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Dissertations / Theses on the topic 'French drama French drama Toneelstukken'

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Published: 4 June 2021
Last updated: 15 February 2022

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1

Riemer, Seth Daniel. "National biases in French and English drama /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb35521574h.

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2

Ziltener, Eva. "Playing with possibilities : drama in the elementary core French classroom." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/31486.

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French as a Second Language (core French) is not often a popular subject among Canadian elementary and high school students. Negative attitudes and low motivation for learning French contribute to attrition at the high school level. In this thesis, an alternative teaching approach is applied to the core French context. This action research study investigates the outcomes of using a drama-based approach to instruct core French to elementary school students. Ten students received core French instruction twice a week over a six-week period. They worked together with a teacher/researcher usin
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3

Goulahsen, Leila. "Women as threat in French and English drama (1553-1610)." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/women-as-threat-in-french-and-english-drama--15531610(0db41d82-6815-4e72-acf5-ae79139a434e).html.

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This thesis establishes the extent to which theatrical treatments of the notion of women as threat, in England and France from 1553 to 1610, participated in contemporary pro-feminine discourses, and identifies the specificities of female representation in drama as a genre. In studying the diverse theatrical representations of female threat (e.g. political, sexual, ethnic, verbal), it draws on recent studies of gender, sexuality and race in Renaissance France and England. The thesis engages with a broad corpus, which includes relatively little-studied French dramatists such as Etienne Jodelle,
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4

Merckel, Nola. "The uses of failure : Gustave Flaubert and the temptation of drama." Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273411.

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5

Hewitt, Philip. "L'homme et ses fantomes : a study of the theatre of Henry-Rene Lenormand." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306609.

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6

Fouts, Salome Wekisa. "Werewere Liking, Sony Labou Tansi, and Tchicaya U Tam'si Pioneers of "New Theater" in Francophone Africa /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1079875350.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 142 p. Includes abstract and vita. Advisers: John Conteh-Morgan and Karlis Racevskis, Dept. of Fench and Italian. Includes bibliographical references (p. 134-142).
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7

Capron, Aurélie C. "Staging women : representation of female scholarship in seventeenth-century Spanish and French drama /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2007. http://uclibs.org/PID/11984.

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8

Passe, Alison. "The figure of Cleopatra in early modern English and French drama (1553-1635)." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=236420.

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This thesis explores the figure of Cleopatra in Early Modern English and French tragedy from 1553 to 1635 in the plays of Jodelle, Garnier, Montreux, Sidney, Daniel, Shakespeare, May, Mairet, and Benserade. There has been a dearth of full length studies investigating the figure of Cleopatra, to date only Mathilde Lamy's 2012 thesis has tackled the topic in depth. This thesis considers dramatic tradition, poetics, and contemporary events in order to trace the influences on the development of the figure of Cleopatra. The thesis examines, the authors, their plays, and performance as well as Early
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9

Richardson, C. "The medieval English and French Shepherds plays : A comparative study of the dramatic tradition." Thesis, University of York, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381317.

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10

Beus, Yfen Tsau. "Towards a paradoxical theatre : Schlegelian irony in German and French romantic drama, 1797-1843 /." New York : Peter Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39018321j.

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11

Sfeir, Maya. "A Comparative Analysis of Language and Gender in Selected French and American Modern Drama." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA021.

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Notre étude a pour objet d’examiner comment le genre et les relations de pouvoir et d’affinité sont construits à travers le discours dans deux pièces de théâtre françaises et deux pièces de théâtre américaines écrites durant l’époque moderne (1890-1914), Margaret Fleming (1890) de James A. Herne, He and She (1911) de Rachel Crothers, Les avariés (1902) de Eugène Brieux et La triomphatrice (1914) de Marie Lenéru. Le but de l’étude est de combler l’écart entre le champ d’étude du langage et du genre ainsi que dans le champ de l’analyse linguistique des textes de théâtre dans les mondes francopho
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12

Cousins, Jennie. "Unstitching the 1950s film costumes : hidden designers, hidden meanings." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/42353.

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This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine Delamare, Marcel Escoffier, and Antoine Mayo. In unstitching the cinematic wardrobes of these four designers, the ideological impact of the costumes that underpin this prolific yet undervalued genre are explored. Each designer’s costume is undressed through the identification of and subsequent methodological focus on their signature garment and/or design trademark. Thus the sartorial and cinematic significance of the corset, the crinolin
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13

Baranowski, Krystyna. "Setting the scene for liminality: non-francophone French second language teachers' experience of process drama." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95002.

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Non-francophone teachers of French as a second or additional language (FSL) often struggle with overwhelming oral anxiety, consequent low self-confidence, and workplace marginalisation. Core French or Basic French teachers, in particular, and their subjects have been undervalued (Carr, 2007; Lapkin, McFarlane, & Vandergrift, 2006; Richards, 2002). Moreover, recent national FSL research points to challenges in the areas of teacher attrition, lack of methodological and /or linguistic preparation, and lack of professional development opportunities in the FSL context (Karsenti, 2008; Salvatori,
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14

Shtutin, Leo. "Mallarmé Apollinaire Maeterlinck Jarry : space and subject in French poetry and drama, c.1890-1920." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:5599de57-2028-4292-80c7-72f79326925b.

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This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a relatively narrow corpus of core texts: Mallarmé’s Igitur (c. 1867-70) and Un Coup de dés (1897); Apollinaire’s “Zone” (1912) and various of his calligrammes; Maeterlinck’s early one-act plays—L’Intruse (1890), Les Aveugles (1890), and Intérieur (1894); and Jarry’s Ubu roi (1896) and Cés
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15

Rice, Melinda Carolyn. "A fool and his money culture and financial choice during the John Law affair of 1720 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1320943781&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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16

Ledbury, Mark. "Greuze, Sedaine and hybrid genre in late eighteenth-century France." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296534.

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17

Rivest, Mélanie. "Nouveau théatre et nouveau roman : la quête d'un art perdu." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79975.

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The histories of the Theater and of the Novel have rarely been linked to one another. Nevertheless, studying the evolution of the two arts as of the seventeenth century, allows us to pinpoint and define the sources of contamination. It is more precisely in the nineteenth century that the history of both the Theater and the Novel became envenomed, going from fresh influences to disloyal relations during which time the Theater faded by admitting romanesque realism to take the stage. By denying its capacity to reveal the "real", the Theater failed its possibilities and let its art be disin
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18

Grandcamp, Gabrielle. "Enjeux de mise en scène dans les "Miracles de Nostre Dame par personnages"." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMLH23/document.

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Les quarante "Miracles de Nostre Dame par personnages" constituent l'immense majorité du corpus dramatique de langue française du XIVe siècle. Malgré cette importance historique majeure, ces pièces n'ont jusqu'à aujourd'hui pas fait l'objet d'une étude littéraire spécifique. Victimes du manque de légitimité poétique que l'on prête au théâtre médiéval en général, mais aussi tributaires de leur apparente simplicité, ces drames présentent pourtant de nombreuses similarités qui témoignent de l'homogénéité stylistique du corpus. Envisageant tour à tour le corpus en tant que texte, spectacle et livr
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19

Wilton-Godberfforde, Emilia Eleni Rachel. "Mendacity and the figure of the liar in seventeenth-century French comedy." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609698.

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20

La, Taille Jean de 1533?-1611 or 12, E. C. (Elliott Christopher) 1924 Forsyth, and des textes francais modernes (Paris France) Societe. "Tragedies, Saul le furieux ; La Famine, ou les Gabeonites : Edition critique / par Elliott Forsyth." Paris: Societe des textes francais modernes, 1998. http://hdl.handle.net/2440/38643.

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Includes facsim of 1572 imprint of first title; and of 1573 imprint of second title.<br>Also submitted by the editor as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006.<br>Includes bibliographical references (p. 169-174) and index.<br>lxxix, [183] p.:<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
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21

Longtin, Mario. "Edition du Mystère de sainte Barbe en deux journées BN Yf 1652 et 1651." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24090.

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This thesis consists in editing, side by side, two printed texts of Le Mystere de sainte Barbe en deux journees. The oldest (which can be found at "La Bibliotheque Nationale de Paris", call number BN Yf 1652) has been published by la Veuve Trepperel and Jehan Jehannot between the years 1511 and 1517. The other text, also to be found at "La B.N.P." (call number BN Yf 1651) is a revised edition of the former published between the years 1552 and 1585 on Simon Calvarin's press. The BN Yf 1652 contains 3 677 lignes, whilst the Calvarin's edition is of 3 734 lignes; both texts are at fourteenth char
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22

Dubé, Valérie. "Analyses microtextuelles de trois pièces d'Eugène Ionesco /." Chicoutimi : Trois-Rivières : Université du Québec à Chicoutimi ; Université du Québec à Trois-Rivières, 2005. http://dx.doi.org/doi:10.1522/24133279.

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Thèse (M.E.L.) - Université du Québec à Chicoutimi, 2005.<br>"Mémoire présenté à l'Université du Québec à Chicoutimi comme exigence partielle de la maîtrise en études littéraires offerte à l'Université du Québec à Chicoutimi en vertu d'un protocole d'entente avec l'Université du Québec à Trois-Rivières." Comprend des réf. bibliogr. : f. 109-115. Document électronique également accessible en format PDF.
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23

Toure, Jean-Marie. "Théâtre et liberté en Afrique noire francophone de 1930-1985." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=2l1cAAAAMAAJ.

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24

Wilson, Kristi M. "Euripideanism : Euripides, orientalism and the dislocation of the western self /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9951425.

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25

LEMP, RICHARD WARREN. "MOLIERE AND MEDICINE: DISSECTING THE KALEIDOSCOPE (FRANCE)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183776.

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The subject of medicine in the works of Moliere has been traditionally treated as a matter of satire. While it is important to consider this view and while biographical approaches relating Moliere's personal illness to the content of his medical comedy are illuminating, this study proposes that a plurality of views offers a more complete picture. Such analysis discovers that Moliere's medical comedy is much more than satire, that it contains elements of black humor and even approaches the theater of cruelty in its treatment of sickness and death. The metaphor in this approach is in the percept
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26

Przychodzeń, Janusz 1962. "Le théâtre québecois dans tous ses discours /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34767.

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This study is inspired by social discourse theory and sociocriticism of literature. it aims to describe an organizational system that informs theatre practice in Quebec and to go beyond aesthetic form, critical interpretation and institutional structure to reveal Quebecois theatre in its most synthesized form.<br>To comprehend the model's overall operation, three broad sectors of the theatre's sphere of activity were explored and juxtaposed: institution, reception and creation. For this purpose, a preliminary set of quantitative and discursive data was assembled from a study of the network of
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27

Woods, Michael. "Reality vs. Perceptions: The Treatment of Early Modern French Jews in Politics and Literary Culture." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3391.

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Although historians have written extensively on both the early modern era and the development of an absolute monarchy, the history of Jewish communities in France and the role they played has been largely ignored. Beginning with the French Wars of Religion, this study analyzes to what extent France’s religious situation affected the growth of absolutism and how this in turn affected the Jews. Taking advantage of the fractured nature of the early French monarchy, Jews began settling in provinces along the border of both Spain and the Holy Roman Empire. Affected by economic jealousies and cultur
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28

Gosse, Douglas. "Historical fiction, drama, and journal infusion in grade nine, early French immersion history, a curriculum guide using Enfants de la rébellion." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23140.pdf.

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29

Drouin, Jennifer. ""To be or not to be free" : nation and gender in Québécois adaptations of Shakespeare." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85904.

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At first glance, the long tradition of Quebecois adaptations of Shakespeare might seem paradoxical, since Quebec is a francophone nation seeking political independence and has little direct connection to the British literary canon. However, it is precisely this cultural distance that allows Quebecois playwrights to play irreverently with Shakespeare and use his texts to explore issues of nation and gender which are closely connected to each other. Soon after the Quiet Revolution, adaptations such as Robert Gurik's Hamlet, prince du Quebec and Jean-Claude Germain's Rodeo et Juliette rais
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30

Silveira, Isabela Fernanda Azevedo. "O lugar do espectador na dramaturgia de Armand Gatti: engajamento político, cooperação textual e performatividade." Escola de Teatro, 2011. http://repositorio.ufba.br/ri/handle/ri/27116.

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Submitted by Glauber Assunção Moreira (glauber.a.moreira@gmail.com) on 2018-08-27T18:51:13Z No. of bitstreams: 1 Dissertação final.pdf: 1186771 bytes, checksum: 36bc34689cf78f33dfbc1cab1699191e (MD5)<br>Approved for entry into archive by Marly Santos (marly@ufba.br) on 2018-08-28T00:49:02Z (GMT) No. of bitstreams: 1 Dissertação final.pdf: 1186771 bytes, checksum: 36bc34689cf78f33dfbc1cab1699191e (MD5)<br>Made available in DSpace on 2018-08-28T00:49:02Z (GMT). No. of bitstreams: 1 Dissertação final.pdf: 1186771 bytes, checksum: 36bc34689cf78f33dfbc1cab1699191e (MD5)<br>O objeto da dissertaç
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31

Isley, Edwin L. "Farce, critique sociale, et comedie morale chez Moliere." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/539802.

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Critical studies on the comic drama of the seventeenth-century French playwright, Jean-Baptiste Poquelin de Moliere (1622-1673), center attention on biography, production, stylistics, and thematic development. Because of the diversity of themes, and because of the considerable productivity of this dramatist, the analyses of the style and substance of these comedies have often been focused on the use of themes or techniques employed in a single comedy or associated with one single sort of comedy. This thesis, "Farce, critique sociale, et ccm6die morale chez Moliere," proposes to deepen, in two
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32

Gros, Camille. "L'écoute aux portes dans le théâtre de Molière, de Marivaux et de Musset." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07172008-182939/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Bruno Braunrot, committee chair; Georges Perla, committee member. Title from file title page. Electronic text (88 p.) : digital, PDF file. Description based on contents viewed Oct. 2, 2008. Includes bibliographical references (p. 85-88).
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33

D'Ávila, Flávia Ruchdeschel 1981. "Um teatro de metamorfoses : Philippe Genty entre o humano e o inanimado /." São Paulo, 2018. http://hdl.handle.net/11449/154462.

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Orientador(a): Wagner Francisco Araujo Cintra<br>Banca: Agnaldo Valente Germano da Silva<br>Banca: Dalmir Rogério Pereira<br>Banca: Mario Ferreira Piragibe<br>Banca: Vinicius Torres Machado<br>Resumo: A presente pesquisa se estrutura por dois eixos principais. O primeiro se orienta pela análise dos processos de transformações das dramaturgias da Companhia Philippe Genty, especialmente a partir da década de 1980. Esse momento foi marcado por mudanças nos processos criativos do grupo, desencadeadas com a inserção do humano na cena como parceiro de jogo do inanimado; com a investigação do corpo,
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34

Biehler, Johanna. "La Maladie mentale dans les écritures dramatiques contemporaines d’expression française." Thesis, Pau, 2014. http://www.theses.fr/2014PAUU1010/document.

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La thèse porte sur la maladie mentale dans les écritures dramatiques contemporaines d’expression française ainsi que son incidence sur la mise en scène. Le théâtre s’est toujours intéressé à la maladie mentale, et pour certains chercheurs l’art dramatique va même trouver son origine dans celle-ci, à travers des rituels consacrés à la transe et aux rêves. Après un rappel des grands « fous » qui peuplent l’histoire du théâtre européen, que ce soit dans les tragédies grecques, le théâtre shakespearien ou le théâtre classique (nous verrons ainsi que la « folie » sur scène est un thème qui a traver
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35

Duguay, Sylvain. "Le dialogue homosexuel dans Les feluettes de Michel Marc Bouchard /." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30163.

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This thesis proposes to apply Queer theory as the framework for examining Michel Marc Bouchard's play Les Feluettes. This study is built around two methodological axes, one being the analysis of dialogue; the second, the application of Queer theory. Dialogue and staging are scrutinized in an effort to discover the Queer. The links between sex, power, language and knowledge will be specifically studied. The intention is to show how their relationship, based on opposition, can be modified by a subversive discourse. By way of introduction, a brief discussion of Queer theory will be presented to f
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36

Penich, Jacqueline. "Conservative Propaganda in the Shakespearean Gothic of James Boaden." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23334.

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The plays of James Boaden, an author all too often forgotten in the pages of theatre history, are usually dismissed by scholars as mercenary adaptations of popular Gothic novels for the stage. Boaden’s plays of the 1790s—Fontainville Forest (1794), The Secret Tribunal (1796), The Italian Monk (1797), Cambro-Britons (1798) and Aurelio and Miranda (1799)—were certainly popular successes in their own time, but this should not discount them from serious consideration as aesthetic and ideological objects. In fact, these plays are intelligently wrought, using popular Gothic conventions to further a
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37

Rozon, Brigitte. "Se mettre à mort, se mettre au monde, le meurtre dans trois pièces de la dramaturgie gaie québécoise." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22391.pdf.

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38

Mihart, Mirella. "L’utilisation des pratiques théâtrales dans l'enseignement du FLE en Suède. Une étude qualitative. : A Qualitative Study of the Usage of Creative Drama Activities when teaching French as a Foreign Language in Sweden." Thesis, Högskolan Dalarna, Franska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-23976.

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La présente étude a pour but d’examiner comment un groupe d’enseignants suédois travaille en pratique avec les activités dramatiques en classe de FLE. De plus, l’étude a l’objectif d’analyser les attitudes de ces enseignants concernant l’emploi de cette méthode de travail et les facteurs qui influencent leur choix d’activités pour développer la communication orale en classe de FLE. Après une analyse de notre corpus, qui comprend des interviews avec quatre enseignantes et douze réponses à une enquête, nous avons tiré la conclusion que les enseignants ont en général une attitude positive au suje
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39

Julian, Thibaut. "L’Histoire de France en jeu dans le théâtre des Lumières et de la Révolution (1765-1806)." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040181.

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Le second dix-huitième siècle est marqué par une profonde reconfiguration du cadre politique qui se traduit par un essor concomitant de la critique publique et du patriotisme. Le théâtre participe au mouvement. Dans le sillage de Voltaire, des auteurs très divers s’emparent de l’Histoire de France, renouvelant les genres théâtraux et le rapport au spectacle. Aux pièces épiques ou sentimentales du « genre troubadour » s’ajoutent bientôt les anecdotes biographiques consacrées aux Grands Hommes, puis les « apothéoses dramatiques » et les « faits historiques » contemporains de la Révolution. Cet e
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40

Read, Andrew. "Translating and adapting fictional speech : the case of Philip Pullman's 'Northern Lights'." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/translating-and-adapting-fictional-speech-the-case-of-philip-pullmans-northern-lights(3dff0298-ca8a-4795-9bed-cc0c3a69cabc).html.

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This thesis is an examination of the effects of translation into French and of adaptation for the stage, in English, on the dialogue of Philip Pullman’s novel Northern Lights (published in North America as The Golden Compass). The study focuses on the speech of Lyra, the novel’s protagonist, in terms of both its linguistic qualities and the functions it supports within the novel and the trilogy of which it forms part, His Dark Materials. The study aims to identify the ways in which not just the linguistic surface of fictional speech is affected by translation and adaptation but also the degree
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41

Melai, Maurizio. "Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040038.

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La présente étude porte sur la pratique du genre de la tragédie classique au XIXe siècle, en particulier sous la Restauration et la Monarchie de Juillet. Ce qui nous intéresse, ce sont les développements les plus tardifs du genre tragique en France, genre dont nous documentons l’évolution et le déclin progressif au cours de la première moitié du XIXe siècle, c’est-à-dire jusqu’à sa disparition des théâtres français, qui a lieu autour de 1850. En nous basant sur un corpus de quatre-vingt pièces, nous essayons de brosser un tableau complet de la tragédie et des auteurs tragiques de la Restaurati
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Johansson, Karin. "Hôtel Pacifique - "det stilla hotellet" : Översättning av en modern franskkanadensisk pjäs med åtföljande analys och översättningskommentar." Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182477.

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Denna kandidatuppsats utgår från en egen översättning från franska till svenska av delar ur pjäsen Hôtel Pacifiqueav den franskkanadensiska författaren Fanny Britt.Syftet med examensarbetet är, förutom att skapa en spelbar text som fungerar i sin målspråkskontext, att undersöka det specifika i att översätta dramatik. I syftet ingår också att belysa och skapa förståelse för Québecfranskan och problem relaterade till att översätta språklig varietet. Det talade ordet står genomgående i fokus: replikerna i dramatexten och de karaktäristiska muntliga dragen för Québecfranskan. Newmarks kommunikativ
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Tremblay, Janie. "Le personnage de la mere dans trois pieces quebecoises des annees 1980 /." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33938.

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The various transformations that Quebec society was undergoing throughout the 1980s are reflected in the dramaturgy of the period, notably in the critique of nationalist discourse, and in the writing of hitherto marginalized groups such as women, immigrants, and gays and lesbians.<br>The tensions within the family unit are one of the leitmotivs of Quebec theatre in the 1980s, which usually represents the mother either as a sort of monster who suffocates her children, or as a victim of the Law of the Father. When a woman decides to speak and to redefine motherhood, this dual model of the "patri
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Mihart, Mirella. "Le théâtre éducatif – un outil au service de l'enseignement du FLE en cadre scolaire." Thesis, Högskolan Dalarna, Franska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22684.

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L’objectif de ce mémoire est d’étudier le rôle que le théâtre éducatif peut avoir sur le développement de la compétence de communication orale dans l’enseignement du français langue étrangère (en abrégé FLE) en cadre scolaire. La recherche montre que le théâtre éducatif donne aux élèves la possibilité d’utiliser leurs compétences linguistiques en les préparant pour des situations réelles. Il leur donne aussi l’occasion de découvrir toutes les émotions et tous les mouvements physiques qui font partie d’une langue vivante.<br>This thesis aims at studying the role that educational drama can have
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Weber-Fève, Stacey A. "There's no place like home homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the Métropol and the Maghreb /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1148746370.

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46

Boula, de Mareuil Marie-Isabelle. "Le Jeu avec le passé dans le drame contemporain : Patrick Kermann, Jean-Luc Lagarce, Philippe Minyana." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030066.

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Les dramaturgies contemporaines répondent à l’exigence d’une écriture du temps au théâtre en renouvelant notamment leur forme, leur langue et leur adresse. Le drame n’est plus « action » au présent. Il devient l’expression d’un retour, celui du passé. Le jeu avec le passé est le va-et-vient sans fin et toujours renouvelé du passé vers le drame et du drame vers le passé. Cette étude se concentre sur neuf pièces écrites entre 1980 et 2000 par trois dramaturges français, Patrick Kermann, Jean-Luc Lagarce et Philippe Minyana. Dans ces écritures, le passé revendique sa place [et la prend] dans l’ac
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Flock, Sarah Sylvie. "Rayonnement de la poétique d'Otomar Krejca en Belgique francophone." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209963.

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La thèse démontre l’impact du théâtre de Krejča sur l’évolution de l’art dramatique belge francophone. Elle scinde l’activité théâtrale de Krejča en Belgique en deux parties, chacune placée sous le sceau d’une réalité politique différente. La première correspond à un moment de détente dans le paysage politique tchécoslovaque et débute avant la création du Divadlo za branou. Assimilée à la seconde avant-garde théâtrale tchèque, elle inaugure aussi la série de succès internationaux de Krejča dans des pays non socialistes. La seconde période survient après la liquidation du Divadlo za branou par
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Gregorio, Amélie. "L’«Arabe» dans le théâtre français, du début de la colonisation de l’Algérie aux grandes expositions coloniales (1830-1931) : de représentations en discours." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2105.

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Dès 1830, le théâtre s’empare du thème de la conquête de l’Algérie puis il accompagne l’expansion coloniale en Afrique du Nord, événements majeurs qui ont marqué la vie politique française du XIXe et du début du XXe siècle. Véritable phénomène social et culturel de masse, il a fortement contribué à imposer l’esprit colonial et l’idée d’empire dans les mentalités. Mais dans quelle mesure exacte a-t-il été un acteur culturel de cette politique d’expansion et de domination ? Avec quelle fréquence, quelles inflexions ? Quelles représentations de l’« Arabe » a-t-il véhiculé, et comment les a-t-il t
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Sauwala, Laetitia. "Édition critique du Mystère des trois doms (ms BnF n.a.f. 18995). Analyse linguistique, glossaire et notes." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA138.

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Cette thèse présente l’édition critique du Mystère des trois doms (1509), d’après un manuscrit unique aujourd’hui conservé à la Bibliothèque nationale de France sous la cote n.a.f 18995. Ce texte dramatique en moyen français d’environ 11000 vers raconte la conversion puis le martyre des trois saints patrons de la ville de Romans, Séverin, Exupère, et Félicien ; il a été composé en vue d’une représentation, qui eut lieu trois jours durant dans cette même ville les 27, 28 et 29 mai 1509. Notre travail comporte plusieurs aspects distincts et complémentaires : une analyse philologique et historiqu
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Burtin, Tatiana. "Figures de l’avarice et de l’usure dans les comédies : The Merchant of Venice de Shakespeare, Volpone de Jonson et L’Avare de Molière." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100136/document.

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L’émergence d’un « ‘esprit’ capitaliste » (Weber) en Angleterre et en France au tournant des XVIe-XVIIe siècles a favorisé la reconfiguration des rapports entre avaritia et cupiditas, qui déterminent tout le champ sémantique de l’usure et de l’intérêt. Cette thèse postule que cette évolution est sensible dans la comédie française et anglaise de l’époque, et plus particulièrement chez les grands dramaturges qui ont marqué l’imaginaire collectif en mettant en scène des personnages avares. À partir d’un type comique issu à la fois du théâtre antique et du canon religieux bien établi dans l’Occide
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