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Relevant bibliographies by topics / French Expression in art

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Academic literature on the topic 'French Expression in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "French Expression in art"

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Marshall, Bill. "European Comic Art and Quebec." European Comic Art 5, no. 1 (2012): 4–8. http://dx.doi.org/10.3167/eca.2012.050102.

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The welcome attention paid to Quebec in this issue of European Comic Art immediately points to a cluster of intellectual questions concerning identity, territory and academic discipline(s). What need was there for grouping a corpus, and analysis of it, according to this category, and what meanings are implied in that selection? And what problems are evoked by the adjective ‘European’? These are familiar questions to all those Quebec specialists working in French (‘and Francophone’) Studies, as well as, in my case, Film Studies. On the one hand, Quebec culture in all its forms of expression pos

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LYKOVA, Nadezhda N. "EXPRESSION OF PURPOSE IN OLD FRENCH LEGAL DOCUMENTS." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 1 (2021): 6–19. http://dx.doi.org/10.21684/2411-197x-2021-7-1-6-19.

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The article examines the ways of expressing purpose in the early texts of laws written in Old French. The analysis is carried out using the text interpretation method, context-situational method and the method of actual division. It is found that, if in the works of art of this period, subordinate ends are used quite rarely, then in old French legal documents the semantic relation of the goal is often conveyed and not only by subordinate goals, but much more often with the help of equivalent prepositional-infinitive and prepositional-substantive constructions. The emerging system of alliances,

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Vendrix, Philippe. "On the Theoretical Expression of Music in France during the Renaissance." Early Music History 13 (October 1994): 249–73. http://dx.doi.org/10.1017/s0261127900001376.

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It may not always seem obvious to begin a study of French music in the Renaissance with a reference from the theoretical field. By entitling his study ‘Ut musica poesis’ Howard Mayer Brown attempted to remedy this shortcoming. However, without in any way disparaging his work, this results in a series of paradoxes and uncertainties about the links which in France during the Renaissance period unite musical practice and musical thought, whether this be philosophical or theoretical. It is true that expressions like ‘musical renaissance’ or ‘musical humanism’, easy and pernicious terms, have a har

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Erman, Deniz Onur. "Purest form of creation: Art Brut." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (2018): 134–42. http://dx.doi.org/10.18844/prosoc.v5i6.3850.

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In many cultures, it has been a long-established practice to apply various domains of art as therapy methods in asylums, prisons and rehabilitation centres in order to help people express themselves and their current circumstances and to aid cure themselves. Hans Prinzhorn’s book entitled ‘Artistry of the mentally ill’, which was published in 1924 in Berlin has been the initial resource for Art Brut, also known as ‘raw art’. A French artist, Jean Dubuffet has first used Art Brut as an artistic term in 1945, which has ignited major debates in the artistic milieu. The ultimate goal of these arti

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Vigneault, Louise. "Art autochtone : langue, oralité, communication." RACAR : Revue d'art canadienne 41, no. 1 (2016): 22–25. http://dx.doi.org/10.7202/1037549ar.

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Native languages in Canada are closely tied to memory and territory. Their weakening or disappearance, along with the decrease of the oral transmission of knowledge, has therefore directly impacted the set of semiotic and epistemological codes on which cultures rest. Split between their language of origin and the country’s majority languages, and lacking any political or legislative leverage, communities have progressively lost their means to self-fulfillment. In the Canadian linguistic divide, French-speaking Native communities have found themselves doubly marginalized. Today, artistic creati

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Hudgins, Nicole. "Art and Death in French Photographs of Ruins, 1914-1918." Historical Reflections/Réflexions Historiques 42, no. 3 (2016): 51–70. http://dx.doi.org/10.3167/hrrh.2016.420304.

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The avalanche of ruin photography in the archives, albums, publications, and propaganda of World War I France challenges us to understand what functions such images fulfilled beyond their use as visual documentation. Did wartime images of ruin continue the European tradition of ruiniste art that went back hundreds of years? Or did their violence represent a break from the past? This article explores how ruin photography of the period fits into a larger aesthetic heritage in France, and how the depiction of ruins (religious, industrial, residential, etc.) on the French side of the Western Front

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Green, Spence, Marie-Catherine de Marneffe, and Christopher D. Manning. "Parsing Models for Identifying Multiword Expressions." Computational Linguistics 39, no. 1 (2013): 195–227. http://dx.doi.org/10.1162/coli_a_00139.

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Multiword expressions lie at the syntax/semantics interface and have motivated alternative theories of syntax like Construction Grammar. Until now, however, syntactic analysis and multiword expression identification have been modeled separately in natural language processing. We develop two structured prediction models for joint parsing and multiword expression identification. The first is based on context-free grammars and the second uses tree substitution grammars, a formalism that can store larger syntactic fragments. Our experiments show that both models can identify multiword expressions

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Graddy, Kathryn. "Taste Endures! The Rankings of Roger de Piles (†1709) and Three Centuries of Art Prices." Journal of Economic History 73, no. 3 (2013): 766–91. http://dx.doi.org/10.1017/s0022050713000600.

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Roger de Piles (1635–1709) was a French art critic who decomposed the style and ability of 58 different artists into areas of composition, drawing, color, and expression, rating each artist on a 20-point scale in each category. Based on evidence from two data sets that together span from the mid-eighteenth century to the present, this article shows that De Piles' overall ratings have withstood the test of a very long period of time, with estimates indicating that the works of his higher-rated artists achieved both greater returns and higher critical acclaim than the works of his lower-rated ar

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Schoneveld, Erin. "Shirakaba and Rodin: A Transnational Dialogue between Japan and France." Journal of Japonisme 3, no. 1 (2018): 52–83. http://dx.doi.org/10.1163/24054992-00031p02.

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This essay examines the role ofShirakaba(White Birch, 1910-1923) as an art magazine that aspired to create new audiences and foster the exchange of ideas by providing an alternate space to address diverse views about modern art, literature, theory, and identity. In addition to introducing European modernism to Japan through the writings of western artists, authors, and thinkers,Shirakabacreated access to and direct exchange of artwork with a number of artists such as Auguste Rodin (1840-1917), Heinrich Vogeler (1872-1942), Max Klinger (1857-1920), and Bernard Leach (1887-1979). Among these,Shi

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Simpson, Juliet. "From Exquisite to Transgressive Moderns? The Goncourt's "Decadent" Eighteenth-Century Art Revival." Nordlit 15, no. 2 (2012): 159. http://dx.doi.org/10.7557/13.2052.

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As avid collectors of French eighteenth-century art, the Goncourts' contribution to its nineteenth-century history is well-known. This article, however, explores a less welldocumented aspect of their L'Art du dix-huitième siècle (1858-1875): that is, its articulation of an art of latency and decadence prior to the term's fin-de-siècle association with explicitly transgressive cultures of modernity. Indeed, the paper argues that the Goncourts were amongst the first writers of their age to use the art of an age linked with political and cultural decay, to foreground latently decadent tendencies

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Dissertations / Theses on the topic "French Expression in art"

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Kovacs, Katalin. "L'expression des passions et la hiérarchie des genres dans la pensée picturale de Diderot et de ses prédécesseurs." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2001. http://books.google.com/books?id=66NcAAAAMAAJ.

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Moralez, Teresa Lynn. "Fresh expression: a guide to cultural reclamation." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1033.

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What is not discussed becomes veiled in denial. And as a woman, what becomes veiled in denial exists as oppression. And what exists as oppression, when confronted becomes taboo, irrational, and improper. This is my body, my mind and my drive. Fresh Expression: A Guide to Cultural Reclamation is a performative, installation that explores subversion, indulgence and the female lactating body in a sociological context; where the audience becomes active participants within a live and changing environment. This live event documents the extrication of my breast milk and recontextualizes the breast mi

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Jonker, Marijke [Verfasser], and Evert van [Akademischer Betreuer] Uitert. "Diderot's shade : the discussion on "Ut pictura poesis" and expression in French art criticism 1819-1840 / Marijke Jonker ; Betreuer: Evert van Uitert." Heidelberg : arthistoricum.net, 2016. http://d-nb.info/1214890156/34.

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Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.

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Thesis advisor: Jeffery Howe<br>The Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convi

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Barry, Marie Porterfield. "Lesson 15: Fragonard through the French Revolution." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/16.

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Collins, Lorna Patricia. "Making sense : art and aesthetics in contemporary French thought." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610086.

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Burris, Jennifer. "The anaesthetic condition : psychopharmaceuticals and contemporary French art." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611410.

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McKinley, Kathryn Hill. "Ciceronian rhetoric and the art of medieval French hagiography." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7737.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of French and Italian. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part

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LiBassi, Marguerite. "Specularity in Late Nineteenth-Century French Literature and Art." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/4.

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In the mid-to-late 1800s, French writers and artists resolved to shed their Romantic skins in favor of new self-conscious "husks"--to borrow Baudelaire's poetic term--that is to say: Naturalism, Realism, Impressionism and Symbolism. Some of the older reformers found themselves in an awkward, transitional stage contrary to the younger vanguardists who bore no allegiance to the past. The first group included Baudelaire, Flaubert, Courbet, Manet, Degas and Pissarro while the latter listed among its most successful members: Zola, Mallarmé, Huysmans, Morisot, Monet, Renoir and Cézanne. This thesis

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Books on the topic "French Expression in art"

1

Thomas, Kirchner. L' expression des passions: Ausdruck als Darstellungsproblem in der französischen Kunst und Kunsttherorie des 17. und 18. Jahrhunderts. P. von Zabern, 1991.

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Cunff-Renouard, Madeleine Le. Enjeux débats expression: Contemporary issues and essay writing in French. ELM, 1989.

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Martial, Guédron, ed. Corps et arts: Physionomies et physiologies dans les arts visuels. L'Harmattan, 1999.

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The expression of the passions: The origin and influence of Charles Le Brun's Conférence sur l'expression générale et particulière. Yale University Press, 1994.

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Art as expression. Whalesback Books, 1995.

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Gallery, Winnipeg Art, ed. Art & expression of the Netsilik. Winnipeg Art Gallery, 2000.

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Sowers, Robert. Rethinking the forms of visual expression. University of California Press, 1990.

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Rethinking the forms of visual expression. University of California Press, 1990.

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name, No. The last expression: Art and Auschwitz. Northwestern University Press, 2003.

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Powers, Martin Joseph. Art & political expression in early China. Yale University Press, 1991.

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Book chapters on the topic "French Expression in art"

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Argenton, Alberto. "Expression and expressive qualities." In Art and Expression, edited by Ian Verstegen. Routledge, 2019. http://dx.doi.org/10.4324/9780429468704-1.

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Argenton, Alberto. "The dynamics of perception and expressive qualities." In Art and Expression, edited by Ian Verstegen. Routledge, 2019. http://dx.doi.org/10.4324/9780429468704-2.

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Argenton, Alberto. "The swing effect: A little-studied perceptual phenomenon." In Art and Expression, edited by Ian Verstegen. Routledge, 2019. http://dx.doi.org/10.4324/9780429468704-3.

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Argenton, Alberto. "Amodal completion and pictorial representation." In Art and Expression, edited by Ian Verstegen. Routledge, 2019. http://dx.doi.org/10.4324/9780429468704-4.

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Argenton, Alberto. "The dynamics of obliqueness: Windmills and timepieces." In Art and Expression, edited by Ian Verstegen. Routledge, 2019. http://dx.doi.org/10.4324/9780429468704-5.

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Nijholt, Anton. "Introduction: Brain-Computer Interfaces for Artistic Expression." In Brain Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14323-7_1.

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Aschenbrenner, Karl. "Expression: “Instant Coherence”." In The Concept of Coherence in Art. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5327-7_10.

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Fibigerová, Kateřina, and Michèle Guidetti. "Structure of French expression of motion." In Human Cognitive Processing. John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/hcp.66.08fib.

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Verba, Cynthia. "Music as Expressive Art." In Music and the French Enlightenment. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199381029.003.0003.

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Diagne, Souleymane Bachir. "‘African philosophy’ The History of an Expression." In Revisioning French Culture, translated by Jonathan Adjemian. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620207.003.0021.

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Souleymane Bachir Diagne’s text is on the history of what has been called ‘African philosophy,’ a phrase with origins in the early post-World War II period. Diagne begins by tracing the complex history and legacy of the book Bantu Philosophy (1949), which was written by the philosopher and theologian Placide Tempels, a Franciscan missionary and Belgian citizen. Diagne argues that that text represented an important break with the way in which Africa had been ignored and set aside in philosophical circles (a practice that Diagne traces to Hegel). From there, he outlines how currents in African philosophy first imitated, and then later broke with, Tempels’s model. He concludes with observations on current trends in African philosophy, which above all focus on democratic transitions, human rights, the future of the arts, citizenship, and languages in use on the continent today.

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Conference papers on the topic "French Expression in art"

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Wasmer, K., K. M. Nikbin, and G. A. Webster. "A Sensitivity Study of Creep Crack Growth in Pipes." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1191.

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Failure of pressure vessels and piping systems that operate at high temperatures can occur by net section rupture, creep crack growth or a combination of both processes. Several design and assessment procedures are available for dealing with this situation. These include the ASME Pressure Vessel and Piping, French RCC-MR (Appendix 16) and British R5 and BS7910 codes. Each of these procedures uses a combination of continuum mechanics and fracture mechanics concepts to make an assessment. Although the procedures adopt the same basic principles, often different formulae are employed to make an as

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Schachat, Sandra R. "Insects in Japanese and French art, ca. 1900." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.93124.

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Guillou, J., and L. Paulhiac. "On-Site Evaluation of Bending Stresses at the Root of Small Bore Pipes by Accelerometric Measurements." In ASME 2003 Pressure Vessels and Piping Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/pvp2003-2085.

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Several vibration-induced failures at the root of small bore piping systems occurred in French nuclear power plants in past years. The evaluation of the failure risk of the small bore pipes requires a fair estimation of the bending stress under operating conditions. As the use of strain gauges is too time-consuming in the environmental conditions of nuclear power plants, on-site acceleration measurements combined with numerical models are easier to handle. It still requires yet a large amount of updating work to estimate the stress in multi-span pipes with elbows and supports. The aim of the p

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Monteil, A., G. Boulon, and C. Garapon. "The State Of Art Of Chromium And Neodymium Activator Ions In Oxyde Garnet Laser Hosts." In French-Israeli Workshop on Solid-State Lasers, edited by Georges Boulon, Christian K. Jorgensen, and Renata Reisfeld. SPIE, 1989. http://dx.doi.org/10.1117/12.981471.

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Martynova, Daria. "Serpentinisme in French Art of the Second Half of the XIXth Century." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.009.

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Xiang, Yu. "Analysis on the Creative Features of French Art Song in Impressionist Period." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.70.

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Sarr, Edouard Ngor, Ousmane Sall, and Lamine Faty. "Part-Of-Speech Tagging in French: State-of-the-Art and Obstacles." In 2020 Seventh International Conference on Social Networks Analysis, Management and Security (SNAMS). IEEE, 2020. http://dx.doi.org/10.1109/snams52053.2020.9336546.

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Mengyao Zhao, Yi Wang, and David Redmiles. "Strengthening collaborative groups through art-mediated self-expression." In 2015 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC). IEEE, 2015. http://dx.doi.org/10.1109/vlhcc.2015.7357214.

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Bi, Sheng, and Bao Chen. "On the Innovative Expression of Contemporary Pastel Art." In 2017 International Conference on Society Science (ICoSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.65.

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Ruan, Chunli. "Discussions on the Artistic Features and Singing Styles of the French Art Songs." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.233.

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Reports on the topic "French Expression in art"

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th

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