisa: Pacini editore, 1992.

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18

Molière. L' Imposteur de 1667: Prédécesseur du Tartuffe. Durham: University of Durham, 1999.

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19

Gruppo di studio sul Cinquecento francese. Convegno. La Commedia dell'arte tra Cinque e Seicento in Francia e in Europa: Atti del convegno internazionale di studio, Verona-Vicenza, 19-21 ottobre 1995. Fasano (Br-Italia): Schena, 1997.

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20

Fleck, Stephen H. Music, dance, and laughter: Comic creation in Molière's comedy-ballets. Paris: Papers on French Seventeeth Century Literature, 1995.

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21

Fleck, Stephen H. Music, dance, and laughter: Comic creation in Molière's comedy-ballets. Paris: Papers on French Seventeeth Century Literature, 1995.

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22

Mazouer, Charles. Le théâtre d'Arlequin: Comédies et ... Fasano (Brindisi): Schena, 2002.

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23

La réception de la comédie française dans les pays de langue allemande (1694-1799): Vue à travers les traductions et leurs préfaces. Berne: P. Lang, 1995.

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24

Le pièces par écriteaux nel teatro della Foire (1710-1715): Modi di una teatralità. Venezia: Cafoscarina, 2007.

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25

Martin, Isabelle. Le théâtre de la foire: Des tréteaux aux boulevards. Oxford: Voltaire Foundation, 2002.

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26

Nicholas, Cronk, and Mervaud Christine, eds. Les Notes de Voltaire: Une écriture polyphonique. Oxford: Voltaire Foundation, 2002.

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27

Marchal-Weyl, Catherine. Le tailleur et le fripier: Transformations des personnages de la comedia sur la scene francaise (1630-1660). Geneve: Droz, 2007.

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28

Mamczarz, Irène. Le masque et l'âme: De l'improvisation à la création théâtrale. Paris: Klincksieck, 1999.

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29

Gabriel, Conesa. Pierre Corneille et la naissance du genre comique, 1629-1636: Étude dramaturgique. Paris: Société d'édition d'enseignement supérieur, 1989.

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30

L' esprit de la commedia dell'arte dans le théâtre français. Genève: Slatkine Reprints, 1993.

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31

Molière. Boston: Twayne Publishers, 1990.

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32

Les origines de la comédie française classique. Oxford ; New York: Peter Lang, 2007.

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33

Vernet, M. Molière, côté jardin, côté cour. Paris: A.-G. Nizet, 1991.

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34

Molière abstrait. Paris: Libr. A.-G. Nizet, 1985.

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35

The comic machine, the narrative machine, and the political machine in the works of Molière. Lewiston: E. Mellen Press, 2003.

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36

Rey-Flaud, Bernadette. Molière et la farce. Genève: Droz, 1996.

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37

McBride, Robert. The triumph of ballet in Moliere's theatre. Lewiston, N.Y: E. Mellen Press, 1992.

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38

Boboc, Alina. Aspecte ale influenței franceze asupra începutului comediei românești. [București]: Do-MinoR, 2008.

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39

Voltaire comic dramatist. Oxford: Voltaire Foundation, 2006.

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40

Comique et comédie au siècle des Lumières. Paris, France: L'Harmattan, 2000.

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41

Vinti, Claudio. Alla Foire e dintorni: Saggi di drammaturgia foraine. Roma: Edizioni di storia e letteratura, 1989.

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42

Goldzink, Jean. Les Lumières et l'idée du comique. Fontenay-aux-Roses: Ecole normale supérieure Fontenay/Saint-Cloud, 1992.

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43

Das Spiel in der Comédie-Italienne (1662-1729): Strukturen und Funktionen im Wandel. Würzburg: Königshausen & Neumann, 2011.

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44

Bourqui, Claude. La commedia dell'arte: Introduction au théâtre professionnel italien entre le XVIe et le XVIIIe siècle. [Paris]: Sedes, 1999.

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45

Bourqui, Claude. La commedia dell'arte: Introduction au théâtre professionnel italien entre le XVIe et le XVIIIe siècle. Paris: SEDES, 1999.

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46

Guardenti, Renzo. Le fiere del teatro: Percorsi del teatro forain del primo Settecento : con una scelta di commedie rappresentate alle Foires Saint-Germain e Saint-Laurent (1711-1715). Roma: Bulzoni, 1995.

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47

La parade de société au XVIIIe siècle: Une forme dramatique oubliée. Paris: Honoré Champion éditeur, 2015.

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48

Rousse, Michel. La scène et les tréteaux: Le théâtre de la farce au Moyen Age. Orléans: Paradigme, 2004.

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49

Rousse, Michel. La scène et les tréteaux: Le théâtre de la farce au Moyen Âge. Orléans: Paradigme, 2004.

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50

La scène et les tréteaux: Le théâtre de la farce au Moyen Âge. Orléans: Paradigme, 2004.

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