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Journal articles on the topic 'Freud, Sigmund, in fiction'

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Published: 4 June 2021

Last updated: 17 February 2022

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1

Wertz, Frederick J. "The Phenomenology of Sigmund Freud." Journal of Phenomenological Psychology 24, no. 2 (1993): 101–29. http://dx.doi.org/10.1163/156916293x00099.

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AbstractThe convergences in approach between Freud's psychoanalysis and Husserl's phenomenology are elaborated. These include philosophical roots in Brentano's teachings; the primacy of direct observation over construction and theory; a conviction about the irreducibility of mentality to nature; the project of a "pure" psychology; the bracketing of theories, preconceptions, and the natural attitude; the necessity of self-reflection and empathy; a relational theory of meaning; receptivity to human subjects as teachers; and the methodological value of fiction for scientific truth. It is argued that divergences between psychoanalytic and phenomenological theory have obscured profound agreement in the approach, subject matter, and methods of these two schools of psychology.

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2

Lothane, Zvi. "The Sigmund Freud/Minna Bernays Romance: Fact or Fiction?" American Imago 64, no. 1 (2007): 129–33. http://dx.doi.org/10.1353/aim.2007.0015.

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3

Rodrigues, Larissa de Assis Pimenta. "Diálogos entre Teoria e Literatura: A escrita de Freud." Revista Discente Ofícios de Clio 3, no. 4 (December 21, 2018): 27. http://dx.doi.org/10.15210/clio.v3i4.14116.

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Este artigo investiga as possibilidades de uma escrita da história com abordagem interdisciplinar, explorando a categoria de escrita cunhada por Sigmund Freud como “Ficção Teórica”. Esta modalidade de escrita é encontrada nos escritos de Freud principalmente ao relatar casos clínicos nos quais ele lançava mão de recursos literários para compor verdadeiros contos que articulavam ficção e teoria psicanalítica. Tal escrita suscita interpretações para além do que foi pretendido transmitir, como traços culturais ou aspectos subjetivos da época e dos indivíduos. Isto é, ela seria capaz de revelar elementos de um inconsciente coletivo, através de vocábulos usados, escolha de temas, valores morais, etc. Portanto, a ficção teórica não é uma nova forma de teorização, mas suscita interpretações e produz sentidos que seriam imprevistos pela teoria pura. Palavras-chave: Ficção teórica, literatura, psicanálise. AbstractThis article intends to investigate the the writing of History with an interdisciplinary approach, exploring the category of writing coined by Sigmund Freud as "Theoretical Fiction". This kind of writing is found in Freud's reports of his clinical cases, in which he used literary resources to compose true tales articulating fiction and psychoanalytic theory. This writing raises interpretations beyond what was intended to convey, such as cultural traits or subjective aspects from the periods and its individuals. That is, it would be able to reveal elements of a collective unconscious through used words, choice of themes, moral values, etc. Therefore, Theoretical Fiction is not a new form of theorizing but it raises interpretations and produces meanings that would be unforeseen by pure theory.Keywords: Theoretical Fiction, literature, psychoanalysis.

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4

Goodstein, Elizabeth. "‘Behind the Poetic Fiction’: Freud, Schnitzler and Feminine Subjectivity." Psychoanalysis and History 6, no. 2 (July 2004): 201–23. http://dx.doi.org/10.3366/pah.2004.6.2.201.

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In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.

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5

Segarra, Marta. "Cixous, Derrida and Psychoanalysis: The Principle of Intermittence, or Dwelling on the Angle." Paragraph 36, no. 2 (July 2013): 240–54. http://dx.doi.org/10.3366/para.2013.0090.

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If we consider the role of psychoanalysis in Hélène Cixous's and Jacques Derrida's writing, we must assume that both differ considerably. Derrida's work, from its beginning, includes several essays on psychoanalysis (although referring to Derrida this usual expression fails to be appropriate). Cixous, faithful to her conception of writing as philosophical fiction, prefers to present the father of psychoanalysis, Sigmund Freud, as a character in many texts, above all in her famous Portrait of Dora (1976), but also in others like OR, Les lettres de mon père (1997). I have chosen this book by Cixous for my analysis, since, in my view, OR proposes a performative way of thinking about ‘life death’ which Derrida conceptualizes in several of his books.

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6

McConeghy, David. "Facing the Monsters: Otherness in H. P. Lovecraft’s Cthulhu Mythos and Guillermo del Toro’s Pacific Rim and Hellboy." Religions 11, no. 2 (January 22, 2020): 58. http://dx.doi.org/10.3390/rel11020058.

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What happens when we imagine the unimaginable? This article compares recent films inspired by H. P. Lovecraft’s Cthulhu Mythos with that author’s original early 20th century pulp horror stories. In Guillermo del Toro’s films Pacific Rim and Hellboy, monsters that would have been obscured to protect Lovecraft’s readers are now fully revealed for Hollywood audiences. Using the period-appropriate theories of Rudolf Otto on the numinous and Sigmund Freud on the uncanny, that share Lovecraft’s troubled history with racist othering, I show how modern adaptations of Lovecraft’s work invert central features of the mythos in order to turn tragedies into triumphs. The genres of Science Fiction and Horror have deep commitments to the theme of otherness, but in Lovecraft’s works otherness is insurmountable. Today, Hollywood borrows the tropes of Lovecraftian horror but relies on bridging the gap between humanity and its monstrous others to reveal a higher humanity forged through difference and diversity. This suggests that otherness in modern science fiction is a means of reconciliation, a way for the monsters to be defeated rather than the source of terror as they were in Lovecraft’s stories.

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7

Zainab, Noreen. "Repression, Isolation, and Paranoia: A Psychoanalytic Feminist Study of ‘The Nightmare’ by Rukhsana Ahmad." University of Chitral Journal of Linguistics and Literature 1, no. 1 (March 3, 2018): 83–105. http://dx.doi.org/10.33195/uochjll/1/1/05/2017.

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Generally, literature written by Pakistani women writers in English depicts women as victims of patriarchy, social and cultural oppression. Meanwhile, in recent times the short fiction is exploring new paradigms related to the psychological oppression of married women in Pakistan. The following paper selects the short story, ‘The Nightmare’ by Pakistani writer, Rukhsana Ahmad, where a housewife suffers from paranoia because of disconsolate marriage. Therefore, this research aims to study the causes of psychological disorders specifically paranoia among apparently happy housewives. Moreover, the causes and effects of repression and isolation on personality of women would be discussed from the psychoanalytic feminist perspective using the framework of Sigmund Freud (1973- 86) through the character of Fariha. Through the method of character analysis (Dobie, 2011) this paper concludes that the childhood experiences of repression are the reason for victim’s passiveness towards psychological oppression during adult life. This paper would also help in establishing the conclusion that women who suffer abuse in their childhood are more likely to face abuse in their adult lives, which becomes the cause of their psychological instability.

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8

Beveridge, Allan. "The detective, the psychiatrist and post-modernism." Psychiatric Bulletin 22, no. 9 (September 1998): 573–74. http://dx.doi.org/10.1192/pb.22.9.573.

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The similarity between the work of the fictional detective and that of the psychiatrist has often been remarked. Both Marcus (1984) and Shepherd (1985) have compared the technique of the archetypal sleuth, Sherlock Holmes, with that of Sigmund Freud. The sage of Baker Street attempted to solve criminal cases by finding links between items in the external world, such as footprints, bloodstains or broken locks, while Freud tried to make sense of the mysteries of the mind by making connections between events in the inner world, such as dreams, thoughts and desires. Both attempted to provide an all-encompassing explanation of seemingly disparate phenomena. Over the years, the literary descendants of Holmes have become increasingly similar to psychiatrists, because, as well as attending to the external events, they also take account of the individual psychology of the criminal and the social context of the crime.

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9

Rahmi, Elfi, and Tomi Arianto. "SCHIZOPHRENIA SYMPTOMS ACUTE IN TEDDY ALIAS ANDREW IN THE “SHUTTER ISLAND” NOVEL BY DENNIS LEHANE." JURNAL BASIS 6, no. 2 (October 26, 2019): 225. http://dx.doi.org/10.33884/basisupb.v6i2.1422.

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This research discussed about schizophrenia symptoms in Teddy alias Andrew Laedis that was acute and dangerous and also discussed the psychodrama treatment for Andrew. The main character is described to have a dangerous illness which is schizophrenia due to get from his traumatic events in world of war. Some of traumatic event that Andrew is experienced actually like when Andrew killed hundred soldier during the war in Dachau, his guilt because he did not bring his wife, Dolores to psychiatrists then unpredictable his wife killed her three children and drowning her child in a pond and regret for the rest of his life who was forced to kill his beloved wife until die and he finally lost all his family. Andrew cannot escape from the reality and without unconsciously he became experiencing mental disorder. The fictional story written by Dennis Lehane (2003.This novel was using the theory of psychoanalysis approach by Sigmund Freud. By using the concept of Sigmund's theory this research examined the symptoms of acute schizophrenia in Teddy alias Andrew's character which showed that his id is more dominant than his ego and the superego did not almost non-existent. Andrew points out three types of self defense mechanisms, namely, denial projections, regression and displacement. Meanwhile, the process of psychiatric recovery treatment by Dr. Cawley is used a psychodrama.

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10

Rozali, Reza, Mulyono Mu, and Maharani Intan Andalas IRP. "FENOMENA PERILAKU PSIKOPAT DALAM NOVEL KATARSIS KARYA ANASTASIA AEMILIA: KAJIAN PSIKOLOGI SASTRA." Jurnal Sastra Indonesia 7, no. 3 (April 16, 2019): 173–78. http://dx.doi.org/10.15294/jsi.v7i3.29841.

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Kasus kriminalitas di Indonesia beberapa tahun terakhir menunjukkan peningkatan yang begitu memprihatinkan, serta pada beberapa kasus dikaitkan dengan gangguan gejala psikopat. Psikopat ialah bentuk kekalutan mental yang ditandai dengan tidak adanya pengorganisasian dan pengintegrasian pribadi, tidak bisa bertanggung jawab secara moral, selalu konflik dengan norma sosial dan hukum yang diciptakkan oleh angan-angannya sendiri. Penelitian ini bertujuan untuk mendeskripsikan fenomena perilaku psikopat pada novel Katarsis karya Anastasia Aemilia dengan pendekatan psikologi sastra, khususnya menggunakan teori gangguan kepribadian psikopat Sigmund Freud. Pada dasarnya psikologi sastra memberikan perhatian pada masalah kejiwaan para tokoh fiksional yang terkandung dalam karya sastra. Sasaran dalam penelitian ini adalah fenomena perilaku psikopat yang dialami oleh tokoh dengan mengkaji bentuk perilaku, dan faktor penyebabnya. Teknik analisis data yang digunakan adalah teknik deskriptif kualitatif. Berdasarkan hasil penelitian dapat diketahui bahwa (1) bentuk perilaku psikopat tokoh dalam novel Katarsis karya Anastasia Aemilia diketahui berdasarkan ciri perilaku khusus pada psikopat yaitu berperilaku antisoasial, suka memanipulasi, berperilaku agresif, berperilaku sadistis, serta tidak menyesal dan tidak merasa bersalah sehingga dapat ditentukan bentuk perilaku psikopat yang terbagi ke dalam tiga bentuk, yaitu ringan, sedang, dan berat. (2) Faktor yang menyebabkan tokoh dalam novel Katarsis berperilaku psikopat yaitu faktor biologis dan faktor lingkungan. Cases of criminality in Indonesia in recent years have shown such an alarming increase, and in some cases linked to psychopathic symptoms disorder. Psychopaths are forms of mental disorder that is characterized by lack of organization and personal integration, can not be morally responsible, always conflict with social norms and laws created by wishful thinking alone. This study aims to describe the phenomenon of psychopathic behavior in the novel Katarsis by Anastasia Aemilia with the approach of literature psychology, in particular using the theory of psychopath personality disorder from Sigmund Freud. Basically, literature psychology gives attention to the psychological problems of the fictional characters contained in the literary work. Target in this research is phenomenon of psychopathic behavior experienced by the character by studying the form of behavior, and the cause factor. Data analysis technique used is descriptive qualitative technique. Based on the results of the research can be seen that (1) the form of psychopathic behavior of characters in the novel Katarsis by Anastasia Aemilia is known based on specific behavior on the psychopath that is behaving antisoasial, like to manipulate, behave aggressively, behave sadistis, and not regret and not feel guilty, so it can be determined form psychopathic behavior is divided into three forms, a light, medium, and heavy. (2) Factors that cause characters in the novel Katarsis behave psychopaths namely biological factors and environmental factors.

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11

Fernández, Lelio. "Sigmund Freud." Praxis Filosófica, no. 46 (February 13, 2018): 11–41. http://dx.doi.org/10.25100/pfilosofica.v0i46.6201.

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Esta exposición del pensamiento de Sigmund Freud está dividida en cuatro partes. La primera abarca lo que el fundador del psicoanálisis habría de considerar, hasta su muerte, como los contenidos básicos e ineludibles de esa disciplina. La segunda recoge las importantes modificaciones que el mismo Freud impuso a sus propias teorías a partir de 1920. La tercera resume lo principal de su concepción dela cultura. La cuarta expone su actitud con respecto de la filosofía.

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12

Pearce, J. M. S., Henry Kaminer, Norbert Hasenöhrl, Peter Fonagy, GailS Reed, David Curtis, and Raymond Tallis. "Sigmund Freud." Lancet 347, no. 9007 (April 1996): 1039–41. http://dx.doi.org/10.1016/s0140-6736(96)90176-2.

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13

Flórez López, Adriana. "Sigmund Freud." Padres y Maestros. Publicación de la Facultad de Ciencias Humanas y Sociales, no. 260 (December 15, 2014): 41. http://dx.doi.org/10.14422/pym.i360.y2014.009.

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14

Maugüé, Jean. "SIGMUND FREUD." Literatura e Sociedade, no. 10 (December 6, 2007): 203. http://dx.doi.org/10.11606/issn.2237-1184.v0i10p203-207.

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15

Jolibert, Bernard. "Sigmund Freud." Prospects 23, no. 3-4 (September 1993): 459–72. http://dx.doi.org/10.1007/bf02195129.

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16

Ermann, Michael. "Sigmund Freud." Forum der Psychoanalyse 22, no. 2 (June 2006): 115–16. http://dx.doi.org/10.1007/s00451-006-0280-y.

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17

Strassburger, Matias. "Correspondência Sigmund Freud-Anna Freud." Revista de Psiquiatria do Rio Grande do Sul 30, no. 3 (December 2008): 243–44. http://dx.doi.org/10.1590/s0101-81082008000400015.

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18

Plon, Michel. "Sigmund Freud et Anna Freud, Correspondance. Sigmund Freud, Lettres à ses enfants." Essaim 30, no. 1 (2013): 171. http://dx.doi.org/10.3917/ess.030.0171.

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19

Kaye, Howard L., Ernst L. Freud, Elaine Robson-Scott, William Robson-Scott, Jeffrey Moussaieff Masson, Peter Gay, and J. N. Isbister. "Becoming Sigmund Freud." Contemporary Sociology 17, no. 3 (May 1988): 372. http://dx.doi.org/10.2307/2069667.

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20

Bush, Elizabeth. "Sigmund Freud (review)." Bulletin of the Center for Children's Books 60, no. 4 (2006): 176. http://dx.doi.org/10.1353/bcc.2006.0818.

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21

Khorob, Marta. "“LONELY TRAVELLER...” BY V. DOMONTOVYCH IN THE LIGHT OF PHILOSOPHY OF EXISTENTIALISM." Polish Studies of Kyiv, no. 35 (2019): 381–88. http://dx.doi.org/10.17721/psk.2019.35.381-388.

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The article analyses V. Domontovych’s biographical novel “The lonely traveller is heading along the lonely way” as a fictional specimen of the philosophy of existentialism in the Ukrainian prose of the 40s of the XXth c. that proves the intellectuality of Ukrainian literature. It is proved that the main statements of this direction in the philosophy of the twentieth century penetrate the entire work from the beginning to its completion at all levels, starting from the concept-headline, the essence of the central hero of the Dutch artist Vincent van Gogh, plot-compositional features, means of shaping, external and internal structure. Understanding of the work through the prism of this problem is carried out with the help of involvement of relevant considerations of Socrates, Hryhorii Skovoroda (the idea of finding an own place in life – “know yourself”), Albert Camus, Arthur Schopenhauer, and Nikolai Berdyaev (“Sisyphean work” (“The Myth of Sisyphus”) for the sake of establishing oneself ; a comparative description of Van Gogh and Mersot from the story “The Stranger”: the conflict between the person and the society, the problem of “the other”, voluntary “suffering – the highest law of life”, suffering as one of the main existential things, coming/escaping to God, testing yourself by a religion as your destination, disappointment in the voluntary apostolate, etc.), as well as the thoughts of Soren Kierkegaard, Carl Jaspers, Sigmund Freud and Carl Gustav Jung. The analysis of the work is carried out accordingly in the context of Ukrainian and world literature.

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22

Domic, Zorka. "Sigmund Freud, le yatiri." Psychotropes 16, no. 1 (2010): 97. http://dx.doi.org/10.3917/psyt.161.0097.

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23

Serna Alonso, Justo. "Sigmund Freud como síntoma." Saitabi, no. 67 (February 4, 2019): 065. http://dx.doi.org/10.7203/saitabi.67.12201.

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En este artículo, el autor repasa la obra de Sigmund Freud. Desde un punto de vista histórico. ¿Qué es el pasado? ¿Qué es un archivo? Sigmund Freud desarrolló un método para investigar el pasado y la memoria del pasado, para investigar lo sucedido y la memoria de lo sucedido. ¿El trabajo de Sigmund Freud tiene algún interés para los historiadores?

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24

Plon, Michel. "Sigmund Freud-Max Eitingon." Essaim 23, no. 2 (2009): 127. http://dx.doi.org/10.3917/ess.023.0127.

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25

Sussex, Alex. "Sigmund Freud (1856–1939)." Journal of Medical Biography 1, no. 1 (February 1993): 30. http://dx.doi.org/10.1177/096777209300100106.

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26

Coum, Brigitte. "5/6 Sigmund Freud." Soins Psychiatrie 33, no. 280 (May 2012): 45–46. http://dx.doi.org/10.1016/j.spsy.2012.03.006.

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27

Kreeger, Lionel. "Book Review: Sigmund Freud." Group Analysis 37, no. 4 (December 2004): 570–71. http://dx.doi.org/10.1177/053331640403700418.

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28

Gabbard, Glen O. "Sigmund Freud, 1856–1939." American Journal of Psychiatry 161, no. 2 (February 2004): 232. http://dx.doi.org/10.1176/appi.ajp.161.2.232.

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29

Loewenberg, Peter. "Lucian and Sigmund Freud." American Imago 61, no. 1 (2004): 89–99. http://dx.doi.org/10.1353/aim.2004.0015.

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30

Warner, Silas L. "Sigmund Freud and Money." Journal of the American Academy of Psychoanalysis 17, no. 4 (December 1989): 609–22. http://dx.doi.org/10.1521/jaap.1.1989.17.4.609.

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31

Kaye, Howard L. "Sigmund Freud: Crypto-Philosopher." Society 49, no. 2 (January 19, 2012): 188–93. http://dx.doi.org/10.1007/s12115-011-9524-6.

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32

Michaelson, Helena. "Sigmund Freud The Basics." Psychodynamic Practice 27, no. 3 (May 20, 2021): 338–42. http://dx.doi.org/10.1080/14753634.2021.1930116.

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33

Aichhorn, Thomas. "« Freud avant Freud », à propos du lycéen Sigismund / Sigmund Freud." Adolescence T.32 3, no. 3 (2014): 621. http://dx.doi.org/10.3917/ado.089.0621.

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34

Borges Costa, Marilia. "Intercultural dialogue." Cultural China in Discursive Transformation 21, no. 2 (July 5, 2011): 330–50. http://dx.doi.org/10.1075/japc.21.2.10bor.

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The scientific breakthroughs of important theorists such as Sigmund Freud, Louis Althusser, Michel Foucault, etc., engendered a new concept of subject. Instead of the centered and integrated Cartesian subject, the postmodern individual is fragmented and multiple, affected by ideology and by his/her unconscious. This makes it necessary to analyze the historical and psychological dimensions to apprehend his/her complexity. In Maxine Hong Kingston’s The woman warrior — memoirs of a girlhood among ghosts, first published in 1976, it is possible to identify the multiple subject positionings of the main character, who is also the narrator. As a North American of Chinese descent, she portrays Chinese legends, myths, and family stories of her ethnic community through an American frame of mind. Growing up in the intersection of cultures, a position of in-between cultures, and having to deal with different customs and values, the narrator faces conflicts and paradoxes. Her contradictory and fragmentary identity reveals the hybrid and diasporic character of the Chinese American author. Kingston constantly brings together the discourses of her Chinese cultural heritage and the American ones presented in her environment. With this constant dialogue between different cultural elements, the narrator tries to forge a sense of wholeness, a unified cultural identity, of her various subjective positions. The result of this effort, however, is a culturally unstable identity: The woman warrior reflects the heterogeneous nature of the main character and the author, revealing to the reader the Chinese American “country” and culture in all its singularity and uniqueness. The theoretical framework used to analyze the different expressions of subjectivity in the main character of this fictional autobiography is based on critics of Postmodernism and on cultural studies about diasporas.

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35

Falzeder, Ernst. "Sigmund Freud et Eugen Bleuler :." Psychothérapies 23, no. 1 (2003): 31. http://dx.doi.org/10.3917/psys.031.0031.

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36

Lussier, Martine. "Sigmund Freud, conflit et culture." Revue française de psychanalyse 63, no. 1 (1999): 293. http://dx.doi.org/10.3917/rfp.g1999.63n1.0293.

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37

Tuisk, Astrid. "Sigmund Freud ja psühhoanalüütiline naljauurimine." Mäetagused 01/02 (1996): 97–102. http://dx.doi.org/10.7592/mt1996.01/02.psyhh.

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38

Waldinger, Ernst. "My Uncle Sigmund Freud [1941]." World Literature Today 63, no. 2 (1989): 194. http://dx.doi.org/10.2307/40144811.

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39

Graf, Max. "Réminiscences du professeur Sigmund Freud." Figures de la psychanalyse 14, no. 2 (2006): 153. http://dx.doi.org/10.3917/fp.014.0153.

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40

Dayan-Herzbrun, Sonia. "Edward Said avec Sigmund Freud." Tumultes 35, no. 2 (2010): 199. http://dx.doi.org/10.3917/tumu.035.0199.

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41

Sterpellone, di Luciano. "Sigmund Freud: Preferisco La Cocaina." Giornale di Tecniche Nefrologiche e Dialitiche 24, no. 4 (October 2012): 77–83. http://dx.doi.org/10.1177/039493621202400418.

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42

Yang, Sara H. "Sigmund Freud and Moritz Kaposi." American Journal of Dermatopathology 37, no. 10 (October 2015): 805–7. http://dx.doi.org/10.1097/dad.0000000000000276.

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43

SHORE, MILES F. "Who's Afraid of Sigmund Freud?" American Journal of Psychiatry 145, no. 12 (December 1988): 1588–89. http://dx.doi.org/10.1176/ajp.145.12.1588.

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44

Vetö, Silvana, and Marcelo Sánchez. "Sigmund Freud and Alejandro Lipschütz." History of the Human Sciences 30, no. 1 (February 2017): 7–31. http://dx.doi.org/10.1177/0952695116684734.

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This article deals with the relationship between the creator of psychoanalysis, Sigmund Freud, and the Latvian-born Chilean professor of physiology – and endocrinologist and anthropologist – Alejandro (or Alexander) Lipschütz. Up till now, the historiography of psychoanalysis in Chile has ignored the existence of this relationship, that is to say, the fact that there exists an interesting exchange of correspondence as well as references to Lipschütz in some important works published by Freud and in Freud’s correspondence with the Hungarian psychoanalyst Sándor Ferenczi. There are also references to works on psychoanalysis carried out by Lipschütz in Chile. The Freud–Lipschütz relationship allows us to examine two interesting topics in contemporary historiographical approaches to psychoanalysis. First, it permits us to reflect on the connections that Freud and Ferenczi sought to establish between psychoanalysis and biology (endocrinology in particular) as a strategy to address criticism of the scientific foundations of psychoanalysis and, therefore, to help legitimize psychoanalysis in the field of science. Second, the relationship between Freud, working in a culturally influential city such as Vienna, and Lipschütz, working in a ‘peripheral’ country such as Chile, paves the way to reflect on the consequences of a history of psychoanalysis written from the perspective of the ‘margins’. This is a history that focuses not on regions where early industrialization and modernization processes, along with an important academic and scientific tradition, help explain the interest in and reception of psychoanalysis, but on regions where different sets of conditions have to be examined to explain appropriation and dissemination processes.

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45

Dahlin, Olov. "SIGMUND FREUD. MANNEN OCH VERKET." Scandinavian Psychoanalytic Review 13, no. 1 (January 1990): 68–72. http://dx.doi.org/10.1080/01062301.1990.10592238.

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Zachrisson, Anders. "SAMLADE SKRIFTER AV SIGMUND FREUD." Scandinavian Psychoanalytic Review 22, no. 2 (January 1999): 273–77. http://dx.doi.org/10.1080/01062301.1999.10592710.

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47

Houssier, Florian. "Sigmund Freud et ses sorcières." Le Divan familial 39, no. 2 (2017): 205. http://dx.doi.org/10.3917/difa.039.0205.

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48

Pivnicki, Dimitrije. "In Defense of Sigmund Freud." Canadian Journal of Psychiatry 31, no. 5 (June 1986): 485–86. http://dx.doi.org/10.1177/070674378603100530.

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Millar, T. P. "Who's Afraid of Sigmund Freud?" Canadian Journal of Psychiatry 32, no. 3 (April 1987): 249. http://dx.doi.org/10.1177/070674378703200325.

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MaClean, George. "Who's Afraid of Sigmund Freud?" Canadian Journal of Psychiatry 32, no. 6 (August 1987): 496. http://dx.doi.org/10.1177/070674378703200629.

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