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Dissertations / Theses on the topic 'French Expression in art'

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1

Kovacs, Katalin. "L'expression des passions et la hiérarchie des genres dans la pensée picturale de Diderot et de ses prédécesseurs." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2001. http://books.google.com/books?id=66NcAAAAMAAJ.

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2

Moralez, Teresa Lynn. "Fresh expression: a guide to cultural reclamation." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1033.

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What is not discussed becomes veiled in denial. And as a woman, what becomes veiled in denial exists as oppression. And what exists as oppression, when confronted becomes taboo, irrational, and improper. This is my body, my mind and my drive. Fresh Expression: A Guide to Cultural Reclamation is a performative, installation that explores subversion, indulgence and the female lactating body in a sociological context; where the audience becomes active participants within a live and changing environment. This live event documents the extrication of my breast milk and recontextualizes the breast mi
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3

Jonker, Marijke [Verfasser], and Evert van [Akademischer Betreuer] Uitert. "Diderot's shade : the discussion on "Ut pictura poesis" and expression in French art criticism 1819-1840 / Marijke Jonker ; Betreuer: Evert van Uitert." Heidelberg : arthistoricum.net, 2016. http://d-nb.info/1214890156/34.

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4

Bloom, Kelly. "Orientalism in French 19th Century Art." Thesis, Boston College, 2004. http://hdl.handle.net/2345/477.

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Thesis advisor: Jeffery Howe<br>The Orient has been a mythical, looming presence since the foundation of Islam in the 7th century. It has always been the “Other” that Edward Said wrote about in his 1979 book Orientalism. The gulf of misunderstanding between the myth and the reality of the Near East still exists today in the 21st century. Napoleon's invasion of Egypt in 1798 and the subsequent colonization of the Near East is perhaps the defining moment in the Western perception of the Near East. At the beginning of modern colonization, Napoleon and his companions arrived in the Near East convi
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5

Barry, Marie Porterfield. "Lesson 15: Fragonard through the French Revolution." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/16.

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6

Collins, Lorna Patricia. "Making sense : art and aesthetics in contemporary French thought." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610086.

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7

Burris, Jennifer. "The anaesthetic condition : psychopharmaceuticals and contemporary French art." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611410.

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8

McKinley, Kathryn Hill. "Ciceronian rhetoric and the art of medieval French hagiography." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7737.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of French and Italian. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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9

Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part
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10

LiBassi, Marguerite. "Specularity in Late Nineteenth-Century French Literature and Art." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/4.

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In the mid-to-late 1800s, French writers and artists resolved to shed their Romantic skins in favor of new self-conscious "husks"--to borrow Baudelaire's poetic term--that is to say: Naturalism, Realism, Impressionism and Symbolism. Some of the older reformers found themselves in an awkward, transitional stage contrary to the younger vanguardists who bore no allegiance to the past. The first group included Baudelaire, Flaubert, Courbet, Manet, Degas and Pissarro while the latter listed among its most successful members: Zola, Mallarmé, Huysmans, Morisot, Monet, Renoir and Cézanne. This thesis
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11

Watson, Andrew. "Constantine Ionides and the British collecting of French Art." Thesis, University of Aberdeen, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508233.

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12

McMahon, Orlene Denice. "Listening to the French new wave : the film music and composers of postwar French art cinema." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610716.

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13

Jordan, Shirley Ann. "The art criticism of Francis Ponge : problems and solutions." Thesis, University of Hull, 1991. http://hydra.hull.ac.uk/resources/hull:7037.

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14

Lee, Hyun Min. "French art songs for high voice by famous opera composers." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3198.

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15

Strasik, Amanda Kristine. "Reconceiving childhood: women and children in French art, 1750-1814." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/5647.

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My dissertation examines visual representations of children and childhood in French art from the 1750s until the first decades of the nineteenth century. This period in France is distinct because of the sweeping social and political changes with which images of children and childhood were in dialogue, including the redefinition of bourgeois familial relationships, new medical discoveries that influenced how artists interpreted the human mind and body, the chaos of the French Revolution, and the rise of Napoleon and his codification of the laws of nature. By 1750, Enlightenment thinkers and soc
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16

Salgirli, Saygin. "From thirteenth-century Toulouse to fifteenth-century Serres a comparative study on dissent, authority and architecture /." Diss., Online access via UMI:, 2009.

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17

Owens, Eileen Grace. "VISUALIZING MASCULINITY: MEN, FAMILY, AND COUNTRY IN NINETEENTH-CENTURY FRENCH PRINT CULTURE." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/385190.

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Art History<br>M.A.<br>Focusing on satirical prints from illustrated newspapers, this thesis examines nineteenth-century French notions of masculinity in a culture that linked its reputation for success to the productivity of its male citizens. I will focus on man’s connection to marriage and family life, as these institutions were so closely connected to perceptions of masculinity. Specifically, I look at portrayals of the cuckold and the bachelor—tropes of male identity that deviated from the ideal notions of the French man—and how printed images reflected, commented on, and shaped the ways
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18

Longust, Bridgett Renee 1964. "Reconstructing urban space: Twentieth-century women writers of French expression." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/282108.

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This dissertation examines the importance of urban space in the works of feminist writers from France, Quebec, the Maghreb and Francophone West Africa. Each author writes women as subjects of their own experience in the city, identifies the representations of power and gender in urban landscapes, restores a feminist voice to the polis and supports women's claim to enfranchisement in urban space. My analysis is based upon the fundamental premise that urban space reflects power dynamics and is, like gender, a social and political construction borne of a dominant patriarchal ideology. The urban t
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19

Gephart, Kathryn B. "Ellen Anderson, Mildred Burrage, and the Errancy of Modernist Painting." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367942693.

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20

Spilger, Erica L. Spilger. "Expression and Repression: Contemporary Art Censorship in America." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524835404987482.

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21

Leoussi, Athena S. "Images of Greeks in British and French art, c.1833-1880 : physical anthropology, art and society." Thesis, London School of Economics and Political Science (University of London), 1992. http://etheses.lse.ac.uk/1263/.

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The aim of this study is to measure the extent of the 'Greek revivals' in official British and French artistic practice during the second half of the nineteenth century and to explore their links with different parts of their social context. To this end I concentrate on the works of art illustrating aspects of Greek culture and life, both ancient and modern, which were exhibited at the Royal Academy and the Salon between 1833 and 1880. I study their numbers, themes and dates, and examine the role in these 'Greek revivals' of developments both inside and outside the sphere of art. I consider th
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22

Roy, Nina Tamara. "Harvest of memories : national identity and primitivism in French and Russian art, 1888-1909." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37827.

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This dissertation analyses the convergence of primitivism and nationalism in late-nineteenth and early-twentieth century French and Russian art. The discourse of primitivism has yielded a number of critical studies focusing on the artistic appropriation of aesthetics derived from "tribal" arts, Asian arts, medieval icons, outsider art, and peasant arts and crafts. Within that scholarship, modern European art that appropriates the aesthetics of folk arts and themes of the peasantry is frequently considered to be representative of national identity and myth. The artistic elucidation of the peasa
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23

Conor, Joyce. "Carl Einstein in the magazine Documents (1929-1930) and his collaboration with Georges Bataille." Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313063.

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24

Kirk, Elizabeth Gail. "Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28091.

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The Neo-Orientalism of Matisse's The Blue Nude (Souvenir of Biskra), and Picasso's Les Demoiselles d'Avignon, both of 1907, exists in the similarity of the extreme distortion of the female form and defines the different meanings attached to these "ugly" women relative to distinctive notions of erotic and exotic imagery. To understand Neo-Orientalism, that is, 19th century Orientalist concepts which were filtered through Primitivism in the 20th century, the racial, sexual and class antagonisms of the period, which not only influenced attitudes towards erotic and exotic imagery, but also defined
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25

Cohen, Marcel Nessim. "Le "Mobutisme" : expression d'une volonte nationale ou fiction litteraire." Thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/23116.

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26

Rivest, Mélanie. "Nouveau théatre et nouveau roman : la quête d'un art perdu." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79975.

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The histories of the Theater and of the Novel have rarely been linked to one another. Nevertheless, studying the evolution of the two arts as of the seventeenth century, allows us to pinpoint and define the sources of contamination. It is more precisely in the nineteenth century that the history of both the Theater and the Novel became envenomed, going from fresh influences to disloyal relations during which time the Theater faded by admitting romanesque realism to take the stage. By denying its capacity to reveal the "real", the Theater failed its possibilities and let its art be disin
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27

Talbott, Christy Jo. "The French art song style in selected songs by Charles Ives." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000455.

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28

Adams, Alissa R. "French depictions of Napoleon I's resurrection (1821-1848)." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/3236.

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Despite the inherently multivalent nature of images of Napoleon Bonaparte created during the middle of the nineteenth century, scholars often employ only one lens to interpret them: the political context of the age in which they were created. In doing so, they effectively separate these images from the wider art historical narrative. A second—and equally fraught—effect of this tendency is the perpetuation of dominant assumptions that the popularity of his image was due to his status as a “Great Man.” This dissertation examines a subset of mid-century Napoleonic imagery that demonstrates the fl
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29

Weiner, Elana. "Art as an expression of the unconscious psyche." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1004903.

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This study aimed to investigate the use of expressive art as a manifestation of the unconscious psyche and as an indication of underlying personality dynamics. Its use as a significant medium for therapeutic encounter and exploration was investigated by analysing the art produced by four psychiatric in-patients during their participation in an eight-week art therapy programme. Each patient's art series was qualitatively and thematically interpreted with a focus upon the meaning of significant recurring images and motifs. The results of this study indicate that the particularity of each patient
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30

Diaper, Hilary. "The English reaction to modern French painting circa 1850-1880." Thesis, University of Leeds, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238657.

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31

Girard, Catherine. "Rococo Massacres: Hunting in Eighteenth-Century French Painting." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11521.

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My dissertation is a study of paintings with hunting subjects made in France between the 1730s and 1750s, concomitantly with the escalation of Louis XV's (r. 1715- 1774) obsession with hunting. It concentrates on up-close depictions of dying and dead animals by prominent artists such as Jean-Baptiste Oudry (1686-1755), François Boucher (1703-1770), and Jean-François De Troy (1679-1752). Particular attention is paid to how the moments that surrounded the kill of the prey by royal hunters--the hallali and the curée--were conjured up by these painters, and how their canvases were integrated into
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32

Murphy, Christopher Eric. "Reconstructing paradigms of expression." Click here to access thesis, 2007. http://www.georgiasouthern.edu/etd/archive/spring2007/christopher_e_murphy/Murphy_Christopher_E_200701_mfa.pdf.

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Thesis (M.F.A.)--Georgia Southern University, 2007.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts." In Art, under the direction of Patricia J. Walker. ETD. Electronic version approved: May 2007. Includes bibliographical references (p. 37-38)
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33

Wengier, Sabrina Emilie. "The Politics and Poetics of Ekphrasis in Nineteenth-Century French Art Novels." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/383.

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This dissertation explores how literary descriptions of visual artworks affect the narrative and descriptive fabric of a text. The novels I examine operate on three textual levels: the painter's creative struggles, his amorous entanglements with his model and/or the painted women of his canvas, and his aesthetic claims to revolutionize painting. My project argues that ekphrasis is a translational mode that takes two forms: the traditional, "contained" description of a visual artwork; and a mode of writing that pervades the entire text and emulates the characteristics of painting. For example,
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34

Martin, Margot. "Essential agréments : art, dance and civility in seventeenth-century French harpsichord music /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37103563h.

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35

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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36

Collins, Anne Marie. "Changes in pictorial construction and types of representation which formed the basis of modern art." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1010579.

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The erosion of traditional French academic methods of picture-construction, and the eclipse of hierarchical subject-matter, ensured the emergence of a diversity of new painting styles in France by 1900 and the possibility of even more drastic departures from tradition in the 20th century, particularly in the work of Picasso, from 1900 to 1914.
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37

Kay, Nancy J. "The sacred public sculptures in Antwerp: From their medieval origins to the French Revolution." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318337.

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38

Shah, Diti. "An abstract expression of September 11, 2001." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4448.

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Historical events captured in an abstract manner have the ability to produce a profound effect on the emotions. The purpose of this research is to create a time-based computer media work, using dialogue from playwright Anne Nelson's The Guys, based on the September 11, 2001 attacks on the World Trade Center in New York City, with emphasis on visual imagery, particularly the use of line and color, to enhance the dramatic and emotional content of the piece. The stylistic direction of the thesis work is greatly influenced by selected works of abstract expressionists Robert Motherwell and Franz Kl
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39

Anonyuo, Emeka G. "Nigerian Skokian art : a microanalysis of the realistic visual expression in contemporary Nigerian art /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488187763846333.

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40

Cooley, Kristin Nicole. "The 1889 and 1900 Paris Universal Expositions: French masculine nationalism and the American response." Thesis, The University of Arizona, 2001. http://hdl.handle.net/10150/278775.

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Universal expositions of the later nineteenth century were opportunities for the host country to reinforce its sense of nationalism and to showcase its technological progress or, read differently, the progress of man. This thesis examines nationhood as defined in terms of masculinity at the 1889 Paris Universal Exposition, which demonstrated French technological, colonial, and artistic superiority over all other nations. This superiority was trumpeted not just through architecture and colonial exhibits, but also through criticism of other countries' artwork, particularly painting and sculpture
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41

Grodzinski, Veronika. "French Impressionism and German Jews : the making of modernist art collectors and art collections in Imperial Germany 1896-1914." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444726/.

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This interdisciplinary thesis is the first dedicated study of German Jewish patronage of French Impressionist and post-Impressionist art in Wilhelmine Germany. It investigates the disproportionately strong impact of German Jewish patronage from three perspectives. It examines the significance of Paul Cassirer's modernist art dealership, the prominence of German Jewish art collectors and their modernist art collections and the presence of German Jewish sponsorship at the Nationalgalerie Berlin, the Pinakothek Munich and the Stadelsche Kunstinstitut in Frankfurt am Main. First it examines Impres
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42

White, Claire. "Work and leisure in late nineteenth-century French literature and visual culture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610774.

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43

Corbett, Jon Michael Robert. "Indigitalized : traditional Métis artistic expression in contemporary media art." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/55891.

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This thesis examines a re-indigenizing process facilitated through traditional and computer-based media artistic expressive forms. My recent discovery of my Canadian Indigenous ancestry has brought me to investigate how my identity as a contemporary artist has been impacted by my exploration of Indigenous forms of expression that were lost to me due to my grandmother’s assimilation to a homogenized Canadian ideal. I examined the relationships between my contemporary artistic practice and Indigenous perspectives to develop an exhibition of work that bridged computer-based media and tradition
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44

Barker, Emma. "Greuze and the painting of sentiment : the family in French art 1755-1785." Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339079.

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45

Menon, Elizabeth Kolbinger. "The cultural history of Mr. Mayeux in Nineteenth-Century French art and literature /." [Minneapolis] : University of Minnesota, 1994. http://catalogue.bnf.fr/ark:/12148/cb358179344.

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46

Chung, Hweawon. "The expression of emotions /." Link to online version, 2006. https://ritdml.rit.edu/dspace/handle/1850/2476.

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47

Griffiths, Harriet Celia. "The jury of the Paris Fine Art Salon, 1831-1852." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/12221.

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This thesis provides the first detailed study of the jury of the Paris Fine Art Salon under the July Monarchy and Second Republic. In 1831, Louis-Philippe delegated the role of jury to the members of the first four sections of the Académie des Beaux-Arts. This thesis analyses the diverse composition of the July Monarchy jury and offers the first account of its procedures and decisions based on a rigorous examination of archival sources. It also examines the nature and extent of the growing opposition to the jury, its eventual abolition in 1848 and the decisions taken in forming a new jury unde
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Scott, Nadine Althea Theda. "Fine art as an expression of religion in the Jamaican culture : implications for art education /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392715688.

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Watson, Adam Terence. "Characterisation and expression of the glutamine synthetase gln-α gene of French bean". Thesis, University of Warwick, 1993. http://wrap.warwick.ac.uk/80168/.

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Approximately 900bp of the Phaseolus vulgaris cytosolic glutamine synthetase gIn-a gene promoter has been cloned and the DNA sequence determined. The transcriptional start site was mapped using primer extension and RNAse protection techniques. The promoter fragment was fused to the E. coli uidA reporter gene encoding the B-glucuronidase (GUS) enzyme and introduced into transgenic Nicotiana tabacum (tobacco) and Lotus corniculatus. In transgenic tobacco, the gIn-a promoter directed uidA expression in the root-tip, in incipient lateral roots and in emerging lateral roots of all the transgenic pl
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Watrous, Shawn. "Undersound: An Investigation of Painting as a form of Expression." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366359903.

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