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Journal articles on the topic 'Function of music'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Schubert, Emery. "The fundamental function of music." Musicae Scientiae 13, no. 2_suppl (2009): 63–81. http://dx.doi.org/10.1177/1029864909013002051.

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This article examines some of the functions of music in human society, and argues for a restructuring of the current taxonomies, as driven by Martindale's psychobiological theory of aesthetic preference. The realignment proposed places the desire for pleasure generation at the highest point of a hierarchy of functions, the so called fundamental function, with other functions considered to be subsidiary. With this view, music can be defined as an auditory stimulus whose fundamental function is to produce pleasure in the listener (who may, of course, also be the performer). I refine this thesis

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2

Hapitta, Okky Dwi, Yati Aksa, and Safrina Noorman. "MUSIK DAN SEKSUALITAS DALAM NOVEL DIE KLAVIERSPIELERIN KARYA ELFRIEDE JELINEK (Music and Sexuality in Elfriede Jelinek’s Novel “Die Klavierspielerin”)." METASASTRA: Jurnal Penelitian Sastra 8, no. 1 (2016): 91. http://dx.doi.org/10.26610/metasastra.2015.v8i1.91-104.

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Musik banyak diangkat menjadi tema dalam karya-karya yang ditulis Jelinek. Dalam novel Die Klavierspielerin yang terbit tahun 1983, Jelinek mengangkat tema musik. Tulisan ini bertujuan untuk mengungkapkan fungsi musik dan keterkaitannya dengan seksualitas tokoh utama. Kajian ini dilandasi oleh teori fungsi musik yang dikemukakan Alan P. Merriam, teori seksualitas yang dikemukakan oleh Padgug, serta teori seksualitas yang berkaitan dengan relasi kuasa yang dikemukakan oleh M. Foucault. Hasil analisis menunjukkan bahwa di dalam novel tersebut terdapat fungsi musik sebagai representasi simbolis y

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3

Arndt, Matthew. "Form—Function—Content." Music Theory Spectrum 40, no. 2 (2018): 208–26. http://dx.doi.org/10.1093/mts/mty024.

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Abstract Arnold Schoenberg’s concept of formal function, as formulated by Erwin Ratz, has become a staple of music theory since it was reimagined and systematized by William E. Caplin. However, this concept has been criticized for not speaking to the content of a piece of music, its particularity and meaning. By defining formal components, parts, and functions in line with the conceptual metaphors that underlie musical form, one may establish the inseparability of form and content. The definitions proposed here apply to art music from the eighteenth to the early twentieth centuries, the latter

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4

Antal, Silard. "Visual analysis of music in function of music video." Zbornik Akademije umetnosti, no. 3 (2015): 47–56. http://dx.doi.org/10.5937/zbakum1503047a.

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Herlinawati, Lina. "FUNGSI KARINDING BAGI MASYARAKAT CIKALONGKULON KABUPATEN CIANJUR." Patanjala : Jurnal Penelitian Sejarah dan Budaya 1, no. 1 (2009): 96. http://dx.doi.org/10.30959/patanjala.v1i1.237.

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AbstrakKarinding adalah satu jenis alat musik tradisional, dibuat dari bambu atau pelepah enau. Alat musik itu dimainkan oleh mulut disertai pukulan jari tangan, sehingga menghasilkan bunyi yang yang unik dan low decible. Alat musik tersebut diciptakan oleh leluhur petani Sunda. Selain untuk bermain musik, bunyi alat itu dipercaya dapat mengusir hama dan binatang perusak tanaman. Fungsi karinding demikian itu masih berlangsung pada masyarakat Cikalongkulon Kabupaten Cianjur.Seiring dengan perkembangan zaman, kemudian karinding menjadi alat hiburan, bahkan kini menjadi bentuk kesenian yang mena

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6

Nobile, Drew. "Harmonic Function in Rock Music." Journal of Music Theory 60, no. 2 (2016): 149–80. http://dx.doi.org/10.1215/00222909-3651838.

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7

TEKIN GURGEN, Elif. "Social and Emotional Function of Musical Listening: Reasons for Listening to Music." Eurasian Journal of Educational Research 16, no. 66 (2016): 1–30. http://dx.doi.org/10.14689/ejer.2016.66.13.

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8

SWINDEN, KEVIN J. "When Functions Collide: Aspects of Plural Function in Chromatic Music." Music Theory Spectrum 27, no. 2 (2005): 249–82. http://dx.doi.org/10.1525/mts.2005.27.2.249.

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9

Thaut, Michael H. "Neurologic Music Therapy in Cognitive Rehabilitation." Music Perception 27, no. 4 (2010): 281–85. http://dx.doi.org/10.1525/mp.2010.27.4.281.

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NEUROLOGIC MUSIC THERAPY LAST CAME INTO research and clinical focus via cognitive rehabilitation. New imaging techniques studying higher cognitive functions in the human brain 'in vivo' and theoretical advancements in music and brain function have facilitated this development. There are shared cognitive and perceptual mechanisms and shared neural systems between musical cognition and parallel nonmusical cognitive functions that provide access for music to affect general nonmusical functions, such as memory, attention, and executive function. The emerging clinical literature shows substantial s

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10

Joh, Young-Deuk. "Analysis of Weighted Multifrequency MUSIC-Type Algorithm for Imaging of Arc-Like, Perfectly Conducting Cracks." Mathematical Problems in Engineering 2013 (2013): 1–9. http://dx.doi.org/10.1155/2013/461251.

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The main purpose of this paper is to investigate the structure of the weighted multifrequency multiple signal classification (MUSIC) type imaging function in order to improve the traditional MUSIC-type imaging. For this purpose, we devise a weighted multifrequency MUSIC-type imaging function and examine a relationship between weighted multifrequency MUSIC-type function and Bessel functions of integer order of the first kind. Some numerical results are demonstrated to support the survey.

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11

ALTAS, FAKHRUNNISA. "Tari Ratoeh Duek Perspektif Nilai Estetika Islam." Gesture : Jurnal Seni Tari 6, no. 2 (2017): 52. http://dx.doi.org/10.24114/senitari.v6i2.7203.

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This study aims to find a way of presenting the music as accompaniment in the Sikh religious worship terkhususnya part Asadivaar, music functions as an accompaniment in implementing Asadivaar, and uses musical instruments in worship Asadivaar music as an accompaniment. This study is based on a theoretical foundation to explain the meaning form of presentation, understanding the function, the music, the music instrument, understanding of the Sikhs. This research was conducted at Gurdwara Nanak DevJiKampungKeling Medan in June until August 2016. The method in this research use descriptive qualit

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Lawendowski, Rafał, and Tomasz Besta. "Is participation in music festivals a self-expansion opportunity? Identity, self-perception, and the importance of music’s functions." Musicae Scientiae 24, no. 2 (2018): 206–26. http://dx.doi.org/10.1177/1029864918792593.

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A correlational study was conducted among attendees of three music festivals in Poland ( N = 828). The main goal was to examine how functions ascribed to music are related to (a) a feeling of being united with other attendees, (b) the perception of being independent from or (c) interdependent with other attendees, and (d) a feeling of self-growth resulting in self-expansion. Using structural equation modelling, we showed the following. First, people who feel stronger connections and experience more personal relationships with other attendees report a stronger feeling of self-growth during musi

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13

Hemmasi, Harriette. "The Music Thesaurus: Function and Foundations." Notes 50, no. 3 (1994): 875. http://dx.doi.org/10.2307/898533.

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14

Jeon, Kyung-Bae. "Church Music, Possibility of Missionary Function." Bible & Theology 79 (October 25, 2016): 313–35. http://dx.doi.org/10.17156/bt.79.11.

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15

Hargreaves, David J., and Aleksandar Aksentijevic. "Music, IQ, and the executive function." British Journal of Psychology 102, no. 3 (2011): 306–8. http://dx.doi.org/10.1111/j.2044-8295.2011.02029.x.

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16

Perlovsky, Leonid. "Cognitive Function of Music. Part I." Interdisciplinary Science Reviews 37, no. 2 (2012): 131–44. http://dx.doi.org/10.1179/0308018812z.00000000010.

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Agustina, Viesta, and Muhammad Nur Salim. "Fungsi Musik dalam Ritual Tiban di Desa Purwokerto Kecamatan Ngadiluwih Kabupaten Kediri." Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi 20, no. 1 (2021): 14–28. http://dx.doi.org/10.33153/keteg.v20i1.3563.

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The article entitled "The Function of Music in Tiban Rituals in Purwokerto Village, Ngadiluwih District, Kediri Regency" focused on the issue of Tiban ritual forms, Tiban ritual music performance and the function of Tiban ritual music. The results showed that the Tiban ritual was held during the long dry season with the aim for asking for rain through whipping by the perpetrators or what is called petiban. The people believe that the Tiban ritual can bring rain by means of media of blood dripping on the ground. Tiban music has several motifs in the wasp structure that characterizes it. Tiban m

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18

Sinaga, Theodora. "Music Composition of Accompaniment for Fusion Dance 8 Ethnics of North Sumatera." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 2 (2019): 321–27. http://dx.doi.org/10.33258/birci.v2i2.266.

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This study aims to examine the process of creating musical accompaniment to dance composition and the function of music in a composition of dance works. This study is conducted by using qualitative descriptive method and systematic data analysis by using the concept of dance music creation theory to deepen and interpret data specifically, the answer are found that the process of creating a composition of dance accompaniment music with the theme of a combination of eight North Sumatra ethnic groups are as follows; 1) The creation process of the dance music is a process that involves intensely b

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Ahmed Bamakhramah, Khadejah, Hyun Ju Chong, and Juri Yun. "Perceptions on the functions of music among professionals in the special education field in the United Arab Emirate." Music and Medicine 10, no. 4 (2018): 198. http://dx.doi.org/10.47513/mmd.v10i4.648.

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The purpose of this study was to investigate how special education teachers and health-related professionals perceive and understand the functions of music in the United Arab Emirates. A total of 70 Special Education teachers, physical therapists, speech therapists, and medical professionals completed questionnaires about their musical training and activities, as well as their beliefs about the role and function of music. The survey results indicated that these professionals perceived music to have specific functions in the social, emotional, communicational, and recreational domains. Further

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20

Fuxjäger, Anton. "Translation, Emphasis, Synthesis, Disturbance: On the function of music in visual music." Organised Sound 17, no. 2 (2012): 120–27. http://dx.doi.org/10.1017/s1355771812000040.

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Starting from the premiss that the central aesthetic feature of non-representational moving images (visual music) is their structuring of reception time, the function of the accompanying music in contributing to the total (combined) temporal structure of the resulting artwork is discussed. A taxonomy of the different roles that music can play in the production and reception of visual music consisting of three basic categories is presented and examples are given:•‘Music translations’: certain parameters of the accompanying music are transcoded into certain visual parameters, the accompanying mu

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21

Jamnongsarn, Surasak. "TRANSKULTURASI MUSIK ANTARAGAMELAN JAWA, ANGKLUNG, DAN MUSIK TRADISI THAILAND." MELAYU ARTS AND PERFORMANCE JOURNAL 2, no. 2 (2020): 158. http://dx.doi.org/10.26887/mapj.v2i2.975.

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Javanese gamelan and angklung to Thailand music gives the impact on the development of Thailand traditional music. That musical transculturation exists in the musical instrument of angklung and the musical concept of Javanese gamelan that are then mixed with the system of Thailand traditional music involving gamut (tuning system), presentment method, and its function in society. This transculturation shows the understanding of cultural relation between Thailand traditional music that has the background of Buddhism philosophy and Gamelan that has the background of Kejawen syncretism. These two

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22

Sukmawati, Dian, Hermanto Tri Juwono, and Widjiati Widjiati. "Mozart Memberikan Hasil Indeks Apoptosis Lebih Rendah daripada Musik Pop, Religi dan Tanpa Pemberian Musik." Jurnal Penelitian Kesehatan "SUARA FORIKES" (Journal of Health Research "Forikes Voice") 11, no. 1 (2019): 28. http://dx.doi.org/10.33846/sf11106.

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Background: Brain growth requires genetic potential for a conducive environment, low stress levels, stimulation and nutrition. Brain development during the fetal period in the two years of life firstly requires proper stimulation to increase intelligence. Classical music stimulation has been proven to be able to optimally improve brain function and human intellect. Other music that Indonesian people like is pop and religion. Maybe it is possible to pop and religious music can affect the development and growth of the fetal brain. Objective: Analyze the differences of the index of apoptosis Cere

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23

Ellis, Robert J., and Julian F. Thayer. "Music and Autonomic Nervous System (Dys)Function." Music Perception 27, no. 4 (2010): 317–26. http://dx.doi.org/10.1525/mp.2010.27.4.317.

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DESPITE A WEALTH OF EVIDENCE FOR THE INVOLVEMENT of the autonomic nervous system (ANS) in health and disease and the ability of music to affect ANS activity, few studies have systematically explored the therapeutic effects of music on ANS dysfunction. Furthermore, when ANS activity is quantified and analyzed, it is usually from a point of convenience rather than from an understanding of its physiological basis. After a review of the experimental and therapeutic literatures exploring music and the ANS, a "Neurovisceral Integration" perspective on the interplay between the central and autonomic

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24

Helvacı, Ayhan, and Elif Bağcı. "THE FUNCTION OF MUSIC IN CHILDREN’S THEATER “VERBAL-NONVERBAL MUSIC USAGE”." E-journal of New World Sciences Academy 14, no. 4 (2019): 306–19. http://dx.doi.org/10.12739/nwsa.2019.14.4.d0247.

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25

SIFAKIS, G. M. "THE FUNCTION AND SIGNIFICANCE OF MUSIC IN TRAGEDY." Bulletin of the Institute of Classical Studies 45, no. 1 (2001): 21–35. http://dx.doi.org/10.1111/j.2041-5370.2001.tb00230.x.

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Abstract Music is a kind of mimesis, Aristotle writes at the beginning of the Poetics, just like poetry and the visual arts. Therefore, the ‘seasoned language’ (hdusmenos logos) of tragedy is not a form of language embellished or made pleasurable by music, but a means of imitation enabled by music to represent - in the lyric parts of drama such as choral songs, soli and kommoi - what plain speach cannot express, viz. heightened emotion and bold characterization resulting from it. The significative connotations which music adds to language are due to the fact that Greek music was modal and trad

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26

Butler, David. "The Days Do Not End: Film Music, Time and Bernard Herrmann." Film Studies 9, no. 1 (2006): 51–63. http://dx.doi.org/10.7227/fs.9.8.

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The tendency in most writing on the temporal properties of film music has been to note music‘s ability to establish, quickly and efficiently, a films historical setting. Although acknowledging this important function, this paper seeks to explore a wider range of temporal properties fulfilled by film music. Three aspects of musics temporality are discussed: anachronism (whereby choices of anachronistic music can provide the spectator with ways of making sense of a films subtext or its characters’ state of mind), navigation (the ability of music to help the spectator understand where and when th

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Valerio Sbravatti. "Story-Music / Discourse-Music: Analyzing the Relationship between Placement and Function of Music in Films." Music and the Moving Image 9, no. 3 (2016): 19. http://dx.doi.org/10.5406/musimoviimag.9.3.0019.

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28

Reichel, A. Elisabeth. "Fictionalising music/ musicalising fictionThe integrative function of music in Richard Powers’ The Time of Our Singing." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (2014): 144–60. http://dx.doi.org/10.7146/se.v4i1.20485.

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Twentieth-century scholars tended to describe music either in constructivist terms, as a culturally produced system of signs without real effects, or in essentialist terms, as a universal force detached from sociocultural contexts. Recently, however, the field of sound studies has raised new awareness of the fact that music is, at its core, sound. It is thus both culturally constructed and ineluctably material. Given this shift in the scholarly conception of music, a reassessment of its functions is needed. Starting from the notion that music is a complex system of cultural meanings and concre

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29

Craig, Daniel. "Exploring music preference: Meaningfulness of music as a function of emotional reactions." Nordic Journal of Music Therapy 18, no. 1 (2009): 57–69. http://dx.doi.org/10.1080/08098130802697137.

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30

Asano, Hisashi. "Record player with automatic music search function." Journal of the Acoustical Society of America 78, no. 6 (1985): 2165. http://dx.doi.org/10.1121/1.392591.

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31

Perlovsky, Leonid. "The Cognitive Function of Music. Part II." Interdisciplinary Science Reviews 39, no. 2 (2014): 162–86. http://dx.doi.org/10.1179/0308018813z.00000000041.

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32

Walker, Robert. "A worthy function for music in education." International Journal of Music Education 23, no. 2 (2005): 135–38. http://dx.doi.org/10.1177/0255761405052408.

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33

Rouner, Donna. "Rock music use as a socializing function." Popular Music and Society 14, no. 1 (1990): 97–107. http://dx.doi.org/10.1080/03007769008591387.

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34

Meloon, Brian, and Julien C. Sprott. "Quantification of Determinism in Music Using Iterated Function Systems." Empirical Studies of the Arts 15, no. 1 (1997): 3–13. http://dx.doi.org/10.2190/j68v-v46r-6x40-gk1k.

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This article proposes a novel technique for exhibiting and quantifying the determinism in music. A written score of music is modeled as a dynamical system employing an iterated function system to generate a picture from the music. This picture is then analyzed using methods of chaos theory and time-series analysis to quantify the determinism. Comparisons with random and chaotic control data and with some algorithmic compositions are made. The method might be useful for cataloging different musical styles or perhaps even testing authenticity of musical compositions.

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Chu, Hsin, Chyn-Yng Yang, Yu Lin, et al. "The Impact of Group Music Therapy on Depression and Cognition in Elderly Persons With Dementia." Biological Research For Nursing 16, no. 2 (2013): 209–17. http://dx.doi.org/10.1177/1099800413485410.

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Objective: The aims of this study were to determine the effectiveness of group music therapy for improving depression and delaying the deterioration of cognitive functions in elderly persons with dementia. Method: The study had a prospective, parallel-group design with permuted-block randomization. Older persons with dementia ( N = 104) were randomly assigned to the experimental or control group. The experimental group received 12 sessions of group music therapy (two 30-min sessions per week for 6 weeks), and the control group received usual care. Data were collected 4 times: (1) 1 week before

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36

Degé, Franziska, Claudia Kubicek, and Gudrun Schwarzer. "Music Lessons and Intelligence: A Relation Mediated by Executive Functions." Music Perception 29, no. 2 (2011): 195–201. http://dx.doi.org/10.1525/mp.2011.29.2.195.

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the present study investigated whether the association between music lessons and intelligence is mediated by executive functions. Intelligence and five different executive functions (set shifting, selective attention, planning, inhibition, and fluency) were assessed in 9- to 12-year-old children with varying amounts of music lessons. Significant associations emerged between music lessons and all of the measures of executive function. Executive functions mediated the association between music lessons and intelligence, with the measures of selective attention and inhibition being the strongest c

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Zen, Nen, Mei Ie, Yoshikhiro Serizawa, et al. "Effects of habitual music listening with a mobile music player on auditory function." Journal of Life Support Engineering 20, Supplement (2008): 123. http://dx.doi.org/10.5136/lifesupport.20.supplement_123.

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38

Brown, Steven C., and Amanda E. Krause. "Freedom of choice: Examining music listening as a function of favorite music format." Psychomusicology: Music, Mind, and Brain 30, no. 2 (2020): 88–102. http://dx.doi.org/10.1037/pmu0000254.

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Rohner, Stephen J. "Cognitive-emotional response to music as a function of music and cognitive complexity." Psychomusicology: A Journal of Research in Music Cognition 5, no. 1-2 (1985): 25–38. http://dx.doi.org/10.1037/h0094202.

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40

May, Brittany Nixon, Paul Broomhead, and Samuel Tsugawa. "A music literacy-based rationale for popular music ensembles and experiences in music education." International Journal of Music Education 38, no. 3 (2020): 470–91. http://dx.doi.org/10.1177/0255761420923186.

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The purpose of this article is to utilize new conceptions of music literacy to support and encourage popular music experiences in music education. A new definition of music literacy is presented and authentic popular music resources that function as (newly defined) texts to develop music literacy are identified and discussed. Finally, considerations will be given for music educators on how to select and utilize popular music texts to engage students in meaningful music interactions that promote music literacy development.

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Haering, Sylvia Ingeborg. "Are music-based interventions a way to improve executive function in autism?" International Journal of Learning and Teaching 10, no. 1 (2018): 27. http://dx.doi.org/10.18844/ijlt.v10i1.3143.

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Executive functions (EFs) play a vital part in planning and organising everyday life, and they are directly linked to tasks like problem solving and language skills. Furthermore, weaknesses in EF are frequent in individuals with autism spectrum disorders (ASDs). Since music therapy is gaining popularity as a treatment and education technique with this population, it seems important to examine its effects on EFs. This study seeks to evaluate the potential of music-based interventions to influence EFs, and to discuss its value in music therapy and special education research. A total of 12 studie

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Sun, Xin, Hong Jiang, and Bo Wang. "Ambiguity-Function-Based Methods for Near-Field Source Localization." Applied Mechanics and Materials 160 (March 2012): 395–99. http://dx.doi.org/10.4028/www.scientific.net/amm.160.395.

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In this paper, the AD-MUSIC method for far-field source localization is introduced to near-field, a two-dimensional MUSIC method based on ambiguity function distribution is proposed. Further, a novel AD-ROOT-MUSIC method is proposed for near-field source localization which constructes two matrices based on ambiguity function. They both have high accuracy and resolution for the bearing and range estimation of non-stationary signals in the near field, even when the signal-to-noise ratio (SNR) is low. The effectivity of the methods are validated by simulations.

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Aghnini, Aghnini, Sunarto Sunarto, and Triyanto Triyanto. "The Form and Function of Antan Delapan Music in Muara Lawai Village, Muara Enim District." Catharsis 9, no. 1 (2020): 1–9. http://dx.doi.org/10.15294/catharsis.v9i1.38242.

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Antan Delapan music is one of the arts found in the district of Muara Enim, South Sumatra. Antan Delapan art is currently displaced by the development of western music, therefore the form and function of music plays an important role in maintaining the Antan Delapan music among the people of Muara Enim Regency. The purpose is to study the form and function of Antan Delapan music. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection technique uses observation, interviews, and document studies. The data validity technique uses source

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44

Desain, Peter, and Henkjan Honing. "Time Functions Function Best as Functions of Multiple Times." Computer Music Journal 16, no. 2 (1992): 17. http://dx.doi.org/10.2307/3680713.

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Lapedis, Hilary. "Popping the question: the function and effect of popular music in cinema." Popular Music 18, no. 3 (1999): 367–79. http://dx.doi.org/10.1017/s0261143000008928.

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Claudia Gorbman, in her afterword to Unheard Melodies, looks forward to the ‘new’ phenomenon of the increased use of recorded popular music in the movies. She questions whether the contemporary use of popular music is essentially different from its use in the traditional Hollywood musical, wherein conventional practice permits a musical number to disrupt the narrative flow, and answers that ‘a hybrid is emerging, unlike diegetic music which is normally not listened to, and also not as focused as musical numbers issuing from the magic world of the musical’ (Gorbman 1987, p.162). Certainly, the

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Mikhail, Karpychev. "Ethical aspect of the transforming function of music." Ideas and Ideals 1, no. 1 (2016): 109–23. http://dx.doi.org/10.17212/2075-0862-2016-1.1-109-123.

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Karpychev, Mikhail. "Aesthetic aspect of the transforming function of music." Ideas and Ideals 2, no. 1 (2017): 133–45. http://dx.doi.org/10.17212/2075-0862-2017-1.2-133-145.

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48

White, Christopher WM, and Ian Quinn. "Chord Context and Harmonic Function in Tonal Music." Music Theory Spectrum 40, no. 2 (2018): 314–35. http://dx.doi.org/10.1093/mts/mty021.

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49

Wang, Xia. "FUNCTIONS OF ARTISTIC-PERFORMANCE SELF-EFFICIENCY OF A TEACHER OF MUSIC ART IN THE PEDAGOGICAL PROCESS." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 164–67. http://dx.doi.org/10.36550/2415-7988-2021-1-195-164-167.

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The article considers the problem of the functions of artistic and performing self-efficacy of a music teacher in the pedagogical process. It is proved that the identification of the functions of performing and artistic self-efficacy plays a significant role in determining the theoretical and practical principles of improving the professional activity of a music teacher in modern conditions. Important functions of artistic and performing self-efficacy of a music art teacher are defined as: presentative-communicative, cognitive-evaluative, stimulating-developmental, constructive-transforming, r

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Krause, Amanda E., Solange Glasser, and Margaret Osborne. "Augmenting Function with Value: An Exploration of Reasons to Engage and Disengage from Music Listening." Music & Science 4 (January 1, 2021): 205920432110225. http://dx.doi.org/10.1177/20592043211022535.

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Abstract:

Investigations of music in everyday life are dominated by a functional perspective, drawn from work using the theory of Uses and Gratifications. In so doing, we may have neglected to fully appreciate the value people place on music listening. Therefore, the present study considered if, and why, people value music listening and probed instances when they may not want to listen to music in everyday life. A sample of 319 university students residing in Australia (76.50% female, M age = 20.64) completed an online questionnaire, on which they were asked to provide short responses to open-ended ques

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