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Books on the topic 'Fuji (Music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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1

Ademowo, Paul 'Wale. The history of Fuji music in Nigeria. Ibadan [Nigeria]: Effective Publishers, 1993.

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2

Ademowo, Paul 'Wale. The king of Fuji music: Dr. Wasiu Ayinde Anifowoshe Marshal. Ibadan [Nigeria]: Effective Publishers, 1996.

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3

Timothy-Asobele, S. J. Historical trend of Nigerian indigenous and contemporary music. Isolo, Lagos: Rothmed International, 2002.

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4

Sikiru Ayinde Barrister: Mr. Fuji : biography of the man behind the creation of new music genre. Ibadan: DB-Hunters, 2001.

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5

Lawal, Olakunle A. Music as a commentary on the society: The life and times of Chief (Dr.) Sikiru Ayinde "Barrister" Agbaje Balogun. Lagos, Nigeria: Centre for Black and African Arts and Civilization, 2013.

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6

Furi on music island. London: Ladybird, 2013.

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7

Stefan, Rieger. Glenn Gould, czyli, sztuka fugi. Gdańsk: Wydawn. słowo/obraz tetytoria, 1997.

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8

Milka, A. "Iskusstvo fugi" I.S. Bakha: K rekonstrukt︠s︡ii i interpretat︠s︡ii. Sankt-Peterburg: Kompozitor, 2009.

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9

Komota, Nobuo. Ujō to shin minʼyō undō: Fujii Kiyomi, Gondō Enryū ra to tomoni. Ibaraki-ken Tsuchiura-shi: Tsukuba Shorin, 1989.

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10

Jian dan qin xin: Zha Fuxi qin xue yan jiu. Beijing Shi: Wen hua yi shu chu ban she, 2011.

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11

Wang shi fen ming zai, qin di gao lou: Zha Fuxi yu Zhang Chonghe. Beijing: Zhonghua shu ju, 2021.

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12

Alessandro, Antonio d'. Yo fui a Japón con Canaro: Memorias de un viaje inolvidable. Argentina: Francotirador Ediciones, 1991.

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13

Kokuritsu Kokkai Toshokan shozō Meijiki kankō tosho maikuro-ban shūsei: Shakai : Fujo mondai, haishōron, BDC. Tōkyō: Maruzen, 1991.

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14

Shōriki Matsutarō: Akusen kutō. Tōkyō: Nihon Tosho Sentā, 1999.

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15

Arisawa, Shino. Akiko Fujii. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037245.003.0002.

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This chapter focuses on Japanese singer Akiko Fujii. She was born into a prestigious musical family in the 1960s, having both a mother and grandmother who were renowned singers of jiuta, an inherited male-dominated vocal tradition. When Akiko was in her forties, her brother became the head of their mother's music school, forcing her towards major life decisions—including a career as a professional jiuta performer, rather than a teacher. Following a path of independence, passion, and inspiration, Akiko chose to break new ground by adapting her performance style to draw in audiences and create intimacy, resisting criticism of an older generation and risking disapproval of her mother. Within a traditional context of profound family pressure, Akiko has created a singing career for herself through perseverance and determination.

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16

Jun, Okada. Neko to kurarinetto fuki. 1996.

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