Academic literature on the topic 'Friedrich Christian August'

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Journal articles on the topic "Friedrich Christian August"

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Rettinghaus, Klaus. "Biographische Notizen zu verschiedenen Bach-Schreibern des 19. Jahrhunderts." Bach-Jahrbuch 99 (October 22, 2018): 381–89. http://dx.doi.org/10.13141/bjb.v20132995.

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Im Einzelnen dargestellt werden Johann Jacob Heinrich und Johann Christian Westphal, "Skaupy", Carl Bagans, George Christoph Balch, Heinrich Christian Carl Güntersberg, Christian Carl Müller, Carl Dreher, Friedrich August Rohrlack und Gottlob Abraham Stäps. Erwähnter Artikel: Peter Wollny: Tennstedt, Leipzig, Naumburg, Halle - Neuerkenntnisse zur Bach-Überlieferung in Mitteldeutschland. BJ 2002, S. 29-60
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Kordel, Jacek. "sächsische Polenpolitik unter den Kurfürsten Friedrich Christian und Friedrich August III. und ihre Darstellung in der sächsischen Historiographie." Sächsische Heimatblätter 62, no. 2 (April 1, 2016): 140–47. http://dx.doi.org/10.52410/shb.bd.62.2016.h.2.s.140-147.

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Hüttel, Walter. "Schüler und Enkelschüler Johann Sebastian Bachs im ehemaligen schönburgischen Territorium." Bach-Jahrbuch 74 (May 9, 2018): 111–21. http://dx.doi.org/10.13141/bjb.v19882580.

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Im Südwesten Sachsens, in den Städten Glauchau und Waldenburg und der Umgegend, können die folgenden Bachschüler gefunden werden: Christian Samuel Barth, Johann Gottlieb Söllner, Jacob Ernst Hübner und Johann Gottlob Förtzsch. in der zweiten Hälfte des 18. Jahrhunderts hatten viele der in diesem Bereich tätigen Musiker ihre Ausbildung bei den Bach-Schülern Johann Friedrich Doles und Gottfried August Homilius erhalten. Eine Besonderheit der Musikgeschichte stellen die Werke von Johann Christian Kuntze (1747-1821) dar. Kuntze war zwar als Landwirt und Stadtrat in seiner Heimat Grumbach tätig, komponierte aber auch in seiner Freizeit und produzierte sechs Fugen zum Thema B-a-c-h in Erinnerung an J. S. Bach. (Übertragung des englischen Resümees am Ende des Bandes)
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Wollny, Peter. "Carl August Hartung als Kopist und Sammler Bachscher Werke." Bach-Jahrbuch 97 (February 9, 2018): 81–101. http://dx.doi.org/10.13141/bjb.v20111229.

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Unter Bezugnahme auf den voranstehenden Artikel von Andrew Talle "'Die kleine Wirthschafft Rechnung' von Carl August Harthung" wird die Bedeutung Harthungs für den Musikalienhandel seienr Zeit beleuchtet. Zunächst wird Harthung auf Grundlage der von Talle ausgewerteten Quelle als Schreiber zweier thematischer Verzeichnisse von Werken Bachs identifiziert. Daran knüpfen weiterführende Überlegungen zur Verbreitung bestimmter Bachscher Werke im 18. Jh. an. Weiterhin wird aufgrund der Notenschrift Harthungs ein bisher anonymer Bach-Kopist mit ihm Gleichgesetzt. Ein Anhang bietet einen Katalog aller Bach-Abschriften von der Hand Harthungs. Erwähnte Artikel: Hans Löffler: Die Schüler Joh. Seb. Bach. BJ 1953, S. 5-28 Klaus Hofmann: Forkel und die Köthener Trauermusik Johann Sebastian Bach. BJ 1983, S. 115-117 Hans-Joachim Schulze: Bach-Überlieferung in Hamburg: Der Quellenbesitz von Christian Friedrich Gottlieb Schwencke (1767-1822). BJ 1993, S. 69-79 Christoph Wolff: Nachwort zu Christoph Henzel: "...ein Großes Orgelkonzert von dem alten Sebastian Bach". Zu einem Konzertprogramm Johann Wilhelm Häßlers. BJ 1993, S. 231-237 (S. 236-237) Peter Wollny: Johann Christoph Friedrich Bach und die Teilung des väterlichen Erbes. BJ 2001, S. 55-70 Michael Maul, Peter Wollny: Quellenkundliches zu Bach-Aufführungen in Köthen, Ronneburg und Leipzig zwischen 1720 und 1760. BJ 2003, S. 97-142 Andrew Talle: Nürnberg, Darmstadt, Köthen - Neuerkenntnisse zur Bach-Überlieferung in der ersten Hälfte des 18. Jahrhunderts. BJ 2003, S. 143-172 Hans-Joachim Schulze: Eine verschollene Choralpartita Johann Sebastian Bachs? BJ 2003, S. 229-232 Pieter Dirksen: Zur Echtheit der Johann Christoph Bach (1642-1703) zugeschriebenen Clavierwerke. BJ 2010, S. 217-248 Vergleiche auch: Andrew Talle: "Die kleine Wirthschafft Rechnung" von Carl August Harthung. BJ 2011, S. 51-80
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Toomsalu, Maie. "Pioneering embryological research at the Old Anatomical Theatre of the University of Tartu." Papers on Anthropology 29, no. 2 (December 31, 2020): 71–82. http://dx.doi.org/10.12697/poa.2020.29.2.06.

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The reopening of the University of Tartu (1802) fell into the period when the society’s needs for science and educated people were increasing rapidly. Universities became the most important research institutions, and their lecturers were not merely teachers but professional scientists. German higher education fostered ties with the most significant research centres of that time’s world. The current article views the pioneering embryological research done at the Old Anatomical Theatre, which has made the names of these scientists known in the whole world and brought honour and fame to the University of Tartu. The article describes the embryological studies by Karl Friedrich Burdach, Martin Heinrich Rathke, Carl Bogislaus Reichert, Ernst Reissner, Emil Woldermar Rosenberg, Carl Wilhelm von Kupffer, Arthur Boettcher (Böttcher), Karl Dietrich Barfurth, Maximilian Gustav Christian Carl Braun, August Antonius Rauber and Nikolai Czermak.
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Ragozin, German S., Aleksandr A. Turygin, and Roman Yu Boldyrev. "TRANSFORMATION OF APPROACH TOWARDS PUBLIC SERVICE AND THE EMERGENCE OF HUMBOLDT UNIVERSITY MODEL IN PRUSSIA (1807–1810)." Vestnik of Kostroma State University, no. 3 (2020): 100–110. http://dx.doi.org/10.34216/1998-0817-2020-26-3-100-110.

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The paper deals with higher school transformation in Prussia between 1807 and 1810. Discussion on new university took place before 1806-1807, and had a purpose to design a new model connected with the practical application of the knowledge, also in public administration. The reforms initiated by Baron vom Stein and Karl August Fürst von Hardenberg offered the national principles to basics of Prussian state. Traditional point of view is that Friedrich Wilhelm Christian Karl Ferdinand von Humboldt ideas prevailed in the reform, though Theodor Anton Heinrich Schmalz’s and Johann Gottfried Hoffmann’s offers tapped into Faculty of Law and Political economics programme concepts. As a result, new principles appeared, and the ideal statesman image. The reform had a deep impact on academic positions in Prussia, transfer of knowledge and ideas, and tapped into transformation of Prussia to national state. It is possible to state that new university and the new public servants training models made its commitment to the approach transformation towards the public service and political culture evolution. The new approach towards the Academy of Sciences, its relations with government and society became a catalyst towards political culture transfer to civil and national one. The new university tapped into continuity of social and political reforms in the kingdom even within the Bourbon Restoration after 1815.
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Bixby, Patrick. "Frightful Doctrines: Nietzsche, Ireland, and the Great War." Modernist Cultures 13, no. 3 (August 2018): 323–39. http://dx.doi.org/10.3366/mod.2018.0215.

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After the outbreak of war in August 1914, Friedrich Nietzsche's name quickly became prominent in Irish and English newspapers as shorthand for a ‘philosophy of evil’ associated with the German Empire. This essay considers the rhetorical uses made of the philosopher and his ideas by commentators in the popular press, including: Thomas Kettle, University College Dublin economics professor and minor poet turned war correspondent and British recruitment officer, who wrote a series of articles attributing the rise of German militarism to Nietzsche's influence; a host of Ireland's Catholic clerics, who negotiated their difficult position between the Irish nationalist cause and the British war effort by arguing in newspapers around the country that both nations must stand together against Nietzsche's ‘frightful’ doctrines; and W. B. Yeats, who rather mischievously evoked the philosopher's name in Kettle's presence at a nationalist celebration in November 1914, drawing rousing applause from his Dublin audience and generating headlines in the Irish press. During the course of the war, the Nietzsche controversy raged on in newspapers across the allied nations, while Yeats remained largely silent about the conflict. But, in January 1919, only weeks after the armistice was signed, he returned to Nietzsche's philosophy through a series of allusions in ‘The Second Coming’, a poem that famously responds to the trauma – and the propaganda – of the war years by transforming the imagery of Christian faith into a nightmarish vision of the Anti-Christ.
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Loner, David. "Christian Erbacher (ed.): Friedrich August von Hayek’s Draft Biography of Ludwig Wittgenstein. The Text and Its History. Leiden: mentis Verlag 2019, 88 pages, 25,13 € (Paperback), ISBN 978-3-95743-157-8." Wittgenstein-Studien 11, no. 1 (January 20, 2020): 295–98. http://dx.doi.org/10.1515/witt-2020-0016.

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Kraus, Hans-Christof. "Erich Donnert, Antirevolutionär-konservative Publizistik in Deutschland am Ausgang des Alten Reiches. Johann August Starck (1741–1816), Ludwig Adolf Christian von Grolman (1741–1809), Friedrich Nicolai (1733–1811). Frankfurt am Main/Berlin/Bern, Lang 2010 Donnert Erich Antirevolutionär-konservative Publizistik in Deutschland am Ausgang des Alten Reiches. Johann August Starck (1741–1816), Ludwig Adolf Christian von Grolman (1741–1809), Friedrich Nicolai (1733–1811). 2010 Lang Frankfurt am Main/Berlin/Bern € 54,80." Historische Zeitschrift 295, no. 3 (November 2012): 796. http://dx.doi.org/10.1524/hzhz.2012.0607.

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Manzi, Jack. "A Biography of a Biography - Friedrich August von Hayek’s Draft Biography of Ludwig Wittgenstein: The Text and Its History, edited by Christian Erbacher." Nordic Wittgenstein Review 9 (December 3, 2020). http://dx.doi.org/10.15845/nwr.v0i0.3578.

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Friedrich von Hayek’s Unfinished Draft of a Sketch of a Biography of Ludwig Wittgenstein was the first attempt at the task of assembling a comprehensible picture of the life of his pre-eminent cousin, Ludwig Wittgenstein. As the title might suggest, von Hayek never finished this task, his efforts being stymied by both Wittgenstein’s literary executors and Wittgenstein’s sister, Margaret Stonborough. Here, and for the first time, Christian Erbacher presents the first real publication of this draft, with accompanying commentary, and an afterword by Allan Janik. Perhaps the best way to describe Erbacher’s work here is as a ‘biography of a biography’. His introduction to von Hayek’s manuscript details the story behind its creation, beginning with an outline of von Hayek’s own relationship with Wittgenstein, and the parallels between their academic careers. In doing so, Erbacher not only also describes the history of von Hayek’s sketch, but also the history of Wittgenstein-biography as a genre in itself. For what emerges from Erbacher’s extensive work in researching the von Hayek sketch is that, despite never coming to fruition itself, the work that von Hayek put into collecting the materials for writing a biography of Wittgenstein was hugely influential in all future endeavours of chronicling Wittgenstein’s life.
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Dissertations / Theses on the topic "Friedrich Christian August"

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Watson, Marva J. "The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/157.

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Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals connected with the musical work, a more thorough understanding of the time period in which Bach lived and worked may be gained. This in turn will provide a more complete understanding of Bach’s birthday cantatas. This thesis will not address recipients of name day cantatas nor will it address recipients of birthday cantatas that were not fully preserved. These are the historical figures and works that will be examined: Duke Christian of Saxe-Weißenfels, including references to Dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, Was mir behagt, ist nur die muntre Jagd, BWV 208; Prince Leopold of Anhalt-Köthen, Durchlauchtster Leopold, BWV 173a; Crown Prince Friedrich Christian of Saxony, Laßt uns sorgen, laßt uns wachen, BWV 213; Maria Joseph, Archduchess of Austria, Electress of Saxony, Queen of Poland, Tönet, ihr Pauken! Erschallet, Trompeten, BWV 214; and Augustus III, Elector of Saxony, King of Poland Schleicht, spielende Wellen, BWV 206.
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Schönfuß-Krause, Renate. "„Badescene im Raederflus“." Teamwork Schönfuß, 2021. https://slub.qucosa.de/id/qucosa%3A75276.

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Ein Kupferstich von J. C. Klengel und G. W. Hüllmann in dem 1790 herausgegebenen Buch „Briefe über das Radeberger Bad“ geben Auskunft, dass Lotzdorf und Liegau bereits frühzeitig für Badefreuden berühmt waren. und einige historische Hintergründe über den Entdecker Christoph Seydel, den Tannengrund, das Radeberger Bad, das Mohr- und Stahlbad Augustusbad sowie einige der berühmten Gäste dieses Bades, wie z.B. Gerhard von Kügelgen, Wilhelm von Kügelgen, Caspar David Friedrich, Carl Gustav Carus, Prof. Carl August Richter, Prof. Adrian Ludwig Richter, der Schriftsteller Jean Paul, Theodor Körner und viele andere. In Radeberg und Umgebung entstand eine Bäderkultur.
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Hurtado-Beca, Cristina. "Le mode d'appropriation des idées républicaines européennes au XIXe siècle au Chili : le cas Lastarria (1817-1888)." Paris 8, 2000. http://www.theses.fr/2000PA081792.

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Ce travail se propose de contribuer a la lecture des sources europeennes, particulierement francaises, qui ont permis aux intellectuels chiliens au xixeme siecle, de trouver les materiels et les bases sur lesquels pouvoir edifier une republique democratique. L'interet est d'analyser comparativement les sources et le mode d'appropriation de ces idees. Pour cela l'intellectuel chilien jose victorino lastarria est considere le personnage adequat : intellectuel prolifique qui traverse presque tout le siecle, il n'a jamais ete - comme beaucoup d'autresen europe mais il suivait de tres pres la production francaise. Il a ete considere l'introducteur du positivisme comtien au chili. En analysant comparativement les textes theorico-politiques de lastarria, en particulier son dernier ouvrage leconsde politique positive, ainsi que sa relation aux ouvrages anterieurs, est apparu que sa matrice est prioritairement krausiste (krause, 1781 - 1832, contemporains de fichte et de schelling), connu a travers son disciple allemand henri ahrens qui enseigna cours du droit naturel a paris 1833/34. La theorie des trois etapes de comte et son idee de la philosophie de l'histoire, en tant qu'analyse scientifique d'enchainements des faits, s'insere dans le cadre democratique et liberal du krausisme. La lecture attentive des textes des auteurs ainsi que des contemporains amene a se demander les points de rencontre chez lastarria entre << idealisme allemand >> et << positivisme francais >>. Precisement cette conjonction apparait possible grace a un economiste et erudit francais courcelle-seneuil qui a vecu six annees au chili et il y accomplit un role tres important.
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Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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Züll, Stephanie. "Romane als Sittenlehren - Zum Verhältnis zwischen galantem und empfindsamem Roman." Doctoral thesis, 2019. http://hdl.handle.net/21.11130/00-1735-0000-0005-146C-C.

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Konrad, Christiane [Verfasser]. "Die "Mutter- und Koselieder" von Friedrich Wilhelm August Fröbel : Untersuchungen zur Entstehungs- und Wirkungsgeschichte / vorgelegt von Christiane Konrad." 2007. http://d-nb.info/98354459X/34.

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Books on the topic "Friedrich Christian August"

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Savio, Adriano. Katalog der Alexandrinischen Münzen: Der Sammlung dr. Christian Friedrich August Schledehaus im Kulturgeschichtlichen Museum Osnabrück. Milano: CUEM, 2001.

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Osnabrück, Kulturgeschichtliches Museum. Katalog der alexandrinischen Münzen der Sammlung Dr. Christian Friedrich August Schledehaus im Kulturgeschichtlichen Museum Osnabrück. Bramsche: Rasch, 1997.

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Religionizing, romanizing romantics: The Catholico-Christian camouflage of the early German romantics, Wackenroder, Tieck, Novalis, Friedrich & August Wilhelm Schlegel. Frankfurt am Main: P. Lang, 1995.

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Russische Kulturgeschichte in diplomatischen Reiseberichten aus vier Jahrhunderten: Sigmund von Herberstein, Adam Olearius, Friedrich Christian Weber, August von Haxthausen. Wiesbaden: Harrassowitz, 2004.

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Antirevolutionär-konservative Publizistik in Deutschland am Ausgang des Alten Reiches: Johann August Starck (1741-1816), Ludwig Adolf Christian von Grolman (1741-1809), Friedrich Nicolai (1733-1811). Frankfurt am Main: Peter Lang, 2010.

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Stewart, Jon. Hinduism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829492.003.0006.

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Hegel treats Hinduism under the title “The Religion of Imagination” or, with another translation, “The Religion of Fantasy.” Hegel’s study of Hinduism came during the period when there was a rapidly growing interest in India, indeed, an Indomania, in the German-speaking world, which included figures such as Friedrich von Schlegel, August Wilhelm von Schlegel, Novalis, Jean Paul, Goethe, Bettina von Arnim, Heinrich Heine, Christian Gottlob Heyne, and E.T.A. Hoffmann. An account is given of the rise of Indology in Great Britain, France, and the German States with a special eye towards the sources of Hegel’s information. The main analysis explores Hegel’s critical treatment of the Hindu gods, Brahmā, Vishnu, and Shiva, and the religious practices associated with them. Despite the fact that the Hindus have with these three gods a kind of trinity, Hegel argues that this is fundamentally different from the true speculative Trinity of Christian dogma.
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1930-, Grauert Hans, ed. Zur Verleihung des Karl Georg Christian von Staudt-Preises an Prof. Dr. Dr. h.c. mult. Hans Grauert, Ordinarius am Mathematischen Institut der Georg-August-Universität Göttingen: Festveranstaltung der Friedrich-Alexander-Universität Erlangen-Nürnberg am 12. November 1991. Erlangen-Nürnberg: Rektor der Friedrich-Alexander-Universität Erlangen-Nürnberg, 1992.

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Hunnekuhl, Philipp. Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.001.0001.

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Henry Crabb Robinson (1775–1867) earned his place in literary history as a perceptive diarist from 1811 onwards. Drawing substantially on hitherto unpublished manuscript sources, Henry Crabb Robinson: Romantic Comparatist, 1790–1811 discusses his formal and informal engagement with a wide variety of English and European Romantic literature prior to this point. Robinson thus emerges as a pioneering literary critic whose unique philosophical erudition underpinned his activity as a cross-cultural disseminator of literature during the early Romantic period. A Dissenter barred from the English universities, he educated himself thoroughly during his teenage years, and began to publish in radical journals. Godwin’s philosophy subsequently inspired Robinson’s first theory of literature. When in Germany from 1800–05, Robinson became the leading British scholar of Kant’s critical philosophy, which informed his discussions of Goethe, Schiller, Lessing, August Wilhelm Schlegel, and other German literature. After his return to London, Robinson aided Hazlitt’s understanding of Kant and early career as a writer; this also laid the foundation for Robinson’s lifelong critical admiration of Hazlitt’s works. Robinson’s distinctive comparative criticism further enabled him to draw compelling parallels between Wordsworth, Blake, and Herder, and to discern ‘moral excellence’ in Christian Leberecht Heyne’s Amathonte. This excellence also prompted Robinson’s transmission of Friedrich Schlegel and Jean Paul to England in 1811, as well as a profound exchange of ideas with Coleridge. Robinson’s ingenious adaptation of Kantian aesthetic autonomy into a revolutionary theory of literature’s moral relevance, Philipp Hunnekuhl finds, anticipated the current ‘ethical turn’ in literary studies.
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Book chapters on the topic "Friedrich Christian August"

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Meo, Michael. "Peters, Christian August Friedrich." In Biographical Encyclopedia of Astronomers, 1687–89. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_9106.

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Schnell, Anneliese, Richard A. Jarrell, Dorrit Hoffleit, Christoffel Waelkens, Thomas R. Williams, Thomas Nelson Winter, Narahari Achar, et al. "Peters, Christian August Friedrich." In The Biographical Encyclopedia of Astronomers, 892–93. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_1076.

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Abbey, Leonard B., Wayne Orchiston, Hüseyin Topdemir, Joseph S. Tenn, Carl‐Gunne Fälthammar, A. Clive Davenhall, Leif L. Robinson, et al. "Peters, Christian August Friedrich (updated)." In The Biographical Encyclopedia of Astronomers, 1270. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_9106.

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Pierce, Marc. "Vilmar, August Friedrich Christian." In Handbook of Medieval Studies, edited by Albrecht Classen. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110215588.2692.

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"Zwischen den „Fakzionen“ Friedrich Schlegels Brief an Christian Gottfried Körner vom 2. August 1796." In Athenäum Jahrbuch für Romantik, 79–92. Verlag Ferdinand Schöningh, 2008. http://dx.doi.org/10.30965/9783657764358_006.

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"»Geliebter Freund und Bruder«. Der Briefwechsel zwischen Christian Friedrich Tieck und August Wilhelm Schlegel in den Jahren 1804 bis 1811. Hg. und kommentiert von Cornelia Bögel. Dresden: Thelem 2015 (Tieck-Studien, Bd. 1). 384 S. € 78,00. ISBN 978-3-945363-16-4." In Athenäum Jahrbuch der Friedrich Schlegel-Gesellschaft, 275–79. Verlag Ferdinand Schöningh, 2015. http://dx.doi.org/10.30965/9783657782697_015.

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"1. Auf dem Schauplatz biblischer Geschichte: Friedrich Adolph Strauß, Conrad v. Orelli, Carl Ninck, August Vogel, August Matthes, Karl Ohly, Ludwig Tiesmeyer und Otto Eberhard." In Orientalen oder Christen?, 186–278. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737005401.186.

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