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Relevant bibliographies by topics / Functionalism (Architecture)

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Academic literature on the topic 'Functionalism (Architecture)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Functionalism (Architecture)"

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Bernik, Stane, and Marjan Golobic. "Slovene Architecture from Secession to Expressionism and Functionalism." Journal of Decorative and Propaganda Arts 17 (1990): 42. http://dx.doi.org/10.2307/1504077.

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Al-Qahtany, Hani Mohammad. "Islamic architecture as a reflection of functionalism and interactionism: conceptual origins in culture and sociology." Contemporary Arab Affairs 2, no. 3 (July 1, 2009): 435–57. http://dx.doi.org/10.1080/17550910902875762.

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What kind of society does Islamic architecture reflect? What are the basic units and forms of Islamic society associated with Islamic architecture, and what kinds of relationships existed among its individuals? Is Islamic society a ‘uniform society’ or a ‘multi-layered society’? These fundamental questions are at the centre of this study. This paper explores the basic intellectual, social and environmental aspects that have shaped Islamic architecture. It explores these aspects as reflected in the building forms of Muslim societies. Functionalism and interactionism are two major schools of modern sociology. As a social phenomenon, Islamic architecture is examined in the light of these two schools. The urban fabric of the traditional Islamic city as an example of functionalism in architecture is examined with reference to the ruined city of Sāmarrāʾ, in Iraq; and examples of Ottoman architecture are considered as models of interactionism in city planning and architecture. The works of three major figures in contemporary Arab thought, Muḥammad Abed Al-Jabri and ʿAbdullah Al-ʿArawī from Morocco, and Mohammad Al-Anṣārī from Bahrain, are considered in this paper. Their thoughts and views are used as vehicles to test some innate features of Islamic architecture. The influence of language and the desert, two exceptionally important factors that have shaped the culture of Muslim societies and its manifestation in architecture, is also explored. The findings of this paper, although still at a preliminary stage, reiterate the major concepts of the medieval Arab scholar Ibn Khaldūn, in his Muqaddimah, in an architectural context.

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DOLGOVA, Elena D. "AESTHETICS OF ANONYMOUS ARCHITECTURE." Urban construction and architecture 6, no. 2 (June 15, 2016): 91–95. http://dx.doi.org/10.17673/vestnik.2016.02.17.

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The article examines the anonymous architecture in terms of aesthetic knowledge. A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn. Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism. Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing. We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen. A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.

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Radosavljević, Milica. "Architectural triptych in Bigovo: Residential unit Bigovo 3, Bigovo, Montenegro, authors: Verica Krstić, Vasilije Milunović, Jelena Ivanović Vojvodić." Arhitektura i urbanizam, no. 57 (2023): 45–51. http://dx.doi.org/10.5937/a-u0-47920.

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The Bigovo complex is an architectural unit consisting of three buildings in the village of Bigovo on the Montenegrin coast. The buildings were designed by architects Vasilije Milunović, Jelena Ivanović Vojvodić and Verica Krstić. The architecture of the complex is an example of contextual functionalism. The buildings are organically unified with the terrain and vegetation, and their form and composition naturally develop from the environment. The authors have created a discreet modern interpretation of the traditional architecture of the area. The complex is open towards the sea, and the internal organization enables each room to have maximum openness.

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Proctor, Robert. "Churches for a Changing Liturgy: Gillespie, Kidd & Coia and the Second Vatican Council." Architectural History 48 (2005): 291–322. http://dx.doi.org/10.1017/s0066622x00003816.

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The relationship of Modernism in architecture with the symbolic needs of church- building was fraught with the dangers of betrayal: whether the architect indulged in personal spiritual expression, or used traditional forms, he could be accused of stylistic excess; if he applied a reductive functionalism, the result could be faulted as failing the brief. After the Second World War, expression and tradition were gradually admitted into Modernism to expand and enrich its vocabulary, and the limits of functionalism were reassessed. Churches were a field in which architects of the Modern Movement could explore their new concerns with poetic form and monumentality, in contrast to the more prosaic jobs in housing, schools, and so on; but few architects had the chance to work on churches in quite the same volume as the more pressing post-war building tasks. One firm of architects with an exceptional opportunity was Gillespie, Kidd & Coia, responsible for a series of Roman Catholic churches in Scotland, ‘the finest body of post-war church building in Britain’, according to Elain Harwood.1 This work has attracted attention from architectural historians before, particularly for its rich and humane interpretation of sacred architecture.

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Widyasti, Niken Alya, and Amy Marisa. "Edutainment Aquarium Facility Planning with Functionalism Approach in Deli Serdang." International Journal of Architecture and Urbanism 6, no. 3 (December 8, 2022): 330–40. http://dx.doi.org/10.32734/ijau.v6i3.10402.

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The ocean is home to many kinds of aquatic species. The state of the sea is currently on the verge of declining because of the waste thrown into it. There has to be a sanctuary to retain the population of the sea animals, such as the aquarium facility. This facility will also inform the public—especially children—about the kinds of species still available today, just like a zoo. With the functionalism architecture approach, the facility is expected to be durable in the long run and more accessible since everything is based on function. This study uses qualitative methods, meaning all the precedents data are from comparative studies, field studies (surveying the site), and theories from books. The result of this study is the implementation of Functionalism Architecture that prioritized usability in the design of edutainment aquarium buildings. Projects with similar functions or methods can use this study as a precedent

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Adams, David. "Rudolf Steiner's First Goetheanum as an Illustration of Organic Functionalism." Journal of the Society of Architectural Historians 51, no. 2 (June 1, 1992): 182–204. http://dx.doi.org/10.2307/990714.

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Austrian designer Rudolf Steiner intended his first Goetheanum building in Dornach, Switzerland (1913-1922), among other purposes, to be a dramatic illustration of the principles of a new style of architecture, simultaneously organic and functional. Its unusual forms in carved wood and reinforced concrete, its watercolor murals, and its engraved colored-glass windows were also to be a visual introduction to the metaphysical ideas of Steiner's anthroposophy. The central dynamic of the building was the intersection of its two domes of different sizes, intended by Steiner to express the union of spirit and matter through his treatment of the functions of stage and auditorium. The contrast between the two domed spaces was supported in great detail throughout the interior. Steiner applied formative principles of the natural world to building designs, attempting to achieve an organism-like relation between part and whole, a harmonious adaptation of building to site, and an organic formal quality sympathetic to the human observer. In particular, he employed the principle of metamorphosis in the abstract forms of the building's ornamentation and ground plan, relating this principle to Goethe's studies of biological morphology. He created forms and spaces that not only fulfilled but also directly imaged their functions, including their relationship to their human users. He set forth his new architectural approach within the context of an extensively enunciated architectural theory, whose primary thrust was the encouragement of a clear adaptation of the designs of buildings to a holistically conceived human nature. He pioneered new techniques and styles, which, along with his lectures and writings, have influenced a number of significant artists and architects of the twentieth century.

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Šuvaković, Miško. "Revisionist philosophy of architecture: Fundamental dispositives." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 119–35. http://dx.doi.org/10.5937/saj1401119q.

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The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to the theory of architecture and urbanism of Walter Benjamin. Adorno's critique of architectural functionalism has been considered. It is discussed about methodological approach to Benjamin's analysis and the debate on Paris as metropolis. The aim of the discussion is to indicate to transformations and modalities of critical theory in modernism, post-structuralism, postmodernism and contemporary global neoliberalism.

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Bušatlić, Lejla. "Bosanski slog u komparativnom diskursu nacionalnih arhitektonskih stilova na području Balkana / Bosnian style in the comparative discourse of national architectural styles." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 24 (November 10, 2021): 459–75. http://dx.doi.org/10.46352//23036990.2021.459.

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The article analyzes the Bosnian style in architecture by reflecting upon the phenomenon of the national architectural style, its role in the construction of national identity, political and ideological instrumentalization. The issue of the relationship betwee tradition and modernity and the position of architectural heritage in the contemporary context arises. Interpretative framework of the specificity of the national architectural idiom also includes a discursive view of the relationship between the periphery and the center. Through a comparative analysis of national styles in architecture of the Balkan countries such as Bosnia and Herzegovina, Turkey, Croatia and Serbia, their character, distinction and mutual connections are defined. The Bosnian-style in architecture is viewed in its development as an architectural idiom of the national origin, but also as an authentic stylistic determinant created in the process of a creative research of architectural heritage that will ultimately result in new spatial-design and aesthetic values consistent with modernist architectural concepts. In this sense, the position of the Bosnian style as a national style in the history of European modernism is questioned, its connection with the aesthetics of modernism based on the principles of reducing excessive decorativeness, formative purism and functionalism.

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Borecká, Eva, and Dušan Mellner. "The Progressive Constructions in the Work of Architects of the Classical Modernism, Slovakia 1919-1939." Applied Mechanics and Materials 820 (January 2016): 21–26. http://dx.doi.org/10.4028/www.scientific.net/amm.820.21.

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The influence of approaching functionalism on the traditional structures of the interwar architecture, reflected through the life and work of the German circuit architects Franz Wimmer and Andreas Szőnyi.

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Dissertations / Theses on the topic "Functionalism (Architecture)"

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Grimes, Leigh A. "Wanderings : a study of the image in architecture." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/36214.

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Neveu, Marc J. "Architecture-as, an ethics of function." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31028.

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Carlo Lodoli (1690--1761), architect, storyteller, and generally caustic individual, was a friar at San Francesco della Vigna in Venice, where he offered non-professional lessons in architecture. In his garden, he had collected a series of architectural fragments for use in his dialogues with students. He would use the fragments as examples of good and bad architecture to allow for his peripatetic teachings. These lessons, described by his faithful student Andrea Memmo as talking in images were sweeping, often ethical. As the Socratic Lodoli did not commit to text any formal treatise, we must look to his student's interpretations and various built projects. It is within these traces we begin to discover Lodoli's proposal for a non-reductive functional architecture based upon the imagination. By looking into this performing aspect of function we may begin to realize an architecture that both invites and constitutes essential meaning.

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Black, George David. "The architecture of collage." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/24080.

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Chen, Hui-Min. "A critique on scientific rationality in the production of architecture." Diss., Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23114.

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Hogg, Kelly M. "Unifying University Culture through a Simplified Functionalism." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306501575.

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Bynum, James Jordan III. "An architectural theory for a centerless world." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/24014.

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Reardon, Mark Edward. "The public realm in the contemporary city." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23183.

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Tucker, William Bird. "Deduction, induction, and abduction." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/24130.

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McLendon, Michael Sean. "Peripheral pursuits : Pershing Point, une autre monde." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/24165.

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Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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Books on the topic "Functionalism (Architecture)"

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Erik, Mattie, ed. Functionalism in the Netherlands =: Functionalisme in Nederland. Amsterdam: Architectura & Natura, 1995.

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International Alvar Aalto Symposium (5th 1991 Jyväskylä, Finland). Functionalism: Utopia or the way forward? Edited by Kärkkäinen Maija and Jyväskylä (Finland). [Jyväskylä, Finland: The Symposium, 1992.

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Jiri, Havran, ed. Norsk funkis. [Oslo]: J.M. Stenersens forlag, 2007.

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Walter, Moleski, ed. Functionalism revisited: Architectural theory and practice and the behavioral sciences. Farnham, Surrey, England: Ashgate, 2010.

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Böök, Netta, and Kari Immonen, eds. Uno Ullberg: Viipurin arkkitehti. Helsinki: Arkkitehtuurimuseo, 2020.

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Jørn, Guldberg, ed. Tema- Funktionalisme. [Odense]: Odense universitetsforlag, 1986.

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Schezen, Roberto. Adolf Loos: Architecture 1903-1932. New York, N.Y: Monacelli Press, a division of Random House, 2009.

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Molema, Jan. The new movement in the Netherlands, 1924-1936. Rotterdam: 010 Publishers, 1996.

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József, Finta. A funkció társkeresései, szerződéseim Budapesttel: Akadémiai székfoglaló, 1986, február 6. Budapest: Akadémiai Kiadó, 1990.

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Sartoris, Alberto. Alberto Sartoris, 1901-1998: La concepción poética de la arquitectura : IVAM Centre Julio González, 27 julio-24 septiembre 2000. Valencia: IVAM, 2000.

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Book chapters on the topic "Functionalism (Architecture)"

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Henriques, Raimundo. "Functionalism and Self-Understanding." In Self-understanding in the Tractatus and Wittgenstein’s Architecture, 223–58. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-58384-1_6.

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Crouch, Christopher. "The Machine Ethic — Functionalism and the Collective." In Modernism in Art, Design and Architecture, 46–71. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27058-3_4.

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Farrag, Engy M. "Changes in Mosques’ Architecture Design Between Functionalism and Symbolism." In Advances in Science, Technology & Innovation, 63–72. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-24751-4_8.

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Lægring, Kasper. "On the Use and Abuse of Biological Functionalism for Architecture." In The Contested Territory of Architectural Theory, 159–74. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003292999-14.

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De Ridder, Roel. "Beyond Functionalism. How the Everyday and the Utopian Meet in Reused Parish Churches." In Advances in Utopian Studies and Sacred Architecture, 359–68. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_28.

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Dobrowolski, Grzegorz, and Tomasz Rys. "Architecture and Functionality of MIDA." In Lecture Notes in Economics and Mathematical Systems, 339–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/978-3-662-21637-8_21.

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Shimidzu, Takeo, Tokio Yamabe, Tohru Sato, Kazuyoshi Tanaka, Yasuhiko Shirota, Toyoki Kunitake, Masamichi Fujihira, et al. "Architectural Design and Preparation of Molecular Systems." In Functionality of Molecular Systems, 5–78. Tokyo: Springer Japan, 1999. http://dx.doi.org/10.1007/978-4-431-68550-0_2.

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Filho, Eliseu M. C., Edil S. T. Fernandes, and Andrew Wolfe. "Functionality distribution on a superscalar architecture." In Lecture Notes in Computer Science, 773–78. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/bfb0024776.

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Nellans, David, Kshitij Sudan, Erik Brunvand, and Rajeev Balasubramonian. "Improving Server Performance on Multi-cores via Selective Off-Loading of OS Functionality." In Computer Architecture, 275–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24322-6_23.

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Tomic, Slobodanka, and Admela Jukan. "GMPLS-Based Exchange Points: Architecture and Functionality." In Emerging Optical Network Technologies, 179–92. Boston, MA: Springer US, 2005. http://dx.doi.org/10.1007/0-387-22584-6_8.

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Conference papers on the topic "Functionalism (Architecture)"

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Pohaničová, Jana, and Lívia Búliková. "Innovations in the architecture of Evangelical churches during the era of functionalism in Slovakia." In PROCEEDINGS OF THE 15TH INTERNATIONAL CONFERENCE ON X-RAY MICROSCOPY – XRM2022. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0170766.

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Campo-Ruiz, Ingrid. "Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.893.

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Abstract: Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently developed in Sweden and influenced by Le Corbusier’s ideas and projects also impacted on the international architectural scene. This research analyses how the study of Le Corbusier’s works affected projects in Sweden from the 1920s to the 1970s and how they also became an international standard. Le Corbusier’s works provided a kind of prototype, with which Swedish architects experimented in alternative ways. During the 1920s, Le Corbusier’s Pavilion de l’Esprit Nouveau and the Stuttgart Weissenhofsiedlung impressed influential Swedish architect, including Uno Åhrén, Gunnar Asplund and Sven Markelius, who later became proponents of modernism in Sweden. The 1930 Stockholm Exhibition marked a breakthrough for functionalism in Sweden. After 1930, urban plans for Stockholm and its suburbs reflected some of Le Corbusier’s ideas, such as the urban plan by Sven Markelius, and Vällingby’s town centre by Leif Reinius and Sven Backström. After 1950, Léonie Geisendorf , Ralph Erskine, Sigurd Lewerentz and Peter Celsing placed considerable emphasis on rough texture in poured concrete. Lewerentz, who admired the works of Le Corbusier, designed the churches of Markuskyrkan in 1956 and St Peter’s in Klippan in 1966, with a wider international impact. Reyner Banham included several works by Le Corbusier and also Markuskyrkan Church by Lewerentz in his book The New Brutalism: Ethic or Aesthetic? in 1966. Keywords: Sweden, twentieth-century architecture, urban planning, prototype, architectural experiment, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.893

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Barrera Puigdollers, Jose Manuel. "The third way “After Modern Architecture”." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15532.

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The 22nd issue of the 1978 Arquitecturas Bis, entitled "After Modern Architecture", reproduces three articles published in Oppositions magazine No. 5, 6 and 7, where Mario Gandelsonas and Peter Eisenman contributed "Neo and Post-functionalism" respectively and Antony Vidler “A third typology”. Together with other texts by R Moneo, Oriol Bohigas and Helio Piñón, they strive to understand what it implies, contains and what the scope of the title is that Kenneth Frampton had designated in 1973. Underlying in them is a “third way,” which is neither neo-rationalist, nor neorealist, but rather aims to re-establish the recoverable foundations of modernity as long as it was declared as a public service to transform society. This new architecture would focus on its disciplinary debates, while expanding its cultural base, serving the new social needs and integrating the culture of difference, from overcoming mythological history through situating ourselves “in the meantime” in time. The latest Pritzker, and some architecture awarded by professional associations, or the most debated today is presented dry, crude, informal nevertheless sustainable, efficient, ecological, low-cost, which point both to a stripped simplification and a new radical realism. In what follows we will try to verify if any of this new architecture responds to that third way that the theoreticians pointed out as a hypothesis in the initial debates.

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Зорина, И. Л. "INFLUENCE OF THE IDEAS OF RADICAL DESIGN OF THE 60S ON THE EUROPEAN ARCHITECTURE OF THE FOLLOWING DECADES." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.02.

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Радикальный дизайн — авангардное направление 60-х гг. ХХ в., олицетворяющее независимость дизайна от социальных процессов. Истоком радикального дизайна является протест по отношению к функционализму как стандартному решению организации городской среды. Исследован исторический контекст, проанализированы проекты архитектурной группы Archigram, которая являлась яркой представительницей данного направления, успешно работала над альтернативой неподвижному застывшему городу и искала новые схемы организации городского поселения. К наиболее значимым авангардным проектам Archigram можно отнести следующие: Шагающий город (Walking City), Подключенный город (Plug-in City), жилой кокон, Мгновенный город (Instant City). В исследовании рассмотрено влияние концепций радикального дизайна на развитие архитектуры ХХ в. Radical design is an avant- garde trend of the 60s of the 20th century, embodying the independence of design from social processes. The origin of radical design is a protest against functionalism as a standard solution for organizing the urban environment. The historical context is investigated, the projects of the architectural group Archigram are analyzed, which was an arch representative of this direction, successfully worked on an alternative to a stationary frozen city and was looking for new schemes for organizing an urban settlement. The most signifi cant avant- garde projects of Archigram include the following: Walking City, Plug-in City, residential cocoon, Instant City. The study examines the infl uence of the concept of radical design on the development of architecture of the 20th century.

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Casas Cobo, Francisco Javier. "Ronchamp in the spotlight. The feature of a shocking building in the 50s journals." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.942.

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Abstract: Although currently it is largely accepted that Chapelle Notre-Dame du Haut at Ronchamp is one of the milestones in Le Corbusier’s works, there is no less agreement in saying that it was one of the most controversial of his works and one turning point in modern architecture, not only in terms of digging a grave for functionalism but to opening a window to a wide bunch of architects and works that would have been excluded from history and maybe forever otherwise. In order to recall its importance, we must look back to how architectural journals featured Ronchamp in the mid fifties as, on one hand, Le Corbusier was not a young architect but a very well known and respected one with an international reputation and therefore, it was not easy to criticize his works and, on the other hand, Ronchamp was such a shocking building for many colleagues who had no choice but writing about it that somehow they were between the Devil and the deep blue sea. Keywords: Ronchamp; debate; journals; historiography, contemporary; criticism. DOI: http://dx.doi.org/10.4995/LC2015.2015.942

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Kulkarni, Ambarish, Ajay Kapoor, Mehran Ektesabi, and Howard Lovatt. "Architectural Proposals for Electric Vehicle Design." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-63299.

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Due to global warming and depletion of fossil fuels, alternative sustainable fuel technology is essential. As a consequence of this need, many automotive original equipment manufacturers have started manufacturing electric vehicles (EVs) as sustainable, zero-emission solution. This paper evaluates different architectures for EV design to establish a preferred architecture. A detailed literature study is outlined to evaluate production and concept proposals of many original equipment manufacturers, student projects, and autonomous electric cars. The different architectural aspects of these designs, such as mechanical and electrical technologies, are discussed. Starting with initial schematics, a theoretical model is developed for each of the EV drive train architectures. The study uses advanced modeling techniques to compare these architectures. Different drive train architectures are compared in the contexts of functionality, operation, manufacturability, and modularity. The preferred architecture was developed using advanced tools such as virtual modeling to establish operational sequences for the components that make up an EV. In addition, product data management software was used as management tool to document changes during the architecture’s development. Recommendations and discussions on a selection of vehicle architectures are detailed along with those for a preferred architecture.

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Iranfar, Maryam, and Hourakhsh Ahmad Nia. "The Synthesis of Ethics and Aesthetics in Modern Movement of Architecture: ‘Truth’ Theory as an Assessment Tool." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021235n17.

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Architects and designers are obligated to think comprehensively to create aesthetically pleasing buildings together with functional features. The modern movement of architecture represents a dramatic movement in the buildings design to create a different functional and new architecture. There is a debate about the priority of beauty (aesthetics) and functionality (ethics) in this architectural style and leads to ambiguity in evaluating ethics and aesthetics. Hence, the study aims to understand the relationship between ethics and aesthetics value in architecture's modern movement. This study hypothesizes that there is a significant relationship between ethical and aesthetical values through the functionality of modern architecture. The study has proposed a conceptual model to be applied in future studies on different case studies. This is through assessment tools to evaluate the presence of ethics and aesthetics in modern architectural style.

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Maranelli, Francesco. "Engineering Melbourne’s “Great Structural- Functional Idea”: Aspects of the Victorian Post-war “Rapprôchement” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3998puxe9.

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In 1963, Robin Boyd wrote about a post-war “rapprôchement” between the disciplines of structural engineering and architecture. Etymologically, the term suggests the movement of two entities that draw closer to each other, either in an unprecedented fashion or resuming a suspended interaction. World War II and the “anxieties and stimulations” of the post-war period, to use Boyd’s expression, accelerated the process of overcoming longstanding educational and professional disciplinary barriers. They were the driving forces behind what he denominated the “great structural-functional idea” of the 1950s. Architecture schools embraced modernist/functionalist ideals, producing graduates with considerable technical knowledge - true “romantic engineers.” The global post-war fascination with unconventional structures played its part. Occasionally, Antoine Picon argues, architecture’s “symbolic and aesthetic discourses” walk a “strictly technical path.” Under the banner of Le Corbusier’s Esthétique de l’Ingénieur, architecture and engineering converged. New technologies made collaborations with engineers habitual. According to Andrew Saint, however, partnerships were rarely affairs of equals since “architectural jobs came to architects first.” The diversification and growing number of engineers also transformed them into a labour force, Picon suggests, affecting their prestige and, possibly, their historiographical fortune. Scholarship on post-war Melbourne architecture has generally privileged the architect as the protagonist in the creation of innovative structures, only occasionally acknowledging consultants. This does not reflect the concerted nature of design commissions and frequent evanescence of disciplinary boundaries. This paper aims to highlight the major playing grounds for this alignment within design professions. It also hints at the complex relationship between the contributions of Victorian engineers and their recognition by post-war newspapers and architectural journals, opening the analysis of Melbourne’s post-war architecture to the discourse of professional representation and arguing the importance of “unbiased” histories of the built environment.

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Dumont d'Ayot, Catherine. "Machines à exposer." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.

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Résumé: Ateliers d’artistes, appartements et villas de collectionneurs, pavillons, scénographies et musées : l’exposition est un fil rouge de l’œuvre de Le Corbusier. Le rapport que l’homme entretient à l’œuvre d’art et les modalités de ce rapport sont des éléments fondateurs de son architecture et occupent une position primordiale dans sa vision de la ville. De la ziggourat du Musée mondial en 1929, jusqu’aux projets des années 1960 comme le Centre d’Art international à Erlenbach ou le Musée du XXe siècle pour Nanterre, les musées sont des pièces incontournables des ses grands plans d’urbanisme. Les projets de musées et de pavillons d’exposition entre 1929 et 1965 et les concepts des différentes expositions qu’il organise évoluent en parallèle de sa manière d’envisager le rapport à l’œuvre, que ce soit celui de l’artiste, du spectateur initié ou du novice. Les esquisses préparatoires des différents projets de musées et de pavillons retracent cette évolution. La critique du projet du Mundaneum par Karel Teige assume un rôle clé dans la transformation décisive du concept du musée qui a lieu entre le Musée Mondial en 1929 et le projet de Le Corbusier pour le Musée à croissance illimitée en 1930. C’est un changement séminal qui est décisif pour les projets futurs. L’architecture et la relation à l’œuvre d’art ne sont plus déterminées par le recours à une forme, mais par un mécanisme fonctionnel et organique: la croissance, à la fois image et symbole de l’évolution positiviste de l’humanité. Abstract: Exhibitions, museums, pavilions, artist ateliers, apartments and collectors’ villas: exposition runs like a red thread through Le Corbusier’s work. Man’s relationship to art is a fundamental element of architectural dispositifs. Art influences his vision of society as a whole, and museums are central to his major urban plans, from the ziggurat of the Musée Mondial in Geneva, to the museums in Ahmadabad, Tokyo or Chandigarh, to projects he realized in the late 1960s, such as the Museum of the 20th Century in Nanterre. The evolution of museum design between 1929 and 1965 and of the concepts Le Corbusier developed for the different exhibitions of his own œuvre are in keeping with his way of understanding the relationship to works of art, whether by the artist, a knowledgeable public or those encountering art for the first time. The sketches for the different museums and pavilions retrace this evolution. Karel Teige’s critique of the Mundaneum project assumes a key role in the transformation of the museum concept that occurred between the Musée Mondial of 1929 and Le Corbusier’s first designs for a Museum with Unlimited Growth in 1930. The architecture and the place for art in society are no longer determined by the use of a form but through a functional mechanism. Growth is understood as an image of the positive evolution of mankind. This seminal change is a key to the later projects.Mots clés: musée, exposition, fonctionnalisme. Keywords: museum, exhibition, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.1025

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Rosen, David W. "Design of Modular Product Architectures in Discrete Design Spaces Subject to Life Cycle Issues." In ASME 1996 Design Engineering Technical Conferences and Computers in Engineering Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-detc/dac-1485.

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Abstract A product’s architecture affects the ability of a company to customize, assemble, service, and recycle the product. Much of the flexibility to address these issues is locked into the product’s design during the configuration design stage when the architecture is determined. The concepts of modules and modularity are central to the description of an architecture, where a module is a set of components that share some characteristic. Modularity is a measure of the correspondence between the modules of a product from different viewpoints, such as functionality and physical structure. The purpose of this paper is to investigate formal foundations for configuration design. Since product architectures are discrete structures, discrete mathematics, including set theory and combinatorics, is used for the investigation. A Product Module Reasoning System (PMRS) is developed to reason about sets of product architectures, to translate design requirements into constraints on these sets, to compare architecture modules from different viewpoints, and to directly enumerate all feasible modules without generate-and-test or heuristic search approaches. The PMRS is described mathematically and applied to the design of architectures for a hand-held tape recorder. Life cycle requirements are used as design criteria.

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Reports on the topic "Functionalism (Architecture)"

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Farrar, Joseph, and James Whitlow. DataSwitch Data Sweeper (DS)². Engineer Research and Development Center (U.S.), October 2023. http://dx.doi.org/10.21079/11681/47765.

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The purpose of this Coastal and Hydraulics Engineering technical note (CHETN) is to specify the software requirements, architecture, and detailed design for the DataSwitch Data Sweeper (DS)² application. This document is designed for the software developers maintaining (DS)2 and is intended to aid these developers in understanding its architecture and underlying functionality.

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Taft, Jeffrey D., Paul De Martini, and Rick Geiger. Ultra-Large-Scale Power System Control and Coordination Architecture: A Strategic Framework for Integrating Advanced Grid Functionality. Office of Scientific and Technical Information (OSTI), July 2014. http://dx.doi.org/10.2172/1608691.

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Razdan, Rahul. Unsettled Issues Regarding Autonomous Vehicles and Open-source Software. SAE International, April 2021. http://dx.doi.org/10.4271/epr2021009.

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As automobiles morph from stand-alone mechanical objects to highly connected, autonomous systems with increasing amounts of electronic components. To manage these complex systems, some semblance of in-car decision-making is also being built and networked to a cloud architecture. This cloud can also enable even deeper capabilities within the broader automotive ecosystem. Unsettled Issues Regarding Autonomous Vehicles and Open-source Software introduces the impact of software in advanced automotive applications, the role of open-source communities in accelerating innovation, and the important topic of safety and cybersecurity. As electronic functionality is captured in software and a bigger percentage of that software is open-source code, some critical challenges arise concerning security and validation.

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Striuk, Andrii, Olena Rybalchenko, and Svitlana Bilashenko. Development and Using of a Virtual Laboratory to Study the Graph Algorithms for Bachelors of Software Engineering. [б. в.], November 2020. http://dx.doi.org/10.31812/123456789/4462.

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The paper presents an analysis of the importance of studying graph algorithms, the reasons for the need to implement this project and its subsequent use. The existing analogues analysis is carried out, due to which a list of advantages and disadvantages is formed and taken into account in developing the virtual laboratory. A web application is created that clearly illustrates the work of graph algorithms, such as Depth-First Search, Dijkstra’s Shortest Path, Floyd- Warshall, Kruskal Minimum Cost Spanning Tree Algorithm. A simple and user- friendly interface is developed and it is supported by all popular browsers. The software product is provided with user registration and authorization functions, chat communication, personal cabinet editing and viewing the statistics on web- application use. An additional condition is taken into account at the design stage, namely the flexibility of the architecture, which envisaged the possibility of easy expansion of an existing functionality. Virtual laboratory is used at Kryvyi Rih National University to training students of specialty 121 Software Engineering in the disciplines “Algorithms and Data Structures” and “Discrete Structures”.

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Kozlovsky, Evgen O., and Hennadiy M. Kravtsov. Мультимедийная виртуальная лаборатория по физике в системе дистанционного обучения. [б. в.], August 2018. http://dx.doi.org/10.31812/0564/2455.

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Research goals: the description of technology of software development in Physics Virtual Laboratory for Distance Learning System. Research objectives: the architecture of client and server parts of the lab, the functionality of the system modules, user roles, as well as the principles of virtual laboratory use on a personal computer. Object of research: the distance learning system “Kherson Virtual University”. Subject of research: virtual laboratory for physics in the distance learning. Research methods used: analysis of statistics and publications. Results of the research. The development of the software module “Virtual Lab” in distance learning system “Kherson Virtual University” (DLS KVU) applied to the problems of physics on topics kinematics and dynamics. The information technology design and development, the structure of the virtual laboratory, and its place in the DLS KVU are described. The principal modes of the program module operation in the system and methods for its use in the educational process are described. The main conclusions and recommendations. The use of this software interface allows teachers to create labs and use them in their distance courses. Students, in turn, will be able to conduct research, carrying out virtual laboratory work.

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León, Carlos, and Kimmo Soramäki. The Next Generation RTGS: Liquidity Saving Mechanisms as an Overlay Service. FNA, January 2024. http://dx.doi.org/10.69701/cfcz133.

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Between 1985 and 2006, a total of 96 central banks implemented Real-time Gross Settlement (RTGS) systems. The adoption of this technology was driven to reduce risks inherent in the then-predominant Deferred Net Settlement (DNS) systems. However, because RTGS systems consume large amounts of liquidity when each payment is settled individually, many RTGS systems (e.g., CHAPS and Target2) implemented Liquidity-Saving Mechanisms (LSMs) of varying complexity, with most deploying variations of the algorithm presented by Morten Bech and Kimmo Soramäki (the co-author) in 2001. Many of these systems are now at the end of their investment cycle, and a conversation has begun on what technology the next generation of RTGS systems should employ. In this paper, we argue that the concept of an LSM Overlay Service that separates the functioning of the core central bank ledger, the RTGS system, and the LSMs has several benefits over existing system architectures. An LSM Overlay Service will rearrange how interbank payments are processed. This service overlays the RTGS system with LSMs that resequence (and in case of PvP or DvP synchronise) payment orders before they reach a "thin" RTGS system with very basic operational processing functionality. Introducing the LSM Overlay Service unlocks many benefits for financial institutions while preserving the central bank's mandate to guarantee the safe and efficient functioning of the payment system with a more resilient service at a lower cost.

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