Relevant bibliographies by topics / French literature of the 18th Century

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Academic literature on the topic 'French literature of the 18th Century'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "French literature of the 18th Century"

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Trujillo-González, Verónica C. "Le discours préfaciel au XVIIIe siècle à travers le Dictionnaire de l’Académie (1718) et le Dictionnaire de Trévoux (1721). Essai de classification." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 2 (2019): 311–31. http://dx.doi.org/10.1075/rro.17014.tru.

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Abstract The 18th century was a very productive period from a lexicographic point of view. In that century, the French Academy published four new editions of their dictionary, being the second edition (1718) the one that included major revisions (1718). The Dictionnaire de Trévoux (1721) is also considered to be one of the pillars of 18th century lexicography in France, with eight published editions. The comparison of the prefaces of these two major pieces of French lexicography, in spite of their different conceptions, will allow us to establish the big strategical lines that have marked French Lexicography during the first part of the 18th century, as well as presenting how two of the most important dictionaries of the French 18th century are organized.
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Houppermans, Sjef. "French Literature in the Perspective of Literary Historiography." European Review 21, no. 2 (2013): 272–80. http://dx.doi.org/10.1017/s1062798712000427.

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Literary History has changed its objectives during the last few decades. In theory as well as in literary analysis strictly demarcated approaches have given way to a worldwide perspective. The openness to the world and the ongoing dialogue with the ‘other’ resonates in recent French Literature. Academic critique can accompany and guide these evolutions. This article focuses on three central concepts:transculturalité,colinguismeandtransmédialité. Special attention will be given to the 18th century French-English author William Beckford and the final word is spoken by Edouard Glissant.
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Jones, W. Gareth. "The Mediation of French Philosophe Thought in the 18th-Century Russian Periodicals." Russian Literature 52, no. 1-3 (2002): 151–59. http://dx.doi.org/10.1016/s0304-3479(02)80064-3.

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Ljustrov, Mikhail Yu. "On the Fragmentary Perception of French Literature in the 18th Century Russia and Sweden." Studia Litterarum 1, no. 3-4 (2016): 193–204. http://dx.doi.org/10.22455/2500-4247-2016-1-3-4-193-204.

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Almelek İşman, Sibel. "Portrait historié: Ladies as goddesses in the 18th century European art." Journal of Human Sciences 14, no. 1 (2017): 396. http://dx.doi.org/10.14687/jhs.v14i1.4198.

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Portrait historié is a term that describes portrayals of known individuals in different roles such as characters taken from the bible, mythology or literature. These portraits were especially widespread in the 18th century French and English art. In the hierarchy of genres established by the Academy, history painting was at the top and portraiture came next. Artists aspired to elevate the importance of portraits by combining it with history. This article will focus on goddesses selected by history portrait artists. Ladies of the nobility and female members of the royal families have been depicted as goddesses in many paintings. French artists Nicolas de Largillière, Jean Marc Nattier and Louise Élisabeth Vigée Le Brun; English artists George Romney and Sir Joshua Reynolds can be counted among the artists working in this genre. Mythological figures such as Diana, Minerva, Venus, Hebe, Iris, Ariadne, Circe, Medea, Cassandra, Muses, Graces, Nymphs and Bacchantes inspired the artists and their sitters. Ladies were picturised with the attributes of these divine beings.
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Dolgorukova, Natalia M., Kseniia V. Babenko, and Anna P. Gaydenko. "“A Strange Romance,” or Abelard and Héloïse in Russia of the 18th Century." Studia Litterarum 6, no. 2 (2021): 114–27. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-114-127.

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The article gives an analysis of the first Russian translation of Abelard and Héloïse’s letters (The Collection of Abelard and Héloïse’s Letters with the Life Description of These Miserable Lovers) made by A.I. Dmitriev in 1783 from Count Bussy-Raboutin’s French retelling. A comparative analysis of Dmitriev’s translation with the original text shows the conventional character of their connection. Following Bussy, Dmitriev not always sticks to the Latin original even in the main storylines. Even if he retains the canvas of the original medieval text, he supplements it with countless details: a portrait of a lover, a tear-drenched letter, mad passion. A similar transformation takes place with the Historia Calamitatum in the retelling made by Augustus von Kotzebue. In prefaces both authors designate their works as “female” reading. The interest in the story of two lovers is probably caused by the recent release of J.-J. Rousseau’s Julie, or the New Heloise. The choice of material, the nature of its adaptation, the appeal to women and the circumstances of the publication of Dmitriev’s translation and Kotzebue’s retelling demonstrate the commitment of these authors to sentimentalism, which explains their desire to cause tears in the eyes of their readers.
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Dolgorukova, Natalia M., Kseniia V. Babenko, and Anna P. Gaydenko. "“A Strange Romance,” or Abelard and Héloïse in Russia of the 18th Century." Studia Litterarum 6, no. 2 (2021): 114–27. http://dx.doi.org/10.22455/2500-4247-2021-6-2-114-127.

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The article gives an analysis of the first Russian translation of Abelard and Héloïse’s letters (The Collection of Abelard and Héloïse’s Letters with the Life Description of These Miserable Lovers) made by A.I. Dmitriev in 1783 from Count Bussy-Raboutin’s French retelling. A comparative analysis of Dmitriev’s translation with the original text shows the conventional character of their connection. Following Bussy, Dmitriev not always sticks to the Latin original even in the main storylines. Even if he retains the canvas of the original medieval text, he supplements it with countless details: a portrait of a lover, a tear-drenched letter, mad passion. A similar transformation takes place with the Historia Calamitatum in the retelling made by Augustus von Kotzebue. In prefaces both authors designate their works as “female” reading. The interest in the story of two lovers is probably caused by the recent release of J.-J. Rousseau’s Julie, or the New Heloise. The choice of material, the nature of its adaptation, the appeal to women and the circumstances of the publication of Dmitriev’s translation and Kotzebue’s retelling demonstrate the commitment of these authors to sentimentalism, which explains their desire to cause tears in the eyes of their readers.
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Zhao, Jialin, and Rainer Feldbacher. "Reflection of Sexual Morality in Literature and Art." Journal of Critical Studies in Language and Literature 1, no. 3 (2020): 81–88. http://dx.doi.org/10.46809/jcsll.v1i3.32.

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Tocqueville, in his book “Democracy in America”, talked about the concept of sexual morality, introduced it into his newpolitical science, and reflected on the situation of social morality before and after the French Revolution with the help of hisinvestigation of American social morality. From the end of the 19th century to late 20th century, the development of sexualmorality in the US and France has undergone different changes. In France before and after the Revolution, sexual ethicsshowed a very different picture, from palace porn culture and pornography before the Revolution to revolutionary moralethics during the revolutionary period and to sexual ethics after the revolution. The US turned from the Puritans' sexualmorality in the early 18th century to the sexual liberation movement in the 19th and 20th centuries. From the historicalexperience of the US and France, we can see three basic forms of sexual morality: the state of greed, the state of politics, andthe state of holy love. The revolutions were not only initiating the construction of democracy, but also changed the definitionof its most basic figure that is the individual. This paper places sexual morality in the three dimensions of reality, politics andreligion. Taking The United States and France as examples, with the help of textual analysis and comparison, thedevelopment course, different forms and contemporary values of sexual morality will be explored.
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Matrisciano, Sara, and Franz Rainer. "Origine et diffusion des expressions romanes du type jaune paille." Romanische Forschungen 133, no. 1 (2021): 3–27. http://dx.doi.org/10.3196/003581221831922391.

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All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.
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Krakow, Annett. "The Polish interest in the Eddas — Joachim Lelewel’s Edda of 1828." European Journal of Scandinavian Studies 50, no. 1 (2020): 111–33. http://dx.doi.org/10.1515/ejss-2020-0006.

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AbstractIn the second half of the 18th century and early 19th century, a rising interest in Old Norse literature outside the Nordic countries could be noted that, to a great deal, focused on the Poetic Edda and the Prose Edda as sources for Norse mythology. This interest is also reflected in the works of the Polish historian Joachim Lelewel (1786–1861) who, in 1807 and 1828, published translations and retellings of the Poetic and the Prose Edda. These were based on French, German and Latin translations. The second edition of 1828 is characterised by a more comprehensive section with eddic poetry, the selection of which is also explained by Lelewel, as well as an essay on pre-Christian religion that also includes a research overview and a list of editions/translations of the Eddas.
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Dissertations / Theses on the topic "French literature of the 18th Century"

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Pálfi, Ágnes. "The incommunicable secret or the encountered experience: Mystery, ritual, Freemasonry in 18th century French literature." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/298788.

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The philosophers of the Enlightenment base their ideas on reason while attracting public attention on the futility of religion. The concept of the universe inherited from Antiquity is rejuvenated by contemporary sciences and, at first sight, we would think that nature governs the supernatural. A number of philosophical works, which would today be considered anthropological, deal with the customs and manners of different countries of the world, inevitably describing the religious cults and ceremonies practiced throughout the centuries. To what extent are these rituals kept, neglected or transformed in the century of Enlightenment? What is the connection between the ceremonies of Antiquity and the rituals practiced in the confined space of modern secret societies? Speculative Freemasonry, introduced to France at the beginning of the 18 th century, counts among its members a number of well-known philosophers. Do these enlightened minds, most of whom are adversaries of religion, practice the rituals based on sacred and incommunicable mysteries? These are some of the questions which this dissertation tries to answer in analyzing the philosophers' (i.e. Voltaire, Dupuis, Boulanger, Demeunier) anthropological views; the origins of Freemasonry and the ancient sacred tradition; the founding murder and the sacrificial ritual; freemasonic and initiatory symbols in Ramsay's Voyages of Cyrus (1727); Ramsay's quest and the mysteries in his Discourse (1736); Casanova's Icosameron (1788), a freemasonic utopia, hermetic allegory and symbolic fable. This dissertation attempts to demonstrate that the denial of the mystery and the supposed domination of the world by reason are only the well-known and visible aspect of the 18 th century.
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Ganofsky, Marine. "Night in eighteenth-century French libertine fiction (1730-1789)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610662.

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Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.

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During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs itself in the way of conceiving nature, and the relation that nature holds with man and the art of the gardens. The garden's topic and scenography are a testimony of changes that in turn affect its imaginary and that of the walk. Finally, the critical discourse exploits the analogy that establishes itself between the art of the gardens and the exercise of power, polarizing the debate around the political metaphor.
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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the processes of transformation that the rewriting operates in the text, as well as the changes it imposes to its original meaning. The number of rewritings of each text---up to five for the Marquise de Gange---is a testament to the importance of textual reappropriation as much as it shows the relevance of a study which brings to light the role of rewriting in the survival of these stories.
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Margrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.

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On account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission to their male counterparts. Yet this thesis shows how a number of women writers – Cottin, Genlis, Krüdener, Souza and Staël – re-appropriate nature in order to reclaim the voice denied to them and to their sex by the society in which they lived. The five chapters of this thesis are structured to follow a number of critical junctures in the life of an adult woman: marriage, authorship, motherhood, madness and mortality. The opening sections to each chapter show why these areas of life generated particular problems for women at this time. Then, through in-depth analysis of primary texts, the chapters function in two ways. They examine how female novelists craft natural landscapes to expose and comment on the problems male-dominant society causes women to experience in France at this time. In addition, they show how female novelists employ descriptions of nature to highlight women's responses to the pain and frustration that social issues provoke for them. Scholars have thus far overlooked the natural settings within the works of female novelists of the late eighteenth and early nineteenth centuries. Yet, a re-evaluation of these natural settings, as suggested by this thesis, brings a new dimension to our appreciation of the works of these women writers and of their position as critics of contemporary society. Ultimately, an escape into nature on the part of female protagonists in these novels becomes the means by which their creators confront the everyday reality faced by women in the turbulent socio-historical era which followed the Revolution.
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Marques, Mariana Teixeira. "Fanny e Margot, libertinas: o aprendizado do corpo e do mundo em dois romances eróticos setecentistas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14092012-105147/.

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O objetivo desta tese é um estudo comparativo dos romances Fanny Hill, or Memoirs of a Woman of Pleasure (1748-1749), do inglês John Cleland, e Margot La Ravaudeuse (1750), do francês Jean-Charles Fougeret de Monbron. Os dois romances fazem parte do conjunto de narrativas eróticas libertinas que inundaram o emergente mercado livreiro europeu durante o Iluminismo e contam as memórias de duas jovens prostitutas respectivamente em Londres e Paris em meados do século. Partindo do pressuposto segundo o qual as duas narrativas se organizam num contínuo que oscila entre a sociabilidade e a individualidade, o objetivo desta análise comparativa é compreender como estes dois temas, fundamentais na experiência setecentista e no processo de formação do romance moderno, são formalizados nas memórias de Margot e Fanny Hill através de procedimentos estruturais recorrentes na literatura da libertinagem.<br>The aim of this dissertation is a comparative study of the novels Fanny Hill, or Memoirs of a Woman of Pleasure (1748-1749), by John Cleland, and Margot la Ravaudeuse (1750), by Jean-Charles Fougeret de Monbron. Both novels are part of the body of erotic libertine narratives that flooded the emerging European book market during the Enlightenment and tell the memoirs of two young prostitutes respectively in London and Paris during the mid-18th-century. Assuming that the two narratives are organized according to a continuum which oscillates between sociability and individuality, the objective of this comparative analysis is to understand how these fundamental themes in 18th-century life as well as in the rise of the modern novel are formalized in the memoirs of Margot and Fanny through reccurring structural procedures found in libertine literature.
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Morriello, Francesco Anthony. "The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274901.

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This dissertation examines how news and information circulated among select colonies in the British and French Caribbean during a series of military conflicts from 1763 to 1804, including the American War of Independence (1775-1783), French Revolutionary Wars (1792-1802), and the Haitian Revolution (1791-1804). The colonies included in this study are Barbados, Jamaica, Guadeloupe, Martinique, and Saint-Domingue. This dissertation argues that the sociopolitical upheaval experienced by colonial residents during these military conflicts led to an increased desire for news that was satiated by the development and improvement of many processes of collecting and distributing information. This dissertation looks at some of these processes, the ways in which select social groups both influenced and were affected by them, and why such phenomena occurred in the greater context of the 18th and early 19th century Caribbean at large. In terms of the types of processes, it examines various kinds of print culture, such as colonial newspapers, books, and almanacs, as well as correspondence records among different social groups. In terms of which groups are studied, these include printers, postal service workers, colonial and naval officials, and Catholic missionaries. The dissertation is divided into five chapters, the first of which provides insight into the operation of the mail service established in the aforementioned colonies, and the ways in which the Atlantic Revolutions impacted their service in terms of the different historical actors responsible for collecting and distributing correspondences. Chapter two looks at select British and French colonial printers, their print shops, and the book trade in the Caribbean isles during the 18th century. Chapter three delves into the colonial newspapers and compares the differences and similarities among government-sanctioned newspapers vis-à-vis independently produced papers. It uses the case of the Haitian Revolution to track how news of the slave insurrection was disseminated or constricted in the weeks immediately following the night of 22 August 1791. Chapter four examines the colonial almanac as a means of connecting colonial residents with people across the wider Atlantic World. It also surveys the development of these pocketbooks from mere astrological calendars to essential items that owners customized and frequently carried on their person, given the swathes of information they featured after the American War of Independence. The final chapter looks at the daily operations of Capuchin and Dominican missionaries in Martinique and Guadeloupe at the end of the 18th century and how they maintained their communications within the islands and with the heads of their Catholic orders in France, as well as in Rome. Overall, this project aims to fill in some of the gaps in the literature regarding how select British and French colonial residents received and dispatched information, and the effect this had in their respective Caribbean islands. It also sheds light on some of the ways that slaves were incorporated into the mechanisms by which information was collected and distributed, such as their encounters with printers, employment as couriers, and use as messengers to relay documents between colonial officials. In doing so, it hopes to encourage future discussion regarding how information moved in the British and French Caribbean amid periods of revolution and military conflict, how and why these processes changed, and the impact this had on print culture and mail systems in the post-revolutionary period of the 19th century.
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Velescu, Elena. "La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4048.

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Ce travail vise à rendre compte des relations créées entre les événements naturels de forte intensité et dont les conséquences destructrices les ont fait nommer catastrophes naturelles, en partant du fameux tremblement de terre de Lisbonne, en 1755 jusqu’au milieu du XIXe siècle, avec l’avènement des nouvelles techniques et sciences, ce qui a engendré un nouveau rapport entre l’homme et la Nature. Ce changement de la représentation de la catastrophe en littérature, mais aussi dans la peinture s’appuie sur des mutations culturelles dans le plan religieux, scientifique et esthétique, dont les traces évidentes nous avons essayé d’expliciter dans ce travail. L’enjeu de cette thèse est d’analyser les métamorphoses du discours écrit et visuel de la période mentionnée, et d’attirer l’attention sur le passage entre l’horreur suscitée par un événement catastrophique et la dimension sensorielle et la fascination provoquée par le spectacle des phénomènes naturels. Toutefois, nous avons recherché le symbolisme des motifs attachés aux grands mythes de l’humanité, tels le Déluge, le thème de transgression-punition-rédemption inscrit dans la catastrophe, qui se transforme dans un nouveau concept, un objet d’analyse, de réflexion et de contemplation, qui nous incite à voir différemment<br>This research aims to report on the relationships created among natural events of high intensity which can be categorized as natural disasters due to their destructive consequences starting with the famous earthquake of Lisbon in 1755 until the mid-nineteenth century, the advent of new technology and science, which created a new relationship between man and nature. This change in catastrophe representation in literature but also in the painting is based on religious, scientific and aestethetic changes, the key elements that we explored in this work. The aim of this dissertation is to analyze the metamorphoses of writing and visual discourse of the above-mentioned period and draw attention to the transition from horror triggered by a catastrophic event to a sensory dimension and fascination caused by the spectacle of natural phenomena. We also examined the symbolism of the motifs attached to the great myths of humanity, such as the Flood, the theme of transgression-punishment-redemption part of the disaster, which generates into a new concept, an object of analysis, reflection and contemplation, which inspires us to see the catastrophic events differently
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Danon, Rachel. "Voix de marronnage dans la littérature française au XVIIIé siècle." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL044.

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Cette thèse vise à comprendre les postures de résistances et de fuites que les esclaves africains ont constamment opposées au système colonial esclavagiste. Faute de témoignages directs, du fait de l’absence d’équivalent français aux slave narratives anglophones, nous avons tenté d’exhumer ces paroles étouffées en analysant leurs reconstitutions dans les textes d’auteurs français du XVIIIe siècle qui les ont recueillies et mises en scène, entre 1730 et 1792. Nous avons essayé de comprendre les multiples formes de résistances actives auxquelles ont participé ces sujets historiques, qui ne sont souvent représentés par l’historiographie que comme des victimes passives.Notre travail étant d’ordre littéraire, nous avons problématisé les structures et les formes de l’énonciation présentes dans ces textes secondaires et apparemment dérivés, appartenant à une grande variété de genres. Qu’est-ce qui parvient à y filtrer des voix du marronnage, à travers leurs multiples modalités de transmission, traduction, trahison ? De quels types de résistances à l’oppression esclavagiste et coloniale portent témoignage ces textes écrits en français à l’époque des Lumières ? En quoi les outils de l’analyse littéraire peuvent-ils nous aider à éclairer leurs enjeux historiques, politiques et culturels ? Ces questions sont abordées à travers une analyse fine de quelques récits de rebellions, de prises de paroles, de détournements, de fuites, et autres formes de résistances relevant du marronnage, tels que ces récits apparaissent dans la langue des colons. En conclusion, nous tentons de relier ces textes anciens à certaines écritures récentes de littérature caribéenne<br>This dissertation, entitled Maroons’ Voices in 18th-Century French Literature, attempts to understand the various modes of resistance and escape which African slaves have constantly opposed to the colonial system of slavery. In the absence of slave narratives in French, our goal was to hear their lost voices through a close analysis of their echoes within texts written by a number of French authors who staged them, with many diffractions and deformations. Emphasis is put on the agency expressed in these countless forms of resistance, by populations who are too often misrepresented as passive victims.This study being literary in nature, it focuses on the structures and forms of enunciations encountered in these apparently derivative works written between 1730 and 1792, in order to frame the refracted presence of maroons’ voices through their transmission, translation, and deformations. What types of resistance to colonial oppression filter through these indirect and often ambivalent forms of literary testimony? How can a literary sensitivity help us grasp their historical, political and cultural stakes? Such questions are discussed through a series of close readings of selected narratives of escape, denunciations, struggles, rebellion and vengeance, taken from a variety of literary genres, all written in the colonizers’ language. In conclusion, these texts written 300 years ago are revisited in the light of recent developments in Caribbean writings
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Woloshen, Richard Allen. "L’individu exceptionnel dans Les liaisons dangereuses." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25532.

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Nous espérons montrer dans cette thèse que le développement du type de l'individu exceptionnel dans les romans du dix-huitième siècle en France est le résultat des courants philoso-phiques et artistiques de la période. Les Liaisons dangereuses de Laclos reflète mieux que tout autre roman du siècle ces deux influences, mais elles se font aussi sentir dans Manon Lescaut de Prevost, La Vie de Marianne de Marivaux, et Jacques le fataliste de Diderot. L'introduction démontre que les philosophes du siècle désiraient le bonheur personnel de l'individu, la tolérance et la raison au lieu de l'ascétisme, l'intolérance et la foi aveugle qui dominaient la pensée du dix-septième siècle. Les philosophes voyaient l'aristocratie comme un obstacle à la réalisation d'un meilleur monde car cette classe ne voulait pas un changement de l'ordre établi. Puisque la pensée d'une période influeence souvent l'art, le fait que les romanciers du dix-huitième siècle adoptaient le point de vue des philosophes en critiquant l'aristocratie n'est pas surprenant. L'individu exceptionnel devient par la suite un moyen idéal pour voiler de telles critiques aussi bien que pour satisfaire des instincts créateurs chez les romanciers. Dans le premier chapitre nous indiquons que Prévost, Marivaux et Diderot critiquaient l'aristocratie à mesure qu'ils analysaient les raisons pour lesquelles les personnages princi-paux de leurs romans étaient exceptionnels. Des influences à l'extérieur du roman comme le conflit philosophique entre la raison et la sensibilité semblent définir à première vue la nature extraordinaire de Des Grieux, Marianne et Mme de la Pommeraye; ces individus veulent nous convaincre qu'ils sont spéciaux à cause de leur sensibilité ou de leur intelligence. Cependant des influences à l'intérieur du roman, comme la forme, nous donnent les vrais clefs du caractère unique de ces personnages. Les protagonistes racontent leur propre histoire au lecteur et leur talent de duper autrui afin de se montrer dans une image flatteuse est ce qui les distingue enfin des autres. Néanmoins, les protagonistes se sentent obligés de se faire valoir car la société leur est presque toujours hostile. Le deuxième chapitre introduit les protagonistes des Liaisons dangereuses, le vicomte de Valmont et la marquise de Merteuil. Chacun d'eux se croit un libertin sans pareil et dans ce chapitre nous étudions comment ils exploitent leur sagacité pour prouver leur supériorité l'un à l'autre. Nous expliquons la tradition libertine qui est la base de la philosophic personnelle de Valmont et de Merteuil. Le roman est dans la forme épistolaire; les protagonistes échangent des lettres. La forme du roman, une influence à l'intérieur, révèle encore une fois que ce que Valmont et Merteuil croient les rendre exceptionnels est illusoire. C'est de nouveau leur capacité de tromper autrui et eux-mêmes dans leurs lettres sur leur qualité spéciale qui est vraiemnt leur qualité distinctive. Les lettres soutiennent l'illusion de l'invincibilité de Valmont et Merteuil dans le deuxième chapitre, mais elles les détruisent dans le troisième chapitre en leur révélant toutes leurs faiblesses émotionnelles. La rivalité entre les libertins s'intensifie vers la fin du roman et l'influence de la raison sur leur conduite s'affaiblit. Nous voyons que la façade intellectuelle cède rapidement à la force des émotions violentes, longuement supprimées. La forme épistolaire du livre révèle done que cette oeuvre suit l'exemple des romans précédents du siècle. L'illusion du point de vue du protagoniste et la réalité du point de vue du lecteur existent en meme temps; cette juxtaposition indique une attitude des romanciers envers la société contemporaine. Dans la conclusion nous montrons que cette attitude est une critique de l'aristocratie qui ne permet pas aux protagonistes de se réaliser complètement car chaque protagoniste symbolise le bouleversement de l'ordre établi. Des Grieux, Marianne, Mme de la Pommeraye, et surtout Valmont et Merteuil outragent la société en brisant les règles de conduite qu'ils devraient suivre. Qu'ils n'atteignent pas le bonheur personnel malgré leurs efforts reflète le sentiment de frustration que les romanciers veulent partager avec le lecteur. Prévost, Marivaux, Diderot et Laclos créent des romans dans lesquels les influences de la philosophic et de l'art romanesque de l'époque aident ces auteurs à critiquer une société décadente et à créer un personnage unique. Les Liaisons dangereuses est l'exemple le plus brillant des possibilités inhérantes à cette combinaison d'influences.<br>Arts, Faculty of<br>French, Hispanic, and Italian Studies, Department of<br>Graduate
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Books on the topic "French literature of the 18th Century"

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Narrating marriage in the eighteenth century. Ashgate, 2010.

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Roulston, Christine. Narrating marriage in the eighteenth century. Ashgate, 2010.

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Seducing the eighteenth-century French reader: Reading, writing, and the question of pleasure. Ashgate, 2008.

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The rococo and eighteenth-century French literature: A study through Marivaux's theater. P. Lang, 1987.

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Revolutionary love in eighteenth- and early nineteenth-century France. Ashgate, 2009.

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The attraction of the contrary: Essays on the literature of the French Enlightenment. Cambridge University Press, 1987.

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The bad taste of others: Judging literary value in eighteenth-century France. University of Pennsylvania Press, 2011.

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Trading places: Colonization and slavery in eighteenth-century French culture. Cornell University Press, 2010.

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Enlightenment and pathology: Sensibility in the literature and medicine of eighteenth-century France. Johns Hopkins University Press, 1998.

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The corpus of clandestine literature in France, 1769-1789. W.W. Norton, 1995.

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Book chapters on the topic "French literature of the 18th Century"

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Grattan-Guinness, Ivor. "The 18th-century heritage: mechanics around 1800." In Convolutions in French Mathematics, 1800–1840. Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-9125-7_5.

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Grattan-Guinness, Ivor. "The 18th-century heritage: mechanics around 1800." In Convolutions in French Mathematics, 1800–1840. Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-7811-1-5.

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Grattan-Guinness, Ivor. "The 18th-century heritage: the calculus around 1800." In Convolutions in French Mathematics, 1800–1840. Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-9125-7_3.

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Grattan-Guinness, Ivor. "The 18th-century heritage: the calculus around 1800." In Convolutions in French Mathematics, 1800–1840. Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-7811-1_3.

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Oliver, Kathleen M. "Dress in 18th-Century English Life and Literature." In Samuel Richardson, Dress, and Discourse. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584624_3.

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Kjærgård, Jonas Ross. "What Was Literature?" In Reimagining Society in Eighteenth-Century French Literature. Routledge, 2018. http://dx.doi.org/10.4324/9780429465260-3.

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Kawaguchi, Yuji. "French liaison in the 18th Century – Analysis of Gile Vaudelin's texts." In Corpus-based Analysis and Diachronic Linguistics. John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/tufs.3.10kaw.

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Kjærgård, Jonas Ross. "Introduction." In Reimagining Society in Eighteenth-Century French Literature. Routledge, 2018. http://dx.doi.org/10.4324/9780429465260-1.

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Kjærgård, Jonas Ross. "The Unfinished Declaration." In Reimagining Society in Eighteenth-Century French Literature. Routledge, 2018. http://dx.doi.org/10.4324/9780429465260-2.

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Kjærgård, Jonas Ross. "Louis-Sébastien Mercier and the Dream of a Happy Future." In Reimagining Society in Eighteenth-Century French Literature. Routledge, 2018. http://dx.doi.org/10.4324/9780429465260-4.

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Conference papers on the topic "French literature of the 18th Century"

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Pacheco Hora, Edmundo, and Pedro Augusto Jubran Bortolin. "ITALIAN INFLUENCES ON FRENCH CELLO REPERTOIRE IN 18TH CENTURY." In XXIII Congresso de Iniciação Científica da Unicamp. Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37733.

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Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Ruhaliah, Ruhaliah, Ruswendi Permana, and Retty Isnendes. "Ethnopedagogic Elements in Ancient Sundanese Manuscripts from the 11th to the 18th Century." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007174607580762.

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Vang, Duabchi, Jackelyn R. Anderson, Katherine Langfield, and Phillip D. Ihinger. "CHARACTERIZATION OF 18TH CENTURY FRENCH GLASS TRADE BEADS FROM FORT MACKINAC, MI AND FRANCE: CHEMISTRY AND INFRARED SPECTROSCOPY." In 54th Annual GSA North-Central Section Meeting - 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020nc-348308.

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Zhitin, R., and A. Topil'skiy. "“Manor libraries of the Tambov province of the late 18th – early 20th centuries”: a method of creating an information resource." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1805.978-5-317-06529-4/166-172.

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The article analyzes the main approaches to creating an information resource “Estate libraries of the Tambov province of the late XVIII – early XX century. The author analyzes the source base, identifies ways to systematize book collections of Tambov nobles of the XVIII–XIX centuries in Russian, French, Greek, Latin, English and German, and their significance for the study of book culture in the region
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Zhitin, R., and A. Topil'skiy. "“Manor libraries of the Tambov province of the late 18th – early 20th centuries”: a method of creating an information resource." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1805.978-5-317-06529-4/166-172.

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The article analyzes the main approaches to creating an information resource “Estate libraries of the Tambov province of the late XVIII – early XX century. The author analyzes the source base, identifies ways to systematize book collections of Tambov nobles of the XVIII–XIX centuries in Russian, French, Greek, Latin, English and German, and their significance for the study of book culture in the region
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MaZixin, Cindy. "Analysis on Women Education in the 18th and 19th Century Based on Jane Eyre and Other Famous English Literature Written by Women Authors." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.114.

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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.
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Горин, С., S. Gorin, Е. Игнатов, et al. "THE MORPHODYNAMICS OF THE OKTYABR’SKAYA SPIT (SEA OF OKHOTSK COAST OF KAMCHATKA)." In Sea Coasts – Evolution ecology, economy. Academus Publishing, 2018. http://dx.doi.org/10.31519/conferencearticle_5b5ce39140da13.12404159.

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Oktyabr’skaya Spit is a polygenetic aggradational landform, about 35 km long. It borders the Bol’shaya river estuary (south-western coast of Kamchatka) from the sea of Okhotsk. This talk is based on literature and archival data (18th–20th century) and on fieldwork (2005, 2010–2012 years). Secular, long-term and seasonal dynamics of Oktyabr’skaya Spit is discussed.
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Panova, Elizaveta. "Word-image interaction in the treatise “Voyage en Siberie”." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.14163p.

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“Voyage en Siberie” describes a journey through Russia carried out by Jean Chappe d'Auteroche to observe the passage of Venus across the Sun. Besides the description of this phenomenon the book contains the author’s travel notes and study of the Russian political, historical, geographic and military conditions in the middle of the 18th century. “Voyage en Siberie” was accompanied by the cycle of illustrations performed by Jean-Baptiste Le Prince. As these works were among the first examples of the costume images on the Russian subject, they became crucial in the career of the artist who is considered to be the creator of “Russerie” in French art. This paper discusses the nature of the text and illustrations developing according to the logic of ideas of the Enlightenment. The author intends to show that although Chappe d'Auteroche and Le Prince worked together on the book they had different visions of the problem.
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Reports on the topic "French literature of the 18th Century"

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Beise, Jan. The helping and the helpful grandmother - The role of maternal and paternal grandmothers in child mortality in the 17th and 18th century population of French Settlers in Quebec, Canada. Max Planck Institute for Demographic Research, 2004. http://dx.doi.org/10.4054/mpidr-wp-2004-004.

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