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Journal articles on the topic 'Frugoni'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Reis, Mateus Favaro. "Latino-americanismo e pan-americanismo no Uruguai do entreguerras: entre utopias e distopias." Revista Eletrônica da ANPHLAC, no. 15 (March 6, 2014): 198–224. http://dx.doi.org/10.46752/anphlac.15.2013.1440.

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O objetivo do presente artigo consiste em fazer uma reflexão sobre o debate entre os intelectuais uruguaios Emilio Frugoni, José Antuña e Carlos Quijano em relação ao latino-americanismo e o pan-americanismo, no período entreguerras. Frugoni, Antuña e Quijano contribuíram de forma desigual e por caminhos divergentes para o fortalecimento dos americanismos no Uruguai. Quijano foi um dos principais críticos uruguaios ao pan-americanismo e promoveu a construção de um projeto de união latino-americana, bem como de crítica anti-imperialista. Frugoni foi o principal artífice do ideário socialista no Uruguai e, apesar de certas divergências iniciais, cruzou sua trajetória com Quijano, ao propor caminhos para a construção da soberania dos Estados latino-americanos. Antuña, por outro lado, foi um confesso adversário de Frugoni, mas também de Quijano, e atuou como um dos mais expressivos defensores do pan-americanismo no Uruguai, articulando-o ao hispanismo conservador.

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2

Lima, Wallas Jefferson. "Frugoni, Chiara. Le Moyen âge par ses images. Paris: Les Belles Lettres, 2015, 388 p." Diálogos 21, no. 1 (May 26, 2017): 128. http://dx.doi.org/10.4025/dialogos.v21i1.36505.

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Le Moyen âge par ses images é um dos mais felizes exemplos de como investigação crítica, método e interpretação podem amalgamar-se para produzir uma obra referencial carregada de valor histórico. Talvez, se dispostos isoladamente, tais elementos não provocariam o impacto no leitor, altamente proveitoso quando se pensa o conjunto do livro. A História torna-se arte, em sua plenitude, pelo encantamento que se processa em escritas como essa. Isso ocorre porque a obra de Chiara Frugoni, respeitada medievalista italiana, inova ao confrontar narrativas imagéticas relacionando-as com o simbólico, o metafórico e o místico. Essa escolha metodológica é facilmente explicável: para se compreender a imagem medieval, torna-se fundamental investigar suas dimensões ideológicas, seus significados culturais e suas funções estéticas. Apenas assim, defende Frugoni, poder-se-ia projetar uma análise histórica que, agregando saberes entrelaçados, se desdobra automaticamente em temas como imaginário coletivo, formas de devoção e práticas religiosas. Ao longo de todo o livro, tais questões expandem-se em uma liberdade associativa entre personagens e contextualizações temporais.

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3

Moore, Michael E. Hoenicke. "Books, Banks, Buttons, and Other Inventions from the Middle Ages. Chiara Frugoni , William McCuaig." Speculum 80, no. 1 (January 2005): 225–26. http://dx.doi.org/10.1017/s0038713400006990.

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4

Contreras Martín, Antonio. "Chiara Frugoni, Paradiso vista Inferno. Buon Governo e Tiranide nel Medioevo di Ambrogio Lorenzetti." Medievalia 23, no. 2 (December 4, 2020): 123. http://dx.doi.org/10.5565/rev/medievalia.528.

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5

Roe, Jeremy. "Un flujo creativo y la fragilidad de la existencia: algunas reflexiones sobre la poética visual de Álvarez Frugoni." InMediaciones de la Comunicación 9 (2014): 148–57. http://dx.doi.org/10.18861/ic.2014.9.2606.

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6

Roe, Jeremy. "Un flujo creativo y la fragilidad de la existencia: algunas reflexiones sobre la poética visual de Álvarez Frugoni." Inmediaciones de la Comunicación 9, no. 9 (September 2014): 148–57. http://dx.doi.org/10.18861/ic.2014.9.9.2606.

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7

Viglionese, Paschal, and Quinto Marini. "Frati barocchi: Studi su A. G. Brignole Sale, G. A. De Marini, A. Aprosio, F. F Frugoni, e P. Segneri." Italica 78, no. 4 (2001): 568. http://dx.doi.org/10.2307/3656087.

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8

Bornstein, Daniel. "Francesco e l'invenzione delle stimmate: Una storia per parole e immagini fino a Bonaventura e Giotto. By Chiara Frugoni. Turin, Italy: Einaudi, 1993. xxii + 431 pp. L 120,000." Church History 65, no. 2 (June 1996): 262–64. http://dx.doi.org/10.2307/3170301.

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9

McKinnon, Sarah M. "Frugoni, Chiara. A Distant City; Images of Urban Experience in the Medieval World. Tr. William McCuaig. Princeton: Princeton University Press, 1991. Pp. xv, 206.105 black and white plates. $35.00 (U.S.)." Urban History Review 20, no. 2 (1991): 94. http://dx.doi.org/10.7202/1019265ar.

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10

McCuaig, William, and Steven A. Walton. "Chiara Frugoni. Books, Banks, Buttons, and Other Inventions from the Middle Ages. Translated by William McCuaig. xiv + 178 pp., illus., bibl., index. New York: Columbia University Press, 2003. $19 (paper)." Isis 99, no. 1 (March 2008): 171. http://dx.doi.org/10.1086/589351.

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11

Redon, Odile. "Frugoni Chiara (dir.). Il Villani illustrato. Firenze e l’Italia medievale nelle 253 immagini del ms. Chigiano L VIII 296 della Biblioteca Vaticana. Florence/Rome, Le Lettere/Biblioteca Apostolica Vaticana, 2005, 263 p." Annales. Histoire, Sciences Sociales 62, no. 4 (August 2007): 923–25. http://dx.doi.org/10.1017/s0395264900029103.

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12

Latosińska, Agnieszka. "Book Review: Luciano Canfora, Andrea Giardina, Chiara Frugoni, Alessandro Barbero, Alberto Mario Banti, Emilio Gentile, Andrea Graziosi, Vittorio Vidotto, Giovanni Sabbatucci, Andrea Riccardi, Michelle Perrot, I Volti Del Potere, Roma–Bari: Editori Late." Polish Political Science Yearbook 41, no. 1 (December 31, 2012): 5–4. http://dx.doi.org/10.15804/ppsy2012035.

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13

Bernard SSF. "Book Review: St. Francis of Assisi: The Legend and the Life, Michael Robson OFM CONY. (Geoffrey Chapman 1997), 290 pp, £20.00 hbk; Francis of Assisi, Chiara Frugoni, tr. John Bowden (SCM Press 1998), 168 pp, £12.95 pbk." Theology 101, no. 803 (September 1998): 381–82. http://dx.doi.org/10.1177/0040571x9810100531.

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14

Rui, Taniele. "cidade, desde as cracolândias." Novos Debates 1, no. 1 (January 15, 2014): 52–57. http://dx.doi.org/10.48006/2358-0097-1108.

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Parto do princípio de que a cidade deve ser percebida etnograficamente. E, nesse sentido,considero tarefa da pesquisa antropológica, de um lado, observar e questionar com rigor dinâmicas urbanas contemporâneas e, de outro, procurar incessantemente modos variados e perspectivas múltiplas de descrevê- las. Nos últimos sete anos, tenho perseguido tal tarefa, visando uma contribuição a esse campo de discussão, apartir de pesquisas empíricas realizadas em territorialidades itinerantes (Frugoli e Spaggiari) de uso de crack em Campinas, São Paulo e, mais recentemente, no Rio de Janeiro e em Belo Horizonte.

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15

Díaz Roca, Sebastián, Bastián Parada Flores, Katherine Rojas Muñoz, Diego Frugone Zaror, Flor Miño Cornejo, and Cesar Faúndez Casanova. "Instrumento de evaluación para el desarrollo en edades tempranas de Frugone & Miño." Revista Ciencias de la Actividad Física 20, no. 2 (2019): 1–10. http://dx.doi.org/10.29035/rcaf.20.2.8.

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16

Stewart, Alyssa B., Robert Makowsky, and Michele R. Dudash. "Differences in foraging times between two feeding guilds within Old World fruit bats (Pteropodidae) in southern Thailand." Journal of Tropical Ecology 30, no. 3 (February 26, 2014): 249–57. http://dx.doi.org/10.1017/s0266467414000042.

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Abstract:Bats are important but understudied pollinators in the Palaeotropics, and much about their interactions with night-blooming, bat-pollinated plant species is still unknown. We compared visitation times to flowering and fruiting plant resources by nectarivorous bat species (obligate pollinators) and frugi-nectarivorous bat species (facultative pollinators) throughout the night to examine the temporal variability that occurs within Pteropodidae foraging. Timing of pollination is an important determinant of plant reproductive success and more temporally restrictive than fruit dispersal. We netted 179 nectarivorous bats and 209 frugi-nectarivorous bats across 367 total mist-net h at five plant species providing floral resources and six plant species providing fruit resources. We found that all three nectarivorous bat species in southern Thailand forage significantly earlier in the evening (20h30 versus 22h00), and over a significantly shorter time interval (1.73 h versus 3.33 h), than do the five most commonly netted frugi-nectarivorous species. These results indicate that the two feeding guilds may be imposing different selective pressures on bat-pollinated plant species and may comprise different functional groups. We propose that the observed differences in bat foraging times are due to temporal constraints imposed by the rewards of the plant species that they visit.

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17

Gonzalez-Avila, Sheyla, María Castro-Burgos, Sonia Flores-Olivares, and Cristhiam Gamboa-Hipólito. "Mapas de Preferencia y Pruebas de Aceptación Sensorial en néctar de durazno." JOURNAL OF NEUROSCIENCE AND PUBLIC HEALTH 1, no. 2 (March 31, 2021): 77–89. http://dx.doi.org/10.46363/jnph.v1i2.6.

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El presente trabajo de investigación consistió en hacer un mapeo de preferencias acerca de los néctares de fruta envasados más representativos, de durazno, que existen en nuestro país. Estos fueron Liber, Pulp, Frugos y Watts. Por tal motivo, la idea es analizar a través de la técnica estadística del mapeo, cual es el néctar que puede tener mayor aceptabilidad en el consumidor y que características pueden influir en el mismo; ya que nos permite conocer que propiedades debe tener este producto, si en caso se quiere lanzar uno nuevo al mercado. Así mismo, se encuestó y se le hizo pruebas de análisis sensorial a un cierto grupo de personas (familiares y conocidos de los investigadores, por temas del Covid 19), para determinar y puntuar características básicas a modo de los atributos sensoriales tales como el sabor, olor, claridad, espesor, color, entre otras. Posteriormente, los resultados fueron organizados en un Excel para su posterior uso y/o manejo en el programa RStudio. Donde, se realizó el análisis correspondiente a toda esa data de néctares para poder obtener los diferentes resultados de mapas de preferencia a través de gráficos didácticos y representativos, como elipses de confianza, mapa de individuos, entre otros. Por consiguiente, al final del estudio y el análisis se puede afirmar que uno de los néctares con mayor aceptación y preferencia fue el de la marca Líber según nuestra encuesta de consumo, y con respecto al análisis sensorial el más importante fue el néctar Frugos para los panelistas.

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18

Cardinali, Luca. "Sul titolo dell’opera dell’annalista Lucio Calpurnio Pisone Frugi." Giornale Italiano di Filologia 71 (January 2019): 163–75. http://dx.doi.org/10.1484/j.gif.5.118465.

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19

Linderski, Jerzy. "Book Review: The Historian L. Calpurnius Piso Frugi and the Roman Annalistic Tradition." American Journal of Philology 117, no. 2 (1996): 329–32. http://dx.doi.org/10.1353/ajp.1996.0021.

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20

Rich, J. "The Historian L. Calpurnius Piso Frugi and the Roman Annalistic Tradition. G Forsythe." Classical Review 48, no. 2 (February 1, 1998): 325–26. http://dx.doi.org/10.1093/cr/48.2.325.

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21

Huaman Pampañaupa, Jhojan Sven, Fanny-Rosario Márquez Romero, Sara Cabrera Márquez, and Dilman Glicerio Paricoto Apaza. "Evaluación in vitro de 14 medios de cultivo sobre el crecimiento micelial de Moniliophthora perniciosa (Stahel ) Aime & Phillips-Mora." TAYACAJA 4, no. 1 (June 1, 2021): 168–79. http://dx.doi.org/10.46908/tayacaja.v4i1.162.

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El cultivo de cacao en el Perú se va incrementando por la ampliación de áreas productivas y mejora de los rendimientos, sin embargo, la presencia de las tres principales enfermedades (mazorca parda, escoba de bruja y moniliasis) afectan significativamente los rendimientos en cacaotales con bajo nivel de mantenimiento, teniendo como objetivo determinar los medios de cultivo que permitan mayores crecimientos radiales de Moniliophthora perniciosa, por lo que se hace necesario contar con estrategias viables de manejo y control. Las pruebas in vitro de control químico y biológico requieren que los aislados presentan crecimientos miceliales apropiados, por lo que se planteó la comparación de 14 medios de cultivo sólidos no convencionales con 6 repeticiones. Los tratamientos fueron maltacervezneg, frejolcaraota, achiote, cascmazorca, arroz, maizamarillo, frugos, mbamilaceo, papa, melazacacao, vegetales, masabourd, escobaverde y gelatina, sobre los cuales se sembró basidiocarpos de M. perniciosa proveniente de Cacaopampa-Santa Ana, pegados en el centro de la tapa de las placas petri de 90 mm y se incubaron por 12 días a 25°C de temperatura. Los medios de cultivo que permitieron mayores crecimientos radiales de M. perniciosa fueron medio malta proveniente de cerveza negra, frejol caraota, achiote y cáscara de cacao con 90.00, 87.08, 82.58 y 66.75 mm respectivamente y el medio papa (PDA) presentó un desempeño 50% menor que el medio Maltacerveneg en el crecimiento radial de cultivo monospórico de M. perniciosa.

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22

Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractual architecture, the existing places and the unrealistic (non-existent) places. The results show that there is a common detail in all the views – the defensive wall round each of the described cities. However, in reality, it may not have existed in some cities during the lifetime of the authors of the woodcuts. As for some further details: behind the walls we can see feudal castles on the hills shown as strongholds. Within the defensive walls there are numerous buildings with many towers typical for the Middle Ages and true-to-life in certain ways of building the cities. Schematically drawn buildings surrounded by the ring of defensive walls indicate that the author used certain patterns based on the previously created panoramic views. This article is an attempt of making analogical comparisons of the cities in medieval painting. The Author of the article presents Roman mosaics and the miniature painting e.g. the ones created in the scriptorium in Reichenau. Since the beginning of 14th century Italian painters such as: Duccio di Buoninsegna, Giotto di Bondone, Simone Martini and Ambrogio Lorenzetti painted parts of the cities or the entire monumental panoramas in various compositions and with various meanings. One defining rule in this painting concerned the definitions of the cities given by Saint Isidore of Seville, based on the rules which he knew from the antique tradition. These are: urbs – the cities full of architecture and buildings but uninhabited or civita – the city, the living space of the human life, build-up space, engaged according to the law, kind of work and social hierarchy. The tradition of both ways of describing the city is rooted in Italy. This article indicates the particular meaning of Italian painting in distributing the image of the city – as the votive offering. The research conducted by Chiara Frugoni and others indicated the meaning of the city images in the painting of various forms of panegyrics created in high praise of cities, known as laude (Lat.). We can find the examples of them rooted in the Roman tradition of mosaics, e.g. in San Apollinare Nuovo in Ravenna. They present both palatium and civitas. The medieval Italian painting, especially the panel painting, presents the city structure models which are uninhabited and deprived of any signs of everyday life. The models of cities – urbs, are presented as votive offerings devoted to their patron saints, especially to Virgin Mary. The city shaped as oval or sinusoidal rings surrounded by the defensive walls resembled a container filled with buildings. Only few of them reflected the existing cities and could mainly be identified thanks to the inscriptions. The most characteristic examples were: the fresco of Taddeo di Bartolo in Palazzo Publico in Siena, which presented the Dominican Order friar Ambrogio Sansedoni holding the model of his city – Siena, with its most recognizable building - the Cathedral dedicated to the Assumption of Mary. The same painter, referred to as the master painter of the views of the cities as the votive offerings, painted the Saint Antilla with the model of Montepulciano in the painting from 1401 for the Cathedral devoted to the Assumption of Mary in Montepulciano. In the painting made by T. di Bartolo, the bishop of the city of Gimignano, Saint Gimignano, presents the city in the shape of a round lens surrounded by defence walls with numerous church towers and the feudal headquarters characteristic for the city. His dummer of the city is pyramidally-structured, the hills are mounted on the steep slopes reflecting the analogy to the topography of the city. We can also find the texts of songs, laude (Lat.) and panegyrics created in honour of the cities and their rulers, e.g. the texts in honour of Milan, Bonvesin for La Riva, known in Europe at that time. The city – Arcadia (utopia) in the modern style. Hartman Schedel, as a bibliophile and a scholar, knew the texts of medieval writers and Italian art but, as an ambitious humanist, he could not disregard the latest, contemporary trends of Renaissance which were coming from Nuremberg and from Italian cities. The views of Arcadia – the utopian city, were rapidly developing, as they were of great importance for the rich recipient in the beginning of the modern era overwhelmed by the early capitalism. It was then when the two opposites were combined – the shepherd and the knight, the Greek Arcadia with the medieval city. The reception of Virgil’s Arcadia in the medieval literature and art was being developed again in the elite circles at the end of 15th century. The cultural meaning of the historical loci, the Greek places of the ancient history and the memory of Christianity constituted the essence of historicism in the Renaissance at the courts of the Comnenos and of the Palaiologos dynasty, which inspired the Renaissance of the Latin culture circle. The pastoral idleness concept came from Venice where Virgil’s books were published in print in 1470, the books of Ovid: Fasti and Metamorphoses were published in 1497 and Sannazaro’s Arcadia was published in 1502, previously distributed in his handwriting since 1480. Literature topics presented the historical works as memoria, both ancient and Christian, composed into the images. The city maps drawn by Hartmann Schedel, the doctor and humanist from Nurnberg, refer to the medieval images of urbs, the woodcuts with the cities, known to the author from the Italian painting of the greatest masters of the Trecenta period. As a humanist he knew the literature of the Renaissance of Florence and Venice with the Arcadian themes of both the Greek and the Roman tradition. The view of Constantinople in the context of the contemporary political situation, is presented in a series of monuments of architecture, with columns and defensive walls, which reminded of the history of the city from its greatest time of Constantine the Great, Justinian I and the Comnenus dynasty. Schedel’s work of art is the sum of the knowledge written down or painted. It is also the result of the experiments of new technology. It is possible that Schedel was inspired by the hymns, laude, written by Psellos in honour of Constantinople in his elaborate ecphrases as the panegyrics for the rulers of the Greek dynasty – the Macedonians. Already in that time, the Greek ideal of beauty was reborn, both in literature and in fine arts. The illustrated History of the World presented in Schedel’s woodcuts is given to the recipients who are educated and to those who are anonymous, in the spirit of the new anthropology. It results from the nature of the woodcut reproduction, that is from the way of copying the same images. The artist must have strived to gain the recipients for his works as the woodcuts were created both in Latin and in German. The collected views were supposed to transfer historical, biblical and mythological knowledge in the new way of communication.

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23

Antonio, Dayanne Sampaio, Vitória Maria Marques, Iasmin Carolina Marchi, Maíra Rossetto, and Francine Cristine Garghetti. "O uso de rede social para ações multi/interprofissionais do PET-Saúde/interprofissionalidade no decorrer da pandemia da COVID-19." Saúde e meio ambiente: revista interdisciplinar 9, Supl.1 (December 1, 2020): 73–74. http://dx.doi.org/10.24302/sma.v9isupl.1.3408.

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Introdução: O Programa de Educação pelo Trabalho para a Saúde (PET- Saúde), surgiu em 2008 com o objetivo de promover e qualificar a integração ensino-serviço-comunidade. A nona edição do programa, PET-Saúde Interprofissionalidade tem como propósito de reforçar as práticas colaborativas em saúde1, em 2020, devido a pandemia do COVID-19 as ações presenciais foram suspensas e com isso começou a se utilizar as redes sociais. As redes sociais são estruturas de organização em que são compartilhadas finalidades em comum e o uso da internet pode facilitar a interação entre o usuário e as informações de saúde. É pertinente destacar que o Ministério da Saúde, pela portaria nº 467 de 2020, dispõe da Telesaúde, que expõe ser válido o uso de tecnologias da informação e comunicação para fins de suporte assistencial2. Objetivo: Relatar as experiências de petianos do PET-Saúde/Interprofissionalidade durante a pandemia do COVID-19, em relação às ações multi/interprofissionais realizadas por meio das redes sociais. Metodologia: O projeto utiliza a ferramenta Instagram como meio de inserção na comunidade para cumprimento dos objetivos propostos pelo PET-Saúde Interprofissionalidade. A conta @petsaude_intercco, é administrada por todos os integrantes ativos do projeto 140. O cronograma e os conteúdos das postagens são definidos em reuniões remotas, nas quais a divisão entre os integrantes prevê que cada acadêmico produza conteúdos específicos da sua área (medicina, enfermagem, educação física e psicologia), para posterior avaliação e contribuições de todas as áreas envolvidas no projeto. Definiu-se frequência de postagens duas vezes por semana, com temáticas intercaladas. Resultados: As postagens tiveram início em 22 de maio de 2020, apresentando o projeto, as instituições e os cursos que o compõem e os objetivos. Em seguida foi abordada a temática “Violência contra a mulher durante a pandemia” embasada em Frugoli et al3., com o objetivo de divulgar as formas de violências e informações importantes. Depois foi apresentado o tema do distanciamento social a partir de material produzido pela OMS. As últimas postagens trataram: Trabalho em casa, com dicas para melhorar o desempenho no home office; Cuidados com as doenças crônicas não transmissíveis durante a pandemia; Atividades físicas para serem realizadas em casa e a temática da ansiedade em meio a pandemia. As ações não presenciais em forma de postagens seguem em andamento. Considerações Finais: A produção das postagens iniciou baseada em uma organização multiprofissional, no entanto no decorrer das atividades foi possível discutir e refletir sobre o movimento da interprofissionalidade, necessário inclusive nas atividades remotas e no material produzido pelo projeto. Tais reflexões promoveram mudanças na organização das atividades com foco em práticas colaborativas entre todas as áreas envolvidas, promovendo oportunidades de aprender com o outro. Palavras-chave: Educação interprofissional. Pandemia. Mídias sociais.

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ASHIHARA, Nagatoshi, Valdir A. TADDEI, Eiichi HONDO, Nobuo KITAMURA, Vitalino D. PAI, Valencio J. D. M. CAMPOS, Chairun N. CHOLIQ, and Junzo YAMADA. "An Immunohistochemical Study of Gut Endocrine Cells in Nectarivorous and Frugi-nectarivorous Phyllostomid Bats (Chiroptera: Anoura caudifer and Carollia perspicillata)." Japanese Journal of Zoo and Wildlife Medicine 4, no. 2 (1999): 125–33. http://dx.doi.org/10.5686/jjzwm.4.125.

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25

Wiseman, T. P. "G. Forsythe, The Historian L. Calpurnius Piso Frugi and the Roman Annalistic Tradition. Lanham, MD: University Press of America, 1994. Pp. xi + 552. ISBN 0-8191-9742-4. US$67.50." Journal of Roman Studies 86 (November 1996): 200–201. http://dx.doi.org/10.2307/300442.

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Wiseman, T. P. "G. Forsythe, The Historian L. Calpurnius Piso Frugi and the Roman Annalistic Tradition. Lanham, MD: University Press of America, 1994. Pp. xi + 552. ISBN 0-8191-9742-4. US$67.50." Journal of Roman Studies 86 (November 1996): 200–201. http://dx.doi.org/10.1017/s0075435800057622.

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27

Sgambato, Francesco, and Ester Sgambato. "Doctor or junk man? What we wouldn’t do to have the personal books of Cesare Frugoni or Vincenzo Monaldi." Italian Journal of Medicine, September 19, 2013, 138–41. http://dx.doi.org/10.4081/itjm.2013.138.

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It all began when I was browsing through the advertisements in the magazine Famiglia Cristiana and I came across: For sale: academic and personal texts of Prof. Cesare Frugoni. There was a Rome phone number...

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Michaud-Fréjaville, Françoise. "Chiara Frugoni, Vivre en famille au Moyen Âge." Cahiers de recherches médiévales et humanistes, April 13, 2018. http://dx.doi.org/10.4000/crm.14230.

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Greene, Lydia K., Marina B. Blanco, Elodi Rambeloson, Karlis Graubics, Brian Fanelli, Rita R. Colwell, and Christine M. Drea. "Gut microbiota of frugo-folivorous sifakas across environments." Animal Microbiome 3, no. 1 (May 18, 2021). http://dx.doi.org/10.1186/s42523-021-00093-5.

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Abstract Background Captive animals, compared to their wild counterparts, generally harbor imbalanced gut microbiota owing, in part, to their altered diets. This imbalance is particularly striking for folivores that fundamentally rely on gut microbiota for digestion, yet rarely receive sufficient dietary fiber in captivity. We examine the critically endangered Coquerel’s sifaka (Propithecus coquereli), an anatomically specialized, rather than facultative, folivore that consumes a seasonal frugo-folivorous diet in the wild, but is provisioned predominantly with seasonal foliage and orchard vegetables in captivity. Using amplicon and metagenomic sequencing applied to fecal samples collected from two wild and one captive population (each comprising multiple groups), we clarify how dietary variation underlies the perturbational effect of captivity on the structure and function of this species’ gut microbiota. Results The gut microbiota of wild sifakas varied by study population, most notably in community evenness and in the abundance of diet-associated microbes from Prevotellaeceae and Lachnospiraceae. Nevertheless, the differences among wild subjects were minor compared to those evident between wild and captive sifakas: Unusually, the consortia of captive sifakas were the most diverse, but lacked representation of endemic Bacteroidetes and metagenomic capacity for essential amino-acid biosynthesis. Instead, they were enriched for complex fiber metabolizers from the Firmicutes phylum, for archaeal methanogens, and for several metabolic pathways putatively linked to plant fiber and secondary compound metabolism. Conclusions The relatively minor differences in gut microbial structure and function between wild sifaka populations likely reflect regional and/or temporal environmental variability, whereas the major differences observed in captive conspecifics, including the loss of endemic microbes, but gain in low-abundance taxa, likely reflect imbalanced or unstable consortia. Indeed, community perturbation may not necessarily entail decreased community diversity. Moreover, signatures of greater fiber degradation indicate that captive sifakas consume a more fibrous diet compared to their wild counterparts. These results do not mirror those typically reported for folivores and herbivores, suggesting that the direction and strength of captivity-induced ‘dysbiosis’ may not be universal across species with similar feeding strategies. We propose that tailored, species-specific dietary interventions in captivity, aimed at better approximating naturally foraged diets, could functionally ‘rewild’ gut microbiota and facilitate successful management of diverse species.

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Makovics-Zsohár, N., A. Hegedűs, É. Stefanovits-Bányai, R. Rédei, and N. Papp. "The antioxidant capacity of sea buckthorn (Hippophae rhamnoides L.) berries depends on the genotype and harvest time." International Journal of Horticultural Science 20, no. 3-4 (September 7, 2014). http://dx.doi.org/10.31421/ijhs/20/3-4/1129.

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Berries of sea buckthorn (Hippophae rhamnoides L.) are characterized by increasing popularity due to their presumable healtheffects. The aim of this study was to compare the antioxidant capacity and total polyphenolic content in the berries of six Hungarian grown sea buckthorn genotypes and characterize the genetic variability in this trait. The harvest time of sea buckthorn berries affects the antioxidant capacity and total phenolic contents in berries of three popular cultivars of German origin. Berries harvested in October had higher antioxidant capacity compared with those harvested one month later. The extent of the difference was genotype-specific. Our analysis revealed a nearly 3-fold difference between the lowest and highest antioxidant capacities of the 6 tested genotypes with ‘Leikora’ showing the highest ferric reducing antioxidant power and total phenolic content. The TEAC values ranged between 1.76 and 3.13 mmol Trolox/100g fresh weight with Pető 1 and ‘Frugana’ having the highest values. The results presented in this study demonstrated that Hippophae rhamnoides berries possess in vitro antioxidant activity strongly determined by genotype but also influenced by harvest time.

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