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Books on the topic 'French literary culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Literary France: The making of a culture. Berkeley: University of California Press, 1987.

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2

David, Carroll. French literary fascism: Nationalism, anti-semitism and the ideology of culture. Princeton, NJ: Princeton U.P., 1998.

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3

David, Carroll. French literary fascism: Nationalism, anti-Semitism, and the ideology of culture. Princeton, N.J: Princeton University Press, 1995.

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4

Walker, Keith Louis. Countermodernism and francophone literary culture: The game of slipknot. Durham, [N.C.]: Duke University Press, 1999.

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5

The dream of an absolute language: Emanuel Swedenborg and French literary culture. Albany: State University of New York Press, 1996.

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6

French global: A new approach to literary history. New York: Columbia University Press, 2010.

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7

Culture and the literary text: The case of Flaubert's Madame Bovary. New York: P. Lang, 1996.

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8

Ascari, Rosalia Colombo. L' analyse du texte: Étude de la langue et de la culture françaises par le texte. San Francisco: Austin & Winfield, 1993.

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9

Press, Columbia University, and American Historical Society, eds. A field of honor: Writers, court culture and public theater in French literary life from Racine to the Revolution. New York: Columbia University Press, 2002.

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10

Brown, Gregory S. A field of honor: Writers, court culture and public theater in French literary life from Racine to the Revolution. New York, NY: Columbia University Press, 2004.

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11

Conference on Language, Culture and Literary Identity in Canada. (1984 Ottawa, Ont.). Papers from the 1984 Ottawa Conference on Language, Culture and Literary Identity in Canada. Vancouver: University of British Columbia, 1987.

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12

The bad taste of others: Judging literary value in eighteenth-century France. Philadelphia: University of Pennsylvania Press, 2011.

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13

Mathis-Moser, Ursula. Acadians and Cajuns. The Politics and Culture of French Minorities in North America / Acadiens et Cajuns. Politique et culture de minorités francophones en Amérique du Nord. Innsbruck: innsbruck university press, 2009.

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14

Gaitet, Pascale. Political stylistics: Popular language as literary artifact. London: Routledge, 1992.

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15

The literary culture of France: Studies in the essential character and permanent values of French literature from the earliest times to the present. Nashville, Tennessee: New English Review Press, 2013.

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16

Petites incarnations de la pensée délinquante: Propos sur les arts et la culture. Vanier, Ont: Editions L'Interligne, 1994.

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17

Cultural history of the French Revolution. New Haven, CT: Yale University Press, 1991.

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18

Literature and material culture from Balzac to Proust: The collection and consumption of curiosities. Cambridge, U.K: Cambridge University Press, 1999.

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19

A cultural history of the French Revolution. New Haven: Yale University Press, 1989.

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20

Lewis, Shireen K. Race, culture and identity: Francophone West African and Caribbean literature and theory from négritude to créolité. New York: P. Lang, 2001.

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21

Pozzobon, Giovanni Michele. Mosaici di orizzonti: Società, immaginari, comunicazione. Milano, Italy: FrancoAngeli, 2005.

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22

Race, culture, and identity: Francophone West African and Caribbean literature and theory from Négritude to Créolité. Lanham, Md: Lexington Books, 2006.

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23

Merolla, Daniela. Gender and community in the Kabyle literary space: Cultural strategies in the oral and in the written. Leiden: Research School CNWS, School of Asian, African, and Amerindian Studies, 1996.

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24

Broomhall, Susan, ed. Women and Power at the French Court, 1483-1563. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983427.

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Women and Power at the French Court, 1483—1563 explores the ways in which a range of women “ as consorts, regents, mistresses, factional power players, attendants at court, or as objects of courtly patronage “ wielded power in order to advance individual, familial, and factional agendas at the early sixteenth-century French court. Spring-boarding from the burgeoning scholarship of gender, the political, and power in early modern Europe, the collection provides a perspective from the French court, from the reigns of Charles VIII to Henri II, a time when the French court was a renowned center of culture and at which women played important roles. Crossdisciplinary in its perspectives, these essays by historians, art and literary scholars investigate the dynamic operations of gendered power in political acts, recognized status as queens and regents, ritualized behaviors such as gift-giving, educational coteries, and through social networking, literary and artistic patronage, female authorship, and epistolary strategies.

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25

Gustave Doré: Twelve comic strips. Jackson: University Press of Mississippi, 2015.

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26

Ma grand-mère bantoue et mes ancêtres les Gaulois: Simples discours. [Paris, France]: Gallimard, 2003.

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27

Le roman à éditeur: La fiction de l'éditeur dans La religieuse, La Nouvelle Héloïse et Les liaisons dangereuses. Berne: P. Lang, 1989.

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28

Bersani, Leo. Forming couples: Godard's Contempt. Oxford: Legenda, 2003.

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29

Offord, Derek, Vladislav Rjéoutski, and Gesine Argent. The French Language in Russia. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982727.

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-- With support from the Arts and Humanities Research Council of the UK and the Deutsches Historisches Institut Moskau -- The French Language in Russia provides the fullest examination and discussion to date of the adoption of the French language by the elites of imperial Russia during the eighteenth and nineteenth centuries. It is interdisciplinary, approaching its subject from the angles of various kinds of history and historical sociolinguistics. Beyond its bearing on some of the grand narratives of Russian thought and literature, this book may afford more general insight into the social, political, cultural, and literary implications and effects of bilingualism in a speech community over a long period. It should also enlarge understanding of francophonie as a pan-European phenomenon. On the broadest plane, it has significance in an age of unprecedented global connectivity, for it invites us to look beyond the experience of a single nation and the social groups and individuals within it in order to discover how languages and the cultures and narratives associated with them have been shared across national boundaries.

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30

Kazakova, Gandalif. The problem of formation of romantic historicism and rehabilitation of medieval culture in the creative heritage of F. R. de Chateaubriand. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044190.

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The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of the XVIII century and already carry new romantic trends of the XIX century. The author also presents the facts of the writer's biography and analyzes a number of his historical works devoted to medieval France. From the Renaissance until the end of the XVIII century, one of the elements of medieval architecture and Christian religion-Gothic architecture — was perceived as something negative, barbaric, rude, completely inconsistent with the aesthetics of the XVI — XVIII centuries. F. R. de Chateaubriand was one of the first researchers who discovered the beauty of Gothic churches and the color of national history to the mass reader at the turn of the XVIII—XIX centuries. The rehabilitation of Gothic architecture was accomplished by F. R. de Chateaubriand in his Treatise "the genius of Christianity". The famous "forest theory" of the origin of Gothic helped to "remove" negative assessments of the middle Ages and influenced the formation and development of romanticism both in France and in other European countries. It was F. R. de Chateaubriand's idea of the relationship between medieval architecture and Christian consciousness that influenced all the subsequent development and formation of the history of medieval art. For a wide range of readers interested in the history of literature.

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31

Medieval French Literary Culture Abroad. Oxford University Press, 2020.

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32

Gilbert, Jane, Simon Gaunt, and William Burgwinkle. Medieval French Literary Culture Abroad. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198832454.001.0001.

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The field of medieval francophone literary culture outside France was for many years a minor and peripheral sub-field of medieval French literary studies (or, in the case of Anglo-Norman, of English studies). The past two decades, however, have seen a major reassessment of the use of French in England, in the Low Countries, in Italy, and in the eastern Mediterranean, and this impacts significantly upon the history of literature in French more generally. This book is the first to look at the question overall, rather than just at one region. It also takes a more sustained theorized approach than other studies, drawing particularly on Derrida and on Actor-Network Theory. It discusses a wide range of texts, some of which have hitherto been regarded as marginal to French literary history, and makes the case for this material being more central to the literary history of French than was allowed in more traditional approaches, focused narrowly on ‘France’. Many of the arguments in Medieval French Literary Culture Abroad are grounded in readings of texts in manuscript (rather than in modern critical editions), and sustained attention is paid throughout to manuscripts that were produced or travelled outside the kingdom of France.

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33

Edwards, Natalie. Framing French Culture. University of Adelaide Press, 2015.

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34

AIDS in French Culture: Social Ills, Literary Cures. University of Wisconsin Press, 2001.

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35

AIDS in French Culture: Social Ills, Literary Cures. University of Wisconsin Press, 2001.

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36

Allusion: A Literary Graft (Theory/Culture). University of Toronto Press, 1994.

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37

Clark, Priscilla Parkhurst. Literary France: The Making of a Culture. University of California Press, 1987.

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38

Clark, Priscilla Parkhurst. Literary France: The Making of a Culture. University of California Press, 1991.

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39

Wagner and the French Muse: Wagnerian Influences on French Musical and Literary Culture, 1870-1945. Academica Press, 2008.

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40

McDonald, Christie, and Susan Suleiman. French Global: A New Approach to Literary History. Columbia University Press, 2011.

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41

Garval, Michael D. Dream of Stone: Fame, Vision, and Monumentality in Nineteenth-Century French Literary Culture. Rowman & Littlefield Publishers, Incorporated, 2004.

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42

Walker, Keith L. Countermodernism and Francophone Literary Culture: The Game of Slipknot (New Americanists). Duke University Press, 1998.

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43

L'Analyse Du Texte: Etude De LA Langue Et De LA Culture Francaise Par Le Texte. Austin & Winfield Pub, 1994.

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44

"A Dream of Stone": Fame, Vision, and Monumentality in Nineteenth-Century French Literary Culture. University of Delaware Press, 2004.

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45

Walker, Keith L. Countermodernism and Francophone Literary Culture: The Game of Slipknot (New Americanists). Duke University Press, 1998.

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46

1950-, Gratton Johnnie, and Sheringham Michael, eds. The art of the project: Projects and experiments in modern French culture. New York: Berghahn Books, 2005.

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47

The art of the project: Projects and experiments in modern French culture. New York, NY: Berghahn Books, 2006.

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48

Hess. Literary Hybrids: Indeterminacy in Medieval & Modern French Narrative (Studies in Medieval History and Culture, 21). Routledge, 2003.

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49

Nicole, Lopez-Therrien, and Nous tous un soleil (Association), eds. Lectures plurielles. Montréal: Éditions Logiques, 1991.

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50

Keller, Hans-Erich. Romance Epic: Essays on a Medieval Literary Genre (Studies in Medieval Culture). Medieval Institute Publications, 1987.

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