Relevant bibliographies by topics / French noir

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'French noir'

Author: Grafiati
Published: 7 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "French noir"

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Gegen, Gegen. "Femme Fatale in French Film Noir." Advances in Humanities Research 1, no. 1 (2021): 1–5. http://dx.doi.org/10.54254/ahr.2021001.

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The term film noir was coined by two French film critics Borde and Chaumenton in 1956 to describe American detective stories mode in the 1940s. Noir films were seen as a counter-cultural movement within Hollywood at that time, and the French new wave continued this feature in the 1960s. Therefore, the term noir itself connects the Frenchness and Americanness. This paper tends to map out the film noir sensibilities in French content through unfolding the characteristics of femme fatale in two French noir films Jean-Luc Godards A bout de souffle (Breathless) (1960) and Jean-Jacques Beineixs Diva
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Gegen, Gegen. "Femme Fatale in French Film Noir." Advances in Humanities Research 1, no. 1 (2021): 1–5. http://dx.doi.org/10.54254/2753-7080/1/ahr_001.

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The term film noir was coined by two French film critics Borde and Chaumenton in 1956 to describe American detective stories mode in the 1940s. Noir films were seen as a counter-cultural movement within Hollywood at that time, and the French new wave continued this feature in the 1960s. Therefore, the term noir itself connects the Frenchness and Americanness. This paper tends to map out the film noir sensibilities in French content through unfolding the characteristics of femme fatale in two French noir films Jean-Luc Godards A bout de souffle (Breathless) (1960) and Jean-Jacques Beineixs Diva
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Papadopoulos, Leonidas, Anna Poupou, and Eva Stefani. "The reception of American and French film noir in post-war Greece, 1945‐58." Journal of Greek Media & Culture 8, no. 1 (2022): 59–82. http://dx.doi.org/10.1386/jgmc_00047_1.

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The aim of this article is to examine the distribution, promotion and critical reception of American and French film noir in Greece from 1944 to 1958 and to shed light to the reasons of the belated appearance of Greek noir examples. It is based on archival research that was made in the framework of the project ‘Film noir in Greece: Reception, assimilation, and imitation of a US film genre, from the post-war period until today’ (National & Kapodistrian University of Athens), financed by the Operational Programme Human Resources Development, Education and Lifelong Learning, P.A. 2014‐20. Cri
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Wygoda, Tsivia Frank. "(Un)Mapping the “Pied-Noir Jew”: Indeterminacy and the Representation of Pied-Noirs and Algerian Jews in Contemporary French Cinema." MLN 138, no. 4 (2023): 1337–60. http://dx.doi.org/10.1353/mln.2023.a920094.

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Abstract: This article offers new reflections on the articulation of Pied-Noir and Algerian Jewish memory through the figure of the “Pied-Noir Jew” in French culture. The analysis of cinematographic materials and their literary sources shows how Algerian Jewish screen and stage artists participated in the creation in France of a nostalgic cultural community of Algerian Jews and French-European ex-settlers while also navigating the tensions and differences between Pied-Noir and Jewish memory of Algeria. The aporetic figure of the “Pied-Noir Jew” as a cultural and affective concept encapsulates
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Talarmin, Antoine, Bruno Vion, Abel Ureta-Vidal, Guénola Du Fou, Christian Marty, and Mirdad Kazanji. "First seroepidemiological study and phylogenetic characterization of human T-cell lymphotropic virus type I and II infection among Amerindians in French Guiana." Journal of General Virology 80, no. 12 (1999): 3083–88. http://dx.doi.org/10.1099/0022-1317-80-12-3083.

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We investigated the serological, epidemiological and molecular aspects of human T-cell lymphotropic virus type I and II (HTLV-I/II) infection in the Amerindian populations of French Guiana by testing 847 sera. No HTLV-II antibodies were detected, but five individuals (0·59%) were seropositive for HTLV-I. Analysis of the nucleotide sequences of 522 bp of the env gene and the compete LTR showed that all of the strains from French Guiana belonged to the cosmopolitan subtype A. The similarities were greater between Amerindian and Creole strains than between Amerindian and Noir-Marron strains or th
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Gorrara, C. "French and American Noir: Dark Crossings." French Studies 65, no. 2 (2011): 274–75. http://dx.doi.org/10.1093/fs/knr038.

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Hollister, Lucas. "The Green and the Black: Ecological Awareness and the Darkness of Noir." PMLA/Publications of the Modern Language Association of America 134, no. 5 (2019): 1012–27. http://dx.doi.org/10.1632/pmla.2019.134.5.1012.

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Ecocritical thought presents serious challenges for political readings of crime fiction and noir, notably in French and American cultural contexts, and these challenges merit a broad examination. How does the Anthropocene change our relation to the frames of intelligibility and the definitions of violence found in crime fictions? The scalar problems introduced by the cosmological perspectives of ecological awareness suggest the need to redraw the frontiers of noir, to imagine new green-black readings that transform our understanding of what counts in and as a noir novel.
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VRANČIĆ, Frano. "SENGHOR, BLACK POET." Lingua Montenegrina 13, no. 1 (2014): 239–77. https://doi.org/10.46584/lm.v13i1.397.

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Leopold Sédar Sengor (1906–2001) was a Senegalese poet, the first president of independent Senegal, founder of the Francophonie and the first dark-skinned member of the French Academy. Together with Aimé Césaire and Léon Damas, Senghor defined the concept of negritude in response to the extreme dominance of French culture in the colonies. Moreover, negritude became his guiding principle both in poetry and his career of a state official. He deemed that every African has separate and distinct innate qualities, refuting the assumption that Caucasian people were intellectually and culturally super
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Slyomovics, Susan. "A Settler Colonial Memorial Book: The Agricultural School and Museum of Sidi-Bel-Abbès, Algeria." Diaspora: A Journal of Transnational Studies 23, no. 2 (2023): 241–60. http://dx.doi.org/10.3138/diaspora.23.2.2023.07.30.

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In French colonial Algeria (1830–1962), a European settler community was made from both displacement and the encounter with Indigenous Algerian collectives. After Algeria's independence from France in 1962, this community was remade by a second displacement and the encounter in France with the metropolitan community. Known as Pieds-Noirs, this community has organized associative life, books, and newsletter publications, and sometimes return visits to Algeria. This article looks at Pieds-Noir settler associations devoted to Algeria's colonial agricultural schools, model farms, and nurseries, an
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Panuntun, Ari Bagus, and Lysa Osmani. "Romantic Primitivism and Literary Neocolonialism in Camara Laye’s Novel L’Enfant Noir." Poetika 11, no. 2 (2023): 61. http://dx.doi.org/10.22146/poetika.v11i2.87730.

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The article examines the depiction of romantic primitivism in Camara Laye’s novel L’Enfant noir (The Dark Child) and the phenomenon of literary neocolonialism behind its publication. L’Enfant noir is a novel published when Guinea was still under French colonization in the 1950s. It tells the story of a happy black child growing up in the middle of a beautiful Guinean countryside, that was completely untouched by the atrocities of colonialism. Upon its publication by Plon, a French publishing house, the novel received different responses from African and European readers. In Africa, it was perc
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Dissertations / Theses on the topic "French noir"

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Ivemark, Biorn. "Bleu blanc noir : assimilation trajectories, identity dynamics and boundary work of French Antilleans, West Africans, and their children in Paris." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62929.

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This study compares the assimilation trajectories, identity dynamics and boundary work of French Antilleans, West Africans and their descendants in the Paris region. While previous studies have focused on the experiences of French Antilleans and sub-Saharan Africans separately or those of Blacks in France as a whole, this study engages in a more minute comparison of the experiences of West African immigrants and French Antilleans across two generations in mainland France. This comparison primarily aims to determine the role of the divergent civic, cultural and religious backgrounds of these gr
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Crepiat, Caroline. "Le sujet lyrique dans la poésie du Chat Noir (1882-1897)." Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20008.

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La fin du XIXe siècle voit éclore un grand nombre de « petites » revues littéraires et artistiques, liées aux avant-gardes et à la bohème. Parmi elles, Le Chat Noir (1882-1897), créée par Rodolphe Salis et Émile Goudeau pour assurer la promotion du désormais célèbre cabaret éponyme. On y publie des contes, des histoires drôles et sans paroles, mais aussi de la poésie. Le présent travail entend étudier de plus près ces poèmes, à la lumière de la crise qui agite alors la production littéraire. Il s’agit plus précisément d’analyser le traitement qui est fait de la notion de sujet lyrique, « princ
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Pillard, Thomas. "Négociations identitaires : le film noir français face aux bouleversements de la France d’après-guerre (1946-1960)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100066.

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Bien que le terme « film noir » soit généralement réservé au cinéma hollywoodien, cette appellation a en réalité été forgée dans la France des années 1930 pour désigner des films français, et elle renvoie plutôt à une forme transnationale, circulant entre l’Europe et Hollywood. C’est à ce titre que l’on se propose de l’étudier dans le cinéma hexagonal, en montrant que le genre noir s’inscrit en France dans le cadre d’une tradition ancienne, et en analysant l’évolution du « film noir français » après-guerre, selon une approche historique et culturelle. En postulant que le film noir est indissoc
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Gueneau, Sybila. "Roman noir et critique sociale : réel et violence dans le néo-polar (après mai 1968)." Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0171.

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Le mouvement du « néo-polar » ou « Nouvelle école du polar français » nait en France après les événements de mai 1968. Son fondateur, l’écrivain Jean-Patrick Manchette, également à l’origine du terme, forge un genre inspiré du roman noir américain lequel incarnera le tournant politique du polar français. Ses principaux auteurs, Jean-Patrick Manchette, Pierre Siniac, Frédéric Fajardie, A.D.G., Jean Vautrin, Jean-Bernard Pouy, Hervé Prudon, Thierry Jonquet et Didier Daeninckx, travaillent une écriture de la violence au plus près de la contestation politique tout en mettant en tension les codes d
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Morgan, Daniel. "Du crime de guerre au fait divers ˸ la justice pénale, un enjeu politique dans le cinéma français, 1945-1958." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA124.

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Le cinéma français de l’après-guerre, largement apolitique, laisse pourtant surgir des questionnements autour de la remise en place de l’État de droit dans ses représentations de la justice pénale. Point de rencontre entre l’individu et l’État qui doit rétablir sa légitimité après les abus et les exactions du régime de Vichy, la justice représente un thème épineux pour les cinéastes, d’autant plus que le cinéma est à cette époque un moyen d’expression hautement surveillé, censuré et toujours associé à la propagande des régimes totalitaires. À partir d’un corpus de quarante longs métrages de fi
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Fossé, Noëmie. "Libération, délinquance et trafics en Seine-et-Oise : restrictions, consommation et marché noir des produits de l'U.S. Army (1944-1950)." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010588.

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À la Libération, vu les pénuries et les restrictions, le troc, entre civils et militaires américains, s’organise tout naturellement. Mais, les produits de l’U.S. Army font rapidement l’objet de trafics, essentiellement basés sur un échange monétaire. En Seine-et-Oise, au cours des premiers mois de liberté, ce phénomène économique enregistre un développement au processus rapide, favorisé par l’installation de troupes et d’infrastructures américaines ainsi que par le désenchantement de la Libération. En 1945, vu le contexte militaire, économique et social, l’expansion des trafics est fulgurante.
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Arthéron, Axel. "Les théâtres afro-caribéens d'expression française au XXème siècle face à la Révolution de Saint-Domingue : dramaturgies révolutionnaires et enjeux populaires." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030161.

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L’apparition à partir des années 1950 de pièces afro-caribéennes qui mettent en scène la Révolution de Saint-Domingue se révèle pour le moins symbolique. Annoncées par la création de La Tragédie du roi Christophe d’Aimé Césaire par Jean-Marie Serreau et la troupe du Toucan, ces expressions théâtrales contribueront à définir un genre théâtral à part entière - celui du théâtre révolutionnaire afro-caribéen d’expression française - possédant ses propres traits définitoires et catégoriels, ses codes d’écriture, son rapport à l’histoire ou aux personnages historiques, et surtout sa finalité, sa fon
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Shango, Lokoho Tumba. "Roman et écriture de l'espace en Afrique (noire) francophone." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://books.google.com/books?id=sZxcAAAAMAAJ.

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Murdock, Mark Cammeron. "In the Company of Cheaters (16th-Century Aristocrats and 20th-Century Gangsters)." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1775.

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This document contains a meta-commentary on the article that I co-authored with Dr. Corry Cropper entitled Breaking the Duel's Rules: Brantôme, Mérimée, and Melville, that will be published in the next issue of Essays in French Literature and Culture, and an annotated bibliography of primary and secondary sources featuring summaries and important quotes dealing with duels, honor, honor codes, cheating, historical causality, chance, and sexuality. Also, several examples of film noir are cited with brief summaries and key events noted. The article we wrote studies two instances of cheating in du
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Cain, Anthony Christopher. "Neither decadent, nor traitorous, nor stupid : the French Air Force and air doctrine in the 1930s /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu148819515435815.

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Books on the topic "French noir"

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Buss, Robin. French film noir. M. Boyars, 1994.

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Rolls, Alistair, and Deborah Walker. French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825.

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Laye, Camara. L' Enfant noir: Visages de l'Afrique noire. Hatier, 1992.

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1941-, Barcelo François, Blais Marie-Claire, and Truand André, eds. Montréal noir. 400 coups, 2003.

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Ernaux, Annie. L'atelier noir. Busclats, 2011.

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Major, Françoise. Dans le noir jamais noir: Nouvelles. La Mèche, 2013.

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Noguez, Dominique. Amour noir: Roman. Gallimard, 1997.

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Rochon, Esther. L'archipel noir. Alire, 1999.

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Danticat, Edwidge. Haiti noir. Akashic Books, 2011.

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Rolls, Alistair. French and American noir: Dark crossings. Palgrave Macmillan, 2009.

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Book chapters on the topic "French noir"

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Rolls, Alistair. "Liberation Noir: Boris Vian and the Série Noire (1)." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_3.

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Rolls, Alistair. "Allegorical Noir: Boris Vian and the Série Noire (2)." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_4.

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Rolls, Alistair, and Deborah Walker. "Introduction." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_1.

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Walker, Deborah. "From Honest Thief to Media Sociopath." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_10.

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Walker, Deborah. "Double-Crossings: Reversing the Remake." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_11.

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Rolls, Alistair, and Deborah Walker. "Erratum." In French and American Noir. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/9780230244825_12.

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Rolls, Alistair. "Fetishistic Noir: Charles Baudelaire and Léo Malet." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_2.

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Rolls, Alistair. "Noir Strangulation (1): Terry Stewart and Vernon Sullivan." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_5.

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Rolls, Alistair. "Noir Strangulation (2): Amélie Nothomb and Intertextuality." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_6.

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Walker, Deborah. "Jazz: Classic French Film Noir as Transatlantic Exchange." In French and American Noir. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244825_7.

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Conference papers on the topic "French noir"

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Hack, Harvey P., Richard Corbett, and Brad Krantz. "Inhibition of Heavy Metal Ion Corrosion on Aluminum in Fresh Water Cooling Systems Using Propylene Glycol Anti-Freeze." In CORROSION 1998. NACE International, 1998. https://doi.org/10.5006/c1998-98220.

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Abstract Electronics cooling and environmental control systems are required in enclosed manned spaces such as the inside of spacecraft or submersibles. Because egress from such spaces may not be possible in a short time frame, coolant leaks must have minimum toxicity. For this reason, propylene glycol coolants are preferred over the traditional ethylene glycol coolants. Corrosion inhibitor formulations are well developed for ethylene glycol coolants, but there is concern that the inhibitor suite for propylene glycol systems may not be as mature. In particular, coolant systems with a mixture of
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Nakayama, Guen, Chenghao Lian, and Masatsune Akashi. "Repassivation Method for Determining the Critical Potential of Stress-Corrosion Cracking." In CORROSION 1994. NACE International, 1994. https://doi.org/10.5006/c1994-94226.

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Abstract One point of technological importance in the use of stainless steels for natural water environments such as sea and fresh waters lies with their liability to stress-corrosion cracking. The stress-corrosion crack initiation in these environments is almost always via localized corrosion such as pitting or crevice corrosion. Although the critical initiation potentials of pitting and crevice corrosion have been clearly defined and the experimental method of determination been well standardized, neither definition nor standard method has been established for stress-corrosion cracking. In t
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Pettaway, Charles. "Introducing an Unknown African Composer to the World- at- Large During the Age of Enlightenment." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-036.

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Joseph Bologne, Le Chevalier de Saint- Georges was a Gemini (June 9,1745). His historical background as a biracial man of color who took France by storm, England and even the second president, of the United States, John Adams stated; “St Georges was such an incredible shot that he could hit a tiny button on the coat or waistcoat of the greatest masters.” “He could even hit a coin as it was tossed in midair.” I will discuss his early upbringing on the island of Guadeloupe from a union of a wealthy white Frenchman and a slave woman named Nanon. In France, he rose to unbelievable heights as a fen
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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POTELOIN, Hugo. "The use of audiovisual media as a means of acquiring informal French." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p409-417.

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This article examines the use of audiovisual media (films, series, short films, etc.) for the acquisition of non-standard French. At present, colloquial and oral French are given a marginal place in FLE teaching, in favour of standard or even formal French. This raises the question of the purpose of such teaching since it does not enable learners to adapt when interacting with native French speakers. In fact, the French used by the latter is often at odds with that taught in class in that it does not always abide by the rules of grammar and syntax or by the codes of written French and is not a
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SOLCAN, Angela. "Heterogeneity of the class and differentiated teaching of the French language." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p219-226.

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To teach a foreign language means to teach students to communicate both orally and in written form in this language. In order to achieve the proposed goals, the teacher must take into account that there are no students with an absolutely identical progression. Their interests, needs and way of learning may be similar, but differ depending on different factors. Students use in their self-training process various learning techniques. There are no two students who possess the same repertoire of behavior, and the same level of performance. The motivation in attaining the goals is also different. I
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IBRAHIM, Ulfet. "Translating socio-political texts from French into Azerbaijani: challenges and subtleties." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p261-264.

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"Translating" means identifying and overcoming obstacles, solving problems, making choices, in short, finding the best possible solution. The translation of socio-political texts is one of the most difficult challenges likely to arise in the life of a translator. This research asks the following questions: How to translate political texts? What subtleties and particularities should be taken into account when translating socio-political texts from French into Azerbaijani? What are the means available to the translator, but also above all what linguistic skills will he have to call on to transla
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SAVA, Anastasia. "Strategies for professional training of students in the study of the French language." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p232-236.

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The professional training of students is a current problem in the context of the awareness of the need to transform and reposition the initial training of teaching staff in the perspective of capitalizing on multiple resources to make this process more efficient. The new paradigm of learning based on skills and methods that emphasize analysis, synthesis, problem solving are paramount in the professional training process of students, this becoming an interactive act of knowledge, based on communication, on intelligent learning with the use of ICT tools. The preparation of students in the study
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NICOLESCU, Andrei. "French-romanian contacts at the military leadership level (1930-1936)." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p194-203.

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In 1932 and 1933 invitations to Generals Gamelin and Petin to visit Bucharest were declined on the basis of more or less objective reasons, this was not the case from 1934 onwards, when the frequency of such French visits to Bucharest increased. There was also a clear change in the level of representation, culminating in the visits of Generals Pétin, Mittelhauser, Georges, Gamelin and Weygand. Another significant moment for the development of the French-Romanian military relations was the presence in Bucharest of General Victor Pétin. It took place in a different context from that of General G
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10

ULFET, Ibrahim. "The socio-cultural aspect of the texts of French radio advertisements." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p429-433.

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Radio advertising, due to its speed and accessibility, effectively reaches the audience and provides an opportunity to attract attention to a product or service. Research in France shows that radio remains popular, attracting millions of listeners every day. Its universal accessibility, wide reach and interactivity make it an effective communication tool for a variety of purposes, including information, advertising and public initiatives. The variety of content and targeting different audiences make radio a valuable and reliable source of information. Different radio stations often target spec
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