Academic literature on the topic 'French Existentialism'

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Journal articles on the topic "French Existentialism"

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Aspray, Barnabas. "‘No One Can Serve Two Masters’: The Unity of Philosophy and Theology in Ricœur’s Early Thought." Open Theology 5, no. 1 (January 1, 2019): 320–31. http://dx.doi.org/10.1515/opth-2019-0025.

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Abstract While the French philosopher Paul Ricœur is not usually thought of as an existentialist, during his early career he engaged deeply with existentialist thought, and published two articles on the relationship between existentialism and Christian faith. Ricœur’s attempts to relate philosophy and theology often led to great personal distress, which he occasionally referred to as “controlled schizophrenia,” in which he struggled to remain faithful to both philosophical and theological discourse without compromising one for the sake of the other. This essay first explores the influence of existentialist philosophy on Ricœur before surveying how Ricœur understood existentialism, and how in his view it transforms the relationship between philosophy and theology. It then shows how Ricœur is ultimately able to retain his “dual allegiance” to both discourses through active hope in how the Christian doctrine of creation ex nihilo testifies to their original and final unity.
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Dhanapal, Saroja. "An existentialist reading of K.S. Maniam’s ‘The Return’." Journal of English Language and Literature 2, no. 1 (August 30, 2014): 100–108. http://dx.doi.org/10.17722/jell.v2i1.26.

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According to Peyre (1948:21), the fathers and forefathers of existentialism were mostly Germans, but it was adapted and transformed by the French and was re-exported to the rest of the world. Peyre’s inference reduces the history of existentialism to a nutshell. Existentialism can be defined as an intellectual movement that reflects all aspects of modern life. In literature, this theory acts as a useful approach to analysing literary works in order to make sense of the complexities, contradictions and dilemmas surrounding the characters. The purpose of this research paper is to study the novel of Subramaniam Krishnan, popularly known as K. S. Maniam, an Indian Malaysian academic and novelist, from an existentialist perspective. His novels deal with the lives and problems of the post-colonial Indian Diaspora in Malaysia. In 2000, he received the Raja Rao Award for Outstanding Contribution to the Literature of the South Asian Diaspora. His first novel ‘The Return’ is an autobiographical novel which deals with cultural struggle and cultural identity. This novel will be analysed from an existential perspective.
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KUKLICK, BRUCE. "FRENCH LETTERS." Modern Intellectual History 1, no. 2 (August 2004): 283–92. http://dx.doi.org/10.1017/s1479244304000162.

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George Cotkin, Existential America (Baltimore: Johns Hopkins University Press, 2003)Ann Fulton, Apostles of Sartre: Existentialism in America, 1945–1963 (Evanston, IL: Northwestern University Press, 1999)Jean-Philippe Mathy, Extrême-Occident: French Intellectuals and America (Chicago: University of Chicago Press, 1993)Jean-Philippe Mathy, French Resistance: The French–American Culture Wars (Minneapolis: University of Minnesota Press, 2000)
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Cotkin, George. "French Existentialism and American Popular Culture, 1945–1948." Historian 61, no. 2 (December 1, 1998): 327–40. http://dx.doi.org/10.1111/j.1540-6563.1999.tb01029.x.

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Duran, Jane. "Beauvoir on Existential Thought." Philosophica: International Journal for the History of Philosophy 29, no. 57 (2021): 69–81. http://dx.doi.org/10.5840/philosophica202128575.

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It is argued that some of Beauvoir’s short, journalistic pieces shed new light on her overall philosophical positions. Special analysis is made of “Existentialism and Popular Wisdom”, with its advertence to our standard take on human affairs. Part of the argument is that Beauvoir expands on notions taken from the common culture, and that she does so in a way that sheds new light on existentialist concepts. Taking into consideration the extent of her work with Sartre, we can assume that Beauvoir is making powerful statements with her analysis. It is also important to note that this work represents a level of publication intended for the average French reader, and that much of her writing in this vein has received very little comment.
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Syvachenko, G. "VOLODYMYR VINNICHENKO IN THE DISCOURSE OF FRENCH MODERNISM." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 36 (2020): 253–70. http://dx.doi.org/10.17721/2075-437x.2020.36.20.

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The article explores the works of the famous Ukrainian writer Volodymyr Vynnychenko in the context of French literature of the first half of the twentieth century, and modernist trends in particular. The Ukrainian writer, philosopher, and public figure arrived in France in the mid-1920s to live there for almost three decades. He was interested in French literature, corresponded with A. France, A. Gide, co-translated with his wife his own works into French. His late-1940s translation of the novel Nova Zapovid (The New Commandment ) marked his engagement with the French literary process. The novel was awarded a prize by a literary clubs, and demonstrated resemblance to the major trends in French modernism. The article focuses on defining the typological correspondences in the interpretation by Vynnychenko and M. Proust of such components as subjective consciousness, mixed impressionism, memoir discourse. The author’s attention has been turned towards the specifics of the typological similarity of Vynnychenko and A. Gide’s aesthetic views, their assertion of the ideas of individualism, the quest for harmonization of the self, and symbolic “artistry.” Vynnychenko’s works are also analyzed in the context of French existentialism, including the study of such typological similarities of the aesthetic and philosophical views of the Ukrainian writer and A. Camus as undisguised moralizing, a claim to be perceived as teachers of life in solving practical ethical problems of the human condition. The author examines the methods and aesthetic constructions of such concepts of existentialism as freedom, choice, death, anxiety, relationships between the self and the Other in the works of Vynnychenko, J.P. Sartre, and S. de Beauvoir. The correlation between the works of Vynnychenko and A. de Saint-Exupéry is separately studied within the paradigm of existentialism, including “honesty with oneself” and honesty with others; the idea of community and the instinct of public responsibility. The critical optics of research combines the historical specificity of the development of French modernism, its philosophical foundations, the ethnic identity of the Ukrainian writer, and the inherent incorporation of his poetics into the paradigm of French modernism. For researchers, teachers, students of philology and those interested in V. Vynnychenko’s oeuvres and problems of literary modernism.
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YAQOOB, WASEEM. "RECONCILIATION AND VIOLENCE: HANNAH ARENDT ON HISTORICAL UNDERSTANDING." Modern Intellectual History 11, no. 2 (June 26, 2014): 385–416. http://dx.doi.org/10.1017/s1479244314000067.

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This essay reconstructs Hannah Arendt's reading of Marx and Hegel in order to elucidate her critique of comprehensive philosophies of history. During the early 1950s Arendt endeavoured to develop a historical epistemology suitable to her then embryonic understanding of political action. Interpretations of her political thought either treat historical narrative as orthogonal to her central theoretical concerns, or focus on the role of “storytelling” in her writing. Both approaches underplay her serious consideration of the problem of historical understanding in the course of an engagement with European Marxism, French existentialism and French interpretations of Hegel. This essay begins with her writings on totalitarianism and her ambiguous relation with Marxism during the 1940s, and then examines her critique of French existentialism before finally turning to her “Totalitarian Elements of Marxism” project in the early 1950s. Reconstructing Arendt's treatment of philosophies of history helps elucidate the themes of violence and the relationship between means and ends in her political thought, and places a concept of history at the centre of her thought.
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최이문. "Aspects of Existentialism in John Fowles’s The French Lieutenant’s Woman." English21 20, no. 1 (June 2007): 33–55. http://dx.doi.org/10.35771/engdoi.2007.20.1.002.

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Mostafa Hussein, Wafaa A. "Freedom as the Antithesis of Commitment in Jean-Paul Sartre’s The Flies (Les Mouches)." International Journal of Linguistics, Literature and Culture 8, no. 2 (June 30, 2021): 1–17. http://dx.doi.org/10.19044/llc.v8no2a1.

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In the mid of the twentieth century, French Existentialism was a predominant doctrine that significantly enriched and influenced the literary scene in Europe during the Post-War area. Jean-Paul Sartre (1905-1980), the founder of Existentialism, is both a professional philosopher and a talented man of letters whose literary achievements represent a declarative embodiment of his Existentialist philosophy. In his 1943 drama, The Flies (Les Mouches), Sartre puts the Greek myth into a drastically innovative structure, where contemporary issues and values are presented through classical outlines. The current study aims to present a critical analysis of Sartre's depiction of the Electra/Orestes myth in The Flies through demonstrating how Greek mythology becomes an essential substructure of the play's Existentialistic framework, on the one hand, and questioning the credibility of the Sartrean concept of freedom and commitment, as illustrated in the play, on the other hand. The study utilizes the Existentialist philosophy as a theoretical framework in order to elucidate that the Sartrean conception of freedom and commitment is paradoxically antithetical. The research investigates how Orestes has been theoretically free and the extent to which he strives, throughout the drama, to transform this abstract freedom into a concrete experience by committing himself to a specific action: murdering Aegisthus and Clytemnestra. However, as the study proves, this Existentialist freedom becomes an illusion in the sense that Orestes' commitment to the Argives makes him a captive of society; by choosing commitment, he dismisses his freedom. The researcher has chosen "Freedom" and "Commitment" as the main topic of the present study in order to expose Sartre's existentialistic awareness of modern human beings' dilemma under the influence of all forms of aggression and highlight the discrepancy between theoretical philosophy and real-life experiences. The study adopts an interdisciplinary analytical approach where myth, philosophy, and drama are dovetailed and fused in order to expand the scope of the analysis.
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Vorozhikhina, Ksenia V. "Lev Shestov in France: Reception of the Russian Philosopher’s Ideas (First Half of the 20th Century)." Voprosy Filosofii, no. 6 (2021): 45–53. http://dx.doi.org/10.21146/0042-8744-2021-6-45-53.

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The article is devoted to the acquaintance of French critics with the philosophy of Lev Shestov, who emigrated from Russia in 1919. Shestov’s ideas almost im­mediately resonate with French readers and over the course of several years the philosopher gains some fame; he is perceived as one of the most important fig­ures of modern original Russian thought, comparable in importance to M. de Un­amuno in Spain and J. de Gaultier in France. Shestov makes acquaintances with French and European intellectuals (J. Rivière, J. de Gaultier, L. Levy-Bruhl and others), collaborates with reputable French magazines “Mercure de France”, “La Nouvelle Revue française”, “La Revue philosophique de la France et de l’étranger”. Shestov has disciples and followers: B. de Schloezer, G. Bataille, B. Fondane, R. Bespaloff, A. Lazarev etc. The most important for his followers is the philosopher’s appeal to the personalities of thinkers and writers, and not to their ideas; “peregrination through the souls” as a philosophical method; the inextricable link between philosophy and life; criticism to reason and mora­lity; religious orientation and others. Shestov’s ideas become one of the sources of existentialism of A. Camus, works of A. Malraux and G. Marcel. Shestov and Fondane separate the philosophy of tragedy, identified with religious existential philosophy in the spirit of S. Kierkegaard, B. Pascal, F.M. Dostoevsky and M. Luther, from the existentialism of M. Heidegger, K. Jaspers and others.
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Dissertations / Theses on the topic "French Existentialism"

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Bogaerts, Jo. "Transcendence Estranged: Sartre, Kafka and French Existentialism." Doctoral thesis, Université d'Anvers, Anvers, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/264950.

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Germain, Rosie. "The British and American reception of French existentialism, 1939-1972." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708183.

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Theobald, Tom Paul. "Existentialism and baseball : the French philosophical roots of Paul Auster." Thesis, University of Newcastle upon Tyne, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436163.

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Brydon, James. "Writing World War Two in French Literarure from Existentialism to Postmodernism." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.516993.

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Hardwick, Joseph Brian. "Romans et theses : french "existentialist" fiction, literary history and literary modernism /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16410.pdf.

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Rethore, Florent Philippe. "The evolution of the role of humanism in the combat against the absurd, from futility to essential: 1938-1945." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1555177391619455.

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Seekins, M. Elizabeth. "L'importance d'autrui : une etude des themes existentialistes dans le roman Tous les hommes sont mortels par Simone de Beauvoir = The importance of others: a study of existential themes in the novel All men are mortal by Simone de Beauvoir /." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/SeekinsME2007.pdf.

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Vieira, Marcelo Georgétti. "Corpo e psicopatologia na filosofia de Merleau-Ponty." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/59/59137/tde-12112013-160322/.

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No presente estudo, nos propomos a estudar a noção de psicopatologia presente nas primeiras obras de Merleau-Ponty, A Estrutura do Comportamento, publicada em 1942, Fenomenologia da Percepção, publicada em 1945, e em parte do resumo de cursos realizados na Sorbonne, realizados entre 1948 e 1952. Por não se tratar de um tema diretamente abordado pelo filósofo, e sendo a doença compreendida como um comprometimento da vida, em um primeiro momento nos ocupamos de esboçar a noção de vida para este, tida como um princípio auto-regulativo, normativo e polarizado para um conjunto de relações concretas entre o organismo e seu meio visando atender tanto às necessidades biológicas do primeiro quanto às demandas adaptativas impostas pelo segundo. Destacamos como fundamental a repercussão do pensamento de Goldstein dentro do pensamento merleau-pontyano, que contribuiu com uma concepção integracionista de organismo presente sobretudo na primeira obra de Merleau-Ponty (A Estrutura do Comportamento), e também com a noção de \"coming to terms\", isto é, do modo como se dá o ajuste entre o organismo e seu meio. Também nos reportamos a Georges Canguilhem, por sua afinidade com o pensamento do filósofo e pela importante contextualização desta noção de vida de que tratamos dentro da história da medicina. Em um segundo momento, nos ocupamos então de uma análise mais pormenorizada da noção de psicopatologia presente nas discussões sobre corporeidade que se apoiaram sobre a análise de quadros doentios presentes na Fenomenologia da Percepção e nos cursos da Sorbonne, o caso Schneider de lesão cerebral, da jovem afônica, do membro fantasma, das alucinações esquizofrênicas e das alucinações verbais. Ressaltamos as interlocuções entre o filósofo e Sartre, Minkowski, Politzer e o pensamento freudiano. Por fim, discutimos sobre a proposta de compreender a loucura como potencialidade criativa, uma implicação indireta para nosso tema presente no ensaio que Merleau-Ponty redigiu sobre Cézanne, publicado em 1948 sob o nome de A Dúvida de Cézanne. (FAPESP)
In the present work, we aim to study the notion of psychopathology in Merleau-Ponty\'s first works, The Structure of Behavior, published in 1942, Phenomenology of Perception, published in 1945 and in part of the resumes in Sorbonne\'s courses, offered between 1948 and 1952. Once it\'s not a theme straightly approached by the philosopher, and once sickness is understood as an injury to life, firstly we look for a rough-draw of his notion of life, considered as a self regulative and normative principle, turned to an amount of concrete relations between the organism and its environment, attempting to solve both in first one\'s biological needs as in adaptive demands imposed by the second. We emphasize as fundamental the repercussion of Goldstein\'s thoughts in Merleau-Ponty\'s, which has contributed with an integrationist conception of organism present mainly in Merleau-Ponty\'s first work (The Structure of Behavior) and also with the notion of \"coming to terms\", that is, how an organism and its environment come to a mutual agreement. We also turn ourselves to Canguilhem, as much for his affinity with the philosopher\'s thoughts as for the meaningful position of this notion of life we argue inside medicine\'s history. In a second moment, we develop a more detailed analysis of psychopathology\'s notion that appears in Phenomenology of Perception and Sorbonne courses\' discussions on embodiment developed from the examination of illness cases, such as Schneider\'s brain damage, the aphonic lady, the phantom member, schizophrenic hallucinations and verbal hallucinations. We emphasize the interlocutions between the philosopher and Sartre, Minkowski, Politzer and Freudian\'s thought. At last, we discuss the proposal of understanding madness as a creative potentiality, an indirect implication for our theme present in Merleau-Ponty\'s issue on Cézanne, published in 1948 as Cézanne\'s Doubt. (FAPESP)
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Feron, Alexandre. "Le Moment marxiste de la phénoménologie française (Sartre, Merleau-Ponty, Tran Duc Thao)." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H220.

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Entre la fin de la Seconde Guerre mondiale et le début des années 1960, les représentants les plus importants du courant phénoménologique en France, Jean-Paul Sartre, Maurice Merleau-Ponty et Trân Duc Thào, estiment non seulement qu'il est nécessaire de se confronter au marxisme, mais également que l'articulation entre phénoménologie et marxisme constitue l'un des enjeux essentiels de la philosophie dans le monde contemporain. L'objet de notre recherche est de comprendre la spécificité du travail philosophique que chacun de ces auteurs opère sur ces deux courants en apparence si opposés afin de rendre possible leur synthèse. Ce travail montre notamment comment le projet initial de 1944 est progressivement mis en question et reconfiguré au contact des évolutions historiques et politiques, des débats philosophiques et du développement des sciences humaines. Nous entendons ainsi restituer les enjeux et inventions conceptuelles de ce qui restera l'un des moments les plus féconds et originaux de la philosophie française contemporaine
Between the end of the Second World War and the beginning of the 1960s, the chief representatives of the phenomenological school in France, Jean-Paul Sartre, Maurice Merleau-Ponty and Tran Duc Thao, not only considered that they had to confront Marxism in their works : they deemed the endeavour to combine Marxism with phenomenology one of the major tasks of philosophy in the modern world. The object of our research is to understand the specificity of the philosophical work each performed on these two apparently incompatible schools of thought, in order to make their synthesis possible. Our work traces the way in which the initial project of 1944 was progressively questioned and reworked in the wake of political and historical change, philosophical debates and the development of human sciences. Thus we hope to bring to light the underlying stakes and conceptual innovations of what remains one of the most fertile and original moments in contemporary French philosophy
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Doney, Tania Francine. "Freedom and the body : Sartre and Beauvoir on embodied consciousness." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:4a16d6f2-d945-4bc6-bf3c-44698c88381c.

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Jean-Paul Sartre is not traditionally thought of as a philosopher of the body and, until very recently, little critical attention has been paid to this aspect of his work. Nevertheless, since 2005 a number of articles have begun to appear which suggest that Sartre‘s account of the body in L’Être et le Néant may be worthy of more consideration than it has thus far received – perhaps most notably Joseph Catalano‘s 2005 article suggesting that the chapter on the body is central to a proper understanding of Sartre‘s philosophy. Simone de Beauvoir is often criticised for her writing on the body in Le Deuxième Sexe, with much of the criticism suggesting that Beauvoir‘s use of existential philosophy is to blame for her failings. Yet Toril Moi argues that Beauvoir‘s claim that the body is a situation, a claim that arises from existential philosophy, is a valuable contribution to feminism. In light of these developments, it seems pertinent to look again at Sartre‘s chapter on the body in L’Être et le Néant and at Beauvoir‘s work to try to understand exactly what is meant by the body as a situation and how this concept relates to Sartre and Beauvoir‘s well-known ideas on freedom and responsibility. The aim of this thesis is to examine the importance of the chapter on the body in L’Être et le Néant and to demonstrate its relevance to Sartre‘s philosophy as a whole, to look at how Beauvoir has used Sartre‘s philosophy in her own writing and to consider the relevance of that philosophy to more contemporary writing on the body. The thesis will focus on L’Être et le Néant, Le Deuxième Sexe, and La Vieillesse with references also made to both authors‘ fictional works, to Beauvoir‘s autobiographical writings, and to more contemporary work on the body.
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Books on the topic "French Existentialism"

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Modern French philosophy: From existentialism to postmodernism. Oxford: Oneworld Publications, 2003.

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(Japan), Jitsuzon Shisō Kyōkai. Furansu jitsuzon shisō. Tōkyō: Ibunsha, 1991.

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Alekseevich, Mikhaĭlov Aleksandr, ed. Otvetstvennostʹ lichnosti za svoe bytie v mire: Kritika kont͡s︡ept͡s︡iĭ frant͡s︡uzskogo ėkzistent͡s︡ializma. Minsk: "Nauka i tekhnika", 1987.

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French existentialist fiction: Changing moral perspectives. Totowa, N.J: Barnes & Noble, 1986.

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French existentialist fiction: Changing moral perspectives. London: Croom Helm, 1986.

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Rahner, Mechtild. "Tout est neuf ici, tout est à recommencer-- ": Die Rezeption des französischen Existentialismus im kulturellen Feld Westdeutschlands (1945-1949). Würzburg: Königshausen & Neumann, 1993.

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Dhurayl, ʻAdnān Ibn. al- Fikr al-wujūdī ʻabra muṣṭalaḥih: Dirāsah. Dimashq: Ittiḥād al-Kuttāb al-ʻArab, 1985.

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Kleinberg, Ethan. Generation existential: Heidegger's philosophy in France, 1927-1961. Ithaca, NY: Cornell University Press, 2004.

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Martin, Marie-Françoise. La problématique du mal dans une philosophie de l'existence. Paris: Harmattan, 2011.

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Existential prisons: Captivity in mid-twentieth-century French literature. Durham: Duke University Press, 1985.

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Book chapters on the topic "French Existentialism"

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Wilson, Colin. "The Decline and Fall of Existentialism." In Studies in Anglo-French Cultural Relations, 135–53. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-07921-6_9.

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Elsky, Julia. "The Absurd: Postwar Reception and Wartime Echoes at Yale French Studies." In Sartre and the International Impact of Existentialism, 61–78. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38482-1_3.

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Werner, Juliane. "French Cultural Policy and the Transfer of Existentialism in Allied-Occupied Austria." In Sartre and the International Impact of Existentialism, 197–212. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38482-1_11.

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Burgess, Steven, and Casey Rentmeester. "Knowing Thyself in a Contemporary Context: A Fresh Look at Heideggerian Authenticity." In Horizons of Authenticity in Phenomenology, Existentialism, and Moral Psychology, 31–43. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9442-8_3.

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Arppe, Tiina. "Sanctification of “the Accursed” Drinking Habits of the French Existentialists in the 1940s (A Case Study)." In Recent Developments in Alcoholism, 415–36. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/0-306-47148-5_21.

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"existentialism." In Encyclopedia of Contemporary French Culture, 214–18. Routledge, 2002. http://dx.doi.org/10.4324/9780203003305-34.

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Leak, Andrew. "Existentialism." In The Cambridge History of French Literature, 585–93. Cambridge University Press, 2011. http://dx.doi.org/10.1017/chol9780521897860.067.

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Ungar, Steven. "Existentialism, engagement, ideology." In The Cambridge Companion to the French Novel, 145–60. Cambridge University Press, 1997. http://dx.doi.org/10.1017/ccol0521495636.009.

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Khilnani, Sunil. "French Marxism – existentialism to structuralism." In The Cambridge History of Twentieth-Century Political Thought, 299–318. Cambridge University Press, 2003. http://dx.doi.org/10.1017/chol9780521563543.016.

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ELKAÏM-SARTRE, ARLETTE. "Preface to the 1996 French Edition." In Existentialism Is a Humanism, vii—2. Yale University Press, 2007. http://dx.doi.org/10.2307/j.ctv15vwkgx.3.

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