Relevant bibliographies by topics / French poetry, translations into english

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'French poetry, translations into english'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "French poetry, translations into english"

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McIlfatrick-Ksenofontov, Miriam. "Fetching Poems from Elsewhere: Ciaran Carson’s Translations of French Poetry." Interlitteraria 21, no. 1 (2016): 51. http://dx.doi.org/10.12697/il.2016.21.1.5.

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Ciaran Carson is a renowned Northern Irish poet with a distinguished record of translating poetry from Irish, Italian and French. This article focuses on his translation practice as evidenced in his three volumes of French poetry in translation: sonnets by Baudelaire, Mallarmé and Rimbaud; prose poems by Rimbaud; and poems by Jean Follain. Guided by the music, the matter, and the linguistic and ontological going-beyond of the originals, Carson variously ‘adapts’ prose poems to a rhyming alexandrine format, makes explicit use of derivation, shifts spatio-temporal perspective, and ‘doubles’ his
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Reichl, К. "TRANSLATING TURKIC ORAL EPICS INTO ENGLISH AND GERMAN: PROBLEMS AND INSIGHTS." Эпосоведение, no. 1(1) (November 29, 2017): 76–82. http://dx.doi.org/10.25587/svfu.2017.1.8093.

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It is a well-known fact that the Turkic-speaking peoples of Eurasia and Siberia possess a rich heritage of oral epic poetry. Much has been written down, and in some areas the oral tradition of epic poetry is still flourishing today. While a few of the early texts, written down in the 19th century, are available in older German translations (A. Schiefner, W. Radloff), the majority of these epics can only be accessed either in their original language or (in some cases) in Russian translation. Translations of Turkic oral epics into European languages such as English, German or French are urgently
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Schabert, Ina. "Trading and Translating: English Literature in Rouen, 1730–56." Translation and Literature 26, no. 3 (2017): 273–94. http://dx.doi.org/10.3366/tal.2017.0301.

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In this period the city of Rouen is known for commercial activity and for certain literary connections, but its status as a centre of sorts for English-French translation has gone unrecognized. This paper explores the writers involved (some well known, some less familiar), the rationales for their translations (particularly from the poetry of Alexander Pope), and their relation on the one hand to the commercial life of Rouen, on the other to its Académie Royale, founded in 1744.
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Low, Graham D. "Evaluating translations of surrealist poetry." Target. International Journal of Translation Studies 14, no. 1 (2002): 1–41. http://dx.doi.org/10.1075/target.14.1.02low.

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Evaluating translations of poetry will always be difficult. The paper focuses on the problems posed by French surrealist poetry, where the reader was held to be as important as the writer in creating interpretations, and argues that evaluations involving these poems inevitably require reader-response data. The paper explores empirically, in the context of André Breton’s “L’Union libre”, whether a modification of Think-Aloud procedure, called Note-Down, applied both to the original text and to three English translations, can contribute useful information to a traditional close reading approach.
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Orsini, Francesca. "From Eastern Love to Eastern Song: Re-translating Asian Poetry." Comparative Critical Studies 17, no. 2 (2020): 183–203. http://dx.doi.org/10.3366/ccs.2020.0358.

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This essay explores the loop of translations and re-translations of ‘Eastern poetry’ from Asia into Europe and back into (South) Asia at the hands of ‘Oriental translators’, translators of poetry who typically used existing translations as their original texts for their ambitious and voluminous enterprises. If ‘Eastern’ stood in all cases for a kind of exotic (in the etymological sense of ‘from the outside’) poetic exploration, for Adolphe Thalasso in French and E. Powys Mathers in English, Eastern love poetry could shade into prurient ethno-eroticism. For the Urdu poet and translator Miraji,
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Lootens, Tricia. "BENGAL, BRITAIN, FRANCE: THE LOCATIONS AND TRANSLATIONS OF TORU DUTT." Victorian Literature and Culture 34, no. 2 (2006): 573–90. http://dx.doi.org/10.1017/s1060150306051321.

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To a far greater degree than many of us have yet realized, late-nineteenth-century women's poetry may be a poetry of alien homelands: of cultural spaces, that is, in which the domestic proves alien, even as technically alien territory comes to represent some form of home. And partly for this reasosn, to explore poetry in English may require moving not only beyond Britain, but also beyond English itself. Think, for example, of Christina Rossetti, who composed poems in Italian; of Mathilde Blind, with her German accent and translation of the French edition of theJournal of Marie Bashkirtseff; of
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Baudry, Samuel. "Foreignizing Macpherson: Translating Ossian into French after Le Tourneur and Lacaussade." Translation and Literature 22, no. 3 (2013): 322–42. http://dx.doi.org/10.3366/tal.2013.0126.

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This article expounds the method followed by its author to produce a new translation of James Macpherson's Ossianic poetry in French. Through a systematic comparison with earlier translations (in particular Pierre Le Tourneur's 1777 version) various levels of signification are explored, and the article discusses possible ways of recovering the original idiosyncrasy and foreignizing effect of Macpherson's putative translations: which cultural artefacts were highlighted, which were played down, how stylistic features, such as semantic uniformity, unconventional tense or punctuation usages, synta
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Waldinger, Albert. "Survivors : Postholocaust Yiddish Poems in Non-Jewish Language." TTR : traduction, terminologie, rédaction 14, no. 1 (2003): 183–209. http://dx.doi.org/10.7202/000533ar.

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Abstract This article, dealing with the translation of Postholocaust Yiddish poetry into non-Jewish languages like French, English and German, must necessarily sketch in a linguistic, literary and social background to prepare the ground for the complete understanding of the special task involved in the rendering of Jewish expression. (Conversion into Hebrew presents a far different challenge, described in a related study). Discussed here are literary movements like European Expressionism and Yiddish “Introspectivism” as practiced in the United States as well as the linguistic basis of these in
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Diachenko, Nataliia, Olena Terekhovska, Nataliia Vivcharyk, Myroslava Vasylenko, and Lada Klymenko. "The Specifics of Translating Poetry. The Study of the Specifics is Based on the Material of the English and French Languages." World Journal of English Language 13, no. 6 (2023): 332. http://dx.doi.org/10.5430/wjel.v13n6p332.

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The work of René Char remains poorly studied in Ukrainian literary criticism, and there are few translations published. In this paper, attempts were made to translate some of René Char's poems from the poetry collection "Fureur et mystère" (Rage and Mystery), which is central to his work. The analysis points out both the advantages and disadvantages of the translators' work. The intertextual connection between the poems "Allégeance" and "Allégement" is revealed and its importance for the interpretation of both texts is shown. This overlap was not shown in the translation. Ways were found to co
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Italia, Maddalena. "Eastern Poetry by Western Poets: Powys Mathers’ ‘Translations’ of Sanskrit Erotic Lyrics." Comparative Critical Studies 17, no. 2 (2020): 205–24. http://dx.doi.org/10.3366/ccs.2020.0359.

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This essay focuses on a pivotal (if understudied) moment in the history of the translation and reception of Sanskrit erotic poetry in the West – a moment which sees the percolation of this classical poetry from the scholarly sphere to that of non-specialist literature. I argue that a crucial agent in the dissemination and inclusion of Sanskrit erotic poems in the canon of Western lyric poetry was the English poet Edward Powys Mathers (1892–1939), a self-professed second-hand translator of ‘Eastern’ literature, as well as the author of original verses, which he smuggled as translations. Using B
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Dissertations / Theses on the topic "French poetry, translations into english"

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Higgins, Jennifer Anne. "English responses to French poetry 1880-1930 : translation and mediation." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612206.

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Armstrong, Robert A. "Gleanings in French Fields: A Formal Approach to the Translation of French Poetry." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1587646850156205.

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Cameron, Anne Louise. "The English translation of seventeenth-century French lyric poetry and epigrams during the Caroline period." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2531/.

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This doctoral thesis is the first comprehensive study of contemporary English translations of French lyric poetry during the Caroline period. While there has been extensive study of translations from French literature of other genres, notably drama, translations of lyric poetry have been largely ignored. The thesis examines the translations within the context of literary and cultural trends in France and England during the seventeenth century. Differing cultural tendencies and reader expectations are evident both in the selection of particular poems for translation, and in the changes translat
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Ford, John. "From poésie to poetry : remaniement and mediaeval techniques of French-to-English translation of verse romance." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/2690/.

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From Poesie to Poetry: Remaniement and Mediaeval Techniques of French-to-English Translation of Verse Romance, explores the use of remaniement, the art of rewriting, as the method preferred for vernacular translations of genres such as romance. A thorough history of the practice's principles are given, drawing on comments from Classical rhetoricians, patristic writers, authorities of the artes poeticae, and mediaeval translators employing the procedure. A textual analysis of the Middle English Amis and Amiloun follows, utilising a broadly structuralist approach which compares each individual e
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Kennedy, Sarah Alice. "The masks of the poet : Baudelaire's petits poèmes en prose in English translations : a methodological study." Thesis, Swansea University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678660.

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Auger, Peter. "British responses to Du Bartas' Semaines, 1584-1641." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.

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The reception of the Huguenot poet Guillaume de Saluste Du Bartas' Semaines (1578, 1584 et seq.) is an important episode in early modern literary history for understanding relations between Scottish, English and French literature, interactions between contemporary reading and writing practices, and developments in divine poetry. This thesis surveys translations (Part I), allusions and quotations in prose (Part II) and verse imitations (Part III) from the period when English translations of the Semaines were being printed in order to identify historical trends in how readers absorbed and adapte
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Nakhaeï, Bentolhoda. "Critical Analysis of the Stylistic Transformations in the 19th and 20th-century English and French Translations of Omar Khayyám’s Rubáiyát : exploring the Common Quatrains in FitzGerald, Arberry, Nicolas, and Lazard." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA144.

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Cette thèse vise à procéder à une analyse minutieuse de la transformation de la forme et du sens dans la traduction des Robâïât de Omar Khayyám, dans quatre importantes traductions – deux en anglais et deux en français, des XIXe et XXe siècles. Les traducteurs des traductions sélectionnées sont Edward FitzGerald, Arthur John Arberry, Jean-Baptiste Nicolas et Gilbert Lazard. Les traductions réalisées par ces traducteurs ont offert des possibilités d’investigation dans un cadre linguistique donné. En effet, on peut se demander si les traducteurs ont transformé la signification et la forme des qu
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.

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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of inte
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Eichel, Andrew Timothy. "Translating Anglo-Saxon poetry : foreignized translations of "The seafarer" and "The wanderer" /." View online, 2009. http://repository.eiu.edu/theses/docs/32211131566903.pdf.

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Ryland, C. A. "Memorialisation and metapoetics in Paul Celan's translations of French surrealist poetry." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1445830/.

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Contrary to assumptions within existing scholarship on Paul Celan's poetics, this thesis demonstrates that surrealist aesthetics were a significant discourse within Celan's poetics, in particular in die theories articulated in his Buchner Prize speech (1960). By mapping the points of convergence and divergence between specific surrealist ideas and particular elements of Celan's poetics, it demonstrates that the most significant point of contact between die two sets of aesthetics lies in the surrealist idea of a sustained tension between the unconscious and conscious realms, and between the pas
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Books on the topic "French poetry, translations into english"

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Balabanova, Violeta. Poetry & pictures: English-French-Arabic. s.n., 2002.

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1941-, Kelley David, and Khalfa Jean, eds. The New French poetry. Bloodaxe Books, 1996.

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William, Rees, ed. French poetry, 1820-1950, with prose translations. Penguin Books, 1990.

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Lisa, Neal, ed. Treasury of French love poems: In French and English. Hippocrene Books, 2000.

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1908-, Fowlie Wallace, and Fowlie Wallace 1908-, eds. Modern French poets: Selections with translations. Dover, 1992.

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Sisson, C. H. Collected translations. Carcanet, 1996.

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Stanley, Appelbaum, ed. Introduction to French poetry. Dover Publications, 1991.

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1951-, Reuzeau Jean-Yves, ed. French poets of today. 2nd ed. Guernica, 1999.

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Conroy, Kennedy Ellen, ed. The Negritude poets: An anthology of translations from the French. Thunder's Mouth Press, 1989.

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Béatrice, Mousli, ed. Review of two worlds: French and American poetry in translation. Otis Books/Seismicity Editions, 2005.

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Book chapters on the topic "French poetry, translations into english"

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Blakesley, Jacob S. D. "Comparing English, French, and Italian Poet-Translators." In A Sociological Approach to Poetry Translation. Routledge, 2018. http://dx.doi.org/10.4324/9780429462511-2.

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Saenger, Michael. "Comic Translations in All’s Well That Ends Well." In Shakespeare and the French Borders of English. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137357397_6.

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Jiang, Lan. "American Adaptation of Tang Poetry Translations from Europe." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_9.

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Sabiron, Céline. "4. Translating the French in the French Translations of Jane Eyre." In Prismatic Jane Eyre. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0319.07.

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Following the concepts and theories developed by translation and reception specialists, this essay combines literary, linguistic, and translatological approaches in a study five French translators’ responses to Brontë’s use of French in Jane Eyre. Translation within the novel is presented as both necessary (for the English-speaking readership) and impossible in order to preserve the ‘effet de réel’, and also for cultural, ideological, and ontological reasons. However, Brontë’s pedagogical approach to textual deciphering is not translated into the French versions of her work, so that French readers are not educated into reading and producing textual meaning. Her vision of a multiple language system viewed as a continuum, her dream of freeing languages, that is Jane Eyre’s literary agenda, ends up lost in translation.
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Gehmacher, Johanna. "Féminisme: Translations, Transfers, and Transformations." In Translation History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42763-3_6.

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AbstractThis chapter examines Käthe Schirmacher’s most successful book, Die moderne Frauenbewegung (1905, 2nd edition 1909), and compares it with its less comprehensive precursor, Le féminisme aux États-Unis, en France, dans la Grande-Bretagne, en Suède, et en Russie (1898), and the German book’s English translation The Modern Woman’s Rights Movement. A Historical Survey (1912). Drawing on a conceptual history approach, it analyses strategies of transfer, self-translation, and translation between these books; the chapter also discusses the transfers and transformations of the French key term ‘féminisme’ in a broader context and traces the translations of the term in German and English and of the German term ‘Frauenbewegung’ in English and French. In so doing it complicates the history of the term ‘feminism’ and argues that it changed its meaning more than once between languages and over time before becoming a clearly defined and established concept.
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Baddeley, Susan. "4. Writing Catholic, Translating Protestant. English Translations from French in the Sixteenth Century." In Language Commonality and Literary Communities in Early Modern England. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.peemb-eb.5.127776.

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D’Angelo, Edoardo. "Chapter 16. The Middle East." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.16dan.

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Literary Latin production of the Middle East during the Crusader period (eleventh-fifteenth century) is surely not extensive, but it exists and is important. Of course, some literary genres in the “Latin East” survive only in French (epic, legal texts, etc.), but several other genres were composed in Latin, such as historiography, theology, poetry, geography and other ones (scientific translations from oriental languages, etc.).
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Gagne, Christophe, and Emilia Wilton-Godberfforde. "The Perils of poetry." In English-French Translation. Routledge, 2020. http://dx.doi.org/10.4324/9781315731933-6.

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"Other Modern European Literatures." In The Oxford History of Literary Translation in English, edited by Stuart Gillespie and David Hopkins. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199246229.003.0008.

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Abstract The first two sections of this chapter cover translations from the two major European literatures (of this era) other than French: Italian and Spanish. In both these cases, the 1660–1790 period comes well after an early heyday of English translating activity; in fact, the translation of Italian literature was in the doldrums in the anglophone world during these years. The glorious achievements of the Elizabethans in this field were now neglected, and there were just a few worthy harbingers of the Romantics, who finally removed the French blinkers from English eyes, and revealed the full glory of Italian poetry.
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Nuttall, Jenni. "Literary Language." In The Oxford History of Poetry in English. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198839682.003.0005.

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Abstract Chaucer’s innovations paved the way for the literary language of English poetry of the fifteenth century. Chaucer’s style was praised by poets such as Hoccleve and Lydgate who continued and developed it to serve their own stylistic purposes. Lydgate, for example, elaborates the aureate style. There is also a broader tradition of aureate language, in Marian lyric and in other genres such as the chronicles of John Hardyng and in translations from Latin and French. In addition, this chapter examines aspects of fifteenth-century English and Scottish poetry which develop types of experimental ‘strange’ or ‘rough’ English, mixing aureate terms with colloquial language.
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Conference papers on the topic "French poetry, translations into english"

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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation." In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.

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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and wo
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Sulem, Elior, Omri Abend, and Ari Rappoport. "Conceptual Annotations Preserve Structure Across Translations: A French-English Case Study." In Proceedings of the 1st Workshop on Semantics-Driven Statistical Machine Translation (S2MT 2015). Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-3502.

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Bumatova, Aida. "IMAGES IN THE TRANSLATION OF POETRY SAMPLES IN "BABURNAMA"." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/unqc5556.

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Poetry is one of the most beautiful and complex forms of art that transcend time, place, and culture. This article analyzes the changes occurring in the poetictranslation of classical Muslim poetry into English. In the article, translations into English of the poetry of Zahirad-Din Muhammad Babur were selected to be researched and analyzed as the most striking examples of classical Muslim poetry.
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Gushchina, P. E. "THE MOTIF OF FAITH IN B. OKUDZHAVA’ POETRY: STRUCTURE AND FEATURES OF RENDERING IN ENGLISH TRANSLATIONS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-136.

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Mihaila, Ramona. "TRANSCULTURAL CONTEXTS: NETWORKS OF LITERARY TRANSLATIONS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-167.

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While in the Western societies the act of translating was a phenomenon that had a powerful tradition which started long before the sixteenth century, in the Romanian Principalities the first timid attempts were recorded at the beginning of the nineteenth century. Taking into account the translations accomplished by the nineteenth Romanian women writers and the large range of languages (French, Italian, Greek, Latin, German, English, Spanish) they used, I have tried to “discover” and “revive” as many women writers as I could, first of all by focusing all my attention on the works of the neglect
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Correard, Nicolas. "¿Lazarillo Libertin? Sobre la primera recepción en Europa del Norte: traducciones e inspiraciones anticlericales." In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.29.

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It has often been argued that the picaresque genre derived from the Lazarillo castigado, if not from the Guzmán de Alfarache, more than from the original Lazarillo. Such an assumption neglects the fact that the first French and English translations did rely on the 1554 text, whose influence, conveyed by the 1555 sequel also translated in French in 1598, did last until the early 17th century. Probably designed in an Erasmian circle, the anticlerical satire, enhanced by provoking allusions to certain catholic dogmas, did not pass unnoticed: the marginal comments of the translations, for instance
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Muhammadiyeva, Dilafruz. "CREATING AN ELECTRONIC PLATFORM OF “BABURNAMA” IS THE DEMAND OF THE TIMES." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/kdvn8331.

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Abstract:
This article discusses the principles of creating a perfect Boburnoma corpus. Gathering the achievements in Babur studies, defining the problems, showing its place in the development of world culture, the growing interest in Babur's personality, activities, and creativity on a global scale, and the emergence of new researches in Babur studies require the creation of this corpus.Creating an electronic database on Babur's life and activities, processing texts on the basis of artificial intelligence; Creating a corpus of parallel texts related to the translations of “Baburnama”, conducting a sear
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AVORNICESEI, Oana-Florina. "JAPANESE PROVERBS BETWEEN EQUIVALENCE AND COMPARATIVE TRANSLATION FROM JAPANESE AND ENGLISH INTO ROMANIAN. AN ANALYSIS FROM THE SEMANTIC AND PRAGMATIC POINT OF VIEW." In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.03.

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Abstract:
The current paper takes a comparative look at a selection of Japanese proverbs and their translation into English to their Romanian equivalents. The English translation belongs to David Galeff, the author of the book ‘Japanese Proverbs. Wit and Wisdom’ from which stems the selection of proverbs which are the object of the current analysis. The Romanian translation applies two methods. It tries to find an equivalent in Romanian, both in terms of wit i.e. wording or sense and in terms of wisdom i.e. meaning or reference. As such the two perspectives of analysis are semantic and pragmatic. The ai
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