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Journal articles on the topic 'Friedensrecht'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Lange, Pia, and Felix Kazimierski. "RECHTsFRIEDEN – FRIEDENsRECHT." Rechtswissenschaft 6, no. 2 (2015): 240–48. http://dx.doi.org/10.5771/1868-8098-2015-2-240.

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2

Busse, Christian. "Rechtspolitische Zeitschriftenumschau 2/2020." Recht und Politik 56, no. 2 (2020): 226–31. http://dx.doi.org/10.3790/rup.56.2.226.

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Während die rechtswissenschaftliche Welt durch die weitgehende Schließung der Universitäten und den Ausfall sämtlicher Tagungen derzeit innehält, besteht in der rechtspraktischen Welt große Hektik. In aller Eile müssen die erforderlichen Anpassungen der Normenwelt an das Corona-Geschehen vorgenommen werden, angefangen vom Infektionsschutzrecht über das Arbeits-,Wirtschafts-, Steuer- und Finanzrecht bis hin zum Gerichtswesen. Schon liegen mehr als zwei Dutzend Gerichtsentscheidungen vor, die sich mit Corona-bedingten Rechtsfragen beschäftigen. Es lässt sich absehen, dass eine Flut an rechtliche

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3

Stratonova, L. M. "Friedensreich Hundertwasser and his «Green Architecture»." IOP Conference Series: Materials Science and Engineering 1079, no. 3 (2021): 032010. http://dx.doi.org/10.1088/1757-899x/1079/3/032010.

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4

Franzen, Georg. "Bezogenheit aus der Mitte – Friedensreich Hundertwasser." Imagination 37, no. 2-3 (2015): 125–33. http://dx.doi.org/10.24989/ig.v37i2-3.3388.

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Das Kunstwerk bietet einen subjektiven Erfahrungsraum, in dem sich seelische Wirksamkeiten entwickeln können. Die Betrachtung eines Kunstwerkes kann einen therapeutischen Prozess fördern. Dieser Zusammenhang hat in der Praxis der angewandten Kunstpsychologie bzw. rezeptiven Kunsttherapie eine besondere Bedeutung. Hier geht es darum, Bilder erlebnishaft zugänglich zu machen und die Wahrnehmungsfähigkeit anzuregen. Ein rezeptives Verfahren, d.h. die Betrachtung eines Kunstwerkes, kann auch zur Tranceinduktion und Einleitung eines Tagtraumes genutzt werden. Dargestellt wird das Verfahren am Beisp

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5

Domazet, Sanja, and Darko Nadić. "Sustainability and ecology in the architecture of Friedensreich Hundertwasser." Socioloski pregled 56, no. 3 (2022): 1003–31. http://dx.doi.org/10.5937/socpreg56-39245.

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Austrian artist Friedensreich Hundertwasser today stands for a veritable example of a man as an accomplished ecological being. The merging of art, architecture, politics, and ecology into one utopian concept oriented towards the future positioned Hundertwasser not only an architectural experimenter but also as a specific visionary of ecological architecture. Throughout his lifetime, Hundertwasser opposed the so-called "mainstream" culture and materialism, which later contributed to his popularity. This popularity is certainly limited just as for those circles of social activists who believed t

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6

Chiavoni, Emanuela. "Architecture, Colour and Images. Ideas and Designs by Friedensreich Hundertwasser." Proceedings 1, no. 9 (2017): 953. http://dx.doi.org/10.3390/proceedings1090953.

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7

Franzen, Georg. "Die Linie des Lebens." Musik-, Tanz- und Kunsttherapie 25, no. 2 (2014): 58–66. http://dx.doi.org/10.1026/0933-6885/a000180.

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Am Beispiel einer Aktion von Kunststudenten, die im Rahmen der Hundertwasserausstellung in der Bremer Kunsthalle 2012 ununterbrochen–mehr als 48 Stunden lang–vor der Eröffnung der Ausstellung eine Linie gezogen hatten und die Große Galerie in eine endlose Spirale verwandelten, wird ein rezeptiver kunsttherapeutischer Ansatz vorgestellt: Ein Kunstwerk als Induktion für eine imaginative-hypnotherapeutische Übung zu nutzen. Dargestellt wird ebenso die Bedeutung des künstlerischen Gesamtkonzepts von Friedensreich Hundertwasser, dessen Werk ebenso kunsttherapeutische und kunstpsychologische Aspekte

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8

Küssner, M. "Kreative Aktivierungsgruppe auf einer niederschwelligen Drogenentzugsstation - Begegnungen mit den Werken Friedensreich Hundertwassers." Psych. Pflege Heute 12, no. 5 (2006): 267–75. http://dx.doi.org/10.1055/s-2006-926792.

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9

Mamedov, S. "HISTORICAL CONTINUITY OF FRIEDENSREICH HUNDERTWASSER'S DESIGN METHODS IN MODERN RESIDENTIAL COMPLEXES OF ASTANA CITY." Bulletin of Kazakh Leading Academy of Architecture and Construction 87, no. 1 (2023): 79–86. http://dx.doi.org/10.51488/1680-080x/2023.1-08.

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Friedensreich Hundertwasser is one of the participants in the process of transforming the original modernist postulates into a more flexible, humane and open system of rational architectural thinking. His objects, including architectural ones, look like a challenge to rationalism, show a new form of creativity in which the ecological (natural) aspect is a priority. At the present stage, architectural solutions aimed at improving the environmental friendliness of residential complexes are of key importance for the formation of the concept of sustainable urban development. Thus, the analysis of

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10

Kireeva, T. V. "Construction and design of F. Hundertwasser green roofs." FORESTRY BULLETIN 25, no. 1 (2021): 72–80. http://dx.doi.org/10.18698/2542-1468-2021-1-72-80.

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The article presents the main provisions of the philosophy and theory of plant integration into the architecture of the Friedensreich Hundertwasser building: forest, grass, meadow roofs, tenant trees. Indicated on their purpose and role in improving the ecology and aesthetics of the city. Data from a field survey of the green roofs of famous Hundertwasser buildings are given. For the first time in domestic landscape science, data on the structures and materials of green roofs used since the 70-s of the last century for the implementation of Hundertwasser projects has been studied and presented

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11

Erthal, Claudia. ""Ocupa Rua":." Latitude 16, no. 1 (2022): 39–64. http://dx.doi.org/10.28998/lte.2022.n.1.13094.

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Este texto propõe uma reflexão a partir do conceito das cinco peles criado pelo arquiteto e artista austríaco Friedensreich Hundertwasser, tendo como objeto o projeto-piloto Ocupa Rua, realizado em São Paulo, sobre novos usos de um centro urbano e das camadas de percepção e vivência que este projeto pode proporcionar. Parte de caminhadas, leituras e o uso de dispositivos móveis pelos usuários/caminhantes locais como forma de comunicação e pertencimento social, geram uma dinâmica comunicacional viva. A presença do usuário que parece colaborar com a criação de novas camadas de leitura da cidade

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12

Andritsch, Elisabeth, Herbert Stöger, Thomas Bauernhofer, et al. "The ethics of space, design and color in an oncology ward." Palliative and Supportive Care 11, no. 3 (2012): 215–21. http://dx.doi.org/10.1017/s1478951512000077.

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AbstractChange affects all areas of healthcare organizations and none more so than each aspect of the oncology ward, beginning with the patient's room. It is there that the issues faced by the major players in healing environments – administrator, caregiver, family member, and, most importantly, the patient – come sharply into focus. Hospitals are building new facilities or renovating old ones in order to adapt to new environmental demands of patient care and security. Driven by ethical and professional responsibility, the oncological team headed by Professor Hellmut Samonigg of Graz Medical U

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13

Erthal, Claudia. "“Ocupa Rua”:." Latitude 16, no. 1 (2022): 13–38. http://dx.doi.org/10.28998/lte.2022.n.1.14099.

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This article proposes a reflection based on the concept of the five skins created by the Austrian architect and artist Friedensreich Hundertwasser, having as its object the pilot project “Ocupa Rua”, carried out in São Paulo, on new uses of an urban center and the layers of perception and experience that this project can provide. It includes walks, readings and the use of mobile devices by users/ walkers as a form of communication and social belonging, generating a lively communicational dynamic. The presence of the user who seems to collaborate with the creation of new reading layers for the

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14

Tyler, Linda. "The last decade: the New Zealand architectural designs of Friedensreich Hundertwasser (1928-2000) in the 1990s." Architectural History Aotearoa 17 (November 2, 2020): 95–100. http://dx.doi.org/10.26686/aha.v17.9576.

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Constructivist in his approach to both painting and architecture, the Austrian designer Friedensreich Hundertwasser’s technical innovations in building anticipated many of the principles of sustainability which characterize eco-structures. These include rooftop planting for insulation and temperature control, rainwater harvesting and use of recycled materials including glassware. His regeneration of Kaurinui in Northland has been located by some within the tradition of Land Art in the way in which it interconnects ecology and humanity. He became a New Zealand citizen in 1986 and produced an ar

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15

María, Nelly Castillo Rodríguez. "Paulo Freire: De la Educación Liberadora a la pedagogía decolonial." Revista de Filosofía, Centro de Estudios Filosóficos, Universidad del Zulia. Maracaibo - Venezuela 39, Especial (2022): 780–86. https://doi.org/10.5281/zenodo.6469158.

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El ensayo tiene por objetivo analizar la propuesta para una educación liberadora de Paulo Freire en interrelación a las posturas decoloniales de la actualidad. Para lograr tal fin, la investigación considera los siguientes aspectos: 1) Conceptualiza la propuesta de Freire referida a la educación liberadora, en la cual postula una praxis social, con miras a construir una pedagogía del oprimido, como mecanismo para desarticular los avances de la modernidad, conduciéndose cada vez más a la liberación. 2) Cuestiona la concepción bancar

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16

Noguera Palau, JJ. "Friedensreich (Fritz) Hundertwasser: Viena, 1928 - Queen Elizabeth II, 2000." Archivos de la Sociedad Española de Oftalmología 77, no. 12 (2002). http://dx.doi.org/10.4321/s0365-66912002001200011.

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17

Gralińska-Toborek, Agnieszka. "The Leftovers Manifesto – About the Viability of Friedensreich Hundertwasser's Ideas." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, February 28, 2025, 63–87. https://doi.org/10.18778/0208-6107.2024.06.

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Friedensreich Hundertwasser’s architecture sparks controversy and stirs emotions. For tourists and residents, it is an attraction that elicits enthusiasm, while specialists often regard it as a curiosity. His aesthetic elements – kitsch, camp, bricolage, DIY, and ecology – appeal to contemporary users and motivate their creativity. An extraordinary example is a community of homeless people in Jaworzno (Poland), who revitalized an old, over-century-old building gifted by the city authorities and are renovating another in Hundertwasser's style. Their fascination with Hundertwasser stems not just

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