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Relevant bibliographies by topics / French satire

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Journal articles

Academic literature on the topic 'French satire'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "French satire"

1

Fraser, Matthew. "Caricatures, Canards, and Guignols: Satirical Journalism in France from the French Revolution to Fifth Republic." Journalism and Media 5, no. 1 (2024): 123–34. http://dx.doi.org/10.3390/journalmedia5010009.

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The special status of satire in France is examined historically from the French Revolution to the Fifth Republic. It is argued that satire in France functions with a normative reference to the secular, universalist Jacobin values (hostile to church, aristocracy, and monarchy) that underpinned the foundation of the French Republic. Since the French Revolution, French journalistic satire has, in different ways, perpetrated what can broadly be categorized as either lèse majesté or blasphemy. Given France’s turbulent history over the past two centuries, satire has frequently been used as an instru

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2

Collovald, Annie, and Erik Neveu. "Political satire on French television." Modern & Contemporary France 7, no. 3 (1999): 339–49. http://dx.doi.org/10.1080/09639489908456501.

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3

Tsymbal, Inna, and Anastasiia Rudenko. "MEANS OF CREATING A COMIC IN FRENCH AND UKRAINIAN SATIRICAL EDITIONS (A STUDY OF CHARLIE HEBDO NEWSPAPER AND THE PERETS MAGAZINE)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 14(82) (2022): 75–78. http://dx.doi.org/10.25264/2519-2558-2022-14(82)-75-78.

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The article deals with the peculiarities of creating a comic in French and Ukrainian satirical editions on the basis of the French newspaper Charlie Hebdo and the Ukrainian magazine Perets. Comic forms including humor and satire are described. Humor helps to overcome stress, and satire, which aims to ridicule the politicians etc., is an effective mouthpiece that conveys the popular dissatisfaction, helps to cope with the vices of society. Each satirical magazine, as the center of this information struggle, has its own means of creating a comic, exposing effect. Unlike Perets's satire, Charlie

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4

Williams, Stephanie. "Satire, prints and theatricality in the French Revolution." French History 32, no. 2 (2018): 289–91. http://dx.doi.org/10.1093/fh/cry011.

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5

Thygesen, Mads. "Dit hjem er et minefelt!" Peripeti 4, no. 8 (2021): 77–88. http://dx.doi.org/10.7146/peri.v4i8.110158.

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6

Collins, Ross F. "A Battle for Humor: Satire and Censorship in Le Bayard." Journalism & Mass Communication Quarterly 73, no. 3 (1996): 645–56. http://dx.doi.org/10.1177/107769909607300311.

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Research on humorous and satiric publications during wartime is scarce, and studies of World War I humorous publications suggest that such publications emphasized patriotic material supporting the war and ridiculing the enemy. This study of a French weekly satiric publication, Le Bavard, indicates that, at least in France, the conventional assumption needs to be reassessed. Despite heavy censorship, Le Bavard criticized French politicians and lampooned government leadership. The protest-minded approach of Le Bavard may be attributed to its association with leftist politics.

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7

Cowart, Georgia. "Carnival in Venice or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra." Journal of the American Musicological Society 54, no. 2 (2001): 265–302. http://dx.doi.org/10.1525/jams.2001.54.2.265.

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Abstract After Louis XTVs banishment of the Comédie-Italienne in 1697, its costumes and masks became increasingly fashionable among a public disenchanted with absolutist politics. This article reveals the manner in which the plots, characters, and subversive satire of the Comédie-Italienne inform two ballets of André Campra, Le Carnaval de Venise (1699) and Les Fêêtes vénitiennes (1710). Following the satiric strategies used by the Comédie-Italienne, Campra and his librettists employ an exotic Venetian setting as a mask for the libertine entertainments of a French public sphere. Reversing the

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8

Burrows, Daron. "“Ele boute son doi en son con…”." Reinardus / Yearbook of the International Reynard Society 27 (December 31, 2015): 33–57. http://dx.doi.org/10.1075/rein.27.02bur.

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Across the Middle Ages, Continental French texts satirised the French spoken by Englishmen, with particular comic value attached to their alleged tendency unwittingly to use foutre and other obscene terms. Since the Anglophones’ jargon relies on grotesque parody of attested morpho-syntactical and phonological features of Insular French, this article assesses whether there may also be a lexical kernel of truth underlying the satire by exploring the frequency and context of occurrence of specific items of sexual vocabulary in Anglo-Norman texts, including fabliaux, comic monologues and dialogues

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9

Butterworth, Emily. "Reforming French Culture: Satire, Spiritual Alienation, and Connection to Strangers." French History 33, no. 1 (2019): 118–19. http://dx.doi.org/10.1093/fh/crz026.

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10

Berard, Christopher. "King Arthur’s Charter: A Thirteenth-Century French Satire Against Bretons." Journal of the International Arthurian Society 8, no. 1 (2020): 3–37. http://dx.doi.org/10.1515/jias-2020-0002.

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AbstractOn the verso of the last leaf of a twelfth-century manuscript containing the poetry of Hilarius, a student of Abelard, appears a faux charter purporting to have been issued by Arthur, king of the Britons, in the hundredth year of his immortality. In the act, Arthur thanks the descendants of his British subjects for their fidelity and grants them an exclusive franchise to fish in secret rivulets. The privilege contains two prohibitions: one prohibiting Britons from wearing shoes and the other prohibiting them from owning cats. This article provides a diplomatic edition, English translat

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