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Dissertations / Theses on the topic 'Fuller, Thomas'

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Published: 4 June 2021

Last updated: 5 February 2022

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1

Luthe, Thomas [Verfasser]. "Fully massive vacuum integrals at 5 loops / Thomas Luthe." Bielefeld : Universitätsbibliothek Bielefeld, 2015. http://d-nb.info/1077063431/34.

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2

Saballus, Björn [Verfasser], Thomas [Akademischer Betreuer] Fuhrmann, Georg [Akademischer Betreuer] Carle, and Andreas [Akademischer Betreuer] Polze. "Maintaining Reference Graphs in Fully Decentralized Systems / Björn Saballus. Gutachter: Georg Carle ; Andreas Polze ; Thomas Fuhrmann. Betreuer: Thomas Fuhrmann." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/102435492X/34.

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3

De, Zwaan Victoria. "Metaphor and possibility in Pynchon : an interpretation of Gravity's rainbow." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65485.

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4

Baierl, Thomas [Verfasser]. "In vitro Toxizität von Fulleren C60 und seinen Vorstufen - Einfluß auf Vitalität, Zytokin-Freisetzung und Oxidantienhaushalt / Thomas Baierl." Karlsruhe : KIT-Bibliothek, 1996. http://d-nb.info/1115251546/34.

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5

MacLean, Stanley Stephen. "The eschatological orientation in the early theology of Thomas F. Torrance, 1939-1963." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42279.

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Thomas F. Torrance (1913- 2007) is recognised as one of the foremost theologians of the twentieth century. Eschatology occupies a very significant place in his theology, although scholars interested in his work have paid little attention to this fact, focusing instead on his methodology. This thesis not only brings Torrance's eschatology to light through an exploration of his sermons, correspondence, lectures and short writings, it shows that it is a central component of his early theology, uncovering an eschatological orientation in his treatment of various Christian doctrines. It also takes

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6

Summer, Jacqueline. "Gesellschaftskritik und Selbstmord im Werk Thomas Bernhards mit Bbesonderer bezugnahme auf Heldenplatz und Beton." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61069.

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This thesis analyses Thomas Bernhard's partially autobiographical but at the same time critical works on society as well as on contemporary issues. The mendacity of the Austrian society and the related catastrophical consequences of it for the intellectual individual forms the central theme. The inability of the Austrian people to overcome their past is above all concentrated on. In the year 1988, the commemorative year of the fifty years since Austrian Annexation with Nazi-Germany, Bernhard made with Heldenplatz an essential contribution to the positive incorporation of history.<br>The carefu

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7

King, Lissette N. (Lissette Nicol). "A figure of enormity : Thomas Mann's Der Erwählte as political allegory." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60610.

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Thomas Mann's novel Der Erwahlte explores the concepts of sin, contrition, and eventual redemption through the life of the sinful pope Gregorius. The concept of enormity provides the link between the seemingly esoteric subject of his novel and the history of Germany under Nazi rule. He draws a direct, if subtle, parallel between German fascism and Gregorius' sins. The hero's sin, his penance, and his redemption are all overwhelming, thus providing the connection with German national character and history as understood by Mann. By examining the deep structure of the novel's imagery and plot in

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8

Denisoff, Dennis 1961. "Impressionism and the writing of Audrey Thomas." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60466.

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This thesis explores Audrey Thomas's adaptation of Impressionist methodologies to analyse verbal discourse. It confirms that Impressionism is the major visual influence on Thomas's work, and clarifies the complex relationship between the tenets of the movement and Thomas's literary concerns. Since the author's intentions in using visual methodologies are most clearly and thoroughly formulated in Latakia and Intertidal Life, the principal analytic focus of this study is these two texts. First Thomas's critical understanding of Impressionism is verified, and the tenets of the movement which are

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9

Panin, Valerii [Verfasser], Thomas [Akademischer Betreuer] Aumann, and Joachim [Akademischer Betreuer] Enders. "Fully exclusive measurements of quasi-free single-nucleon knockout reactions in inverse kinematics. / Valerii Panin. Betreuer: Thomas Aumann ; Joachim Enders." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/1106257030/34.

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10

Michels, Thomas [Verfasser], Ivo W. [Akademischer Betreuer] Rangelow, Teodor Pawel [Gutachter] Gotszalk, and Reza [Gutachter] Moheimani. "Fully integrated transducer platform with cavity optomechanical readout / Thomas Michels ; Gutachter: Teodor Pawel Gotszalk, Reza Moheimani ; Betreuer: Ivo W. Rangelow." Ilmenau : TU Ilmenau, 2020. http://d-nb.info/1210861658/34.

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11

Searfoss, Kristin. "Hopkinsian influences on the poetry of Dylan Thomas." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59438.

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While often assumed, Gerard Manley Hopkins' influence on Dylan Thomas has needed substantiation. By placing the issue of Hopkins' influence on Thomas within critical, historical, and literary contexts, this study explores the issue and demonstrates Hopkins' influence. Summary and assessment of previous critical work on the issue of Hopkins' influence establish the ways in which this study continues, diverges from or completes work done in the past. Evidence from biographical work on Thomas, as well as his letters and prose, outlines his contact with Hopkins' poems. A discussion of Thomas' Wels

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12

Algazy, Theodore Matthew. "The philosophical foundation of Thomas Hill Green's social and political theory /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66206.

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13

Scruggs, Ryan. "Faith seeking understanding: Thomas Merton's interest in Karl Barth." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86915.

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This study evaluates Thomas Merton's interest in Karl Barth, an interest centered on two important, though sometimes misunderstood, figures in Barth's theology: Anselm and Mozart. Merton finds in Barth not a theology that he can entirely agree with, but a theological method he considers primary. This method is called 'faith seeking understanding.' Both Barth and Merton begin with Christ in their search for understanding: Barth, in the Logos of God and Merton, in the Sophia of God. The movement from revelation to theological understanding and religious experience provides Merton the freedom to

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14

Lynch, Marianne. "That great and true Amphibium : mediation and unity in the works of Sir Thomas Browne." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59618.

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The works of Sir Thomas Browne are often described in terms of the contradictions and paradoxes which seem to exist both within his work as a whole and also within the individual essays themselves. The primary focus of this thesis is the relationship between seemingly opposed forms of discourse and systems of thought in the Religio Medici, Hydriotaphia and The Garden of Cyrus. The emergence of analytic discourse in the seventeenth century is presented through the study of changing concepts of religious, political and epistemological mediation. Browne's 'mediate' position within the conflicts o

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15

Mitchell, C. P. (Colin P. ). "The embassy of Sir Thomas Roe and its primacy in seventeenth century Mughal historiography : a re-evaluation." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23230.

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This thesis is the study of one of the most consistently used primary sources of early seventeenth century Mughal India. The Embassy of Sir Thomas Roe, written by England's first ambassador to the court of Jahangi r, has traditionally been construed to be a succinct and perceptive account. Moreover, historians have relied on Thomas Roe's observations and conclusions to offer certain interpretations of Jahangi r's court: most notably, its decline as a forum of centralized absolutism into an arena of intrigue and rivalry.<br>Roe, as a product of Jacobean society, perceived Mughal events and inst

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16

Finocchiaro, Thomas [Verfasser]. "Untersuchung eines Linearantriebkonzeptes für ein vollständig implantierbares Kunstherz : Investigation of a linear drive concept for a fully implantable total artificial heart / Thomas Finocchiaro." Aachen : Shaker, 2013. http://d-nb.info/1051575524/34.

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17

Hayward-Schneider, Thomas [Verfasser], Sibylle [Akademischer Betreuer] Günter, Sibylle [Gutachter] Günter, and Laurent [Gutachter] Villard. "Global nonlinear fully gyrokinetic and hybrid treatments of Alfvénic instabilities in ITER / Thomas Hayward-Schneider ; Gutachter: Sibylle Günter, Laurent Villard ; Betreuer: Sibylle Günter." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/121480845X/34.

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18

Winkelmann, Cathrin. "Distance and desire : homoeroticism in Thomas Mann's Death in Venice." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23858.

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The intention of this masters thesis is to examine how homosexuality is represented in Thomas Mann's 1913 novella Death in Venice, and to demonstrate how Mann was able to incorporate such a taboo issue in a story that Wilhelmine Germany would come to embrace.<br>The study consists of four chapters which examine four contexts in which the story, for the purposes of this thesis, should be interpreted. The first is historical, in which the previous reception of the novella, as well as the author's own struggle with his identity, is investigated. In the second, Mann's philosophical paradigms to re

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19

Morris, Kathryn 1970. "Geometrical physics : mathematics in the natural philosophy of Thomas Hobbes." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37789.

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My thesis examines Thomas Hobbes's attempt to develop a mathematical account of nature. I argue that Hobbes's conception of how we should think quantitatively about the world was deeply indebted to the ideas of his ancient and medieval predecessors. These ideas were often amenable to Hobbes's vision of a demonstrative, geometrically-based science. However, he was forced to adapt the ancient and medieval models to the demands of his own thoroughgoing materialism. This hybrid resulted in a distinctive, if only partially successful, approach to the problems of the new mechanical philosophy.

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20

Dammann, Claudia [Verfasser], and Thomas [Akademischer Betreuer] Drewello. "MALDI- und ESI-MS Untersuchungen zur Bildung, Struktur und Aggregation von Ionen aus Porphyrin/Phthalocyanin-Fulleren Derivaten, sowie einiger metallorganischer Komplexe / Claudia Dammann. Gutachter: Thomas Drewello." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2015. http://d-nb.info/1076399096/34.

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21

Velle, Aimee. "Upgrading Marenzio's models : genre hierarchy and the parodies of Thomas Morley." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100217.

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This study details the role of genre enhancement and genre upgrading in four parodies by Thomas Morley. These four parodies, first published in Morley's The First Book of Balletts to Five Voices (1595), are based on villanelles from Luca Marenzio's collection I cinque libri di Canzonette, Villanelle et arie alla Napolitana a tre voci (1584-1585). Through the application of specific techniques, Morley transformed Marenzio's villanelles into parodies that, according to Morley's treatise A Plain and Easy Introduction to Practical Music, are higher in the genre hierarchy than their respective mode

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22

Pietersma, Eric Geoffrey. ""The rhymer in the long tongued room" : Dylan Thomas and radio." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23353.

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Dylan Thomas's relationship with radio is marked by an increasingly complex aesthetic response. The broadcasts which he wrote for the B.B.C. demonstrate a progressive refinement of technique and an increasingly original approach to the medium. Under Milk Wood, in many regards, represents the culmination of this broadcasting work; it is a remarkable response to the evocative potentials of radio. But the piece, apart from confirming Thomas's achievement in radio, also provides a unique vehicle for exploring critical treatment of a non-textual form like radio. The critical history of Under Milk W

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23

Massobrio, Simona Emilia. "Aristotelian matter as understood by St. Thomas Aquinas and John Duns Scotus." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39263.

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The concept of matter as it is treated in the philosophical systems of Aristotle, Thomas Aquinas, and John Duns Scotus is examined, partly to ascertain the influence which the original Aristotelian concept of matter had on the two medieval thinkers, and partly to determine which of these two thinkers remained more faithful to the original Aristotelian concept. An analysis is carried out of the views of the three philosophers regarding the ontological status of matter; the intelligibility of matter; the issue of the real distinction between matter and form; the role played by matter in individu

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24

Canton, Licia 1963. "The fate of the fallen woman in George Eliot and Thomas Hardy /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65544.

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25

Swirski, Peter. "Dystopia or dischtopia : an analysis of the SF paradigms in Thomas M. Disch." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61241.

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On the basis of an ontological analogy between the worlds of myth and dystopia, the present thesis argues the latter's inherently "metaphysical" character. As such, dystopia is regarded as categorically different from Science Fiction which, however grim in its surface presentation, always remains paradigmatically "non-metaphysical," i.e., neutral. This generic distinction is then applied to the analysis of the three most important SF works of Thomas M. Disch, one of the most interesting and accomplished contemporary SF writers. The generic, as well as socio-aesthetic discussion of Camp Concent

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26

Lefcoe, Andrew. "Kuhn's paradigm in music theory." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21231.

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Thomas Kuhn's essay The Structure of Scientific Revolutions has had an overwhelming impact upon academics from various fields, creating a virtual paradigm industry. Authors have frequently had recourse to Kuhn's book, applying insights into the structure and development of the sciences to nonscientific fields. This essay presents a critical review of Kuhn citation in the music-theoretic literature, first reviewing similar citation analyses in the humanities and the social sciences for comparison. While much of the Kuhn citation is problematic, music scholars are found to sin less broadly than

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27

Kharpertian, Theodore D. ""A hand to turn the time"; : Menippean satire and the postmodernist American fiction of Thomas Pynchon." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72750.

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28

Pokotylo, Heather. "The film break : Thomas Pynchon's Gravity's rainbow, Gilles Deleuze's Cinema, and the emergence of a new history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99743.

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This thesis uses the film philosophy of Gilles Deleuze in Cinema 1: The Movement-Image (1983, trans. 1986) and Cinema 2: The Time-Image (1985, trans. 1989) as a methodology for examining the subject of film in Thomas Pynchon's novel Gravity's Rainbow (1973). The first half of the thesis provides a review of the literature on the subject of film in Gravity's Rainbow, as well as a review of current scholarship on Deleuze's Cinema books, before providing a close reading of both Cinema books that summarizes and explicates the elaborate taxonomy of cinematic signs and images developed by Deleuze. T

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29

Planinc, Emma. "Let us make man: politics and logical positivism in the work of Thomas Hobbes." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97266.

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In this thesis I argue against the contemporary scholars of Thomas Hobbes who claim that Hobbes's theory of language was an anticipation of modern semantic theories of truth. I claim that a more valuable comparison is to the logical positivism of A.J. Ayer. In seeing Hobbes's theory of language as an anticipation of twentieth-century logical positivism, it becomes evident that the emphasis should be not on Hobbes's theory of language only, but on the idea that Ayer and Hobbes share in a philosophy, or science, consisting of both empirical observation and knowledge that is made necessary and t

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30

Laver, Sue 1961. "Poets, philosophers, and priests : T.S. Eliot, postmodernism, and the social authority of art." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37755.

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This comprehensive analysis of T. S. Eliot's literary-critical corpus provides both a long-overdue reassessment of the nature and extent of his commitment to notions of aesthetic autonomy, and an Eliotic critique of the hypostatization of art that characterizes both philosophical postmodernism and its literary-theoretical derivatives.<br>The broader context for these two primary objectives is the "ancient quarrel" between the poets and the philosophers and its various manifestations in the work of a number of prominent post- and anti-Enlightenment thinkers. Accordingly, I begin by highlighting

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31

Parent, Mark. "The christology of T.T. Shields : the irony of fundamentalism." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39260.

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This dissertation examines the christological thought of Thomas Todhunter Shields between the years 1894 to 1930, along with its influence on his view of the Bible and of the Christian's role within his/her culture.<br>T. T. Shields was one of the most prominent Fundamentalist leaders in the 1920's. While a popularizer rather than an academic his thought merits study due to his influence within Fundamentalism and his reputation for being one of the more "thoughtful" of Fundamentalists.<br>Shields' christology was monophysitic and docetic leading, in time, to a full blown christo-monism which e

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32

Lachance, Nathalie. "Nietzsches Philosophie der Dekadenz in Thomas Manns Roman Der Zauberberg : zu Rationalität, Metaphysik und Erziehung." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83116.

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This master's thesis is entitled "Nietzsches Philosophie der Dekadenz in Thomas Mains Roman Der Zauberberg. Zu Rationalitat, Metaphysik and Erziehung." It focuses on Mann's treatment of Nietzsche's critiques of rationality, metaphysics and education. It is argued that the characters Settembrini and Naphta, who attempt to educate the main character, Castorp, personify Nietzsche's critiques of rationality and metaphysics, and their interweavement, as both rely on a common feature: belief. As a reaction to this confusion, the relativistic approach of Castorp increases and leads him to pass

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33

Mitchell, C. P. "the Embassy of Sir Thomas Roe and its Primacy in Seventeenth Century Mughal Historiography: a Re-Evaluation." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=108873.

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This thesis is the study of one of the most consistently used primary sources of early seventeenth century Mughal India. The Embassy of Sir Thomas Roe, written by England's first ambassador to the court of Jahângir, has traditionally been construed to be a succinct and perceptive account. Moreover, historians have relied on Thomas Roe's observations and conclusions to offer certain interpretations of Jahângîr's court: most notably, its decline as a forum of centralized absolutism into an arena of intrigue and rivalry.<br>Cette thèse est une étude d'une des sources primaires la plus consultée s

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34

Preuss, Richard Arthur. "Role of the trunk in the regulation of upright posture and balance." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95656.

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Research related to the control of upright posture and balance has historically focussed on the lower extremities, often treating the trunk as a single, rigid segment. The principal objective of this work, therefore, was to characterize the response of the multiarticular trunk, in healthy individuals, to unexpected support surface translations. Three dimensional trunk motions were captured, in both standing and sitting, during horizontal support surface translations in 8 directions. A 4-segment model, consisting of pelvic, lumbar, upper and lower thoracic segments, was used for all kinematic a

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35

Holoch, Adele Johnsen. "Beyond the bon sauvage : questioning Canada's postcoloniality in Nancy Huston's Plainsong and Thomas King's Green grass, running water." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98542.

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This thesis approaches the question of Canada's postcoloniality through two novels, Nancy Huston's Plainsong and Thomas King's Green Grass, Running Water. Published in 1993, both novels problematize a postcolonial articulation of marginality in Canada, suggesting that it reduces the complexities of otherness to binary divisions of center and margin, colonizer and colonized. While Plainsong imagines the restrictive consequences such a reading may have on the others with which it engages, Green Grass, Running Water pushes past those boundaries to affirm the complex nature of alterity in contempo

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Kattner, Hendrik [Verfasser], Michael [Akademischer Betreuer] [Gutachter] Buback, Philipp [Gutachter] Vana, et al. "Radical Polymerization Kinetics of Non-Ionized and Fully-Ionized Monomers Studied by Pulsed-Laser EPR / Hendrik Kattner ; Gutachter: Michael Buback, Philipp Vana, Burkhard Geil, Ricardo A. Mata, Thomas Zeuch, Florian Ehlers ; Betreuer: Michael Buback." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1134952422/34.

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Kattner, Hendrik Verfasser], Michael [Akademischer Betreuer] [Buback, Philipp [Gutachter] Vana, et al. "Radical Polymerization Kinetics of Non-Ionized and Fully-Ionized Monomers Studied by Pulsed-Laser EPR / Hendrik Kattner ; Gutachter: Michael Buback, Philipp Vana, Burkhard Geil, Ricardo A. Mata, Thomas Zeuch, Florian Ehlers ; Betreuer: Michael Buback." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://nbn-resolving.de/urn:nbn:de:gbv:7-11858/00-1735-0000-0028-879B-7-3.

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Scowcroft, Ann. "Escaping the hegemony of the written word : Canadian women writers and the dislocation of narrative." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61803.

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39

Campbell, Annette. ""A choking gall and a preserving sweet" : gender and genre in Campion's First Booke of Ayres and Wilbye's First Set of English Madrigals." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31094.

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Recently, musicologists Linda Austern and Suzanne Cusick have examined the socio-cultural implications of gender issues in Renaissance music. Drawing on Cusick's research on gender-based binary oppositions in Italy and Austern's studies of women and music in England, I propose a related set of gender binary oppositions in English society. I apply these oppositions in detail to two specific works from the Elizabethan madrigal and lute song repertoire, then examine the remaining pieces from these collections as a whole and find that an overlap of four particular oppositions better captures the c

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40

Chodat, Robert. "Games of circles : dialogic irony in Carlyle's Sartor resartus, Melville's Moby Dick, and Thoreau's Walden." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23713.

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This thesis examines the connections between three frequently associated nineteenth-century texts, Carlyle's Sartor Resartus, Melville's Moby Dick, and Thoreau's Walden. It begins by reviewing the contexts normally offered for them, and then proposes an alternative one, "dialogic irony," that is based upon the complementary theoretical models of Friedrich Schlegel and Mikhail Bakhtin. After this conceptual background is outlined, the various modes of dialogic irony presented in the three works are discussed. That of Walden arises out of a close analogy between self and text: both are a series

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41

McAlonan, Pauline. "Wrestling with angels : T. S. Eliot, W. H. Auden, and the idea of a Christian poetics." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100653.

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This thesis addresses the impact of religious conversion on the later works of Eliot and Auden, and the manner in which they responded to each other as they developed a Christian poetics. Following an introduction which discusses the nature of their relationship as well as their basic theological positions, Chapter One examines their postconversion criticism, and particularly their stance on what is typically formulated as "the problem of belief in poetry," which focuses on how ideology influences a work's creation and reception. Chapter Two considers their transitional poetry, wherein their n

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42

Hoffmann, Deborah. "The spirit of sound prosodic method in the poetry of William Blake, W.B. Yeats, and T. S. Eliot." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115657.

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Accompanying materials housed with archival copy.<br>This project focuses on the prosody of three major poets, William Blake, W. B. Yeats, and T. S. Eliot. It explores the relationship between each poet's poetic sound structures and his spiritual aims. The project argues that in Blake's prophetic poems The Four Zoas, Milton, and Jerusalem, in Yeats's middle and late poetry, and in Eliot's post-conversion poetry, the careful structuring of the non-semantic features of language serves to model a process through which one may arrive at the threshold of a spiritual reality.<br>The introductory cha

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Austin, Kathleen J. "Aristotle, Aquinas, and the history of quickening." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79819.

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This thesis examines a primary question raised by both Aristotle and Thomas Aquinas: What constitutes the beginning of a human being? Aristotle and Aquinas raise this question for very different reasons. Modern critical commentators revisit it for their own reasons, namely for the purposes of ethical debates surrounding conception and abortion. They frequently attribute the notions of delayed ensoulment and quickening to Aristotle. Through examination of the primary texts, I demonstrate that this attribution is erroneous. Aristotle contends that ensoulment is substantially complete at c

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Becker-Birck, Mareike. "Computertomographische Untersuchung des Thorax bei 30 Ziegen /." [S.l.] : [s.n.], 2009. http://opac.nebis.ch:80/F/?func=service&doc_library=EBI01&doc_number=005821245&line_number=0001&func_code=WEB-FULL&service_type=MEDIA.

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Esdaile, Michael James. "Rhetoric vs practice : a re-examination of the 1916 Arab Revolt's advisers." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83181.

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The First World War's 1916 Arab Revolt has become, in the West, a renowned episode in part because of the presence of one dominating character: T.E. Lawrence. However, "Lawrence of Arabia" is only the most prominent of the many Western agents sent to advise the Revolt. The narratives of these advisers have come to dominate the most Westerners popular conception of the Arab uprising. Most scholars have portrayed the British advisers to the Arab Revolt as "pro-Arab." The aim of this thesis is to challenge that portrayal through a careful analysis of the writings (published and unpublished

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Sasson, Vanessa Rebecca. "Compassion in The Tibetan Book of the Dead and the Tractate Mourning : a comparative study." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21263.

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The Tibetan Book of the Dead and the Jewish Tractate Mourning are important texts about death in their respective traditions. The Tibetan Book of the Dead is a manual read by the living to the deceased as the deceased journeys through the many realms of the after-life. It is an abstract, philosophical text. The Tractate Mourning on the other hand, is a highly empirical and pragmatic text that guides the living through their loss. It is concerned only with the living left behind and offers no guidance to the deceased. Despite this profound difference however, this thesis has as its objective to

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Lundy, Timothy. "Archepollycyes: Fiction and Political Institution around Philip Sidney." Thesis, 2021. https://doi.org/10.7916/d8-2n0b-ew14.

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In his Defence of Poetry (c. 1580), Philip Sidney argues that poetry—a category in which he includes all imaginative fiction—aims at the education of its readers. Archepollycyes studies the attempts of a loose group of sixteenth-century writers around Sidney to write fiction that lives up to this aim, in order to understand the methods they developed to educate readers and the relationship between this education and the politics of the monarchical state. Sidnean fiction demands long study on the part of its readers because it aims to transform their mental habits and create new internal resour

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