Relevant bibliographies by topics / French lieutenant's woman

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Academic literature on the topic 'French lieutenant's woman'

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Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "French lieutenant's woman"

1

Lynch, Richard P. "Freedoms in "The French Lieutenant's Woman"." Twentieth Century Literature 48, no. 1 (2002): 50. http://dx.doi.org/10.2307/3175978.

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Hagen, Patricia. "Revision Revisited: Reading (And) The French Lieutenant's Woman." College English 53, no. 4 (April 1991): 439. http://dx.doi.org/10.2307/378019.

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Tarbox, Katherine. "The French Lieutenant's Woman and the Evolution of Narrative." Twentieth Century Literature 42, no. 1 (1996): 88. http://dx.doi.org/10.2307/441677.

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Kadish, Doris Y. "Rewriting Women's Stories: "Ourika" and "The French Lieutenant's Woman"." South Atlantic Review 62, no. 2 (1997): 74. http://dx.doi.org/10.2307/3200841.

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Landrum, David W. "Rewriting Marx: Emancipation and Restoration in The French Lieutenant's Woman." Twentieth Century Literature 42, no. 1 (1996): 103. http://dx.doi.org/10.2307/441678.

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Spear, H. D. "A Textual Note to John Fowles' The French Lieutenant's Woman." Notes and Queries 54, no. 2 (September 11, 2007): 183–84. http://dx.doi.org/10.1093/notesj/gjm079.

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Goulding, C. "A Missing Epigraph from John Fowles' The French Lieutenant's Woman." Notes and Queries 58, no. 1 (January 2, 2011): 138. http://dx.doi.org/10.1093/notesj/gjq218.

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Scruggs, Charles. "The Two Endings of The French Lieutenant's Woman." MFS Modern Fiction Studies 31, no. 1 (1985): 95–113. http://dx.doi.org/10.1353/mfs.0.0177.

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Zare, Bonnie. "Reclaiming Masculinist Texts for Feminist Readers: Sarah Woodruff's "The French Lieutenant's Woman"." Modern Language Studies 27, no. 3/4 (1997): 175. http://dx.doi.org/10.2307/3195400.

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Raaberg, Gwen. "Against “reading”: Text and/as other in John Fowles’the French lieutenant's woman." Women's Studies 30, no. 4 (August 2001): 521–42. http://dx.doi.org/10.1080/00497878.2001.9979393.

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Dissertations / Theses on the topic "French lieutenant's woman"

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Diamond, Ariella. "Hindsight and sexuality in the French Lieutenant's Woman." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11947.

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The following thesis investigates the role of hindsight and sexuality in The French Lieutenant’s Woman by John Fowles. In this instance I look closely at the two main characters of the novel, namely Charles Smithson and Sarah Woodruff, and I show the varying levels of freedom that each character displays in a Victorian world.
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Trejling, Maria. "Gudsspel, didaktik och överföring i John Fowles The French Lieutenant's Woman." Thesis, Linköpings universitet, Avdelningen för svenska och litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-111777.

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Undersöker hur den berättartekniska strukturen i John Fowles roman The French Lieutenant's Woman skapar en interaktion mellan läsare och text. Syftet är att diskutera hur detta bidrar till det didaktiska budskap som romanen tycks formulera. Uppsatsen använder Shoshana Felmans teorier om överföring mellan läsare och text och Wolfgang Isers begrepp "den implicita läsaren" som verktyg för analysen.
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Morton, Nina. "Freeing fossils the novel as organism in John Fowles's The French lieutenant's woman /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1462.

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Merriell, Jean M. (Jean Marie). "Variations on a Theme: The Monomyth in John Fowles's The French Lieutenant's Woman." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500335/.

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This study analyzes the development of the major characters in Fowles's novel - Charles, Sarah, and Sam - in terms of the heroic quest motif. Using the basic pattern of the heroic quest, the monomyth, that Joseph Campbell sets forth in his The Hero with a Thousand Faces, I attempt to show that Fowles's novel may best be understood as the story of three separate heroic quests whose paths cross rather than as the story of a single hero or heroine. This reading seems to account best for all elements of the novel and to explain best the final positions of the characters in question as well as providing a rich appreciation of the novel's wealth of imagery.
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Miller, Dennis W. (Dennis William) Carleton University Dissertation English. "Calibanity: gender relationships in John Fowles's The Collector, The Magus, and The French Lieutenant's Woman." Ottawa, 1994.

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Oliveira, Carlos André Cordeiro de. "O (des)tecer de narrativas: A metaficção no romance e filme the french lieutenant's woman." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8295.

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This dissertation proposes a comparative analysis of metafiction in the novel The French lieutenant's woman, by John Fowles and in the film with the same name, directed by Karel Reisz, with screenplay by Harold Pinter. Our theoretical frame highlights some of the main studies published in the field of metafiction. We supplement the investigation of metafiction in the literary and filmic narrative in interface with other theoretical contributions, among them: narratology, filmic adaptation and some theoreticians of postmodernism. We adopt as a methodological principle the comparative investigation of some aesthetic devices and procedures associated with metafiction (self-reflexivity, self-consciousness, intertextuality, mise-en-abyme, among others) as long as they have been emphasized in the appreciation of some selected narrative categories (narrator, epigraph, character, reader/spectator) in the literary and filmic contexts. As a whole, our results consider metafiction as being a privileged, mediatory, logic, processual and theoretical-critical tool for the in-depth comprehension of the filmic and literary narratives.
Esta dissertação propõe uma análise comparativa da metaficção no romance The French lieutenant's woman, de John Fowles e no filme homônimo, dirigido por Karel Reisz, com roteiro de Harold Pinter. Nosso aporte teórico focaliza, sobretudo, os principais estudos publicados na área da metaficção. Suplementamos a investigação da metaficção na narrativa literária e fílmica com a interface de outros subsídios teóricos, dentre eles: a narratologia, a adaptação fílmica e alguns teóricos do pós-modernismo. Adotamos como princípio metodológico, o exame comparado de alguns recursos e procedimentos estéticos filiados à metaficção (tais como, autorreflexividade, autoconsciência, intertextualidade, mise-en-abyme, entre outros), conforme foram sendo enfatizados ao longo da apreciação de algumas categorias narrativas selecionadas (narrador, epígrafe, personagem, leitor/espectador) nos contextos literários e fílmicos. Em síntese, nossos resultados recaem sobre a metaficção enquanto uma ferramenta teórico-crítica, processual, lógica, mediadora e privilegiada para a compreensão aprofundada das narrativas literária e fílmica em pauta.
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Besich, Emily Marie. "The Symbolic Garment of English National Identity in Ivanhoe, Daniel Deronda, and The French Lieutenant's Woman." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144234.

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Behrens, Volker. "Das Spiel mit der Illusion in 'The French lieutenant's woman' : ein Vergleich von Roman, Film und Drehbuch /." Würzburg : Königshausen & Neumann, 1994. http://catalogue.bnf.fr/ark:/12148/cb391475836.

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Maclaren, Alistair Paccaud-Huguet Josiane. "Le réel, la réalité et la fiction dans "The Magus", "The French lieutenant's woman" et "A Maggot" de John Fowles." Lyon : Université Lumière Lyon 2, 2005. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2005/maclaren_a.

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Maclaren, Alistair. "Le réel, la réalité et la fiction dans "The Magus", "The French lieutenant's woman" et "A Maggot" de John Fowles." Lyon 2, 2005. http://theses.univ-lyon2.fr/documents/lyon2/2005/maclaren_a.

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Les romans de John Fowles s'inscrivent dans une démarche d'expérimentation avec la forme en même temps qu'ils affirment un attachement à la tradition réaliste, et nous disent quelque chose de la déchirure au cœur du vingtième siècle. Un mouvement contradictoire se dessine où le sujet moderne, divisé et incomplet, tend vers une complétude illusoire, perdue et irrécupérable, et en même temps anticipe la manière de faire consoner la faille de sa propre structure avec le vide indicible et informe dont les signifiants tracent le bord et qui ne devient perceptible que lorsque le sens se délite sous l'effet du travail de la lettre. L'incomplétude est de structure et Fowles s'interroge pour savoir comment l'écrire dans un texte qui, par définition, est complet. La fiction lui fournit le cadrage narratif de son désir de retrouver ce qui le meut. Quête impossible car le signifiant premier recouvre le manque qui est sa raison d'être. Une écriture qui se soutient d'une position symbolique masculine qui vise la maîtrise par l'imposition d'un sens qui voile le réel se trouve en échec. Une nouvelle écriture se fait jour sur les décombres da la première, fondée sur la position symbolique féminine qui, n'étant pas toute dans le langage, permet de faire percevoir le manque sur lequel la langage se fonde. Ce qui ne peut se dire relève de ce que nous nommons le réel et se différencie de la réalité qui est constituée du discours. Comment la réalité s'articule-t-elle au réel par le discours spécifique de la fiction ? Les romans de Fowles mettent en jeu deux discours inséparables mais antinomiques, l'un basé sur le désir qui est métonymique et linéaire, relevant du vouloir-dire de l'auteur, et l'autre qui travaille à défaire le premier en laissant parler dans les interstices qu'il ouvre quelque chose d'une jouissance perdue. Afin de laisser transpercer ce deuxième discours basé sur le vouloir-jouir inconscient, sous-jacent dans toute écriture, Fowles élabore une esthétique de l'inachevé
John Fowles's novels develop formal experimentation while attaching great value to the realistic tradition and express to some extent the rift at the heart of the century. There is a contradictory movement in his novels where the divided and therefore incomplete subject strives to achieve fulfilment in a unity that has been lost and cannot be recovered, simultaneously anticipating how to harmonize the fracture inherent in his position as subject with the unspeakable void outlined by the signifier and which is only perceptible when meaning crumbles through the work the letter. Lack of fulfilment is structural and Fowles is searching a means to write this into a text which is necessarily whole. Fiction provides the narrative framework for his desire to find what sets it in motion. He embarks on an impossible quest as the first signifier covers the original lack on which language is constituted. Writing from a symbolic masculine position whose aim is to control and impose a meaning in order to conceal “the real” is doomed to fail. A new form of writing must emerge on the ruins of the former based on a symbolic feminine position which cannot be totally framed in language and is thus able to reveal the lack on which language is founded. What cannot be said is what we call “the real” and differs from reality which is constructed by discourse. How can we articulate reality and the real through the specific discourse of fiction? Fowles's novels bring into play two forms of discourse that are both unseparable yet antinomical; one is based on desire whose nature is metonymical and linear, depending on the author's intention whereas the other endeavours to undo the first and create an opening through which the voice of the lost “jouissance” may be heard. In order to make way for the operation of this other discourse in which the unconscious desire for the form of jouissance which language permits is inherent, Fowles has elaborated an ethical response which we call his aesthetics of the impossible ending
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Books on the topic "French lieutenant's woman"

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1926-, FOWLES JOHN. The French lieutenant's woman. London: Vintage, 2005.

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1926-, FOWLES JOHN. The French Lieutenant's Woman. London: Vintage Books, 2012.

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1926-, FOWLES JOHN. The French lieutenant's woman. Boston: Back Bay Books, 1998.

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1926-, FOWLES JOHN. The French lieutenant's woman. London: Vintage, 1996.

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Handley, Graham. Brodie's notes on John Fowles's The French lieutenant's woman. London: Pan Bks., 1988.

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Liu, Kenneth. A dialogue between text and theory: A study of dialogue-type in The French lieutenant's woman. Taipei: Bookman Books, 1999.

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Behrens, Volker. Das Spiel mit der Illusion in The French lieutenant's woman: Ein Vergleich von Roman, Film und Drehbuch. Würzburg: Königshausen & Neumann, 1994.

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Autorkonzepte und Filminterpretation. Frankfurt am Main: P. Lang, 1996.

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Dominique Marie Figueira Curado Castanheira da Costa. Narrative technique in postmodernist British fiction: A narratological analysis of selected novels by John Fowles and Peter Ackroyd : The collectors (1963), The French Lieutenant's woman (1969), A maggot (1985), Hawksmoor (1985). Funchal: Universidade da Madeira, 2000.

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French Lieutenant's Woman. New American Library, 1989.

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Book chapters on the topic "French lieutenant's woman"

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Wolf, Werner. "Fowles, John: The French Lieutenant's Woman." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8552-1.

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Almansi, Guido, and Simon Henderson. "Different Ball Games: 'The French Lieutenant's Woman' and 'Other Places'." In Harold Pinter, 95–101. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003130444-8.

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Loveday, Simon. "The French Lieutenant’s Woman." In The Romances of John Fowles, 48–81. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17871-1_4.

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Acheson, James. "The French Lieutenant’s Woman." In John Fowles, 33–47. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26704-0_4.

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Loveday, Simon. "The French Lieutenant’s Woman." In The Romances of John Fowles, 48–81. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-09642-8_4.

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Allen, Brenda. "The French Lieutenant’s Woman on Film." In John Fowles, 118–31. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31936-4_9.

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Finney, Brian. "The French Lieutenant’s Woman as Historical Fiction." In John Fowles, 90–103. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31936-4_7.

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Warburton, Eileen. "John Fowles, Accidental Feminist: The French Lieutenant’s Woman in 1969." In John Fowles, 104–17. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31936-4_8.

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McHale, Brian. "Fowles and Postmodernism: The French Lieutenant’s Woman, Mantissa and A Maggot." In John Fowles, 171–85. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-31936-4_13.

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McEwan, Neil. "John Fowles’s The French Lieutenant’s Woman and William Golding’s Rites of Passage." In Perspective in British Historical Fiction Today, 159–76. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08261-2_7.

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Conference papers on the topic "French lieutenant's woman"

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Zheng, Lan. "A Feminist Approach to Explore Sarahrs ImageIn the French Lieutenantrs Woman." In 4th International Symposium on Social Science (ISSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/isss-18.2018.54.

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"A Probe into the Postmodernism in The French Lieutenant’s Women." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.014.

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Alsultan, Marharyta. "POETICS OF POSTMODERNISM IN J. FOWLES NOVELS («COLLECTOR», «WOMAN OF THE FRENCH LIEUTENANT» AND «MAGUS»)." In ПРОБЛЕМИ ТА ПЕРСПЕКТИВИ РЕАЛІЗАЦІЇ ТА ВПРОВАДЖЕННЯ МІЖДИСЦИПЛІНАРНИХ НАУКОВИХ ДОСЯГНЕНЬ. Міжнародний центр наукових досліджень, 2020. http://dx.doi.org/10.36074/12.06.2020.v2.03.

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