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Journal articles on the topic 'French lieutenant's woman'

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Published: 4 June 2021
Last updated: 7 February 2022

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1

Lynch, Richard P. "Freedoms in "The French Lieutenant's Woman"." Twentieth Century Literature 48, no. 1 (2002): 50. http://dx.doi.org/10.2307/3175978.

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2

Hagen, Patricia. "Revision Revisited: Reading (And) The French Lieutenant's Woman." College English 53, no. 4 (April 1991): 439. http://dx.doi.org/10.2307/378019.

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3

Tarbox, Katherine. "The French Lieutenant's Woman and the Evolution of Narrative." Twentieth Century Literature 42, no. 1 (1996): 88. http://dx.doi.org/10.2307/441677.

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4

Kadish, Doris Y. "Rewriting Women's Stories: "Ourika" and "The French Lieutenant's Woman"." South Atlantic Review 62, no. 2 (1997): 74. http://dx.doi.org/10.2307/3200841.

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5

Landrum, David W. "Rewriting Marx: Emancipation and Restoration in The French Lieutenant's Woman." Twentieth Century Literature 42, no. 1 (1996): 103. http://dx.doi.org/10.2307/441678.

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6

Spear, H. D. "A Textual Note to John Fowles' The French Lieutenant's Woman." Notes and Queries 54, no. 2 (September 11, 2007): 183–84. http://dx.doi.org/10.1093/notesj/gjm079.

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7

Goulding, C. "A Missing Epigraph from John Fowles' The French Lieutenant's Woman." Notes and Queries 58, no. 1 (January 2, 2011): 138. http://dx.doi.org/10.1093/notesj/gjq218.

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8

Scruggs, Charles. "The Two Endings of The French Lieutenant's Woman." MFS Modern Fiction Studies 31, no. 1 (1985): 95–113. http://dx.doi.org/10.1353/mfs.0.0177.

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9

Zare, Bonnie. "Reclaiming Masculinist Texts for Feminist Readers: Sarah Woodruff's "The French Lieutenant's Woman"." Modern Language Studies 27, no. 3/4 (1997): 175. http://dx.doi.org/10.2307/3195400.

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10

Raaberg, Gwen. "Against “reading”: Text and/as other in John Fowles’the French lieutenant's woman." Women's Studies 30, no. 4 (August 2001): 521–42. http://dx.doi.org/10.1080/00497878.2001.9979393.

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11

Knapp, Shoshana. "The Transformation of a Pinter Screenplay: Freedom and Calculators inThe French Lieutenant's Woman." Modern Drama 28, no. 1 (March 1985): 55–70. http://dx.doi.org/10.3138/md.28.1.55.

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12

Jackson, Tony E. "Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant's Woman." Twentieth Century Literature 43, no. 2 (1997): 221. http://dx.doi.org/10.2307/441570.

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13

Warburton, Eileen. "Ashes, Ashes, We All Fall down: Ourika, Cinderella, and The French Lieutenant's Woman." Twentieth Century Literature 42, no. 1 (1996): 165. http://dx.doi.org/10.2307/441682.

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14

Ireland, K. R. "Towards a Grammar of Narrative Sequence: The Model of the French Lieutenant's Woman." Poetics Today 7, no. 3 (1986): 397. http://dx.doi.org/10.2307/1772503.

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15

Brown, Ruth Christiani. "The French Lieutenant's Woman and Pierre: Echo and Answer." MFS Modern Fiction Studies 31, no. 1 (1985): 115–32. http://dx.doi.org/10.1353/mfs.0.0061.

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16

Smith, Frederik N. "Revision and the Style of Revision in The French Lieutenant's Woman." MFS Modern Fiction Studies 31, no. 1 (1985): 84–94. http://dx.doi.org/10.1353/mfs.0.0126.

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17

백혜진. "Freedom from the form of the Novel: Reading John Fowles's The French Lieutenant's Woman." Journal of English Cultural Studies 6, no. 1 (June 2013): 187–214. http://dx.doi.org/10.15732/jecs.6.1.201306.187.

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18

Faber, Pamela, and Celia Wallhead. "The lexical field of visual perception in The French Lieutenant's Woman by John Fowles." Language and Literature: International Journal of Stylistics 4, no. 2 (May 1995): 127–44. http://dx.doi.org/10.1177/096394709500400203.

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In The French Lieutenant's Woman the lexical field of visual perception is strongly foregrounded. The appearance of so many significant vision words, both the superordinate terms and their hyponyms, is related to the creation of the characters and to the development of the narrative. This article sets out the lexical field of visual perception, its hierarchies, oppositions and metaphorical projections, both at the beginning and in the appendices, showing how this semantic domain is covered in the novel. We go on to suggest that this foregrounding has a literary purpose, and indicate five distinct functions. It can also be explained by the peculiar genesis of this novel as a visual image, attested to by Fowles himself. The novelist's use of visual perception terms throws light on how a postmodem writer of self-conscious fiction works through making choices inside and outside restricted fields.
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19

Doherty, Gerald. "The secret plot of metaphor: rhetorical designs in John Fowles's The French Lieutenant's Woman." Paragraph 9, no. 1 (March 1987): 49–68. http://dx.doi.org/10.3366/para.1987.0003.

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20

Booker, M. Keith. "What We Have Instead of God: Sexuality, Textuality and Infinity in "The French Lieutenant's Woman"." NOVEL: A Forum on Fiction 24, no. 2 (1991): 178. http://dx.doi.org/10.2307/1345562.

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21

GÜVEN, Samet. "The Ironical War between Victorian and Modern Values in John Fowles' The French Lieutenant's Woman." International Journal of Languages' Education 1, Volume 6 Issue 2 (January 1, 2018): 343–52. http://dx.doi.org/10.18298/ijlet.2910.

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22

McDaniel, Ellen. "Games and Godgames in The Magus and The French Lieutenant's Woman." MFS Modern Fiction Studies 31, no. 1 (1985): 31–42. http://dx.doi.org/10.1353/mfs.0.0083.

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23

Stetz, Margaret D. "NEO-VICTORIAN STUDIES." Victorian Literature and Culture 40, no. 1 (March 2012): 339–46. http://dx.doi.org/10.1017/s1060150311000416.

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Long ago, Margery Williams'sThe Velveteen Rabbit(1922) taught us that toys become real when they are loved. Literary genres, however, become real when they are parodied. The neo-Victorian novel, therefore, must now be real, for its features have become so familiar and readily distinguishable that John Crace has been able to have naughty fun at their expense inBrideshead Abbreviated: The Digested Read of the Twentieth Century(2010), where John Fowles'sThe French Lieutenant's Woman(1969) stands as representative of the type. Crace's treatment of Fowles's first-person narrator results in a remarkable effect: the ironic commentary upon the nineteenth century from a twentieth-century vantage point that runs throughout the novel gets subjected, in turn, to ironic commentary from a twenty-first-century point-of-view:
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24

Mandal. "“Eyes a man could drown in”: Phallic Myth and Femininity in John Fowles's The French Lieutenant's Woman." Interdisciplinary Literary Studies 19, no. 3 (2017): 274. http://dx.doi.org/10.5325/intelitestud.19.3.0274.

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25

Lynch, Richard P. "Freedoms in The French Lieutenant’s Woman." Twentieth-Century Literature 48, no. 1 (2002): 50–76. http://dx.doi.org/10.1215/0041462x-2002-2004.

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26

JAMAL AL-LEIL, HIND. "John Fowles’s The French Lieutenant’s Woman: As a Metafiction." Journal of King Abdulaziz University-Arts and Humanities 9, no. 1 (1996): 19–35. http://dx.doi.org/10.4197/art.9-1.2.

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27

Paik, Hye Jin. "John Fowles’s Belief and Education: Rereading The French Lieutenant’s Woman." Journal of Humanities and Social sciences 21 8, no. 1 (February 28, 2017): 907–24. http://dx.doi.org/10.22143/hss21.8.1.50.

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28

최이문. "Aspects of Existentialism in John Fowles’s The French Lieutenant’s Woman." English21 20, no. 1 (June 2007): 33–55. http://dx.doi.org/10.35771/engdoi.2007.20.1.002.

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29

Storchak, Maria. "Linguoemotive modelling of epigraphs in the postmodern text by John Fowles (on material of the novel The French Lieutenant’s Woman)." Fìlologìčnì traktati 12, no. 1 (2020): 110–16. http://dx.doi.org/10.21272/ftrk.2020.12(1)-11.

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This article deals with the problem of the design of the linguoemotive model of the epigraphs of a postmodern text. The research object is a postmodern text, the research subject is the linguoemotive models of epigraphs in modern English literary discourse. The material of the research is the postmodern novel The French Lieutenant’s Woman by John Fowles. The research methodology is based on the anthropocentric paradigm in the framework of communicative linguistics. Modelling is a process of the design and application of models. The aim of text modelling is to analyse and describe transfer, perception and interpretation of texts and situations verbally and non-verbally. Linguoemotive modelling of a postmodern text can be characterized as fragmented, incomplete, having different levels of generalization and interpretation. A situational emotive component that is presented linguistically enhances the sense of a text. The specificity of the novel The French Lieutenant’s Woman by John Fowles consists in emotively loaded epigraphs. Interaction of a text and a situation on the basis of emotion-modified propositions reflects the author’s idiostyle.
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30

Wu, Mei-Hung. "Deleuzian Theory of Games in John Fowles’s “The French Lieutenant’s Woman”." International Journal of the Humanities: Annual Review 7, no. 9 (2009): 103–18. http://dx.doi.org/10.18848/1447-9508/cgp/v07i09/42740.

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31

Jun-eui, Lee. "The Boundaries of Fantasy and Reality in The French Lieutenant’s Woman." Modern Studies in English Language & Literature 59, no. 2 (May 31, 2015): 201–19. http://dx.doi.org/10.17754/mesk.59.2.201.

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32

NoorBakhsh, Fariba, and Fazel Asadi Amjad. "The Relics of the Past in The French Lieutenant’s Woman and Possession." Epiphany 9, no. 1 (June 30, 2016): 63. http://dx.doi.org/10.21533/epiphany.v9i1.204.

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33

Rokotnitz, Naomi. "“Passionate Reciprocity”: Love, Existentialism, and Bodily Knowledge in The French Lieutenant’s Woman." Partial Answers: Journal of Literature and the History of Ideas 12, no. 2 (2014): 331–54. http://dx.doi.org/10.1353/pan.2014.0023.

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34

Ismayilova, Nargiz. "JOHN FOWLES`S NOVEL “THE FRENCH LIEUTENANT`S WOMAN” AND POSTMODERNISM." Azerbaijan Journal of Educational Studies 2, no. 2 (2020): 133–41. http://dx.doi.org/10.29228/edu.304.

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35

Golestani, Narjes Tashakor. "A Study of the Construction of Female Identity: John Fowles’ The French Lieutenant’s Woman." Ciência e Natura 37 (December 21, 2015): 321. http://dx.doi.org/10.5902/2179460x20863.

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The issue of identity and female consciousness as one of the major concerns of feminists has always been polemical, for there are different attitudes in formulating gender identity and consequently defining what a woman is. As its theoretical framework, this study relies on Judith Butler’s theory of gender and sexuality and studies the construction of identity in the female characters of John Fowles’ The French Lieutenant’s Woman. Judith Butler, a feminist constructivist, stresses the effect of socially constructed gender roles on creating gender identity and proposes her performative theory of gender and sexuality. In her theory Butler argues that gender is not what one is but what one does. In this sense, gender is not a stable identity from which various acts proceed; rather it is an identity constituted through a stylized repetition of normative gender roles and performances. Regarding gender as performative reveals that, what is taken as an internal essence of gender is actually fabricated through the regulatory frame of interacting discourses. It has an imitative structure which can be deconstructed. The study, thus, focuses on the effect of prescribed gender roles and norms in the process of identity formation, and examines Ernestina Freeman as a conformist character who constitutes her identity by taking on the ideal gender norms of the era and Sarah woodruff who tries to renegotiate and reenact those roles and constructs a sense of self which transcends constraints of the social and cultural hegemonic frame.
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36

Fong, Ryan D. "Narration and the Optative in Tess of the d’Urbervilles and the French Lieutenant’s Woman." Studies in the Novel 51, no. 3 (2019): 348–68. http://dx.doi.org/10.1353/sdn.2019.0044.

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37

박정필. "“Fossilizing What is a Continuous Flux”: The Appropriation of Science in The French Lieutenant’s Woman." Journal of English Language and Literature 60, no. 1 (March 2014): 145–68. http://dx.doi.org/10.15794/jell.2014.60.1.009.

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38

김현주. "John Fowles’s Space in The French Lieutenant’s Woman: The Undercliff beyond the Real and the Imagined." English21 31, no. 2 (June 2018): 51–75. http://dx.doi.org/10.35771/engdoi.2018.31.2.003.

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39

Buchberger, Michelle Phillips. "Review of Naomi Rokotnitz’s “‘Passionate Reciprocity’: Love, Existentialism, and Bodily Knowledge in The French Lieutenant’s Woman.”." Journal of Literature and Science 9, no. 1 (July 1, 2016): 60–61. http://dx.doi.org/10.12929/jls.09.1.05.

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40

Marais, Mike. "“‘I am infinitely strange to myself’: Existentialism, the Bildungsroman, and John Fowles’s The French Lieutenant’s Woman’”." Journal of Narrative Theory 44, no. 2 (2014): 244–66. http://dx.doi.org/10.1353/jnt.2014.0008.

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41

Belova, Ekaterina Evgen'evna, and Vika Arkadevna Minasyan. "DIALOGUENESS OF A WORK OF FICTION (BASED ON THE NOVEL “THE FRENCH LIEUTENANT’S WOMAN” BY JOHN FOWLES)." Philological Sciences. Issues of Theory and Practice, no. 2-1 (February 2018): 17–20. http://dx.doi.org/10.30853/filnauki.2018-2-1.3.

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42

Ko, Mi-ra. "The Male Protagonists’ Gazes in John Fowles’ Novels: Focusing on The Collector and The French Lieutenant’s Woman." Modern Studies in English Language & Literature 60, no. 4 (November 30, 2016): 1–21. http://dx.doi.org/10.17754/mesk.60.4.1.

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43

Garifullina, Al'bina, and Nailya Shakirova. "Culturological Markedness as the Means of English-Speaking Cultural Archetype Explication." Scientific Research and Development. Modern Communication Studies 9, no. 3 (May 28, 2020): 41–47. http://dx.doi.org/10.12737/2587-9103-2020-41-47.

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The article is devoted to the linguocultural analysis of allusions taken from the nine J. Fowles’s literary works (“The Collector”, “The Magus”, “The French Lieutenant’s Woman,” “The Ebony Tower”, “The Enigma”, “Eliduc”, “Mantissa”, “A maggot”, “The Tree”). The aim is to show the linguocultural study potential, the format of which allows to partially describe a fragment of the English cultural archetype. J. Fowles’s discourse is helpful because allusions culturological component that takes place in the discourse of English authors allows to conduct such analysis. It touches the deepest layers of the cultural space of the English linguistic and cultural community. A national cultural space has the nucleus of both horizontal and vertical structure. The nucleus of cultural space is cognitive base. The deepest layers of a cultural space have archetypal representations expressed as prototypes and oppositions. Culturological markedness as the means of English-speaking cultural archetype explication proposes the discourse study as evolutionary adaptation of information exchange.
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44

원영선. "A Poetics toward the “Genuinely Created World”: The Notion of the Author-Reader in John Fowles’s The French Lieutenant’s Woman." New Korean Journal of English Lnaguage & Literature 56, no. 4 (November 2014): 151–69. http://dx.doi.org/10.25151/nkje.2014.56.4.009.

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45

Melnykova, K., and L. Hastynshykova. "FEATURES OF THE CHRONOTOPE IN THE POSTMODERN LITERATURE ON THE EXAMPLE OF JOHN FOWLES’S NOVELS “THE FRENCH LIEUTENANT’S WOMAN” AND “THE MAGUS”." International Humanitarian University Herald. Philology 3, no. 46 (2020): 91–93. http://dx.doi.org/10.32841/2409-1154.2020.46-3.21.

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46

Sumera, Adam. "Going to America to See the Fens Better? Stephen Gyllenhaal’s Waterland." Text Matters, no. 5 (November 17, 2015): 205–17. http://dx.doi.org/10.1515/texmat-2015-0015.

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Waterland (1992), directed by Stephen Gyllenhaal on the basis of the screenplay by Peter Prince, is a film adaptation of Graham Swift’s novel under the same title, published in 1983. The book could be called unfilmable although the history of cinema knows examples of successful screenings of apparently unfilmable novels, e.g., The French Lieutenant’s Woman. In the case of Swift’s novel, the main potential difficulties could be seen in its wide scope, its intricate mosaic character, and its style. The article analyzes the changes introduced in the adaptation, including the shift of the contemporary action from Greenwich, England to the American city of Pittsburgh. The way of connecting the present with the past by means of “time travel” is discussed. Consequences for possible interpretation resulting from omitting certain elements of the book and introducing new material as well as changing the order of presentation of some of the scenes are shown. Comments on the film are juxtaposed with interpretations of some aspects of the novel taken from key critical texts on Swift’s book. Also specifically cinematic solutions present in Gyllenhaal’s movie are taken into account.
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47

Meniailo, Vera V., and Sergei V. Chumilkin. "Transformation of the Victorian Text in the 20th-Century English Literature (On the Material of John Galsworthy’s The Forsyte Saga and John Fowles’s The French Lieutenant’s Woman)…" Vestnik Tomskogo gosudarstvennogo universiteta, no. 439 (February 1, 2019): 26–32. http://dx.doi.org/10.17223/15617793/439/4.

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48

Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.

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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.
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49

Nasibova, Sevinj Kh. "Сomparative analysis of female images in F.M. Dostoevsky’s and J. Fowles’s novels (based on the novels of Dostoevsky “Crime and Punishment”, “The Brothers Karamazov” and Fowles “The Collector”, “The Mistress of a French Lieutenant”, “The Magus”)." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 116–23. http://dx.doi.org/10.20339/phs.2-21.116.

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The purpose of the article is the comparative analysis of female images in F.M. Dostoevsky’s and J. Fowles’s novels. The basic method applied in given research is the method of the comparative analysis F.M. Dostoevsky’s and J. Fowles’s novels. Dostoevsky and Fowles are in searches of root of all evil. Both of them are assured that in human spirit are indissolubly merged kindly and angrily, God and Satan. In a shower of hero Dostoevsky indissolubly merge “an ideal of the Madonna” with “an ideal Sodom”. The woman is present at a life of the man as elements. The woman is only temptation and passion of men. In female images of the writer, unlike man’s characters, there is no change at soul level. Unlike Dostoevsky, products of Fowles testify to constant interest of the writer to a problematic “eternal feminist”. In novels of Fowles of the woman have the personal space. Dostoevsky’s heroes submit to life laws; they through great suffering come to humility. But heroes of Fowles to themselves create laws and submit only to the rules. The article contains important conceptual conclusions on the problems of the realistic novel of the 19th century and the postmodern novel of the 20th centuries, defines the peculiarities of the traditions of F.M. Dostoevsky and J. Fowles. The presented work provides an opportunity to take a fresh look at the cult works written in the 19th–20th centuries. F.M. Dostoevsky as the “founder” of neo-mythological consciousness — the cultural paradigm of the 20th century — gave J. Fowles valuable “tips” against the background of modern literary thought and his comparison with the mythopoetic thought of the English writer was especially embodied in mythological premises associated with the sphere of deepest questions of ethics and religious metaphysics.
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50

Reichmann Lemos, Brunilda. "POWLES' GODGAME: CHARACTERS AND CONCLUSIONS IN THE FRENCH LIEUTENANT'S WOMAN." Revista Letras 32 (October 13, 2010). http://dx.doi.org/10.5380/rel.v32i0.19335.

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This paper analyses the three different endings of Fowles'THE FRENCH LIEUTENANT'S WOMAN and demonstrates that only the third ending is consistent with the development of the female protagonist throughout the novel.We should not forget, on the other hand, that THE FRENCH LIEUTENANT'S WOMAN is a parody of the 19th centurynovel, therefore Fowles' playfulness at the end is also part of his plan to "ridicule" the role of the victim in the novels of the previous century.
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