Relevant bibliographies by topics / Friedrich Dostoevskij

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  2. Dissertations / Theses
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Academic literature on the topic 'Friedrich Dostoevskij'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Friedrich Dostoevskij"

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Poljakova, Ekaterina. "Fyodor Dostoevsky and Friedrich Nietzsche: power/weakness." International Journal of Philosophy and Theology 78, no. 1-2 (March 15, 2017): 121–38. http://dx.doi.org/10.1080/21692327.2016.1249015.

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Egeberg, Erik. "Dostoevsky’s novels as classic tragedies." Nordlit, no. 33 (November 16, 2014): 183. http://dx.doi.org/10.7557/13.3177.

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<p>Friedrich Nietzsche’s treatise “Die Geburt der Tragödie aus dem Geiste der Musik” (1872) has, with the symbolist poet and critic Vyacheslav Ivanov as an important intermediary, exerted a strong influence on Dostoevsky scholarship which can be traced up to this day. The present short paper discusses some aspects of this tradition of interpretation.</p>
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Novikova, E. G. "F. M. Dostoevsky about Karl Marx and Friedrich Engels." Sibirskiy filologicheskiy zhurnal, no. 3 (2019): 77–84. http://dx.doi.org/10.17223/18137083/68/7.

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Kantor, V. K. "Fyodor Dostoevsky vs Friedrich Schiller: from Romantic Robber to Fedka the Convict." Philosophical Letters. Russian and European Dialogue 4, no. 2 (June 2021): 11–26. http://dx.doi.org/10.17323/2658-5413-2021-4-2-11-26.

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Orekhanov, Protoiereus Georgy, and Iereus Alexey Andreev. "Russia’s Quest for the “Historical Jesus”: Tolstoy and Dostoevsky vs. Strauss." Slovene 9, no. 1 (2020): 261–91. http://dx.doi.org/10.31168/2305-6754.2020.9.1.9.

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The works of theologian David Friedrich Strauss are significant milestones in the development of an academic project known as the “Quest for the Historical Jesus”. As part of the Quest, various researchers tried to reconstruct the life, teachings, and personality of Jesus of Nazareth using historical and philological methods, that is, operating from the standpoint of strict positivism. The purpose of this article is to show that the works of Strauss had a significant impact on the logic and evolution of the religious quests of Leo Tolstoy and Fyodor Dostoevsky. Tolstoy became acquainted with Strauss's ideas around the late 1870s, in a period of intensive intellectual search, which eventually led him to an acute religious crisis and rejection of the official church view on Christianity. The article shows that the writer was ultimately compelled to reject the ideas of Strauss and Renan. At the same time, some elements of Strauss's theory were so close to Tolstoy that these ideas had a definite influence on his basic religious conception. Dostoevsky had the opportunity to become acquainted with the ideas of Strauss in the Petrashevsky Circle. This experience led to a deep life crisis on Dostoevsky's part, too. On the one hand, the writer had a negative view of ideas associated with the works of Strauss and Renan. On the other hand, all of Dostoevsky’s artistic work is directly related to his overcoming the influence of the “Strauss-Renan narrative”, which itself is evidence of the evolution of the writer’s views on faith and religion.
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Vasoler, Flávio Ricardo. "A utopia como a cicatrização do espírito: Prolegômenos para um diálogo entre Fiódor Dostoiévski, Hegel e Allan Kardec." Numen 19, no. 1 (December 29, 2016). http://dx.doi.org/10.34019/2236-6296.2016.v19.22017.

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Acompanharemos o homem ridículo, protagonista do conto O sonho de um homem ridículo (1877), de Fiódor Dostoiévski (1821-1881), do (anti) clímax de seu niilismo à beira do suicídio até a retomada de sua vinculação histórico-espiritual com a vida. A trajetória redentora do homem ridículo será analisadaem diálogo com o filósofo alemão Georg Wilhelm Friedrich Hegel (1770-1831), a partir de sua Filosofia da História (1837), e com o educador francês Hippolyte Léon Denizard Rivail, mais conhecido como Allan Kardec (1804-1869), o codificador da doutrina espírita. Assim, a reconciliação utópica em Dostoiévski – a redenção do choro e do ranger de dentes dos humilhados e ofendidos que permeiam a obra do escritor russo – será iluminada pela noção de eternidade como caminho para a cicatrização do espírito.We will follow the ridiculous man, protagonist of Fyodor Dostoevsky’s (1821-1881) short story The Dream of a Ridiculous Man (1877), from the (anti)climax of his nihilism towards suicide to his historical and spiritual reconnection with life. The ridiculous man’s redeeming trajectory will be analyzed in dialogue with German philosopher Georg Wilhelm Friedrich Hegel (1770-1831), from his Philosophy of History (1837), and with French educator Hippolyte Léon Denizard Rivail, better known as Allan Kardec (1804-1869), the encoder of Spiritism. Thus, utopian reconciliation in Dostoevsky – the redemption of the weeping and gnashing of teeth which permeates the Russian author’s works – will be illuminated by the notion of eternity as the path towards the healing of the spirit.
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Dissertations / Theses on the topic "Friedrich Dostoevskij"

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Pfeuffer, Silvio. "Die Entgrenzung der Verantwortung : Nietzsche, Dostojewskij, Levinas /." Berlin : W. de Gruyter, 2008. http://catalogue.bnf.fr/ark:/12148/cb413933503.

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Klessinger, Hanna. "Krisis der Moderne Georg Trakl im intertextuellen Dialog mit Nietzsche, Dostojewskij, Hölderlin und Novalis." Würzburg Ergon-Verl, 2006. http://d-nb.info/985581425/04.

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Pfeuffer, Silvio. "Die Entgrenzung der Verantwortung Nietzsche - Dostojewskij - Levinas." Berlin New York, NY de Gruyter, 2007. http://d-nb.info/990069745/04.

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Grillaert, Nel. "What the God-seekers found in Nietzsche : the reception of Nietzsche's Übermensch by the philosophers of the Russian religious renaissance /." Amsterdam : Rodopi, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789042024809.

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Books on the topic "Friedrich Dostoevskij"

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Die Entgrenzung der Verantwortung: Nietzsche, Dostojewskij, Levinas. Berlin, Germany: Walter De Gruyter, 2008.

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Lyngstad, Alexandra H. Lyngstad: Dostoevskij and Schiller Spr 303. De Gruyter, Inc., 2019.

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Pfeuffer, Silvio. Die Entgrenzung der Verantwortung. De Gruyter, Inc., 2008.

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4

Against Nihilism: Nietzsche meets Dostoevsky. Black Rose Books, 2019.

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Stepenberg, Maia. Against Nihilism: Nietzsche meets Dostoevsky. Black Rose Books, 2019.

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Stellino, Paolo. Nietzsche and Dostoevsky: On the Verge of Nihilism. Lang AG International Academic Publishers, Peter, 2015.

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Stellino, Paolo. Nietzsche and Dostoevsky: On the Verge of Nihilism. Lang AG International Academic Publishers, Peter, 2015.

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Stellino, Paolo. Nietzsche and Dostoevsky: On the Verge of Nihilism. Lang AG International Academic Publishers, Peter, 2015.

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Stellino, Paolo. Nietzsche and Dostoevsky: On the verge of nihilism. 2015.

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Leon, McBride William, ed. Existentialist background: Kierkegaard, Dostoevsky, Nietzsche, Jaspers, Heidegger. New York: Garland, 1997.

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Book chapters on the topic "Friedrich Dostoevskij"

1

Rose, Jonathan. "Shakespeare in Prison." In Readers' Liberation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198723554.003.0008.

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There are any number of inspirational accounts of prison reading (such as Malcolm X), so let’s begin with what doesn’t work. Larry E. Sullivan, the leading scholar of this small but enthralling literary subfield, has concluded that probably the favorite author behind bars is Friedrich Nietzsche, and most frequently quoted sentence, “What does not kill me makes me stronger.” Convicts also devour crime and escapist literature, but few read Plato, Boethius, Bunyan, or Dostoevsky. And the reason should be obvious. Typically, prison systems work relentlessly to crush the individuality of their inmates. Physical resistance only brings ever-more brutal punishment, so prisoners resort to the one form of rebellion they can get away with, which is to read the most extreme forms of antisocial philosophy: Schopenhauer, Herbert Spencer, Nietzsche. If you are caged like an animal, these ideologies offer some psychological compensation: you can imagine yourself radically free, infinitely superior to your jailers in terms of intelligence, courage, and authenticity. It all sounds romantically transgressive, but that’s a very costly illusion, because it locks the prisoner into a battle with authority that he cannot win, and amplifies the behavior that got him incarcerated in the first place. Among black female inmates, the counterpart to Nietzsche is “urban fiction,” a new genre where the ubermenschen are inner-city crime lords, as wealthy as they are sadistic. Their women are consistently beautiful, expensively dressed, and obscenely abused. The demand for these novels knows no limit, and they are smuggled in faster than wardens can confiscate them. Their fans want to know why these black-authored books are banned while the equally gruesome thrillers of James Patterson are allowed in, and they have a point. But whereas Patterson is clearly on the side of law and order, urban fiction glamorizes drugs and thugs—and all too many readers admit that they fall for it: . . . “It excites me to read them. I look at all this money they’re making. I can’t wait to see the dollar signs . . . I like how they’re hustlers. How they con someone. It gives me a feeling of oh man, is it that easy? I coulda tried that!” . . .
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