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Journal articles on the topic 'French translation'

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1

Merkoulova, Inna. "La traduction franco-russe d’un point de vue sémiotique." Punctum. International Journal of Semiotics 06, no. 01 (2020): 285–95. http://dx.doi.org/10.18680/hss.2020.0014.

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The article will focus on our personal experience in Russian translation of the reference book by French semioticians Algirdas Julien Greimas and Jacques Fontanille on the semiotics of passions. In particular, possible translative variations of terms relating to passions such as ‘umbrage’ with no exact analogue in Russian have been discussed with one of the authors, Jacques Fontanille. According to Umberto Eco, for a theory of translation, not only may it be necessary to examine many examples of translation, but also to have had at least one of the following three experiences: in checking tran
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N’Zengou-Tayo, Marie-José, and Elizabeth Wilson. "Translators on a Tight Rope: The Challenges of Translating Edwidge Danticat’s Breath, Eyes, Memory and Patrick Chamoiseau’s Texaco." TTR : traduction, terminologie, rédaction 13, no. 2 (2007): 75–105. http://dx.doi.org/10.7202/037412ar.

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Abstract Translators on a Tight Rope: The Challenges of Translating Edwidge Danticat's Breath, Eyes, Memory and Patrick Chamoiseau's Texaco — For Caribbean intellectuals and scholars, translation of Caribbean literary texts has a key role to play for breaching the language barriers in the Caribbean and fostering regional integration. However, most publishing houses are located in the industrialized North, i.e. in countries which had colonial interests in the region. The targeted market of these publishers is located in a region which tends to exoticize the Caribbean. Henceforth, translating Ca
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Margala, Miriam. "The Unbearable Torment of Translation: Milan Kundera, Impersonation, and The Joke." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (2011): 30. http://dx.doi.org/10.21992/t9c62h.

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Milan Kundera, a Czech émigré writer, living in Paris and now writing in French, is (in)famous for his tight and obsessive authorial control. He has said many times that he did not trust translators to translate his works accurately and faithfully. The various translations of his novel Žert (The Joke) exemplify this point. The novel has been translated into English, French, and many other languages more than once, depending on Kundera’s dissatisfaction with a particular translation (which, at first, he would support). Thus, there followed a cascade of translations (namely in French and English
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McIlfatrick-Ksenofontov, Miriam. "Fetching Poems from Elsewhere: Ciaran Carson’s Translations of French Poetry." Interlitteraria 21, no. 1 (2016): 51. http://dx.doi.org/10.12697/il.2016.21.1.5.

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Ciaran Carson is a renowned Northern Irish poet with a distinguished record of translating poetry from Irish, Italian and French. This article focuses on his translation practice as evidenced in his three volumes of French poetry in translation: sonnets by Baudelaire, Mallarmé and Rimbaud; prose poems by Rimbaud; and poems by Jean Follain. Guided by the music, the matter, and the linguistic and ontological going-beyond of the originals, Carson variously ‘adapts’ prose poems to a rhyming alexandrine format, makes explicit use of derivation, shifts spatio-temporal perspective, and ‘doubles’ his
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Vanderbauwhede, Gudrun, Piet Desmet, and Peter Lauwers. "The Shifting of the Demonstrative Determiner in French and Dutch in Parallel Corpora: From Translation Mechanisms to Structural Differences." Meta 56, no. 2 (2011): 443–64. http://dx.doi.org/10.7202/1006186ar.

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This paper focuses on translational shifts with respect to the demonstrative determiner in French and Dutch in parallel corpora. The paper aims to identify the types of translation shifts that occur systematically, and to explore the underlying mechanisms and semantic effects of this process. For this purpose, a well-balanced sub-corpus of the Dutch Parallel Corpus is used, making it possible to analyze both directions (French – Dutch and Dutch – French). In this corpus, 50% of the demonstrative determiners are translated by a demonstrative in the target text (in both directions). In 20% of th
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Kurbonova, Gulsara Sodikovna, and Gulasal Yusubjonovna Rofieva. "THE USE OF CONCEPTUAL METAPHORS IN UZBEK-FRENCH TEXTS." Scientific Reports of Bukhara State University 5, no. 5 (2021): 34–44. http://dx.doi.org/10.52297/2181-1466/2021/5/5/3.

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Introduction. The aim of research is to reveal national-cultural and cognitive peculiarities of translation of conceptual metaphors from Uzbek into French and develop modern principles of translation of conceptual metaphors. The object of research is the conceptual metaphors selected from the novel by Erkin Azam “Noise”, short stories “A tender soul of a shorty”, “Jumble mound”, “Where is the paradise”, “Master’s dog” and their French translations. The subject of research is the national-cultural and cognitive specificity of representation of Uzbek conceptual metaphors in translation. Research
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Leonavičienė, Aurelija. "Interpretation and Translation of Intertextual Meanings of Lithuanian Literature into French." Respectus Philologicus 23, no. 28 (2013): 97–108. http://dx.doi.org/10.15388/respectus.2013.23.28.8.

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This article analyses the intertextual meanings of Lithuanian literature, how they are interpreted, and some tendencies of their translation into French. The material for the analysis comprises 27 Lithuanian literature novels and ten poems, together with their translations into French (published from 2000–2010). The analysis shows the tendencies of translation of intertextual meanings during the last decade. The results of the quantitative research indicate that intertextual meanings are mainly translated by proper names, meaningful word groups, and phrases. A dominant tendency when translatin
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Ovchinnikova, G. V. "Translation constraints of eastern loans in russian film subtitles in French." Philology at MGIMO 6, no. 4 (2020): 82–88. http://dx.doi.org/10.24833/2410-2423-2020-4-24-82-88.

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The active development of intercultural communication in the cinematic arts sets new challenges for translation theorists and practitioners. The article presents concepts that are widely used in film translation, provides a classification of audiovisual translation types, and for the first time establishes a distinction between such concepts of translation studies as: “langue relais” (translator language), ”langue pont” (transition language),”langue véhiculaire” (Transporter language) and “langue interface” (interface language). Using the example of subtitles for the film “Turkish gambit”, the
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Diachuk, Liudmyla, and Iryna Nichaenko. "THE PECULIARITIES OF LANGUAGE AND STYLE OF ANNA GAVALDA’S NOVEL “LA CONSOLANTE” AND THEIR REPRODUCTION IN SPANISH AND UKRAINIAN TRANSLATIONS." Folia linguistica et litteraria XIII, no. 39 (2022): 227–57. http://dx.doi.org/10.31902/fll.39.2022.12.

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The article investigates lexical, semantic and grammatical peculiarities of the language and style of Anna Gavalda’s novel “La Consolante” and their reproduction in the Spanish and Ukrainian translations. The objective of the research focuses on the translation of the French novel into Spanish and Ukrainian, taking into account that French and Spanish are closely related languages from the group of Romance languages, and French and Ukrainian are distant languages that belong to a different language group, having different grammatical structures. The paper identifies the fragments, which presen
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Mossop, Brian. "The Missing Style Problem and the Translation of French Erotica into English." Meta 62, no. 2 (2017): 333–49. http://dx.doi.org/10.7202/1041027ar.

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In most synonym sets, there is a neutral item that does not belong to any particular style (poor is neutral whereas impecunious and broke are not). In writings about sex, French has a neutral style but English does not. The English translations of two French autobiographies detailing the authors’ sex lives are presented and some of the translators’ strategies are discussed. These two cases are seen against the general background of style options available to translators. A translator’s approach to style can be theorized by comparison to the source text (use an equivalent style, use a different
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Gordon, W. Terrence. "A Comparative Study of the French & Italian Translations of Anne Michaels’ Fugitive Pieces." TTR : traduction, terminologie, rédaction 15, no. 1 (2003): 103–15. http://dx.doi.org/10.7202/006802ar.

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Abstract W. Terrence Gordon examines the notion of translation problems by comparing the French and Italian versions of Michaels’ work. He begins by examining the translation of geological terms which, although they cause no translation problems on a strictly scientific level, are a cause of divergence in the French and Italian versions because they express metaphorically a main theme of the novel: memory and the modifying effect that the past has on the present. Gordon also examines the strategy of each translator with regards to word play, and in particular homonyms, anagrams and palindromes
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Xavier, Subha. "The global afterlife: Sino-French literature and the politics of translation." French Cultural Studies 30, no. 2 (2019): 153–65. http://dx.doi.org/10.1177/0957155819842980.

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Following the critical acclaim of Sino-French literature in recent years, an increasing number of Chinese presses have solicited translations of prize-winning novels written in French by authors of Chinese descent. Yet as the work of authors like François Cheng, Shan Sa, Ya Ding and Dai Sijie travels from French into Chinese, it also undergoes a transformation via the politics of translation and publication in China. This essay exposes the inner workings of translation between French and Chinese, as well as the politics that colour its publication and reception between France and China. The ac
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Brisset, Annie, and Lynda Davey. "In Search of a Target Language." Target. International Journal of Translation Studies 1, no. 1 (1989): 9–27. http://dx.doi.org/10.1075/target.1.1.03bri.

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Abstract In nationalist Quebec, French is rejected as the bearer of a foreign culture in the same way that the Québécois' native land, despoiled by the English, has become the country of the Other. Theatre, more than anything else, lent itself to the task of differentiation allotted to language. As of 1968 the vernacular has become the language of the stage as well as of theatre translation such as the exchange value of both foreign works and French translations from France increasingly erodes. Translating "into Québécois" consists in marking out the difference which opposes French in Quebec a
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Karas, Hilla. "Intralingual intertemporal translation as a relevant category in translation studies." Target. International Journal of Translation Studies 28, no. 3 (2016): 445–66. http://dx.doi.org/10.1075/target.28.3.05kar.

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Abstract This article argues for intralingual intertemporal translations as a separate category within the field of translation studies. Not only do these translations seem to have common characteristics and behaviors, but it is precisely their particularities that make them a key to understanding more ‘typical’ translations. Two main sets of examples will serve as demonstration: translations from Old French into Middle and Modern French, and a Modern Hebrew translation of the Old Testament, originally written in Biblical Hebrew, as well as the public discussion following its publication.
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Markov, Alexander V. "Textual Criticism of Ostrovsky’s Translations from Latin. Part 1: Terence’s Hecyra and the French Intermediary Translation." Two centuries of the Russian classics 3, no. 4 (2021): 146–63. http://dx.doi.org/10.22455/2686-7494-2021-3-4-146-163.

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Ostrovsky’s translations of the works of Plautus, Terence, and Seneca, preserved in incomplete drafts, attend to the textual criticism related both to the principles of the work and to its aims. The example of the translation of Terence’s Hecyra in comparison with the earlier translation of Plautus’ Asinaria proves the evolution of Ostrovsky’s translation principles. While Plautus was translated without recourse to an intermediary translation, Terence was translated from the popular bilingual edition, and the translator turned to a French translation in difficult cases. The article explains ho
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Stahl, Aletha. "Does Hortense Have a Hoo-Hoo? Gender, Consensus, and the Translation of Gisèle Pineau’s L’espérance-macadam." TTR : traduction, terminologie, rédaction 13, no. 2 (2007): 127–48. http://dx.doi.org/10.7202/037414ar.

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Abstract Does Hortense Have a Hoo-Hoo? Gender, Consensus, and the Translation of Gisèle Pineau's L'espérance-macadam — This article uses an experiment in translating Guadeloupean writer Gisèle Pineau's novel L'espérance-macadam via consensus as a point of departure for analyzing the broader context of translating the French Caribbean for an English-speaking public. Previous efforts at translating recent French Caribbean fiction have focused on the challenge of representing the linguistic spectrum specific to the franco- and creolophone Caribbean. Here, it is suggested that Pineau's particular
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Sajarwa, Sajarwa. "TRANSLATION IDEOLOGY OF FRENCH NOVELS INTO INDONESIAN IN COLONIAL AND POST-COLONIAL PERIOD." JOALL (Journal of Applied Linguistics and Literature) 6, no. 2 (2021): 330–47. http://dx.doi.org/10.33369/joall.v6i2.15372.

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This study analyzes the differences in the expression of meaning of the colonial and postcolonial French novels and the ideology of translating French novels into Indonesian during the colonial and postcolonial periods. This study uses data from French novels and their translations into Indonesian during the colonial and postcolonial periods. The data were analyzed by using descriptive-qualitative-comparative method. The results of this study show that text message expression during colonial period is indirect due to at that time The society was under the rule of the Dutch colonialists or suba
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18

Laachiri, Soufiane. "Translating The Disaster of Mourice Blanchot Between Ann Smock and Azzedine Chentouf." International Journal of Translation and Interpretation Studies 1, no. 1 (2021): 15–20. http://dx.doi.org/10.32996/ijtis.2021.1.1.3.

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The present article attempts to present a succinct and circumspect comparison between two different translations for Mourice Blanchot’s book « L’écriture du désastre ».The first translation was performed by Ann Smock in 1995 and was from French into English, while the other translation was skillfully produced by Azzedine Chentouf from French into Arabic in 2018. The contrast in attitudes and translational fertilization has provided us with ample opportunities to study, reflect on, and rethink the nexus of Blanchot’s philosophy from different linguistic perspectives. However, in our attempt to
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Weddha Savitri, Putu. "Technique Used in Translating Balinese Tradition Terms into French." Lingual: Journal of Language and Culture 3, no. 1 (2017): 24. http://dx.doi.org/10.24843/ljlc.2017.v03.i01.p05.

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This paper aims to analyses the technique used in translating Balinese Tradition terms into French found in the Tourism Promotion Book of Bali Government Tourism Department. This book was published every year as one of the important device to promote Bali abroad especially to the French tourist. This paper is also to figure out whether there is loss and gain of information or skewing in conveying the meaning of the terms. The technique of translating from Harvey (2003) was applied to analyze the Cultural-bounded Terms and also the Theory from Nida (1974) was used as supporting theory.The findi
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Guerrero, María José Hernández. "La traducción de letras de canciones en la web de aficionados Lyrics Translate.com." Babel. Revue internationale de la traduction / International Journal of Translation 60, no. 1 (2014): 91–108. http://dx.doi.org/10.1075/babel.60.1.06her.

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This paper aims to describe a sample of community translation: the web site Lyrics Translate.com, which offers translation for lyrics. Community translation consists of the translation of a large volume of content due to the collaboration of a group of amateur translators in Internet and it is characterized by the lack of a professional who guarantees the quality of the final product. The power and reach of amateur translation is surprising. The willingness of translators to work on a project without direct financial compensation is a widespread reality. Translators are motivated by recognitio
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Moyes, Lianne. "From one colonial language to another: Translating Natasha Kanapé Fontaine’s “Mes lames de tannage”." TranscUlturAl: A Journal of Translation and Cultural Studies 10, no. 1 (2018): 64–82. http://dx.doi.org/10.21992/tc29378.

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Signed and posted to the internet on July 6, 2012 in the months following the “Printemps érable” and leading up to Idle No More, “Mes lames de tannage” is one of Natasha Kanapé Fontaine’s most important slams. In analysing my English translation of this slam, published in Canadian Literature in 2016, this essay speaks to the relationship between Indigenous literatures and European languages. It participates in a conversation about what it means to translate French-language Indigenous literature from Quebec into English. Such translation enables Indigenous writers across North America to make l
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Laska, Igor. "THE CREATIVE COMPONENT OF THE CONCEPT TRANSLATION IN FRENCH TRADUCTOLOGY OF THE 17 TH CENTURY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 204–7. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-204-207.

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The present article highlights the problem of translation as creativity in the writings of French translators of the 17th century. The analysis of the traductologic texts of the classicism era allowed to establish two directions in conceptualization of the creative aspect of the translator’s work. Translators who grouped around the newly formed French Academy, in particular Perrot d’Ablancourt and supporters of translations of the genre les belles infidèles, equate the work of the translator with the work of the author and see his task in giving a new real creation of the receiving literature.
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Remchukova, Elena N., and Ekaterina M. Nedopekina. "Difficulties in translating Russian classics: Pushkin’s novel “Eugene Onegin” in English and French." Russian Journal of Linguistics 24, no. 4 (2020): 945–68. http://dx.doi.org/10.22363/2687-0088-2020-24-4-945-968.

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A translator of classical literature is faced with the task of identifying the goal and methods of conveying the national originality of a generally recognized literary masterpiece. The article considers this problem in the context of translations of the novel in verse Eugene Onegin by Alexander Pushkin into English and French. At the same time, it raises the questions of the translators attitude to their own work, the depth of interpretation of the original, the degree of adaptation of the original text for a foreign reader. In addition, a matter of great importance is the translators assessm
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Cummins, Sarah, and Geneviève Parent. "Translating maman and papa: A corpus-based survey." Translation and Interpreting Studies 2, no. 1 (2007): 3–45. http://dx.doi.org/10.1075/tis.2.1.01cum.

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This study examines the translation of the French terms maman and papa by English-language translators from the nineteenth century to the present. Following a comparative analysis of the semantics of the French terms and of their most typical English translations, the authors of the study isolate trends in the translation of these terms through analysis of corpora of French and Quebecois literary texts and their translations.
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Ibodulla Kamolovich, Mirzaev. "Translations from French literature in 60-70s." International Journal on Integrated Education 2, no. 5 (2019): 150–53. http://dx.doi.org/10.31149/ijie.v2i5.159.

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This article deals with translation practice the French literature in the Uzbek language. The ways of translation some stories in 60-70s are given in it. Several examples of translations in Uzbek, Russian and French are presented in this article.
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Frank, Helen. "Discovering Australia Through Fiction: French Translators as Aventuriers." Meta 51, no. 3 (2006): 482–503. http://dx.doi.org/10.7202/013554ar.

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Abstract The translation into French of referents of Australia and Australianness in fiction necessitates a considerable variety of translational tendencies and interpretive choices. This study focuses on French translations of selected passages and blurbs from Australian fiction set in regional Australia to determine how referents of Australian flora, fauna, landscape and people are translated and interpreted in a non-English speaking cultural system. Guided by concerns for the target readers’ understanding of the text, French translators employ normative strategies and adaptive procedures co
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Namukwaya, Harriett. "Beyond Translating French into English: Experiences of a Non-Native Translator." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 61. http://dx.doi.org/10.21992/t9r906.

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This paper documents a non-native translator’s experience in an academic setting, focusing on the challenges of translating different kinds of texts from French into English at the Institute of Languages, Makerere University. Makerere Institute of Languages (MIL) is composed of four clusters: Foreign Languages, African Languages, Communication Skills and Secretarial Studies, Service Courses and Soft Skills (Wagaba 97). The services offered include teaching language skills and culture to university students and the general public; communication skills to people who want to improve in English, F
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Miyondri, Popi. "ANALISIS TERJEMAHAN BAHASA PERANCIS PADA NOVEL PERBURUAN KARYA PRAMOEDYA ANANTA TOER." Jurnal Pendidikan Bahasa dan Sastra 17, no. 1 (2017): 58. http://dx.doi.org/10.17509/bs_jpbsp.v17i1.6958.

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This article reveals the results of this analyze the translation into French language of novel Perburuan by Pramoedya Ananta Toer. This novel has chosen as our resource of this research because this novel has won the BalaiPustaka award in 1949 in Jakarta and this novel describes the ideology of the people in Indonesia and Japanese colonizer in Japanese colonization period. This study was conducted to answer our two questions, such as how translator translates the novelPerburuan and is the translator is a faithful translator or unfaithful translator?. This study is based on qualitative research
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Pentkovskaya, Tatiana. "Russian Translation of the Quran, Printed in 1716: Problems of Studying." Stephanos Peer reviewed multilanguage scientific journal 44, no. 6 (2020): 43–52. http://dx.doi.org/10.24249/2309-9917-2020-44-6-43-52.

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The paper deals with key issues related to the study of the Russian translation of the Quran, printed in St. Petersburg in 1716. The article provides information about the French and Dutch editions of the Du Ryer translation of 1647. Their structure is compared with the structure of the Russian translation. The possibility of obtaining a French edition from both France and the Netherlands is considered. The question is raised about the possibility of the Russian translator acquaintance with the Dutch version made by J.H. Glazenmaker. However the presence of chapter numbering and correct transm
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Warmuzińska-Rogóż, Joanna. "Od przekładu do twórczości, czyli o quebeckich feministkach, anglokanadyjskich tłumaczkach i przekładowym continuum." Między Oryginałem a Przekładem 24, no. 40 (2018): 65–77. http://dx.doi.org/10.12797/moap.24.2018.40.04.

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From Translation to the Writing: On the Quebec Feminists, Anglo-Canadian Women Translators and the Translation ContinuumThe article presents the unique relationship between French- and English- -speaking translators in Canada, which has resulted in a great number of interesting translation phenomena. The author makes reference to the distinction between feminist translation and translation in the feminine, derived from literature in the feminine, both widely practiced in Quebec. One of the representatives of this trend was Suzanne de Lotbiniere-Harwood, mostly French-English translator, known
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Molés-Cases, Teresa. "Manner salience and translation: A case study based on a multilingual corpus of graphic novels." Lebende Sprachen 49, no. 5 (2020): 346–68. http://dx.doi.org/10.1515/les-2020-0020.

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AbstractThis paper examines the salience of Manner-of-motion and its translation in a multilingual corpus of graphic novels, with the dual aim of further investigating the role of visual language in Slobin’s Thinking-for-translating hypothesis and identifying the relevant translation techniques. Many studies that draw on the hypothesis have shown, for instance, that, in the translation process from a satellite-framed language (e. g. German, English) into a verb-framed language (e. g. Spanish, French), Manner-of-motion is usually omitted, whereas in the translation process between languages bel
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Cordingley, Anthony. "Samuel Beckett and Édith Fournier Translating the ‘Untranslatable’ Worstward Ho." Journal of Beckett Studies 26, no. 2 (2017): 239–56. http://dx.doi.org/10.3366/jobs.2017.0205.

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Worstward Ho is renowned for being Beckett's only text that he deemed untranslatable. However, fragments of a translation by him of Worstward Ho into French recently discovered in the archives of Les Éditions de Minuit at the Institut mémoires de l’édition contemporaine reveal that his work on this translation was more assiduous than he led others to believe. In this article, I compare the published French translation of the text by Édith Fournier with these newly discovered fragments of Beckett's translation. Remarkable similarities between the two translations are observed, and the hypothesi
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Khamidova, Muborak. "PROBLEMS OF TRANSLATION OF FRENCH AND UZBEK DEOPOETONYMS." Scientific Reports of Bukhara State University 5, no. 4 (2021): 57–66. http://dx.doi.org/10.52297/2181-1466/2021/5/4/5.

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Introduction. In world onomatology, the weight of research devoted to the study of the lexicon of the French language, including the basics of the origin of deopoetonyms, structural and semantic conditioning, the scope of use in comparison with other languages is growing. As a logical consequence, the comparison of linguistic-stylistic, poetonymic, gender features of the French and Uzbek deopoetonyms in the language lexical-semantic, national-cultural, literary text has gained priority and relevance in the field of linguistics. Indeed, the definition of the semantic and stylistic potential of
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Ulozienė, Paulina, and Aurelija Leonavičienė. "Comparative Analysis of the Use of Lexical Analytical Constructions and their Translation into Lithuanian in Italian and French Literary Texts." Sustainable Multilingualism 16, no. 1 (2020): 175–204. http://dx.doi.org/10.2478/sm-2020-0009.

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SummaryThe intensification of research on Lithuanian translations of Italian literature and Italian translations of Lithuanian literature over the past twenty years is paralleled by the growth of interest in Italian literature in Lithuania. However, the existing research on diverse linguistic and cultural characteristics of texts translated from Italian into Lithuanian and vice versa has been sporadic, thus leaving much to be done to uncover links between the two languages and identify translation-related issues. The present article looks into one of the issues, namely, the lexical analytical
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Shread, Carolyn. "Translating Fatima Gallaire's Les co-épouses as House of wives: Lessons from a francophone text." Translation and Interpreting Studies 2, no. 2 (2007): 127–46. http://dx.doi.org/10.1075/tis.2.2.05shr.

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This retrospective account of the process of translating Algerian playwright Fatima Gallaire’s Les co-épouses (1990) from French into English problematizes the recent assimilation of Francophone literature into the French canon. Pointing to the ways in which translating revealed cultural lacuna in a French reading, I also explain how it challenged many assumptions about traditional approaches to translation. For instance, although we began translating with a predilection for the resistant translation advocated by Lawrence Venuti, we became progressively aware of areas of resistance in Gallaire
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Brownlie, Siobhan. "Investigating explanations of translational phenomena." Target. International Journal of Translation Studies 15, no. 1 (2003): 111–52. http://dx.doi.org/10.1075/target.15.1.06bro.

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The article investigates the issue of providing explanations for translational phenomena through discussion of data provided by a case study of the English translations of works by French philosopher Jean-François Lyotard. In the study four major sources of explanation are proposed: individual situations (the context of production of a particular translation and different translators’ attitudes); textuality (the conditions governing textuality implied in translation); translators’ norms; and intersecting fields (academic translation is envisaged as being situated at the intersection of three f
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Wijaya, Elyan. "TERJEMAHAN BERANOTASI DONGENG LE FILS À LA RECHERCHE DE SA MÈRE KE DALAM BAHASA INDONESIA." Paradigma, Jurnal Kajian Budaya 9, no. 1 (2019): 15. http://dx.doi.org/10.17510/paradigma.v9i1.244.

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Annotated translation is a study that provides annotations or notes on the chosen equivalents of a number of translated words as a form of translator’s accountability. Using a comparative model, this qualitative study aims to describe the problems that were encountered when translating the source text and finding the right translation strategy to be used for addressing the existing translation problems. In this research, the source text is a children literature (tale) titled Le Fils à la recherche de sa mère by Senegalese author. The problems that were encountered when translating this tale we
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Smith, Paul J. "Thirty-first Annual Erasmus Birthday Lecture: The First French Translations of the Praise of Folly." Erasmus Of Rotterdam Society Yearbook 32, no. 1 (2012): 7–26. http://dx.doi.org/10.1163/18749275-00000003.

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This essay studies the two sixteenth-century translations of Erasmus’ Praise of Folly: the anonymous De la Declamation des louenges de follie, printed in 1520, and Jean Thenaud’s translation of 1517, which survived in three manuscripts intended for the royal family. It examines their translation practices and use of sources, and it addresses questions of (co-)authorship, such as the possible identification of Georges Haloin as the translator of the Declamation and the role of François Rabelais in his friend Thenaud’s translation. Furthermore, this essay pays particular attention to the illustr
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Bogle, Desrine. "Traduire la créolisation." Translating Creolization 2, no. 2 (2016): 181–94. http://dx.doi.org/10.1075/ttmc.2.2.01bog.

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This article proposes the translatological approach called intracultural translation, that is, translation within the same language-culture, coined by Desrine Bogle (2014), with specific reference and application to the Creole language using H. P. Grice’s conversational implicature, Venuti’s application to translation, and Roman Jakobson’s intralinguistic translation as theoretical frameworks. Mirroring the approach of the translator working within Romance languages who employs the Latin roots of these languages to judiciously resolve difficult translation issues, the concept of intracultural
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Marczak, Marek. "Polskie adaptacje łacińskich i francuskich nazw miejscowych w Nowym wielkim dykcjonarzu Pierre’a Daneta i Dymitra Franciszka Koli." Linguodidactica 24 (2020): 159–71. http://dx.doi.org/10.15290/lingdid.2020.24.12.

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The considerable number of toponyms is one of the many unexplored but interesting characteristics of the Danet-Kola French-Latin-Polish dictionary. The translator – Kola – alters toponyms in different ways. This article analyses the substantial corpus of lexicographical units, mainly place names of French and English cities. The results of the research illustrate the two most noticeable tendencies of Kola’s translations. Firstly, he adapts Latin toponyms if the term denotes a place with a diocese. Secondly, Kola refers to his knowledge of French in translation, even if place names are derived
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Fernández Rodríguez, Carmen. "An Analysis of Octave Ségur’s Translation of Maria Edgeworth’s Belinda (1801) into French." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 91. http://dx.doi.org/10.14198/raei.2016.29.05.

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The Anglo-Irish author Maria Edgeworth (1768-1849) became very famous in Britain at the turn of the nineteenth century thanks to her pedagogical works, regionalist and feminocentric novels, whose translations were eagerly awaited on the Continent. This paper analyses a hitherto totally unexplored field of research within Edgeworth studies: the French translation of Edgeworth’s most important English society novel, Belinda (1801), from the point of view of gender and translation studies. For this purpose, we will take into account the particular context of the work, its main features in English
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Abdulhakeem Abdullah, Jamal. "The term (كلمة) in the Holy Quran Between Translation and interpretation". Al-Adab Journal 1, № 136 (2021): 21–42. http://dx.doi.org/10.31973/aj.v1i136.1103.

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There is no doubt that the correct and accurate translation of religious terms and concepts is of the utmost importance for those who seek to be precise in their translations and strive to convey the meanings to the readers of the language transmitted with extreme precision. and linguistic proficiency, taking into account the linguistic and cultural stock of the transmitted language, as this is a major condition for its successful Translation.
 This research seeks to highlight the rhetoric of the Koran by touching on the polysemy of a term in the translation. In this research, the term "w
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D’hulst, Lieven, and Michael Schreiber. "Vers une historiographie des politiques des traductions en Belgique durant la période française." Target. International Journal of Translation Studies 26, no. 1 (2014): 3–31. http://dx.doi.org/10.1075/target.26.1.01hul.

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The language policy of the French Revolution is known today especially for the imposition of the national language and the oppression of dialects and regional languages in France. This pilot study focuses on a less-known phenomenon of that period: translation policy. From 1790 on, several decrees stipulated the translation of national laws and decrees into the regional languages of France and some languages of other European countries. We will illustrate this translation policy focusing on translations of political and administrative texts from French into Flemish in Belgium (which was annexed
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Mukhetdinov, D. V. "French Translations of the Qur’an Between Aesthetics and Scholarly Accuracy." Islam in the modern world 17, no. 2 (2021): 91–118. http://dx.doi.org/10.22311/2074-1529-2020-17-2-91-118.

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This article examines the history of the tradition of translation of the Qur’an into French. This tradition is one of the oldest and most influential, as it has significantly supported the development of many other traditions of translations of the Qur’an, primarily, but by no means only, into many European languages (including Russian). In this paper we have attempted to examine the history of the tradition of translating the Qur’an into French in the context of the searching for a balance between the aesthetic characteristics of the interpreted text and its scholarly adequacy. Particular atten
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Muhammad Zayyanu, ZAKI, SAJO Muhammad Aliyu, and John Ogboji. "Role of Translator as a Gap Filler in Communication with Reference to Françoise Balogun." Cognizance Journal of Multidisciplinary Studies 1, no. 11 (2021): 9–21. http://dx.doi.org/10.47760/cognizance.2021.v01i11.002.

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Translation of messages between two languages has been very challenging among translators. Translations have led to the filling of gaps in communication barriers so that equivalence and accuracy are achieved in the process of transfer of messages from one language to another. This paper aims to examine the role of a translator in filling the communication gap between the Source Language (SL) and the Target Language (TL). These gaps are known as translation problems or difficulties as a means of solving them. We apply the interpretative and comparative approaches of translation. This is achieve
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Bisdorff, Claire. "French Caribbeanprose d'idéesin Translation." Interventions 15, no. 3 (2013): 332–48. http://dx.doi.org/10.1080/1369801x.2013.824750.

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Kristjanson, Gabrielle. "Meaning in (Translated) Popular Fiction: An Analysis of Hyper-Literal Translation in Clive Barker’s Le Royaume des Devins." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 159. http://dx.doi.org/10.21992/t94k9s.

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Most translation theorists agree that source text fidelity results in a translation that aptly transmits the foreign cultural values and meaning embedded within the source language to a target culture. While the preservation of foreignness might be beneficial for the propagation of international artistic diversity, when translating works of popular fiction, domestication is key to a novel’s successful incorporation into the target literary system. In popular fiction translation, the goal is accessibility rather than artistic influence or cultural exchange, yet the necessary domestication can b
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Yun, Seong-Woo, and Hyang Lee. "De Berman à Venuti." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 7, no. 1 (2009): 203–21. http://dx.doi.org/10.1075/forum.7.1.09yun.

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Postcolonial theory, widening the horizons of translation research, has played a significant role in the history of translation studies. But this interdisciplinary field was often neglected. This paper analyses two major authors of translation studies, Berman, French translator and theorist and Venuti, American theorist inspired by Berman, and examines their similarities and differences. It compares their theoretical frames, ‘traduction de la lettre’ of Berman and ‘resistant translation’ of Venuti and finally reaches the conclusion that, for a better understanding of the peculiarities of each
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L, Card. "Thinking French Translation: A Course in Translation Method: French to English (review)." Language 82, no. 1 (2006): 199–200. http://dx.doi.org/10.1353/lan.2006.0014.

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Karen Steffen, Chung. "Thinking French Translation: A Course in Translation Method: French to English (review)." Language 82, no. 1 (2006): 199. http://dx.doi.org/10.1353/lan.2006.0016.

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