Relevant bibliographies by topics / Freud, Sigmund, in fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Freud, Sigmund, in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Freud, Sigmund, in fiction"

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Wertz, Frederick J. "The Phenomenology of Sigmund Freud." Journal of Phenomenological Psychology 24, no. 2 (1993): 101–29. http://dx.doi.org/10.1163/156916293x00099.

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AbstractThe convergences in approach between Freud's psychoanalysis and Husserl's phenomenology are elaborated. These include philosophical roots in Brentano's teachings; the primacy of direct observation over construction and theory; a conviction about the irreducibility of mentality to nature; the project of a "pure" psychology; the bracketing of theories, preconceptions, and the natural attitude; the necessity of self-reflection and empathy; a relational theory of meaning; receptivity to human subjects as teachers; and the methodological value of fiction for scientific truth. It is argued that divergences between psychoanalytic and phenomenological theory have obscured profound agreement in the approach, subject matter, and methods of these two schools of psychology.
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Lothane, Zvi. "The Sigmund Freud/Minna Bernays Romance: Fact or Fiction?" American Imago 64, no. 1 (2007): 129–33. http://dx.doi.org/10.1353/aim.2007.0015.

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Rodrigues, Larissa de Assis Pimenta. "Diálogos entre Teoria e Literatura: A escrita de Freud." Revista Discente Ofícios de Clio 3, no. 4 (December 21, 2018): 27. http://dx.doi.org/10.15210/clio.v3i4.14116.

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Este artigo investiga as possibilidades de uma escrita da história com abordagem interdisciplinar, explorando a categoria de escrita cunhada por Sigmund Freud como “Ficção Teórica”. Esta modalidade de escrita é encontrada nos escritos de Freud principalmente ao relatar casos clínicos nos quais ele lançava mão de recursos literários para compor verdadeiros contos que articulavam ficção e teoria psicanalítica. Tal escrita suscita interpretações para além do que foi pretendido transmitir, como traços culturais ou aspectos subjetivos da época e dos indivíduos. Isto é, ela seria capaz de revelar elementos de um inconsciente coletivo, através de vocábulos usados, escolha de temas, valores morais, etc. Portanto, a ficção teórica não é uma nova forma de teorização, mas suscita interpretações e produz sentidos que seriam imprevistos pela teoria pura. Palavras-chave: Ficção teórica, literatura, psicanálise. AbstractThis article intends to investigate the the writing of History with an interdisciplinary approach, exploring the category of writing coined by Sigmund Freud as "Theoretical Fiction". This kind of writing is found in Freud's reports of his clinical cases, in which he used literary resources to compose true tales articulating fiction and psychoanalytic theory. This writing raises interpretations beyond what was intended to convey, such as cultural traits or subjective aspects from the periods and its individuals. That is, it would be able to reveal elements of a collective unconscious through used words, choice of themes, moral values, etc. Therefore, Theoretical Fiction is not a new form of theorizing but it raises interpretations and produces meanings that would be unforeseen by pure theory.Keywords: Theoretical Fiction, literature, psychoanalysis.
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Goodstein, Elizabeth. "‘Behind the Poetic Fiction’: Freud, Schnitzler and Feminine Subjectivity." Psychoanalysis and History 6, no. 2 (July 2004): 201–23. http://dx.doi.org/10.3366/pah.2004.6.2.201.

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In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.
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Segarra, Marta. "Cixous, Derrida and Psychoanalysis: The Principle of Intermittence, or Dwelling on the Angle." Paragraph 36, no. 2 (July 2013): 240–54. http://dx.doi.org/10.3366/para.2013.0090.

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If we consider the role of psychoanalysis in Hélène Cixous's and Jacques Derrida's writing, we must assume that both differ considerably. Derrida's work, from its beginning, includes several essays on psychoanalysis (although referring to Derrida this usual expression fails to be appropriate). Cixous, faithful to her conception of writing as philosophical fiction, prefers to present the father of psychoanalysis, Sigmund Freud, as a character in many texts, above all in her famous Portrait of Dora (1976), but also in others like OR, Les lettres de mon père (1997). I have chosen this book by Cixous for my analysis, since, in my view, OR proposes a performative way of thinking about ‘life death’ which Derrida conceptualizes in several of his books.
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McConeghy, David. "Facing the Monsters: Otherness in H. P. Lovecraft’s Cthulhu Mythos and Guillermo del Toro’s Pacific Rim and Hellboy." Religions 11, no. 2 (January 22, 2020): 58. http://dx.doi.org/10.3390/rel11020058.

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What happens when we imagine the unimaginable? This article compares recent films inspired by H. P. Lovecraft’s Cthulhu Mythos with that author’s original early 20th century pulp horror stories. In Guillermo del Toro’s films Pacific Rim and Hellboy, monsters that would have been obscured to protect Lovecraft’s readers are now fully revealed for Hollywood audiences. Using the period-appropriate theories of Rudolf Otto on the numinous and Sigmund Freud on the uncanny, that share Lovecraft’s troubled history with racist othering, I show how modern adaptations of Lovecraft’s work invert central features of the mythos in order to turn tragedies into triumphs. The genres of Science Fiction and Horror have deep commitments to the theme of otherness, but in Lovecraft’s works otherness is insurmountable. Today, Hollywood borrows the tropes of Lovecraftian horror but relies on bridging the gap between humanity and its monstrous others to reveal a higher humanity forged through difference and diversity. This suggests that otherness in modern science fiction is a means of reconciliation, a way for the monsters to be defeated rather than the source of terror as they were in Lovecraft’s stories.
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Zainab, Noreen. "Repression, Isolation, and Paranoia: A Psychoanalytic Feminist Study of ‘The Nightmare’ by Rukhsana Ahmad." University of Chitral Journal of Linguistics and Literature 1, no. 1 (March 3, 2018): 83–105. http://dx.doi.org/10.33195/uochjll/1/1/05/2017.

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Generally, literature written by Pakistani women writers in English depicts women as victims of patriarchy, social and cultural oppression. Meanwhile, in recent times the short fiction is exploring new paradigms related to the psychological oppression of married women in Pakistan. The following paper selects the short story, ‘The Nightmare’ by Pakistani writer, Rukhsana Ahmad, where a housewife suffers from paranoia because of disconsolate marriage. Therefore, this research aims to study the causes of psychological disorders specifically paranoia among apparently happy housewives. Moreover, the causes and effects of repression and isolation on personality of women would be discussed from the psychoanalytic feminist perspective using the framework of Sigmund Freud (1973- 86) through the character of Fariha. Through the method of character analysis (Dobie, 2011) this paper concludes that the childhood experiences of repression are the reason for victim’s passiveness towards psychological oppression during adult life. This paper would also help in establishing the conclusion that women who suffer abuse in their childhood are more likely to face abuse in their adult lives, which becomes the cause of their psychological instability.
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Beveridge, Allan. "The detective, the psychiatrist and post-modernism." Psychiatric Bulletin 22, no. 9 (September 1998): 573–74. http://dx.doi.org/10.1192/pb.22.9.573.

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The similarity between the work of the fictional detective and that of the psychiatrist has often been remarked. Both Marcus (1984) and Shepherd (1985) have compared the technique of the archetypal sleuth, Sherlock Holmes, with that of Sigmund Freud. The sage of Baker Street attempted to solve criminal cases by finding links between items in the external world, such as footprints, bloodstains or broken locks, while Freud tried to make sense of the mysteries of the mind by making connections between events in the inner world, such as dreams, thoughts and desires. Both attempted to provide an all-encompassing explanation of seemingly disparate phenomena. Over the years, the literary descendants of Holmes have become increasingly similar to psychiatrists, because, as well as attending to the external events, they also take account of the individual psychology of the criminal and the social context of the crime.
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Rahmi, Elfi, and Tomi Arianto. "SCHIZOPHRENIA SYMPTOMS ACUTE IN TEDDY ALIAS ANDREW IN THE “SHUTTER ISLAND” NOVEL BY DENNIS LEHANE." JURNAL BASIS 6, no. 2 (October 26, 2019): 225. http://dx.doi.org/10.33884/basisupb.v6i2.1422.

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This research discussed about schizophrenia symptoms in Teddy alias Andrew Laedis that was acute and dangerous and also discussed the psychodrama treatment for Andrew. The main character is described to have a dangerous illness which is schizophrenia due to get from his traumatic events in world of war. Some of traumatic event that Andrew is experienced actually like when Andrew killed hundred soldier during the war in Dachau, his guilt because he did not bring his wife, Dolores to psychiatrists then unpredictable his wife killed her three children and drowning her child in a pond and regret for the rest of his life who was forced to kill his beloved wife until die and he finally lost all his family. Andrew cannot escape from the reality and without unconsciously he became experiencing mental disorder. The fictional story written by Dennis Lehane (2003.This novel was using the theory of psychoanalysis approach by Sigmund Freud. By using the concept of Sigmund's theory this research examined the symptoms of acute schizophrenia in Teddy alias Andrew's character which showed that his id is more dominant than his ego and the superego did not almost non-existent. Andrew points out three types of self defense mechanisms, namely, denial projections, regression and displacement. Meanwhile, the process of psychiatric recovery treatment by Dr. Cawley is used a psychodrama.
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Rozali, Reza, Mulyono Mu, and Maharani Intan Andalas IRP. "FENOMENA PERILAKU PSIKOPAT DALAM NOVEL KATARSIS KARYA ANASTASIA AEMILIA: KAJIAN PSIKOLOGI SASTRA." Jurnal Sastra Indonesia 7, no. 3 (April 16, 2019): 173–78. http://dx.doi.org/10.15294/jsi.v7i3.29841.

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Kasus kriminalitas di Indonesia beberapa tahun terakhir menunjukkan peningkatan yang begitu memprihatinkan, serta pada beberapa kasus dikaitkan dengan gangguan gejala psikopat. Psikopat ialah bentuk kekalutan mental yang ditandai dengan tidak adanya pengorganisasian dan pengintegrasian pribadi, tidak bisa bertanggung jawab secara moral, selalu konflik dengan norma sosial dan hukum yang diciptakkan oleh angan-angannya sendiri. Penelitian ini bertujuan untuk mendeskripsikan fenomena perilaku psikopat pada novel Katarsis karya Anastasia Aemilia dengan pendekatan psikologi sastra, khususnya menggunakan teori gangguan kepribadian psikopat Sigmund Freud. Pada dasarnya psikologi sastra memberikan perhatian pada masalah kejiwaan para tokoh fiksional yang terkandung dalam karya sastra. Sasaran dalam penelitian ini adalah fenomena perilaku psikopat yang dialami oleh tokoh dengan mengkaji bentuk perilaku, dan faktor penyebabnya. Teknik analisis data yang digunakan adalah teknik deskriptif kualitatif. Berdasarkan hasil penelitian dapat diketahui bahwa (1) bentuk perilaku psikopat tokoh dalam novel Katarsis karya Anastasia Aemilia diketahui berdasarkan ciri perilaku khusus pada psikopat yaitu berperilaku antisoasial, suka memanipulasi, berperilaku agresif, berperilaku sadistis, serta tidak menyesal dan tidak merasa bersalah sehingga dapat ditentukan bentuk perilaku psikopat yang terbagi ke dalam tiga bentuk, yaitu ringan, sedang, dan berat. (2) Faktor yang menyebabkan tokoh dalam novel Katarsis berperilaku psikopat yaitu faktor biologis dan faktor lingkungan. Cases of criminality in Indonesia in recent years have shown such an alarming increase, and in some cases linked to psychopathic symptoms disorder. Psychopaths are forms of mental disorder that is characterized by lack of organization and personal integration, can not be morally responsible, always conflict with social norms and laws created by wishful thinking alone. This study aims to describe the phenomenon of psychopathic behavior in the novel Katarsis by Anastasia Aemilia with the approach of literature psychology, in particular using the theory of psychopath personality disorder from Sigmund Freud. Basically, literature psychology gives attention to the psychological problems of the fictional characters contained in the literary work. Target in this research is phenomenon of psychopathic behavior experienced by the character by studying the form of behavior, and the cause factor. Data analysis technique used is descriptive qualitative technique. Based on the results of the research can be seen that (1) the form of psychopathic behavior of characters in the novel Katarsis by Anastasia Aemilia is known based on specific behavior on the psychopath that is behaving antisoasial, like to manipulate, behave aggressively, behave sadistis, and not regret and not feel guilty, so it can be determined form psychopathic behavior is divided into three forms, a light, medium, and heavy. (2) Factors that cause characters in the novel Katarsis behave psychopaths namely biological factors and environmental factors.
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Dissertations / Theses on the topic "Freud, Sigmund, in fiction"

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Long-Innes, F. A. V. "Stranger than fiction : the case histories of Sigmund Freud." Doctoral thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/10821.

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Bibliography: leaves 201-209.
The general aim of this study is to arrive at a critical assessment of the cultural-historical significance of Freud' s major case histories, through a close examination of three of the most famous: the cases of "Dora", "Schreber" and the "WolfMan". My investigation of the case histories themselves is prefaced, in Chapter One, by a selective review of some major strands in the recent critical tradition.
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Pinto, Ana Paula de Ávila Rey Jean-Michel. "Freud écrit fictions dans l'œuvre et à l'œuvre /." Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/consult.php?url_these=theses/PintoThese.pdf.

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Pinto, Ana Paula de Ávila. "Freud écrit : fictions dans l'œuvre et à l'œuvre." Paris 8, 2008. http://octaviana.fr/document/134103599#?c=0&m=0&s=0&cv=0.

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Sigmund Freud marque l'histoire de la pensée occidentale pas simplement en créant la psychanalyse mais aussi par son talent d'écrivain et par la qualité littéraire de ses écrits. Il s'agit d'une écriture singulière qui mérite exploration. Essayant de démontrer ces propositions, la présente thèse examine certains écrits freudiens afin de relever les caractéristiques de son écriture, particulièrement les aspects littéraires essentiels pour son élaboration théorique et pour l'invention de la psychanalyse, ayant d'importantes répercussions dans divers domaines, spécialement dans la littérature. Plus spécifiquement, on explore l'irruption de la fantaisie ("Phantasie") dans les textes freudiens, son rapport au créateur littéraire ("Dichter"), la spéculation nécessaire à la théorisation freudienne, soulignant une certaine utilisation de la fiction qui s'impose et se met à l'œuvre dans son œuvre. Une considération et de la traduction de l'œuvre de Freud et des formulations freudiennes autour de la traduction s'est montrée également indispensable
Sigmund Freud left his mark on the history of Western thought not simply by creating psychoanalysis, but also because of his talent as a writer and the literary quality of his work. The singularity of his writing calls for analysis. With the objective of demonstrating these ideas, this thesis examines a selection of Freudian texts in order to expose the characteristics of his writing, and in particular those literary aspects which would appear fundamental to his theoretical development and, indeed, the invention of psychoanalysis and which have exerted their influence in various fields, notably in that of literature. More specifically, this thesis explores the irruption of fantasy ("Phantasie") in Freudian texts, his relation to the creative writer ("Dichter"), and the speculation required by Freudian theorization, underlining a particular use of fiction which comes into play throughout his work. In this context, a study of the translation of Freudian texts including his conceptions of translation also proved to be necessary
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Kast, Corona. "Die Entwicklung des Frauenbildes im Science-Ficiton-Film eine Analyse anhand ausgewählter Beispiele /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11675565.

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Paulsson, Ebba. "An Alternative History of Psychoanalysis: Fact and Fiction in Irvin D. Yalom’s When Nietzsche Wept." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-57092.

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This essay provides an analysis of the novel When Nietzsche Wept written by Irvin D. Yalom. The novel takes place during the late eighteen hundred century in Vienna and throughout this essay I explore how Yalom has created a setting, where he has placed some of most prominent philosophers of this time in his fictional world in order to educate the reader about the birth of psychoanalysis and give an alternative version to how it emerged. I argue that Yalom manages to implement different original theories in connection to psychoanalysis to show how the ideas circulating at that point in history contributed to the development of psychoanalysis. The essay compares the original theories of Freud, Breuer and Nietzsche to those brought forward by the characters and illustrates the similarities in order to support Yalom´s alternative version. In conclusion, this essay demonstrates how Yalom has created an alternative version of the development of psychoanalysis by blending original theories with fictive events in order to show how psychoanalysis was a zeitgeist of its time and had more than one founding father.
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Lutzel, Justine Ann. "Madness as a Way of Life: Space, Politics, and the Uncanny in Fiction and Social Movements." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1384337221.

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Haas, Michael. "Sigmund Freud als Essayist : Untersuchungen zu Idee des psychoanalytischen Essays bei Sigmund Freud /." Hamburg : Kovac, 2004. http://swbplus.bsz-bw.de/bsz271539178cov.htm.

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Pollak-Cornillot, Michèle. "Freud Traducteur : introduction à la traduction des oeuvres de Freud." Paris 5, 1990. http://www.theses.fr/1990PA05H039.

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Freud, dans les annees 1886-1892 a traduit en allemand deux volumes de j-m. Charcot et deux volumes de h. Bernheim. Nous defendons dans ce travail l'idee que cette experience de traducteur de freud peut etre utile dans les debats relatifs a la traduction de ses propres oeuvres. Dans une premiere partie, nous examinons ces traductions- du point de vue terminologique et du point de vue des principes generaux et des procedes de traduction. On cherche a mettre en evidence son souci de traduire le sens, la prosodie, le cheminement de la pensee des auteurs qu'il traduit. Dans une deuxieme partie, nous examinons l'apport de cette etude des traductions effectuees par freud sous un double point de vue. - pour la traduction de certains concepts psychanalytiques, notamment par comparaison avec les choix operes par les traducteurs des ocf. P, - pour l'histoire de la psychanalyse: dans une troisieme partie, nous tentons de montrer comment les resultats obtenus peuvent etre utilises pour la traduction de freud: en nous appuyant sur les equivalences qu'il a utilisees et en appliquant les memes principes de traduction nous tenterons eine probe aufs exempel en proposant une traduction pour l'un des textes fondateurs de la psychanalyse : l'insconscient, texte qui vient d'etre retraduit par les traducteurs des ocf. P.
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Rojas, Olea Hugo. "Las concepciones psicopatológicas de Sigmund Freud." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/105962.

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Lee, Yiu-man Dominic, and 李耀文. "Heralds of Sigmund Freud: the romanticposts : an attempt to look at Sigmund Freud in the light ofromanticism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31949988.

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Books on the topic "Freud, Sigmund, in fiction"

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Nathan, Tobie. Mon patient Sigmund Freud: Roman. Paris: Perrin, 2006.

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Millar, Thomas P. Who's afraid of Sigmund Freud?: A novel. Vancouver: Palmer Press, 1985.

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Wynne, Julian Wilmot. Jane Austen and Sigmund Freud: An interpretation. London: Plume Publications, 1998.

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Minna's story: The secret love of Dr. Sigmund Freud. Santa Fe, N.M: Health Press, 1992.

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Freud, Proust, and Lacan: Theory as fiction. Cambridge: Cambridge University Press, 1987.

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Empirical truths and critical fictions: Locke, Wordsworth, Kant, Freud. Baltimore: Johns Hopkins University Press, 1991.

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R, Thomas Ronald. Dreams of authority: Freud and the fictions of the unconscious. Ithaca, N.Y: Cornell University Press, 1990.

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Murdoch vs. Freud: A Freudian look at an anti-Freudian. New York: P. Lang, 1993.

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Where three roads meet. Oxford: ISIS, 2008.

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Sigmund Freud. London: Sage Publications, 1992.

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Book chapters on the topic "Freud, Sigmund, in fiction"

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Kenny, Dianna T. "Freud, Sigmund." In Encyclopedia of Personality and Individual Differences, 1646–53. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_1707.

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Beit-Hallahmi, Benjamin. "Freud, Sigmund." In Encyclopedia of Psychology and Religion, 688–92. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_252.

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Dahmer, Helmut. "Sigmund Freud." In Kindler Kompakt Klassiker der Naturwissenschaften, 150–53. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05529-3_42.

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Helsel, Philip Browning, Curtis W. Hart, Jill L. McNish, Todd DuBose, Philip Browning Helsel, John Ryan Haule, Annette Peterson, et al. "Freud, Sigmund." In Encyclopedia of Psychology and Religion, 336–39. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_252.

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Fancher, Raymond E. "Freud, Sigmund." In Encyclopedia of Psychology, Vol. 3., 400–403. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10518-199.

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Johnson, Alexis A. "Sigmund Freud." In Introduction to Key Concepts and Evolutions in Psychoanalysis, 4–20. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429467301-2.

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Palmer, Gesine, and Hartmut Zinser. "Freud, Sigmund." In Metzler Lexikon Religion, 411–13. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_151.

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Colledge, Ray. "Sigmund Freud." In Mastering Counselling Theory, 11–26. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-62957-8_2.

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Kenny, Dianna T. "Freud, Sigmund." In Encyclopedia of Personality and Individual Differences, 1–8. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-28099-8_1707-1.

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Emerling, Jae. "Sigmund Freud." In Theory for Art History, 17–25. Second edition. | London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-2.

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Conference papers on the topic "Freud, Sigmund, in fiction"

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Aglieri Rinella, Tiziano. "Le Corbusier’s uncanny interiors." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.708.

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Abstract: The reception of Le Corbusier’s early buildings in Paris provoked an astonishing sensation of shock and estrangement in the public of the time. This troubling sensation of wonder is still alive today, after almost a century from their construction, and it is particularly vivid in some of the interiors, as we can notice from the photographic documentation of the time. Sigmund Freud, in his book “The interpretation of dreams”, underlined the direct relation existing between the interior of the human psyche and the interior of the house a subject lives in. He defined the interior of each man’s home as a sort of “diagnostic box” of the human mind, able to disclose the psyche of the individual, expressing his dreams, desires and obsessions. In his purist houses, Le Corbusier seems to have imposed his overwhelming personality on the clients, somehow expressing his own idealistic dream of the city of the future and foreseeing the visionary scenarios of a modernist utopia. This paper’s goal is to present a psychoanalytic reading of Le Corbusier’s buildings of the time, analyzing a number of significant examples in order to identify their uncanny effects, disclosing the hidden relations between cause and effect, and decoding the related composing technics used in the interior design. Resumen: La recepción de los primeros edificios de Le Corbusier en París provocó una sensación asombrosa de shock y extrañamiento en el público de la época. Esta sensación inquietante de asombro sigue vivo hasta hoy, después de casi un siglo de su construcción, y es particularmente viva en algunos interiores, como podemos observar en la documentación fotográfica de la época. Sigmund Freud, en su libro "La interpretación de los sueños", subrayó la relación directa existente entre el interior de la psique humana y el interior de la casa donde un sujeto vive. Él definió el interior de la casa de cada hombre como una especie de "caja diagnóstica"de la mente humana, capaz de revelar la psique del individuo, expresando sus sueños, deseos y obsesiones. En sus casas puristas, Le Corbusier parece haber impuesto su personalidad arrolladora en los clientes, expresando de alguna manera su propio sueño idealista de la ciudad del futuro y previendo los escenarios visionarios de una utopía modernista. El objetivo de este trabajo es de presentar una lectura psicoanalítica de los edificios de Le Corbusier de la época, analizando una serie de ejemplos significativos con el fin de identificar sus efectos extraños, revelar las relaciones ocultas entre causa y efecto, y decodificando las relativas técnicas compositivas utilizadas en el diseño de los interiores. Keywords: Le Corbusier; Interiors; Architecture; Uncanny; Freud; Surrealism. Palabras clave: Le Corbusier; Interiores; Arquitectura; Perturbador; Freud; Surrealismo DOI: http://dx.doi.org/10.4995/LC2015.2015.708
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Castro, Rafael Dias de. "A Primeira Guerra Mundial sob a perspectiva de um não-combatente: Sigmund Freud e suas reflexões sobre a guerra e a morte (1915)." In IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.148.

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