Relevant bibliographies by topics / Fuller Museum of Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Fuller Museum of Art'

Author: Grafiati
Published: 28 February 2023
Last updated: 31 July 2025

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Journal articles on the topic "Fuller Museum of Art"

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Worrall, Mary. "A Fuller View of China: Chinese Art in the Seattle Art Museum (Yiu)." Museum Anthropology Review 10, no. 1 (2015): 58. http://dx.doi.org/10.14434/mar.v10i1.20601.

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Kont, Hanna-Liis. "Kunstiga kiusamise vastu. Kiusuennetustunni eesmärk ja ülesehitus Kadrioru kunstimuuseumi ja Tartu Kunstimuuseumi näitel." Eesti Rahva Muuseumi aastaraamat 62, no. 2 (2019): 45–72. http://dx.doi.org/10.33302/ermar-2019-003.

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With the shift of focus on the part of museums towards a fuller consideration of the audience’s needs, a number of museums around the world have begun to contribute more actively and consciously to people’s welfare, including their physical and mental health and the inclusion of more vulnerable and marginalised social groups. Several museums in Estonia have joined in these efforts over the past few years. A specific example of such a museum innovation is the work that has been done with bullying prevention. To date, studies have shown that one in five children attending a school in Estonia is
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McGill, Lyndsay. "Scottish heart brooches." Proceedings of the Society of Antiquaries of Scotland 151 (November 30, 2022): 223–34. http://dx.doi.org/10.9750/psas.151.1342.

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This article presents a study of Scottish heart brooches, primarily from the 18th century, using the collections of the National Museums Scotland, Inverness Museum and Art Gallery, the Highland Folk Museum and those reported to the Treasure Trove Unit. By researching over 350 heart brooches it has been possible to gain a fuller understanding of their purpose and meaning, their various styles and their production centres. A re-evaluation of these objects is important because an understanding of them exists that may not be wholly accurate, such as their connection to Edinburgh through the locked
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Theiler, Esther. "Valentin de Boulogne’s Portraits of Raffaello Menicucci: The Buffoon Count of Monte San Savino." Studiolo 13, no. 1 (2016): 130–45. http://dx.doi.org/10.3406/studi.2016.1034.

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This article contributes new material to current understanding of a portrait of Raffaello Menicucci by the French artist, Valentin de Boulogne, painted in Rome c1630, and now in the Indianapolis Museum of Art. Menicucci was a middle-aged man from the Tuscan city of Monte San Savino who left to become a buffoon in the court of the Grand Duke of Tuscany and later of Urban VIII in Rome. This painting will be travelling to the major exhibition of the work of Valentin de Boulogne to held later in 2016 at the MET and the Louvre. I offer here a fuller picture of Raffaello Menicucci – based on researc
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Холодкова, Нина Викторовна. "From the history of the Tsar's chambers at Trinity-Sergius Lavra during Soviet times." Церковный историк, no. 2(2) (August 15, 2019): 47–70. http://dx.doi.org/10.31802/chist.2019.2.2.003.

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Статья посвящена истории существования здания Царских чертогов Троице-Сергиевой Лавры в советский период - с момента национализации Лавры (1918 г.) до полной передачи его в ведение Московской Патриархии (1954 г.). За это время сооружение занимали самые различные организации: музей, военное ведомство, педагогический техникум, учительский институт, госпиталь, Академия художеств, городской театр, художественно-ремесленное училище. Данная статья - это первая попытка наиболее полно осветить бытование этих организаций в уникальном памятнике. Рассказ основан на документальных материалах с привлечение
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KITLV, Redactie. "Book reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, no. 2-3 (2012): 337–75. http://dx.doi.org/10.1163/22134379-90003565.

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Andrea Acri, Helen Creese, and Arlo Griffiths (eds), From Laṅkā Eastwards: The Rāmāyaṇa in the literature and visual arts of Indonesia (Dick van der Meij) Michael Arthur Aung-Thwin and Kenneth R. Hall (eds), New perspectives on the history and historiography of Southeast Asia: Continuing explorations (David Henley) Steven Farram, A short-lived enthusiasm: The Australian consulate in Portuguese Timor (Hans Hägerdal) R. Michael Feener, Patrick Daly and Anthony Reid (eds), Mapping the Acehnese past (William Bradley Horton) Geoffrey C. Gunn, History without borders: The making
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Henig, Martin. "A Jeweller's Die from Alchester; Oxfordshire." Antiquaries Journal 79 (September 1999): 388–89. http://dx.doi.org/10.1017/s0003581500044589.

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A small lump of copper alloy, roughly ovoid in shape and measuring 45mm in length, 28mm in breadth and 10mm thick (fig I a), was excavated at Alchester in 1927 beneath the courtyard of a building just inside the east gateway, apparently associated with mid second-century pottery. In his report, published in our Journal, J H Iliffe calls it merely an ‘irregular lump of bronze, flat on the back’. It was presented to the Ashmolean Museum, Oxford together with other finds by the Alchester Excavation Committee and the Accession register carries a somewhat fuller description: ‘Bronze object of uncer
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Cook, John R. "The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England." Journal of Screenwriting 14, no. 1 (2023): 45–58. http://dx.doi.org/10.1386/josc_00114_1.

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This article presents scholarship relating to work conducted in the Dennis Potter Archive, Dean Heritage Centre, Dean Museum Trust, England. It argues that the Dennis Potter Archive is a significant archive consisting of handwritten manuscripts and notebook drafts of virtually all of the work of famed writer Dennis Potter (1935–94), allowing us unique access to the engine room of his creativity. The article focuses on the ‘discovery’ of Potter works previously unknown and/or inaccessible, including completed drafts of unproduced television plays and unproduced film screenplays. It also sheds n
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Merrillees, Robert Stuart. "Towards a fuller history of the Cyprus Museum." Cahiers du Centre d'Etudes Chypriotes 35, no. 1 (2005): 191–214. http://dx.doi.org/10.3406/cchyp.2005.1482.

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Guarino, Regina. "The Art Museum." McNeese Review 60, no. 1 (2023): 121–25. http://dx.doi.org/10.1353/mcn.2023.a925635.

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Dissertations / Theses on the topic "Fuller Museum of Art"

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Neurohr, Theresa. "The seismic vulnerability of art objects /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99782.

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Throughout history, objects of art have been damaged and sometimes destroyed in earthquakes. Even though the importance of providing seismically adequate design for nonstructural components has received attention over the past decade, art objects in museums, either on display or in storage, require further research. The research reported in this study was undertaken to investigate the seismic vulnerability of art objects. Data for this research was gathered from three museums in Montreal.<br>The seismic behaviour of three unrestrained display cases, storage shelves, and a 6m long dinosaur skel
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Abou, Robert-Habib. "Architecture and the art museum in search of a significance." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59564.

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Because it is chiefly a "place of meeting" of architecture with the other forms of art, the museum participates necessarily in the elaboration of an architecture that goes beyond the usual concern for "habitable" space--a functionalism derived from western civilization's pragmatism. The concept of the museum has provoked profound changes in the cultural significance of what it represents. The museum reflects a culture of "pluralism," of different world views as well as an intention to represent the world through a categorization of the "fragment." Hence it brings forth the contradictions inher
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Martin, Cécile. "Embodiments of art, narratives of architecture : in the Sir John Soane Museum." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30777.

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Sir John Soane (1753--1837) is an intriguing character. This architect has transformed his London House into a Museum. The only thing we have left of him is the House and three Descriptions of it. I will not try to put apart what Sir John Soane has done in his House but see what he has done. Soane invites us in the House, lets you visit it and be lost. Once you have dived, accepted the invitation, you have found a house full of art objects gathered to teach architecture. Art and architecture meet. The experience is haunting. Through it the architect rediscovers the story of objects to identify
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Doucette, Valerie Anne. "The art museum in code: display strategies of the National Gallery of Canada." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97220.

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This thesis explores the ways in which the art museum as a powerful cultural medium shapes the public understanding of artworks and how this work is affected by digital media when the museum displays art online. In an analysis of the National Gallery of Canada (NGC) I focus on how the artwork is encountered and understood in physical and digital contexts through the examination of three modes of museum practice: memory, information, and narrative. I compare each mode's manifestation in the physical museum space to its digital translation, revealing that the NGC largely reproduces its objective
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Shaw, Nancy (Nancy Alison) 1962. "Modern art, media pedagogy and cultural citizenship : the Museum of Modern Art's television project, 1952-1955." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36790.

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The Museum of Modern Art's television project sponsored by the Rockefeller Brother's Fund between 1952 and 1955 was designed to educate a democratic and cultured citizenry through the principles and practices of modern art and liberal humanism. Through a close reading of four television programs, related policy documents and exhibitions, as well as critical, educational and promotional literature, this study will show how within the context of the MoMA's mandate and history, the television project was a decisive, yet highly troubled attempt to forge cultural citizenship through the burgeoning
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Dickenson, Rachelle. "The stories told : indigenous art collections, museums, and national identities." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98919.

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The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permane
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Fournier, Anik Micheline. "Building nation and self through the other : two exhibitions of Chinese painting in Paris, 19331977." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82704.

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This thesis investigates Western exhibition practices and the problems that arise when they involve cross-cultural encounters. Two exhibitions of Chinese painting in Paris that were co-planned by French curators and Chinese artists will serve as case studies in this regard. The first exhibition is Exposition de la peinture chinoise held at the Musee du Jeu de Paume in 1933. The second show is Quatre artistes chinoises contemporaines held at the Musee Cernuschi in 1977. Using archival material, I will reconstruct the planning of the exhibitions and reveal diverging French and Chinese age
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Boyle, Amy L. "Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98914.

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This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d Art Moderne, Departement des Aigles from 1968-1972 and Wilson's 1992 installation Mining the Museum at the Maryland Historical Society, this thesis will critically analyze each artist's similar application of deconstruction as a method. Both artists employ allegory and history as aesthetic strategies of deconstruction; using allegorical structure, the artists mobilize objects that have been arrested in
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Spalink, Angenette M. "Loie Fuller and Modern Movement." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277060256.

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Bradford, Shalen. "Children's Art Museum." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2175.

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This Thesis explores the question; Is a children’s museum a playground or a museum? Through research and visits to children’s museums I feel that many are playgrounds. They are also visually stimulating to children, but not to the guardians who bring them there. In most cases the exhibits are permanent and there is little change to the atmosphere of the space on a regular basis. An old warehouse located on North Boulevard was chosen to house this project idea of a children’s art museum. The scenario is that The Virginia Museum of Fine Arts and the Children’s Museum of Richmond would have a
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Books on the topic "Fuller Museum of Art"

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Skinner, Inc. American & European paintings: Featuring sporting art and artwork from the Fuller Museum of Art. Skinner, 2004.

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Baldaia, Peter J. Marion Huse: An artist's evolution : June 2 through August 25, 1985, Brockton Art Museum/Fuller Memorial, Brockton, Massachusetts. The Museum, 1985.

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Kalivas, Fulton Andrea, and Denver Art Museum, eds. Denver Art Museum: Art spaces. Scala Publishers Ltd., 2006.

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Hubard, Olga. Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1.

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Cartoon Art Museum of California. and Comix collection, eds. Cartoon Art Museum. The Museum, 1985.

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Friedland, Katy. Art museum opposites. Philadelphia Museum of Art, 2010.

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From, Lena. Art museum architecture. Edited by Göteborgs konstmuseum. Göteborgs Konstmuseum, 2015.

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Franck, Anna. Turku Art Museum. Turku Art Museum, 2018.

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License, Inc Artistic. Milwaukee Art Museum. Artistic License Limited, 2004.

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Press, Phaidon, ed. The art museum. Phaidon, 2011.

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Book chapters on the topic "Fuller Museum of Art"

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Schubbach, Arno. "AI and Art." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-005.

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Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on Michael Noll's early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot make do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential
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Kidd, Jenny. "The transmedia museum." In Curating Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-48.

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Ban, Shigeru. "Paper Art Museum." In Transparente Kunststoffe. Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8294-0_15.

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Ryan, Michael. "Yaroslavl Art Museum." In Revisiting Museums of Influence. Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-44.

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Plevoets, Bie, and Koenraad Van Cleempoel. "Kolumba Art Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-15.

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Fahden, Melanie, and Anja Gebauer. "With AI to Art!" In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-025.

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In this article, Melanie Fahden and Anja Gebauer present a participatory project in which young students collaborated in the development of an AI-based chatbot. How can artworks from the nineteenth to the twenty-first century be communicated to young people in a compelling way, and how can they be interrogated with respect to their current relevance and debated in light of recent socio-political discourse? These were a few of the initial questions for a sophisticated art mediation program within the framework of the special exhibition FEMME FATALE: Gaze-Power-Gender (9 December 2022 to 10 Apri
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Ezeluomba, Ndubuisi C. "The development of the exhibition of African art in American art museums." In Museum Innovation. Routledge, 2021. http://dx.doi.org/10.4324/9781003038184-4.

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Serrao, Cissy, and Marenka Thompson-Odlum. "The Art of Hawaiian Quilting." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468487-012.

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Hubard, Olga. "Introduction: What Is Gallery Teaching?" In Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_1.

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Hubard, Olga. "Complete Engagement: Embodied Response and Multimodal Facilitation." In Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_10.

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Conference papers on the topic "Fuller Museum of Art"

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Ortiz, Julian, Nicolle Frazetta, and Jeyaprakash Chelladurai. "Design and Implementation of a Virtual Reality Environment for the Frazetta Art Museum." In 2025 17th International Conference on Computer and Automation Engineering (ICCAE). IEEE, 2025. https://doi.org/10.1109/iccae64891.2025.10980505.

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Družetić-Vogel, Ivana, Alina Fuchte, and Marina Bauernfeind. "ARt chat - A Museum App combining AR, Art and Communication." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-52-full-druzetic-vogel-et-al-art-chat.

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Museum labels are often looked at more intensively than the actual work itself. And who says that the interpretation written there is the only possible one? ARt chat is an application that enables museum visitors to place their own opinions, knowledge or even questions as comments virtually in the exhibition space. Through the application, they can also discuss the artworks with others and follow and respond to comments even after leaving the exhibition. The application combines augmented reality, art and communication.
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Hofmann, Yannick. "Towards an Intelligent IoT System for the Data-Informed Museum of the Future." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-64-full-hofmann-iot-system.

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This article describes the ongoing prototypical development of an intelligent IoT system for art and cultural institutions as part of the intelligent.museum project. Partial development steps that have already taken place are described and the system is conceptually framed. The system will be used to condense data from various IoT sensors in the exhibition space and the building complex, along with data from the Internet, into intelligent data analytics. The goal is to provide human decision-makers with intelligent analytics as well as machine recommendations for action to enhance museum intel
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Brueckner, Sophia, Shannon Yeung, Jing Liu, et al. "White Cube / Black Box: Investigating Bias in Museums and Algorithms." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-45-full-brueckner-et-al-white-cube-black-box.

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White Cube / Black Box seeks to identify bias and the many ways bias gets introduced into and amplified within systems. A highly interdisciplinary team of data scientists, curators, designers, and artists used face detection and race classification algorithms to explore bias in algorithms and University of Michigan Museum of Art’s collection of artworks.
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Chen, Dalei. "Museum Exhibits Display the Artistic Expression Fully Reflecting the Exhibits Social Significance." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.134.

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Brischetto, Alessia, Ester Iacono, Claudia Becchimanzi, and Francesca Tosi. "Enhancing Inclusive Experience in Museums: results from a field study." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003334.

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Open access to culture and the possibility to experience and learn about art in museums are human rights that should be granted to everyone. However, very often the information accessible to users through the official channels of museums regarding independent visitation by individuals with a disability generally refers to accessibility in terms of mobility, and they also frequently provide incomplete information. Information related to independent enjoyment by people with sensory disabilities (visually impaired, blind, hearing impaired, deaf) is most often lacking, as the accessibility of the
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Irrgang, Daniel. "Thought Exhibition. On critical zones, cosmograms, and the impossible outside." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.

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The paper discusses the curatorial concept of “thought exhibition” coined by Bruno Latour and Peter Weibel and developed in collaboration with curators, artists, and researchers during four exhibitions at the ZKM Centre for Art and Media, Karlsruhe (Germany). Thought exhibitions transgress the distinctions between philosophy, art, and science by testing ideas in an art museum, a space of discourse, representation, and participation. They engage visitors in a spatio-aesthetic thought experiment by bringing them into a position where preconceptions derived from epistemes of European Modernity ar
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Canbakal Ataoğlu, Nihan, Habibe Acar, and Aysel Yavuz. "Museum’s Open Space." In 3rd International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2020. http://dx.doi.org/10.38027/n382020iccaua3163635.

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Museums are institutions that carry on the cultural and artistic treasures of societies to future generations. Economic social, cultural and philosophical thoughts in the world have changed the understanding of museology. At the beginning of the 20th century, modern architects brought new expansions to classical museum typology. In the 1970s, museums began to draw attention as the city's landmark and meeting points. Along with the museums, courtyards, squares and gardens, which are open spaces of museums, have also changed. By joining the city life, they became new social attraction centers. M
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Banu, Ionuț Alexandru. "Embroidery on drawings — pieces from the textile collection of Dr. Nicolae Minovici Museum of Popular Art." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.04.

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In a first part, the paper proposes to analyze a short introduction regarding the history of embroidery, from its appearance to embroidery techniques, especially in the Romanian space. In the second part of the paper, a part of the embroideries owned by the museum is analyzed, as well as one of embroidery techniques called the irásos technique. Th is is an embroidery technique of Hungarian origin, a combination of colors and stitching taken to the level of art. On the territory of our country, it is specifi c to the Călata area. Călata or Kalotaszeg is the area between Huedin and Cluj, an area
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Brischetto, Alessia, Ester Iacono, and Claudia Becchimanzi. "Digital technologies in museums: Critical issues and opportunities for equal access to cultural heritage." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003175.

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The museum experience is characterized by interaction with many different artifacts, including tablets and smartphones, which support the visit by providing access to purpose-built audio guides, site-specific apps designed for the particular museum to visit, etc. They may integrate Augmented Reality (AR) or Virtual Reality (VR) to enrich the visit or otherwise provide for different levels of interaction with the aim of engaging (engagement) people. In terms of inclusivity, major operating systems include built-in Assistive Technologies by default, which are becoming increasingly advanced. In f
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Reports on the topic "Fuller Museum of Art"

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Westermann, Mariët, Liam Sweeney, and Roger Schonfeld. Art Museum Staff Demographic Survey 2018. Ithaka S+R, 2019. http://dx.doi.org/10.18665/sr.310935.

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Sweeney, Liam, Deirdre Harkins, and Joanna Dressel. Art Museum Staff Demographic Survey 2022. Ithaka S+R, 2022. http://dx.doi.org/10.18665/sr.317927.

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Sweeney, Liam, and Joanna Dressel. Art Museum Director Survey 2022: Documenting Change in Museum Strategy and Operations. Ithaka S+R, 2022. http://dx.doi.org/10.18665/sr.317777.

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Schonfeld, Roger, and Liam Sweeney. Organizing the Work of the Art Museum. Ithaka S+R, 2019. http://dx.doi.org/10.18665/sr.311731.

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Fox, Andrew, and Sadie Walters. North Carolina Museum of Art West Building Expansion. Landscape Architecture Foundation, 2015. http://dx.doi.org/10.31353/cs0940.

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6

Sweeney, Liam, and Jennifer Frederick. Ithaka S+R Art Museum Director Survey 2020. Ithaka S+R, 2020. http://dx.doi.org/10.18665/sr.314362.

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Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic funct
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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Dressel, Joanna, Deirdre Harkins, and Liam Sweeney. Living Wages: Art Museum Leaders Confront Persistent Staff Compensation Challenges. Ithaka S+R, 2023. http://dx.doi.org/10.18665/sr.319152.

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Baba, Tameka, Jack Gruber, and Caressa Givens. Bud and Susie Rogers Garden at the Akron Art Museum. Landscape Architecture Foundation, 2024. http://dx.doi.org/10.31353/cs2020.

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