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Dissertations / Theses on the topic 'French literature – History and criticism – Congresses'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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2

Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

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French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.

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3

Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.

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4

Şaim, Mirela. "La traversée du discours moderne par le dialogue /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70221.

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Dialogue is a written text representing an oral exchange between two or more persons; it also includes catechisms and rhetorically formulated series of queries and responses presenting an argument. The purpose of my thesis is to identify the main non-dramatic dialogues published in France and Italy between 1800 and 1914 and--through their discursive analysis--to provide an assessment of their signification and their impact on modern social discourse.<br>The first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and

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5

Bolding, Sharon Lynn Dunkel. "When worlds collide : structure and fantastic in selected 12th- and 13th- century French narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/NQ27109.pdf.

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6

Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

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The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.<br>The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intell

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7

Grange, Huw Robert. "Sublime and abject bodies : saints and monsters in late medieval French and Occitan hagiography." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607654.

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8

Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.

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During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs i

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9

Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.

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10

Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the proce

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11

Downing, Lisa Michelle. "Desire and immobility : situating necrophilia in nineteenth-century French literature." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:ccbb5b9e-58da-4d36-901b-bd71112f3c05.

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12

Leskinen, Saara. "Reliable knowledge of exotic marvels of nature in sixteenth-century French and English texts." Thesis, Warburg Institute, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564418.

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13

Ménard, Valérie. "L'influence de Réjean Ducharme chez les écrivains de la génération x." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83128.

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Generation X has often been defined as being without role models or inspiration. Nevertheless, it is possible to detect a sizeable amount of intertextual references in several Quebecer books written by authors of that generation. In Quebec, these young writer's influences are as distinct as they are diverse, varying from Kerouac to Hemingway and from Sartre to Camus. But concerning their Quebecer role model, one name continually returns, that of Rejean Ducharme.<br>The goal of this thesis is to illustrate the presence of ducharmesque universe in three Generation X novels, namely Le souf

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14

Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.

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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of inte

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15

Jack, Belinda Elizabeth. "The autonomy of a literature : major theoretical issues in the history and criticism of Negro-African literature in French." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306798.

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16

Ausoni, Alain. "En d'autres mots : l'écriture translingue de soi." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e06d8806-9bc2-4be1-ab9a-c1b63ba38541.

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For several reasons, translingual writers, defined here as authors who write in a language that is not their native one, have gained increased visibility in recent years. This is particularly true in the context of French literature where, more frequently than before, and with a more explicit recognition of their particular status, translingual writers have received important literary prizes and have been welcomed into the French Academy. Central to this recognition is their rich and diverse mobilisation of life writing, a corpus curiously neglected in the study of the phenomenon of literary t

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17

Archer, Leona Mary. "Gender and space in the Old French Lancelot-Grail cycle." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648670.

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18

Harper, April. "Images of adultery in twelfth and thirteenth-century Old French literature." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14654.

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This thesis examines literary images of masculinity and femininity, their function and depiction in marriage roles and homo-social relationships in the context of crisis: wifely adultery. The study is heavily reliant upon vernacular texts, especially Old French works from the twelfth and thirteenth century including works from the genres of romance, lais, fables, and fabliaux. Latin works including historia and prescriptive texts such as customaries, penitentials, etiquette texts and medical and canon law treatises are also used to contextualise themes in the Old French literature. The introdu

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19

Fahmy, Miriam. "Le discours sur la fin de la littérature en France de 1987 à 1994 /." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79937.

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The "essai crepusculaire" was one of the most popular literary genres during the 1980's and 1990's in France. Among those, the essays warning of the impending end of French literature offer a view of the world which idealises the past while condemning a shameful present in order to justify the return of lost values.<br>Our project consists of an analysis of the argumentative rhetoric contained in the four essays of our corpus, which together form the Discourse on the death of French literature. We studied how the authors set up an argumentative construct likely to convince the reader th

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20

Campeau, Sylvain 1960. "Poésie et discours poétique au Canada français (1889-1909)." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36560.

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In 1892, in one of his characteristic attacks, Arthur Buies denounced the "deplorable" style of certain young French-Canadian writers of the day. The "jeunes barbares", as he called them, published in small magazines such as Le Recueil litteraire and L'Echo des jeunes, and were strongly influenced by French fin-de-siecle writing (the decadent and Symbolist schools in particular). The creation of the Ecole litteraire de Montreal in 1895 can be seen as a continuation of these varied literary endeavours. Quite aware of the criticisms leveled at young writers by Buies and others, the members of th

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21

Ganofsky, Marine. "Night in eighteenth-century French libertine fiction (1730-1789)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610662.

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22

Staebler, Marie-Anne. "Reflets narcissiques dans l oeuvre de Jack-Alain Leger." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95965.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: Jack-Alain Léger committed suicide on 17 July 2013 at the age of 66, leaving behind him a large amount of work that has not formed the object of any academic study, not even partially. Many articles have been written about the author but none about his novels. Léger was especially known for his multitude of pseudonyms, his manic-depressive tendencies, his conflicts with all his editors, his homosexuality, the controversy linked to the alias Paul Smaïl or for his Islamophobia, his hatred towards his biological father and tow

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23

Nguyen, Nathalie Huynh Chau. "Between East and West : a study of selected works by Vietnamese Francophone writers from 1930 to 1990." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:fba3f551-796b-4c92-90e9-e26b9e10990d.

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As a subject of research, Vietnamese Francophone literature has remained relatively unexplored. There are only two major works, and a number of articles, on the subject. The two works, both theses which appeared in 1982, are Jack A. Yeager's The Vietnamese Novel in French, a general overview of the Vietnamese Francophone novel, and a thesis by Nguyen Hong Nhiem on the writer Pham Van Ky. My purpose in this thesis is to focus on four primary themes which particularly distinguish the Vietnamese Francophone novel, and to analyse a number of novels in the light of these four themes. I will examine

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24

Myatt, Anna C. "The challenge of the image : readings in the crisis of auto(bio)graphical self-representation." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/13409.

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This thesis focuses on the 'challenge of the image' to self-perception and a central sense of selfhood. It suggests that, as a result of the trigger provided by this challenge, new intuitions of selfhood and new forms of representation have been developed in auto(bio)graphical writing. The dynamic reciprocity of challenge and response is studied in three strategically chosen authors, Jean-Jacques Rousseau, Paul Valéry and Roland Barthes, whose works span over more than three centuries and who allow a complete cycle of ideas on the self and the possibilities of self-representation to be explor

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25

Therrien, Denis. "La littérature de la décolonisation en Afrique noire : étude d'un phénomène d'émergence : le roman d'expression anglaise et française." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63299.

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26

Stuart, Alexander James. "Science and violence : doctors and diviners in French romance, c. 1155-c. 1185." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608136.

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27

Gagné, Marie 1961. "Le mouvement "Tel Quel": neo-avant-garde et postmodernite." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74534.

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Cette etude propose une analyse de "Tel Quel" en tant que mouvement de neo-avant-garde situe a la frontiere de la modernite et de la postmodernite. Nous y considerons tous les textes de creation (roman et poesie) publies dans la collection "Tel Quel" entre 1960 et 1982, sans negliger l'etude de leur rapport avec la reflexion theorique exposee dans les essais et les articles de la revue. Cette these represente en meme temps un effort de synthese des principales typologies ou tentatives de definition proposees par la critique occidentale pour caracteriser les mouvements litteraires issus des soc

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28

de, Vivanco Camillo. "Misanthropy in the works of Louis-Ferdinand Céline and Thomas Bernhard." Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712505.

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29

Dearnley, Elizabeth Claire. "French-English translation 1189-c.1450, with special reference to translators and their prologues." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609530.

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30

Heiberg, Sarah Charlotte. "La répresentation de l'identité dans la littérature de la Guadeloupe et de la Martinique /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98927.

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The goal of this thesis is to explore the ways in which identity is represented in French Caribbean literature (Guadeloupe and Martinique). Literature is often the place where Caribbean writers explore new ways of defining themselves. This quest for an authentic cultural identity can be mostly explained by the colonial legacy of the French Caribbean.<br>This study will first explore the important role of re-writing history. It will then examine the Creolite movement and the way in which the Creole language and culture are celebrated in literary texts. Finally, it will look at how the French Ca

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31

Gagné, Marie 1961. "1968, théorie et praxis de "Tel quel" dans "Logiques" et "Nombres" de Sollers." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63765.

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32

Wilson, Jean. "Images du clown dans la littérature française du XXe siècle." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64067.

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33

McNamara, Josephte Isabel. "Fact or fiction : L'Histoire du Canada and its influence on French Canadian novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ39925.pdf.

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34

Pinson, Guillaume 1973. "Fiction du monde : analyse littéraire et médiatique de la mondanité, 1885-1914." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102151.

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This work proposes a double analysis of the mundane society representations between 1885 and 1914, in the press and the novel. This analysis separates these two categories of media to insist on their particularities, and tries to think of them in terms of an interaction.<br>A first part explores the organisation of the topics and the main genre of the mundane society in the press, applying the social discourse theory. The analysis is based on the perusal of a set of representative daily newspapers (Le Gaulois, Le Figaro) and of weekly and monthly publications (Le Grand monde, La Vie parisienne

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35

Yang, Lu, and 楊露. "On revolutionary road : translated modernity, underground reading movement and the reconstruction of subjectivity, 1970s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196020.

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Translating and reading western modernist literature played a vital role in forging contemporary Chinese literature and China’s mode of subjectivity, but little has been written about them, and even less about the interconnections between them. My PhD thesis aims to offer a comprehensive interpretation of the phenomenon of translating and reading modernist literature in Mao’s China, focusing particularly on translators’ and readers’ agency, and their collective construction of a multifaceted discourse of subjectivity. The central questions I try to answer in my thesis are: For what “practical”

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36

Boisclair, Isabelle. "Ouvrir la voie/x, le processus constitutif d'un sous-champ littéraire féministe au Québec, 1960-1990." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ46684.pdf.

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37

Kacou, Gisèle Virginie. "Camara Laye et la tradition africaine." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66191.

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38

Robert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.

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To call something 'inverted' or 'topsy-turvy' in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things. The topos of the world upside-down brings to mind a world returned to its initial state of primeval chaos, in which everything is inside-out, topsy-turvy and out of bounds: fish live in trees, children rule over their parents, wives command their husband and rivers flow back to their source. This thesis undertakes a detailed account of the development of the topos of the world upside-down in sixteenth-century French literature a

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39

Dine, Philip Douglas. "French literary images of the Algerian war : an ideological analysis." Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/3544.

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The Algerian war of 1954 to 1962 is generally acknowledged to have been the apogee of France's uniquely traumatic retreat from overseas empire. Yet, despite the war's rapid establishment as the focus for a vast body of literature in the broadest sense, the experience of those years is only now beginning to be acknowledged by the French nation in anything like a balanced way. The present study seeks to contribute to the continuing elucidation of this historical failure of assimilation by considering the specific role played by prose fiction in contemporary and subsequent perceptions of the rele

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40

Almquist, Karin Marie 1966. "Works of mourning: Francophone women's postcolonial fictions of trauma and loss." Thesis, University of Oregon, 2004. http://hdl.handle.net/1794/8337.

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x, 215 p. A print copy of this thesis is available through the UO Libraries under the call number: KNIGHT PQ149 .A56 2004<br>This dissertation project seeks to connect the thematic concerns of Francophone women's post-colonial fiction to broader issues of breaking cycles of violence and resisting the negative effects of globalization. An important part of the study will be a discussion of the historical trend towards the mechanization of nature to account for an ideology of domination that the West has exported to its colonies. Borrowing especially from Carolyn Merchant and the Frankfurt

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Molkou, Elizabeth. "Contributions d'ecrivains juifs a la problematique de l'autofiction." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37784.

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The present literary production in France indicates the return of the subject, which has been proclaimed dead since the New Novel. With the proliferation of autobiographical texts in the nineteen-eighties, a generalized movement towards an aesthetic genre valuing this particularity was noticed. This proliferation renders the scope of this literary form immense. It covers a range from strictly historical texts, including autobiographies, memoirs and intimate journals to semi-referential texts, qualified as autobiographical fictions, "autofictions" or again "factual fictions". Midway between the

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42

Yillah, Dauda. "Post-war French writings on Black Africa : the ambiguities and paradoxes of a cross-cultural perspective." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:6fed22a9-2401-45ef-b492-aa0e5ee65163.

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Edward Said stresses the politically and ideologically skewed nature of western imperial responses to colonised or formerly colonised cultures and peoples, articulated in a variety of media, including scholarly and imaginative writings, which are inflected by the various kinds of power (political, intellectual, cultural and moral) that the West has wielded and continues to wield over non-Western regions of the world. While recognising the pathbreaking import of Said's work, critics have pointed out his blindness to the possibilities of resistance to and subversion of the discourse of Empire wi

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Glaser, Catherine. "Clinique et roman de la folie, 1860-1910." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72763.

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44

Brown, Anne. "L'image de la femme dans le roman féminin québécois de 1960 à 1970." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75761.

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During the sixties decade, the literature of Quebec is marked by the emergence of the works of women writers who give precedence to the female protagonist. Thus, contrary to her counterpart prior to 1960, the fictitious woman of the sixties is no longer relegated to the background of the novel. This image of the female as a principal character around whom all the elements of the narrative unfold is new to our literature. Our writers seem to desire, consciously or not, to create heroines who are more than mere props for their husbands or their children. Furthermore, these heroines are portrayed

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Goorah-Martin, Annie. "A la recherche de l'origine du mythe de Bérénice /." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24084.

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This work attempts to trace back the models for the various Berenice stories in French literature. Two different trends seem to emerge. The first one is related to the unhappy relationship between Titus and Berenice, the Judaic queen of the first century A.D. The other goes back to the events of the Ptolemaic period when a series of queens also bear the name of Berenice. Present day literature tends thus to show a return to the facts that originally gave birth to the myth.

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46

Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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47

Fedorenko, Gregory. "The texts, manuscripts and historical significance of the prose Chronique de Normandie and Geste de France (c.1180-c.1230)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610656.

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48

Margrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.

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On account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission to their male counterparts. Yet this thesis shows how a number of women writers – Cottin, Genlis, Krüdener, Souza and Staël – re-appropriate nature in order to reclaim the voice denied to them and to their sex by the society in which they lived. The five chapters of this thesis are structured to follow a number of critical junctures in the life of an adult woman: marriage, authorship, motherhood, madness and mortality. Th

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49

Simpson, Hope W. "The Invention and Impacts of Hell’s Atmosphere: A Study of the Influence of Sartrean Themes in Two Plays by Alfonso Sastre." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/168.

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In this thesis I will discuss the influence of Sartrean themes found in Jean-Paul Sartre’s plays: No Exit (Huis clos), Les Mouches (The Flies), and Dirty Hands (Les Mains sales), on the theater of Alfonso Sastre, particularly in the plays: Death Squad (Escuadra hacia la muerte), and In the Net (En la red). In No Exit, the famous quote “Hell is other people,” sets the standard for what type of discussion Sartre initiates in his theater. I will compare the historical context and the Hells that Sartre and Sastre both experienced during their time as active playwrights and how this influences the

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Wilton-Godberfforde, Emilia Eleni Rachel. "Mendacity and the figure of the liar in seventeenth-century French comedy." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609698.

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