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Relevant bibliographies by topics / From the diary of Virginia Woolf

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Academic literature on the topic 'From the diary of Virginia Woolf'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "From the diary of Virginia Woolf"

1

Briggs, Kate. "The making ofA Writer's Diary: Being Extracts from the Diary of Virginia Woolf." Textual Practice 25, no. 6 (2011): 1033–50. http://dx.doi.org/10.1080/0950236x.2011.618459.

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Pridmore-Brown, Michele. "1939-40: Of Virginia Woolf, Gramophones, and Fascism." PMLA/Publications of the Modern Language Association of America 113, no. 3 (1998): 408–21. http://dx.doi.org/10.2307/463349.

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Virginia Woolf in her last novel, Between the Acts, explores fascism from the vantage of the new physics and of information technology. Her knowledge of the new physics is attested to by myriad diary entries; her knowledge of information technology was largely intuitive. In Between the Acts, she uses a gramophone to brew patriotic emotion and thus to transform a group of British pageant goers into a herd. Ultimately, however, she short-circuits the herd impulse by privileging the audience members' interpretative acts. In the novel, patriotic messages of authority are deliberately adulterated b

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3

Mills Jeansonne, Christie. "Identity and Writing in the Diaries of Plath and Woolf: Defining, Abjectifying, and Recovering the Self." European Journal of Life Writing 3 (October 13, 2014): 82–102. http://dx.doi.org/10.5463/ejlw.3.74.

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The ordering, de-abjectifying function of language is often harnessed by the diary writer: re-living and re-writing a fictive self through diary writing allows the writer control and understanding of the self which has experienced and then changed in the interval of time between the event, the recording, and the rereading. The diaries of Sylvia Plath and Virginia Woolf lend credence to this possibility of recovering abject identity through language. Their diary accounts of mental illness wield mastery over their experiences and emotional responses by choosing to recount them (or not). My paper

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Skeet, Jason. "Netting Fins: A Deleuzian Exploration of Linguistic Invention in Virginia Woolf's The Waves." Deleuze Studies 7, no. 4 (2013): 475–95. http://dx.doi.org/10.3366/dls.2013.0125.

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Linguistic invention is a key feature of Virginia Woolf's novel The Waves. An exploration of its innovative verbal and syntactic procedures can add to an understanding of Woolf's importance for the philosophical thought of Gilles Deleuze (and his sometime collaborator Félix Guattari). In A Thousand Plateaus, The Waves is used to exemplify an ontology of becoming. However, in their reference to The Waves, Deleuze and Guattari only draw attention to what they term the ‘vibrations, shifting borderlines’ between and across characters in the novel. Given Deleuze's considerations of style, it is per

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Jacobs, Joela. "Separation Anxiety: Canine Narrators and Modernist Isolation in Woolf, Twain, and Panizza." Literatur für Leser 39, no. 3 (2018): 153–68. http://dx.doi.org/10.3726/9445_lfl_16-3_153.

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In the decades around 1900, the Western literary canon boasts a dense accumulation of stories that specifically make dogs their protagonists, or even their narrators. Authors amongst the most important voices of modernism in their respective traditions, such as Virginia Woolf, Mark Twain, Franz Kafka, O. Henry, Miguel de Unamuno, Vladimir Bulgakov, and Italo Svevo, all turned to canine perspectives to discuss the human condition in the rapidly changing modern world.1 Modernism entailed, among other characteristics, fundamental skepticism of the human self-conception, including the epistemologi

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Heine, Elizabeth. "W.B.Yeats: Poet and Astrologer." Culture and Cosmos 1, no. 02 (1997): 60–75. http://dx.doi.org/10.46472/cc.0201.0209.

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William Butler Yeats appears to have begun his study of astrology even before he joined the Hermetic Society of the Golden Dawn in 1890. His earliest surviving astrological manuscripts date to 1888 or 1889, when he was in his early twenties; they record planetary elements and symbols in elementary lessons, probably undertaken among Madame Blavatsky’s theosophists. For the 1890s, his manuscripts show more emphasis on readings of tarot cards than on astrological predictions, although the tarot lay-outs are occasionally accompanied by horary charts drawn up for the moment of the reading. Yeats’s

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Wahab, Mohammed Osman Abdul, Mohammed Nurul Islam, and Nisar Ahmad Koka. "Dimensions of Literature and Journalism, History, Ideology and Culture." Theory and Practice in Language Studies 9, no. 12 (2019): 1474. http://dx.doi.org/10.17507/tpls.0912.02.

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Literature is a hugely loaded term that brings within its ambit a variety of concerns ranging from philosophy to journalism as there is almost a photo finish between what is construed as journalism and what is commonly and widely presumed literature. Adding interactive or writing multi-platform stories/literature/fiction is quickly becoming a new craft of publishing onto itself and a tool for writers to use. The media field could be very different in coming years---or it could still be just a bunch of promotional tie-tins. The dimensions of literature breach boundaries to conform to the possib

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Blodgett, Harriet. "A woman writer's diary: Virginia woolf revisited." Prose Studies 12, no. 1 (1989): 57–71. http://dx.doi.org/10.1080/01440358908586360.

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Bien, Peter, Virginia Woolf, Anne Olivier Bell, and Andrew McNeillie. "The Diary of Virginia Woolf. 5: 1936-1941." World Literature Today 59, no. 2 (1985): 272. http://dx.doi.org/10.2307/40141553.

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Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

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O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histór

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Dissertations / Theses on the topic "From the diary of Virginia Woolf"

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Woods, Noelle. "Reflections of a life : biographical perspectives of Virginia Woolf illuminated by the music and drama of Dominick Argento's song cycle, From the Diary of Virginia Woolf /." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1132158619.

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Shannon, Drew Patrick. "The deep old desk the diary of Virginia Woolf /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1186963596.

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SHANNON, DREW PATRICK. "THE DEEP OLD DESK: THE DIARY OF VIRGINIA WOOLF." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186963596.

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Jenkins, Amber Rose. "From pen to print : Virginia Woolf, materiality and the art of writing." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/113424/.

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This thesis interrogates the relationship between the material conditions of Virginia Woolf’s writing practices and her work as a printer and publisher at the Hogarth Press. While the role played by the Press in the intellectual and literary innovations of modernism has been well-documented, less attention has been paid to its influence upon Woolf’s own literary experimentalism. By examining its effect on the material and visual aspects of her compositional processes, from the manuscript drafts to the physical construction of her printed works, this thesis explores how her involvement in the c

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Dunn, Jessica. "Unearthing Real Women: Reclaiming Sylvia Plath and Virginia Woolf from Their Suicide Narratives." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2139.

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Virginia Woolf and Sylvia Plath are two well-known women writers of the twentieth century who committed suicide. The narratives created by their deaths have in some instances become as important as the canonical work they produced. In an effort to understand their motivations and struggles, critics and the public alike have sometimes reduced these women to victims of the patriarchy, mental illness, or even themselves. Beginning with my own discovery of this issue in the legacies of Plath and Woolf combined with my personal dealings with suicide in my family, I recount how I lost these two wome

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Dabby, Benjamin James. "Female critics and public moralism in Britain from Anna Jameson to Virginia Woolf." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607994.

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Landefeld, Ronnelle Rae. "Becoming Light: Releasing Woolf from the Modernists Through the Theories of Giles Deleuze and Félix Guattari." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/32497.

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Critics of Virginia Woolf's fiction have tended to focus their arguments on one of the following five cruxes: Woolf's personal biography, the role of art, the nature of reality, the structure of her novels, or they focus their arguments on gender-based criticism. Often, when critics attempt to explain Woolf through any of these categories, they succeed in constructing borders around her writing that minimize the multiplicities outside them. Post-structuralist theory helps to open up difference in Woolf's writing, specifically, the theories of Giles Deleuze and Félix Guattari. Their book,

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Fang, Ni-Ni. "From instinct to self : a psychoanalytic exploration into a Fairbairnian understanding of depression through a dialogue with my imaginary Virginia Woolf." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/23636.

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This thesis explores a psychoanalytic understanding of depression from the perspective of Fairbairn’s object relations theory, something Fairbairn did not himself undertake. Highlighting the historical and political contexts of the development of psychoanalysis in Fairbairn’s time, I underline the marginalization of Fairbairn’s theory, which I attribute primarily to his lifelong endeavour to challenge the orthodoxy of the time: instinct theory. I chart a theoretical trajectory from the instinct theory (Freud, Klein) to object relations theory (Fairbairn), to contextualise my argument for the p

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Lee, Chi-kwan Anita. "From Mrs. Dalloway to The hours : bisexuality/bitextuality and ècriture fèminine /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3160268X.

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Lee, Chi-kwan Anita. "From Mrs. Dalloway to The Hours bisexuality/bitextuality and écriture féminine /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/HKUTO/record/B38628764.

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Books on the topic "From the diary of Virginia Woolf"

1

Writing from experience: From Louisa M. Alcott to Virginia Woolf. Robert Hale, 2000.

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Woolf, Virginia. A moment's liberty: The shorter diary of Virginia Woolf. Hogarth Press, 1990.

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3

Vita & Virginia: Adapted from the correspondence between Virginia Woolf and Vita Sackville-West. Samuel French, 1995.

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4

Dell, Marion. Virginia Woolf & Vanessa Bell: Remembering St Ives. Tabb House, 2003.

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Dell, Marion. Virginia Woolf & Vanessa Bell: Remembering St Ives. Tabb House, 2003.

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6

Family likeness: Sex, marriage, and incest from Jane Austen to Virginia Woolf. Cornell University Press, 2008.

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7

Diaries and journals of literary women from Fanny Burney to Virginia Woolf. Macmillan, 1990.

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Diaries and journals of literary women from Fanny Burney to Virginia Woolf. University of Iowa Press, 1990.

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9

1957-, Ardis Ann L., and Scott Bonnie Kime 1944-, eds. Virginia Woolf: Turning the centuries : selected papers from the ninth annual Conference on Virginia Woolf : University of Delaware, June 10-13, 1999. Pace University Press, 2000.

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Conference on Virginia Woolf (5th 1995 Otterbein College). Virginia Woolf: Texts and contexts : selected papers from the Fifth Annual Conference on Virginia Woolf, Otterbein College, Westerville, Ohio, June 15-18, 1995. University Press of America, 1996.

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Book chapters on the topic "From the diary of Virginia Woolf"

1

Webb, Beatrice. "The Diary of Beatrice Webb." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_12.

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Stape, J. H. "The Diary of Sydney Waterlow." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_8.

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Stape, J. H. "The Diary of Lady Ottoline Morrell." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_10.

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Stape, J. H. "The Diary of Dame Ethel Smyth." In Virginia Woolf. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_16.

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Stape, J. H. "The Diary of Virginia Woolf." In E. M. Forster. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-12850-1_14.

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Bishop, Edward. "To the Lighthouse: From Social Language to Incantation." In Virginia Woolf. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21223-1_6.

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Simons, Judy. "The Safety Curtain: The Diary of Virginia Woolf." In Diaries and Journals of Literary Women. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230376441_9.

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Shattuck, Sandra D. "The Stage of Scholarship: Crossing the Bridge from Harrison to Woolf." In Virginia Woolf and Bloomsbury. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18480-4_16.

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Halperin, John. "Bloomsbury and Virginia Woolf: Another View." In Jane Austen’s Lovers and Other Studies in Fiction and History from Austen to le Carré. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19332-5_12.

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Lounsberry, Barbara. "Jealousy, Illness, and Diary Rescue." In Virginia Woolf's Modernist Path. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062952.003.0004.

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Can a diary help heal and restore? Emphatically. In her 1921 diary Woolf faces two foes. The first is physical and mental exhaustion, a danger that will arise periodically across her life. In 1921, Hogarth Press work takes the time previously given to her diary—to her peril. In early January, she gives over her diary’s “casual half hours after tea” to Russian lessons for Hogarth Press translations of Chekhov, the Tolstoys, and more. The Woolfs also devote the year to printing Bloomsbury works, making the months ripe for rivalry—for literary envy of several shades. Woolf falls ill after hearing of James Joyce’s “prodigious” novel, Ulysses; however, once more she turns to her diary for rescue: to medicine herself. The diary becomes an anodyne, “a comforter” or “reliever of pain.” During this time, Woolf links arms with (and salutes) another literary doctor: Anton Chekhov. She draws the title of the only short story collection she publishes in her life, the 1921 Monday or Tuesday, from Chekhov’s Note-book[s], published the same month by the Hogarth Press.

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