Relevant bibliographies by topics / Functionalism (Art)

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  2. Dissertations / Theses
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Academic literature on the topic 'Functionalism (Art)'

Author: Grafiati
Published: 12 August 2021
Last updated: 5 February 2022

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Journal articles on the topic "Functionalism (Art)"

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Stecker, Robert. "DEFINING “ART”: THE FUNCTIONALISM/PROCEDURALISM CONTROVERSY." Southern Journal of Philosophy 30, no. 4 (December 1992): 141–52. http://dx.doi.org/10.1111/j.2041-6962.1992.tb00651.x.

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Wrahatnala, Bondet. "CONGWAYNDUT: REFLEKSI FUNGSIONALISME STRUKTURAL SENI PERTUNJUKAN YANG MELINTAS BATAS." Acintya Jurnal Penelitian Seni Budaya 12, no. 2 (May 7, 2021): 116–23. http://dx.doi.org/10.33153/acy.v12i2.3576.

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Abstract This paper positions itself as a study that portrays the Keroncong Wayang Gendut (Congwayndut) performance, as performance art that reflects structural functionalism. Because Congwayndut explicitly contained aspects of structural functionalism. In this paper, Congwayndut is positioned as an organism that has a structure and functions socially and culturally. Congwayndut is one of the many performing arts groups capable of interpreting traditional art in contemporary, meaning that it responds to the millennial generation with the construction of traditional performances, namely shadow puppet art. . Congwayndut has an important role in the development process or as a performance art model that accommodates other art disciplines, including music, wayang, theater, script, visuals, dramaturgy, which are combined as a typical Indonesian performance art prototype. Therefore, the structural-functional point of view emerged, as a step to explain to the public about the cultural phenomena experienced by Congwayndut. Structural functionalism was born as a reaction against the theory of evolution. If evolutionary studies aim to establish the stages of human cultural development, then structural-functionalism studies aim to build a social system, or social structure, through the study of the functioning patterns of relations between individuals, between groups. -groups, or between social institutions in a society, at a certain period of time. Keywords: Congwayndut, Cross-Border Performing Arts, Structural Functionalism Abstrak Tulisan ini, memposisikan diri sebagai kajian yang memotret pertunjukan Keroncong Wayang Gendut (Congwayndut), sebagai seni pertunjukan yang merefelksikan fungsionalisme struktural. Karena di dalam Congwayndut secara eksplisit terkandung aspek fungsionalisme struktural. Congwayndut di dalam tulisan ini diposisikan sebagai organisme yang memiliki struktur, dan memiliki fungsi secara sosial budaya.Congwayndut adalah satu satu dari sekian banyak kelompok seni pertunjukan, yang mampu menafsir seni tradisi secara kekinian, artinya merespon generasi milenial dengan konstruksi pertunjukan tradisi yakni kesenian wayang kulit. Congwayndut memiliki peran penting dalam proses pengembangan atau sebagi model seni pertunjukan yang mengakomodir disiplin seni yang lain, ada musik, wayang, teater, naskah, rupa, dramaturgi, yang dijadikan satu sebagai purwarupa seni pertunjukan yang khas Indonesia. Oleh sebab itu lah sudut pandang struktural fungsional muncul, sebagai langkah untuk menjelaskan kepada publik, tentang gejala fenomena budaya yang dialami oleh Congwayndut. Fungsionalisme struktural lahir sebagai reaksi terhadap teori evolusi. Jika tujuan dari kajian-kajian evolusi adalah untuk membangun tingkat-tingkat perkembangan budaya manusia, maka tujuan dari kajian-kajian fungsionalisme struktural adalah untuk membangun suatu sistem sosial, atau struktur sosial, melalui pengajian terhadap pola hubungan yang berfungsi antara individu-individu, antara kelompok-kelompok, atau antara institusi-institusi sosial di dalam suatu masyarakat, pada suatu kurun masa tertentu. Kata Kunci : Congwayndut, Seni Pertunjukan Lintas Batas, Fungsionalisme Struktural
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Zusi, Peter. "Tendentious Modernism: Karel Teige's Path to Functionalism." Slavic Review 67, no. 4 (2008): 821–39. http://dx.doi.org/10.2307/27653026.

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The category of tendentiousness—with its dogmatic, didactic, and aesthetically conservative inclinations—seems inherently opposed to the logic of modernism, which emphasized the aesthetic moment of formal innovation. While many modernists argued for the compatibility between aesthetic and political revolution, they invariably met the skepticism of those demanding a clear, ůnambiguously expressed political message from art. But was this conceptual divide unbridgeable? In this article, Peter Zusi explores this question through the case of the Czech theorist of the interwar avant-garde, Karel Teige. Teige exemplifies how the early Czech avant-garde adopted such terms as function and popular character (lidovost) from nineteenth-century Czech discourse, where they had served to celebrate the tendentious applicability of cultural artifacts to a political movement of emancipation. For Teige, however, these terms quickly shifted from accentuating to critiquing political tendentiousness. Teige's shift, Zusi argues, does not represent the trace of cultural belatedness or conceptual confusion as much as it reveals the flexibility of conceptual oppositions too often conceived as static.
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Soleh, A. Khudori. "KONSEP SENI DAN KEINDAHAN M. IQBAL." El-HARAKAH (TERAKREDITASI) 10, no. 1 (April 8, 2008): 1. http://dx.doi.org/10.18860/el.v10i1.4595.

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<p class="Bodytext20">Generally, art work is divided in two great sects: expressionism and functionalism. The first sect is based on the interest in the art itself, whereas the second sect links its work to others, such as social problem in the surroundings. The art concept of Iqbal seems to adopt two sects, expressionism and functionalism. With expressionism,-Iqbal asserted that an art must constitute a creation of creativities and be originally from the artist him/herself not from a repetition or imitation. On functionalism, Iqbal stated that an art is not free from the certain purposes which must be morally achieved.-Finally, based on his own concept, Iqbal maintains certain criteria and purposes which have to be in an art work. Those criteria are: 1) art must be a creative work, and 2) the creativities must be original and not the result of plagiarism. In addition, the purposes and the functions that must be guaranteed are: 1) to create the missing thing to the life in hereafter or immortality, 2) to give cultivation for human being in the world, and 3) to give motivation for people progression. </p><p class="Bodytext20"> </p><p class="Bodytext20">Umumnya, karya seni terbagi dalam dua sekte besar: ekspresionisme dan fungsionalisme. Sekte pertama didasarkan pada kepentingan dalam seni itu sendiri, sedangkan sekte kedua menghubungkan pekerjaannya dengan orang lain, seperti masalah sosial di sekitarnya. Konsep seni Iqbal tampaknya mengadopsi dua sekte, ekspresionisme dan fungsionalisme. Dengan ekspresionisme, -Iqbal menegaskan bahwa sebuah seni harus merupakan penciptaan kreativitas dan berasal dari seniman itu sendiri bukan dari pengulangan atau tiruan. Pada fungsionalisme, Iqbal menyatakan bahwa sebuah seni tidak terlepas dari tujuan tertentu yang harus dicapai secara moral.-Akhirnya, berdasarkan konsepnya sendiri, Iqbal mempertahankan beberapa kriteria dan tujuan yang harus ada dalam sebuah karya seni. Kriteria tersebut adalah: 1) seni harus menjadi karya kreatif, dan 2) kreativitas harus asli dan bukan hasil plagiarisme. Selain itu, tujuan dan fungsi yang harus dijamin adalah: 1) Menciptakan hal yang hilang bagi kehidupan di akhirat atau keabadian, 2) memberi kultivasi bagi manusia di dunia, dan 3) memberi motivasi bagi perkembangan orang. </p>
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Sitnikova, Aleksandra. "THEORETICAL, APPLIED AND SYNTHETIC METHODS OF STUDYING CULTURE AS A SOCIO-ANTHROPOLOGICAL SYSTEM." Social Anthropology of Siberia 2, no. 2 (June 30, 2021): 6–17. http://dx.doi.org/10.31804/2687-0606-2021-2-2-6-17.

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The article provides an overview and offers a classification of modern methodological approaches in the field of cultural studies. The article helps to choose an appropriate methodological strategy for conducting cultural research. Cultural studies methods are classified into three types: theoretical, applied and synthetic. The article discusses the specificity, advantages and disadvantages of such methods as field research, an interdisciplinary approach involving sociological analysis, archaeological analysis, art analysis, psychological experiment for cultural studies, and also considers the methodology of structuralism, functionalism, hermeneutics and linguocultural studies.
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Angelita, Chrisantya. "Kesetaraan Hak Warga Kolok sebagai Wujud Integrasi Sosial Warga Desa Bengkala." Humanis 25, no. 2 (May 27, 2021): 250. http://dx.doi.org/10.24843/jh.2021.v25.i02.p14.

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Deaf mute villager in Bengkala village is called as kolok villager. In Bengkala Village, kolok villager as disabled community is not getting discriminated by society. This research intend to study about equality rights for kolok villager in Bengkala Village. Theory used in this study is Functionalism Structural Talcott Parsons. The research method are interview and observation. The result shows that kolok villager are accepted by Bengkala Village society. Because basically normal villager and kolok villager are related. The equality rights are art right, education right, economy right, and voting right.
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Pramono Putro, Muhammad Agung, Bambang Soepeno, and Rully Putri Nirmala P. "BARONG USING Optimalisasi Seni Pertunjukan sebagai Obyek Pariwisata Budaya Using." Sabda : Jurnal Kajian Kebudayaan 14, no. 1 (November 26, 2019): 52. http://dx.doi.org/10.14710/sabda.14.1.52-66.

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Barong Using is a performance art which is native to the Using community. Barong Using is used as a sacred necessity for clean village rituals. Rituals are held twice a year. The Ider Earth Ritual on the 2nd of Shawwal and the moon village salvation ritual were recited. The cultural development of bringing the art of barong performance functions as a sacred and profane need. There are efforts to optimize the art of barong performance by the use of tourism. The problems contained in this study are related to discussing (1) the history of Barong Kemiren's performance in which it examines ritual processions with socio-cultural values; and (2) efforts to optimize the art of barong performance later using communities in 1996-2018 as the use of tourism. The research method used is the historical research method by using a cultural anthropology approach to study cultural change and using structural functionalism theory to analyze the shift in barong function socially as a result of tourism. The results of this discussion, the optimization of the art of barong performance is packaged in the interrelationships of the five pillars that support the development of tourism and creative industries, namely, the state, art and ritual actors, supporting communities, industry, and religious leaders. These pillars can provide the right input so that a good response emerges from entrepreneurs, bureaucrats, cultural practitioners, and practitioners of traditional and ritual arts. Now the art of barong performance has undergone many changes starting from the structure of performances and interludes which accompany.
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Tkaczyk, Krzysztof. "„ICH FORDRE SO VIEL FREIHEIT UND MUSSE, ALS NÖTIG IST, ÜBER MICH SELBST, ÜBER MEINE BESTIMMUNG UND MEINEN WERTH ALS MENSCH ZU DENKEN“.1 ZUR KUNST- UND FREIHEITSKONZEPTION BEI KARL PHILIPP MORITZ." Literatūra 50, no. 5 (December 28, 2016): 85. http://dx.doi.org/10.15388/litera.2008.5.10231.

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In 1786 in Rome, Johann Wolfgang Goethe wrote about him: “He is my younger brother; we art cut from the same mould. However, fate was against him, whereas I was fortune’s favourite.” He meant Karl Phillip Moritz (1756-1793), a German writer and art critic, Greek mythology historian, precursor of modern psychology and the author of psychological novel. If we assume that Goethe’s comments concern Moritz’s material and social status only, we would have to admit that Goethe was right. However, if we apply these judgments to the quality of his (Moritz’s) works, we would be inclined to saying that in this case the great Goethe was wrong. In his aesthetic, Moritz is far more interesting and progressive than his “elder brother”; in his literary criticism – more consistent than Schiller, and in perceiving society and politics – more radical than Kant. This article is mainly on key concept regarding Moritz’s aesthetic works: the concept of beauty and its functionalism. Definition of “the work of art” as a closed, specified unity enables Moritz to get out of the frame of aesthetics itself and to enter the sphere of politics. Moritz liberates man from the restraints of utility and treats him as a noble individual who possesses the artistic value in himself.
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Hajiyev, Imash Adyshirin, Elmira Gabdulovna Akhmetshina, Liliya Rinatovna Mukhametzyanova, and Timur Rashitovich Kadyirov. "Historical formation and modern problems of design Formação histórica e problemas modernos de design Formación histórica y problemas modernos de diseño." Laplage em Revista 6, Extra-A (December 14, 2020): 272–76. http://dx.doi.org/10.24115/s2446-622020206extra-a667p.272-276.

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In contrast to other areas of art, the emergence of design took place in the conditions of accelerated industrialization. In this sense, it is emphasized that it belongs to industrial art. At the end of the 19th century, the conditions created in different countries of Western Europe gave a boost to the development of design on a scientific - theoretical basis. At this time, the original theories of design appeared. The long-term development of this work became even more enriched by the activities of the alliance and the school, such as the German Verkbund, the German Bauhaus and the Soviet VHUTEMAS. In modern terms, design has become the main driving force of socio-cultural development of society. The presented material discusses the role of design in solving the task of creating the object (product) and their formation. In a broad sense, the two most important factors in this direction are the main – functionalism and aesthetic principles. The model analyzes the problem of maximum accounting utilitarian-functional indicators, the relationship between content and form.
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Adamska, Katarzyna. "An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908." Ikonotheka 26 (June 26, 2017): 7–29. http://dx.doi.org/10.5604/01.3001.0010.1671.

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Towarzystwo Polska Sztuka Stosowana (TPSS) organised two exhibitions at the Zachęta Gallery. Their aim was to shape the national culture of living and to propagate ornamental design inspired by indigenous motifs. The 1902 exposition was arranged in accordance with the traditional perception of arts and crafts, which disregarded their function and construction in favour of the external form. New critical categories, borrowed from the language of functionalism and from ideas regarding living space as developed by the German Kunstgewerbe circles, induced the members of the TPSS to arrange their 1908 exhibition differently – as fully designed interiors rather than groups of independent items. Similar changes were then observed in the of shop-window design and in commercial expositions. The fact that they were explicated in terms of ethics reveals a combination of consumerism, aesthetics and morality characteristic of the early 20th century.
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Dissertations / Theses on the topic "Functionalism (Art)"

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Reishus, John William. "Demarcating space : barriers and screens." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864906.

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The problem addressed by the student was the creation of private, separate spaces within a larger area. It was determined that folding screens could be utilized in a variety of settings and situations thereby providing a flexible solution.As the creation of the folding screens progressed, the student was exposed to ideas and motivating concepts within the artworld which influenced him to consider a more sculptural response to the problem. A shift of the emphasis from the purely functional to a viewer oriented. perceptual interaction with the sculptural space was the result; although the sculptures did not have the obvious usefulness of the folding screens, the student found the sculptures to be personally useful in his artistic development.The primary method of constuction utilized was welding. Several of the sculptures were the result of combining wooden elements and assemblages with welded steel. Sevendifferent artworks were created, three being folding screens and four being sculptural barriers.
Department of Art
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Page, Patrick J. "Submission to shelter." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137666.

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The goal of this project was to create a mobile structure in which a suite of paintings could be transported and viewed. When the structure and paintings are arranged as an "installation," they will create a more active role for a "viewer" who could then be defined as a "participant." The participant would be involved in the assembly of the environment and would find more opportunities for interaction in the assembled environment than he or she would in a traditional gallery or museum setting. A description and explanation of the processes involved in the creation of this project is preceded by a discussion of different historical, cultural, and methodological ways by which artwork is or has been presented. Also referenced are different artists and philosophies that informed this project.
Department of Art
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Nobbs, Garrett Brandon. "The St. Johns Bridge: a prayer in steel." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/865.

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The St. Johns Bridge is a 1,207 foot span suspension bridge crossing the Willamette River in Portland, Oregon, connecting the Portland communities of St. Johns and Linnton on the eastern and western banks, respectively. Commissioned in 1928, the bridge was completed in 1931, with much fanfare in the local community. The two neighborhoods are some distance from downtown Portland, and the bridge brought prestige to an otherwise nondescript locale. It was designed by the New York-based firm of Steinman & Robinson. David Barnard Steinman (1886-1960) acted as the public face for the firm, however, and the design of the bridge has traditionally been ascribed to him in the literature. Steinman was one of the most prominent bridge engineers of the twentieth century, and is recognized today, as he was even within his lifetime, as such. It was a position which he worked fervently to attain. Steinman wrote extensively concerning the St. Johns Bridge and spoke of it as his own; his extensive use of the St. Johns Bridge as an example of aesthetics in bridge engineering is related to the early twentieth-century debate between engineers and architects regarding the role of each in bridge design. As an engineer who sought, without the aid of the architect, to build bridges which were objects of beauty, he asserted the role of the engineer as artist. The predisposition toward the engineered machine aesthetic in the intellectual climate of the avant-garde in the early twentieth century enabled Steinman to style himself as such an artist--even though the St. Johns Bridge, which he frequently employed in this regard, was not a work of functionalist aesthetics. While the architectural avant-garde was borrowing from the engineer for artistic rejuvenation, Steinman was in an advantageous position to argue for the engineer-artist, thereby casting the engineer as an individual sui generis, equal to and without need of the architect.
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García, García Ascensión. "El puente y la escultura: un diálogo entre funcionalidad y estética." Doctoral thesis, Universitat de Barcelona, 1997. http://hdl.handle.net/10803/672090.

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Este trabajo de investigación plantea una relación entre los puentes y su historia, estructura y funcionalidad, su análisis estético formal y la escultura. Como método de aproximación se utiliza una doble vía: la via histórica, mediante un recorrido por los puentes de todas las épocas, poniendo en paralelo la evolución formal de los mismos con los materiales y tecnologías utilizados. A la vez, se intercalan, de manera comparativa, propuestas escultóricas que se aproximan al lenguaje de los puentes por analogía. No se marcan límites temporales ni tampoco espaciales, entendiendo que el lenguaje de los puentes es un lenguaje universal. La vía analítica se resuelve con una propuesta que parte de tres ámbitos de conocimiento perceptivo, interpretativo y gráfico; para concluir con la conceptualización de categorías visuales que son susceptibles de ser aplicadas a una lectura estético-formal de los puentes. La mayor aportación de este estudio se desprende de la amplitud de sus objetivos, lo que deja caminos abiertos, pero también un recorrido iniciado del que destacaría las siguientes aportaciones: el planteamiento interdisciplinar, la sistematización, la propuesta de metodología y la conexión interdisciplinar.
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Chesters, Robert. "Packaging radio technology during the interwar period (1925-1939) : how did the rise in popularity of the wireless receiver introduce the modernist aesthetic to the British domestic environment?" Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/14781.

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This thesis aims to identify and explain how, through the consumption of the wireless as a modern consumer durable, modernism was brought to society. To understand this process, the study will map how social change during the period responded to wider intellectual and aesthetic currents and trends but was driven by emergent commercial, cultural and political economies of a newly mediated society. Furthermore, it seeks to establish that this happened not as a result of social engineering through model housing schemes but as a result of consumer-led demand. This investigation considers how, as part of that newly mediated social environment, the wireless developed following its arrival on the domestic market without having adopted a single stylistic form. It addresses how that form, both stylistically and technically, evolved over a relatively short period to address the economic and cultural requirements and expectations of a new electrically powered domestic entertainment technology. In so doing, a discourse will be established considering these expectations and requirements related to how the wireless in Britain adopted and adapted the Modernist design idiom. It will further consider how the language of Modernism was propagated as the accepted version of what a radio could or should look like, so developing the modernist paradigm in a broader sense. To gain an appreciation of this it is necessary to understand the contemporary public conception of what the modern was in a more general sense. To decipher this public perception of modernity the project aims to extrapolate that public conception through examining other popular forms and products. Although this suggests that Radio was not alone in adopting the language of the moderne, as a product it is notable for its widespread commercial success and as such can be identified as a significant carrier of the coded message of what was modern. Design historians such as Yagou and Forty have attempted to incorporate radio into various strands of historical perception but the typologies they have devised to describe and understand wireless fall short in addressing the relationship between modernity and the wireless and instead see the wireless in terms of being an independent consumer product, a quasi-scientific instrument or else a furnishing form, rather than creating categories which accommodate the wireless and its position as a design type in its own right. To overcome this shortcoming a strand of this thesis seeks to argue that the wireless was itself a proto-modernist device during the early years of market expansion. That device then developed along a natural stylistic course embracing contemporary decorative ideas. By assessing the response of radio manufacturers to the socio-economic conditions of their market, this study has highlighted how through producing a product which addressed contemporary ideas of glamour, ease of use and functionality, the wireless entered a wide range of homes during the 1920s and 1930s. For the public, the immediate appeal of the wireless was that it provided access to the international experience of listening in while simultaneously it provided a template for the consumer to base their understanding of the modern World, both in its mediated form and stylistic appearance. This thesis seeks to demonstrate that during the period 1925 to 1939, the wireless established itself as an unashamedly modern device which appealed to a broad socio economic cross section of the public. By consuming the wireless, the British public accepted a significant technological and stylistic aspect of modernity into their homes. This was achieved despite the privations of the era because of the perceived desirability of wireless broadcasts and the perception of listening in as a popular leisure activity. As a result of that consumer demand, the British public was given access to a range of stylistic versions of modernity through the design of radio cabinetry. These modern styles were readily consumed throughout the social spectrum in preference to historicist alternatives. This demonstrates that the wireless was instrumental in introducing the modernist aesthetic to the British domestic environment.
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Beesley, Thomas Charles. "Art, the architectonic and functionality." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/18973/.

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What is the status and position of the ‘functional’ art object? My research has sought to consider the role of the object in recent examples of socially-engaged art practice, by examining the notion of the ‘useful’ in contemporary art as conceptualized by theorist Stephen Wright and his advocates. By interrogating the praxis of the Turner Prize winning architectural collective Assemble and the deeper social-engagement of American artist Theaster Gates, I have sought to decode the institutional structures supporting their work, permitting a more nuanced assessment of the status of the useful object as art. During my research I undertook a six-month collaborative project with the staff and students of an M.Arch module at the Sheffield School of Architecture. The module addressed issues of local energy generation and use within a geo-sociological context and gave me the opportunity to create a body of work in response to these themes of utility. Through the development of my own praxis, the concomitant practice-led research and the critical distance this has permitted, I have been able to consider art’s relationship to objects of utility within the epistemologies of both my art and design background. For, as I conclude, it may be better to view these objects as the result of socially-engaged creativity – as critically-engaged architectonic design – rather than objects of art, thereby encouraging contemporary art practice to continue to stand in autonomous opposition to the instrumentalizing forces of capitalism.
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Kaletová, Lenka. "Vývoj výstavby rezidenčních nemovitostí v Brně Černých Polích." Master's thesis, Vysoké učení technické v Brně. Ústav soudního inženýrství, 2013. http://www.nusl.cz/ntk/nusl-232834.

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This Diploma thesis is dealing with development construction of residental real estates in the area of Brno – Černá Pole. It is concentrated on the development of real estate from the beginning of development in the sixties of 19th century till present. It is also include Černa Pole´s history. The work is divided into few construction periods, where is discribed in detail survey of the significant residental buildings. The highest quality development was during the First republic. Development of this area is almost finished in the seventies of 19th century and from this time it is mostly focused on building attics or reconstraction. The work contains maps, where we can see how was the area amplify.
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Švirák, Ondřej. "Vývoj výstavby rezidenčních nemovitostí v městských částech Brno Maloměřice a Obřany." Master's thesis, Vysoké učení technické v Brně. Ústav soudního inženýrství, 2017. http://www.nusl.cz/ntk/nusl-318555.

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The main task in this thesis is to clarify the development of residential properties in the locality of Brno – Maloměřice a Obřany. Diploma thesis is focusing on history of this locality until present. In the thesis is described in detail this area survey of the significant residential buidings and the analysis for the future growth. The work is divided into few construction periods. Components of thesis is map, which showing progressive development of the city district.
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Agnell, Emma. "Terminology and function hybridity : A functionalist approach to the translation of an art history book." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-56717.

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This essay discusses two aspects of the retention of pragmatic text functions in translation. The functionalist approach that was used focuses on achieving congruence between the author’s intended function and the perception of the reader, i.e., the target text’s actual function. The first aim was to examine whether a focus on text functions can be beneficial when translating terminology. The second aim was to investigate if a functionalist approach can be used to assure that all functions are retained for instances where the source text encompasses more than one pragmatic function. For the purposes of this study, two excerpts from Fritz Eichenberg’s art history book The Art of the Print were translated. Individual terms as well as instances where the source text segment contained one than more pragmatic function were then analyzed with the above mentioned aims in mind. It was found that a functionalist approach, in combination with a conceptual approach to terminology, was beneficial when translating terminology. It was also observed that the surrounding co-text aided in the understanding of the author’s concept. In regard to the second aim, it was found that while a functionalist approach assured that the translator was made aware of the existing functions, the translation procedures suggested were too narrow and static to be applicable to all segments.
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Bazgier, Jakub. "Vývoj výstavby rezidenčních nemovitostí v lokalitě Brno - Žabovřesky." Master's thesis, Vysoké učení technické v Brně. Ústav soudního inženýrství, 2012. http://www.nusl.cz/ntk/nusl-232608.

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The main task in this thesis is to clarify the development of residential properties in the locality of Brno – žabovřesky. Diploma thesis is focusing on history of this locality until present. In the thesis is described in detail survey of the significant residential buidings, historically protected villas, construction of residential complex, thus the whole constructions and their development, transformations or expansion. The work is divided into few construction periods, while the biggest and the highest quality development was during the First Republic. Components of thesis are created maps of area, which describe urban pattern of locality and emplacement some residential objects. These maps are linked by analysis of development opportunities in construction, structural built-up urban area, however it must be said, that locality, from the aspect of other possible constructions is already largely in finish.
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Books on the topic "Functionalism (Art)"

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Des relations édifiantes: Essai sur Asher, Le Bernin, Botta, Buren, LeWitt, Michel-Ange, Nouvel, Tschumi--. Paris: Impressions nouvelles, 1992.

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Bröhan-Museum. Modern art of metalwork: Bröhan-Museum, State Museum of art noveau, art deco and functionalism (1889-1939), Berlin. Berlin: The Museum, 2001.

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Nosek, Jiří. Funkcionalismus ve vědě a filosofii: Sborník příspěvků. Praha: Filosofia, 2001.

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Mucchi, Gabriele. Mucchi: Realismo + razionalismo italiano. Berlin: Verlag der Galerie Poll, 1989.

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Cavadini, Luigi. Il razionalismo lariano: Como 1926-1944. Milano: Electa, 1989.

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Becker, Ingeborg. Zwischen Wien und Paris: Jugendstil, Art Deco und Funktionalismus in Böhmen. Berlin: Bröhan-Museum, 1996.

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Musical functionalism: The musical thoughts of Arnold Schoenberg and Paul Hindemith. Hillsdale, NY: Pendragon Press, 2011.

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Sartoris, Alberto. Architetti, pittori e scultori del "Gruppo di Como": Testimonianza di Alberto Sartoris : un polo del razionalismo italiano. Como: La Provincia editoriale, 1989.

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När färgen kom till byn: Målade allmogemöbler från norr till söder 1750-1850. Stockholm: Bokförlaget Signum, 2014.

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Carlo Belli und die Utopie von der absoluten Kunst: Italiens Beitrag zum "Internationalen Stil" zwischen den beiden Weltkriegen. Frankfurt am Main: Lang, 1995.

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Book chapters on the topic "Functionalism (Art)"

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Crouch, Christopher. "The Machine Ethic — Functionalism and the Collective." In Modernism in Art, Design and Architecture, 46–71. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27058-3_4.

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Proust, Joëlle. "Functionalism and Multirealizability on Interaction Between Structure and Function." In Science, Mind and Art, 169–85. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0469-2_11.

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Pawling, Christopher. "Caudwell’s Functionalist Theory of Art." In Christopher Caudwell, 24–38. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20340-6_3.

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Li, Rex. "Psychology, Reflex Arc Concept and the Birth of Functionalism." In Rediscovering John Dewey, 99–133. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7941-7_6.

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Bastida, F., T. Hernandez, and C. Garcia. "Soil Degradation and Rehabilitation: Microorganisms and Functionality." In Microbes at Work, 253–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04043-6_13.

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Kosiński, Witold, Agnieszka Rosa, Dorota Cendrowska, and Katarzyna Węgrzyn-Wolska. "Defuzzification Functionals Are Homogeneous, Restrictive Additive and Normalized Functions." In Artificial Intelligence and Soft Computing, 274–82. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29347-4_32.

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Deneire, Tom. "Reconsidering Imitatio Auctorum. A dynamic-functionalist approach to imitation in neo-latin poetry." In Les Arts poétiques du XIIIe au XVIIe siècles, 197–218. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.latin-eb.4.2017012.

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Nitsche, Johannes C. C. "Periodic Surfaces That are Extremal for Energy Functionals Containing Curvature Functions." In Statistical Thermodynamics and Differential Geometry of Microstructured Materials, 69–98. New York, NY: Springer New York, 1993. http://dx.doi.org/10.1007/978-1-4613-8324-6_6.

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Fontal, Andrew, Giuseppina Marsico, Julio César Ossa, Juan David Millán, and Alexander Prado. "The Dynamic Functionality of Borders: A Study from a Cultural Perspective." In Identity at the Borders and Between the Borders, 37–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62267-1_4.

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Dehesa, J. S., S. López-Rosa, A. Martínez-Finkelshtein, and R. J. Yáñez. "Asymptotics of Orthogonal-Polynomial Functionals and Shannon Information Entropy of Rydberg Atoms." In Progress in Industrial Mathematics at ECMI 2008, 93–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12110-4_7.

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Conference papers on the topic "Functionalism (Art)"

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Uçak, Olcay. "Towards a Single Culture in Cross-Cultural Communication: Digital Culture." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.007.

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Culture is a multifaceted, complex process which consists of knowledge, art, morals, customs, skills and habits. Based on this point of view of Tylor, we can say that the culture is the human in the society, his learning styles and the technical or artistic products that originate from these learning styles, in other words, the content. In antropology it is argued that when the concept of culture is considered as a component in a social system, the combination of the social and cultural areas form the socio-cultural system. Approaches that handle culture within the socio-cultural system are functionalism (Malinowski), structural-functionalism (Radliffe-Brown), historical-extensionist (Kluckhohn, Krober), environmental adaptive (White), while the approaches that treat culture as a system of thought are cognitive (Goodenough), structural (Levi Strauss) and symbolic (Geertz) approaches. In addition to these approaches that evaluate cultures specific to communities, another definition is made according to the learning time: Margeret Mead, Cofigurative Culture. In order to evaluate today’s societies in terms of culture, we are observing a new culture which has cofigurative features under the influence of convergent technologies (mobile, cloud technology, robots, virtual reality): Digital Culture. This study aims to discuss the characteristics of the digital culture, which is observed after the theoretic approaches that define different cultures in cross-cultural communication (Hofstede’s Cultural Dimension and Cofigurative Culture) and called as network society by Manual Castells and accelerated during the Covid19 pandemic, in other words the common communication culture. Common cultural features will be studied through methods of semiology and text analysis upon digital contents which are starting to take hold of cross-cultural communication, a comparison between cross-cultural communication and communicative ecology will be made, the alteration in the cultural features of the society will be examined via visual and written findings obtained.
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Dumont d'Ayot, Catherine. "Machines à exposer." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.

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Résumé: Ateliers d’artistes, appartements et villas de collectionneurs, pavillons, scénographies et musées : l’exposition est un fil rouge de l’œuvre de Le Corbusier. Le rapport que l’homme entretient à l’œuvre d’art et les modalités de ce rapport sont des éléments fondateurs de son architecture et occupent une position primordiale dans sa vision de la ville. De la ziggourat du Musée mondial en 1929, jusqu’aux projets des années 1960 comme le Centre d’Art international à Erlenbach ou le Musée du XXe siècle pour Nanterre, les musées sont des pièces incontournables des ses grands plans d’urbanisme. Les projets de musées et de pavillons d’exposition entre 1929 et 1965 et les concepts des différentes expositions qu’il organise évoluent en parallèle de sa manière d’envisager le rapport à l’œuvre, que ce soit celui de l’artiste, du spectateur initié ou du novice. Les esquisses préparatoires des différents projets de musées et de pavillons retracent cette évolution. La critique du projet du Mundaneum par Karel Teige assume un rôle clé dans la transformation décisive du concept du musée qui a lieu entre le Musée Mondial en 1929 et le projet de Le Corbusier pour le Musée à croissance illimitée en 1930. C’est un changement séminal qui est décisif pour les projets futurs. L’architecture et la relation à l’œuvre d’art ne sont plus déterminées par le recours à une forme, mais par un mécanisme fonctionnel et organique: la croissance, à la fois image et symbole de l’évolution positiviste de l’humanité. Abstract: Exhibitions, museums, pavilions, artist ateliers, apartments and collectors’ villas: exposition runs like a red thread through Le Corbusier’s work. Man’s relationship to art is a fundamental element of architectural dispositifs. Art influences his vision of society as a whole, and museums are central to his major urban plans, from the ziggurat of the Musée Mondial in Geneva, to the museums in Ahmadabad, Tokyo or Chandigarh, to projects he realized in the late 1960s, such as the Museum of the 20th Century in Nanterre. The evolution of museum design between 1929 and 1965 and of the concepts Le Corbusier developed for the different exhibitions of his own œuvre are in keeping with his way of understanding the relationship to works of art, whether by the artist, a knowledgeable public or those encountering art for the first time. The sketches for the different museums and pavilions retrace this evolution. Karel Teige’s critique of the Mundaneum project assumes a key role in the transformation of the museum concept that occurred between the Musée Mondial of 1929 and Le Corbusier’s first designs for a Museum with Unlimited Growth in 1930. The architecture and the place for art in society are no longer determined by the use of a form but through a functional mechanism. Growth is understood as an image of the positive evolution of mankind. This seminal change is a key to the later projects.Mots clés: musée, exposition, fonctionnalisme. Keywords: museum, exhibition, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.1025
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Gala-Walczowska, Monika. "ALCHEMISTS� HOUSE � ARCHITECTURE PARLANTE IN POST-FUNCTIONALIST ERA." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.002.

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Winston, Roland. "Nonimaging optics design that are functionals of the acceptance angle." In Optical Engineering Midwest 1992, edited by Robert J. Heaston. SPIE, 1992. http://dx.doi.org/10.1117/12.140935.

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"Translation of Business Contract Text from English to Chinese in Functionalist Approach." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.224.

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Monch, L., and J. Zimmermann. "Providing production planning and control functionality by web services: State of the art and experiences with prototypes." In 2009 IEEE International Conference on Automation Science and Engineering (CASE 2009). IEEE, 2009. http://dx.doi.org/10.1109/coase.2009.5234141.

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Kurosu, Akihiko, Masaki Nakano, Masanori Yashiro, Masaya Yoshino, Hiroaki Tsushima, Hiroyuki Masuda, Takahito Kumazaki, et al. "A reliable higher power ArF laser with advanced functionality for immersion lithography." In SPIE Advanced Lithography, edited by Will Conley. SPIE, 2012. http://dx.doi.org/10.1117/12.916324.

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Shen, Chunlan. "“Serving the Yangtze River Delta” — Research and Exploration on the Social Functionality of Art Specialty in Colleges and Universities." In International Conference on Education Studies: Experience and Innovation (ICESEI 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201128.050.

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RODRÍGUEZ-REINOSO, FRANCISCO. "EFFECT OF POROSITY AND FUNCTIONALITY OF ACTIVATED CARBON IN ADSORPTION." In Selected Reports at the 4th Pacific Basin Conference on Adsorption Science and Technology. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812770264_0012.

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Xie, Yanhong. "A Study on Translation Strategies of Pear Garden Opera from the Perspective of Functionalist Translation Theory." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.51.

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Reports on the topic "Functionalism (Art)"

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Terzic, Vesna, and William Pasco. Novel Method for Probabilistic Evaluation of the Post-Earthquake Functionality of a Bridge. Mineta Transportation Institute, April 2021. http://dx.doi.org/10.31979/mti.2021.1916.

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While modern overpass bridges are safe against collapse, their functionality will likely be compromised in case of design-level or beyond design-level earthquake, which may generate excessive residual displacements of the bridge deck. Presently, there is no validated, quantitative approach for estimating the operational level of the bridge after an earthquake due to the difficulty of accurately simulating residual displacements. This research develops a novel method for probabilistic evaluation of the post-earthquake functionality state of the bridge; the approach is founded on an explicit evaluation of bridge residual displacements and associated traffic capacity by considering realistic traffic load scenarios. This research proposes a high-fidelity finite-element model for bridge columns, developed and calibrated using existing experimental data from the shake table tests of a full-scale bridge column. This finite-element model of the bridge column is further expanded to enable evaluation of the axial load-carrying capacity of damaged columns, which is critical for an accurate evaluation of the traffic capacity of the bridge. Existing experimental data from the crushing tests on the columns with earthquake-induced damage support this phase of the finite-element model development. To properly evaluate the bridge's post-earthquake functionality state, realistic traffic loadings representative of different bridge conditions (e.g., immediate access, emergency traffic only, closed) are applied in the proposed model following an earthquake simulation. The traffic loadings in the finite-element model consider the distribution of the vehicles on the bridge causing the largest forces in the bridge columns.
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Francesco, Petruccione,, Gastrow, Michael, Hadzic, Senka, Limpitlaw, Justine, Paul, Babu Sena, Wolhuter, Riaan, and Kies, Carl. Evaluation of Alternative Telecommunication Technologies for the Karoo Central Astronomy Advantage Area. Academy of Science of South Africa (ASSAf), 2021. http://dx.doi.org/10.17159/assaf.2021/0073.

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The National Research Foundation (NRF) requested the Academy of Science of South Africa (ASSAf), on behalf of South African Radio Astronomy Observatory (SARAO) and the Square Kilometre Array (SKA), to undertake an independent and objective evaluation of potential alternative telecommunication technologies for the areas of the Karoo Central Astronomy Advantage Areas (KCAAA). The study encompasses regulatory, public sphere, and technical dimensions to explore options for maintaining the functionality of the telescope while, at the same time, delivering appropriate connectivity solutions for local communities.The objectives of this study are as follows: 1) Assess the technologies currently being, or planning to be, deployed through existing alternative communications programs managed by SARAO, including whether these technologies are comparable with market available technologies that could feasibly be deployed in the KCAAA; and 2) Assessment of current and future telecommunication technologies that may act as suitable replacement and/or improvement (functional and feasible) for existing detrimental technologies, utilised in the KCAAA. This report provides a critical background into the relationship between the SKA and local communities as it relates to ICTs in the area. Based on this understanding, potential technology solutions are proposed to ensure residents of the KCAAA are still afforded valuable access to information and communication technologies (ICTs) within the parameters of affordability, desirability and feasibility.
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Alkan, Haluk. GOVERNANCE IN THE TURKEY OF THE FUTURE. İLKE İlim Kültür Eğitim Vakfı, December 2020. http://dx.doi.org/10.26414/gt011.

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Report considers the field of governance first at the level of constitutional institutions and tradition, addressing the development of Turkey’s constitutional politics and contemporary debates as its subject matter. Secondly, the report includes the primary institutional structures relevant to establishing constitutional institutions into its subject matter. In this context, the political party regimes, electoral system, and public administration must be handled with their current structures and problems. Whether at the level of the constitution or the primary institutional structures, analyses are debated in terms of the socio-administrative dynamics that are determinant in shaping these structures, the effects these dynamics have on the formation of institutional structures and administrative traditions, and finally their impact on the functioning of Turkish politics. When creating the vision document, the report will identify Turkey’s stance within global debates through both its similarities, as well as its peculiarities to other nations. In this context, concrete and practicable recommendations are made to improve the functionality of the Presidential System, which was introduced with the 2017 Constitutional Referendum.
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Haehnel, Robert, Scott Christensen, J. Whitlow, Andrew Bauer, Ari Meyer, Gautham Rangarajan, Yonghu Wenren, et al. A computational prototyping environment interface for DoD CREATE™-AV Helios simulations. Engineer Research and Development Center (U.S.), May 2021. http://dx.doi.org/10.21079/11681/40582.

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Computational Prototyping Environment (CPE) is a web-based portal designed to simplify running Department of Defense (DoD) modeling and simulation tools on the DoD Supercomputing Resource Center’s (DSRC) High Performance Computing (HPC) systems. The first of these tools to be deployed in the CPE is an application (app) to conduct parametric studies and view results using the CREATE-AV Helios CFD software. Initial capability includes hover (collective sweep) and forward flight (speed sweep) performance calculations. The CPE Helios app allows for job submission to a DSRC’s HPC system and for the viewing of results created by Helios, i.e., time series and volumetric data. Example data input and results viewing are presented. Planned future functionality is also outlined.
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Waraniak, John. Unsettled Issues on Sensor Calibration for Automotive Aftermarket Advanced Driver-Assistance Systems. SAE International, March 2021. http://dx.doi.org/10.4271/epr2021008.

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Many automotive industry safety advocates have been pushing for greater market penetration for active safety and advanced driver-assistance systems (ADAS), with the goal of ending deaths due to car crashes. However, there are far-reaching implications for the collision repair, specialty equipment, and performance aftermarket sectors—after a collision or modification, the ADAS system functionality must be preserved to maintain, driver, passenger, and road user safety. To do this, sensor recalibration and ADAS functional safety validation and documentation after repair, modification, or accessorizing are necessary. Unsettled Issues on Sensor Calibration for Automotive Aftermarket ADAS tackles the challenges of accelerating the pace of ADAS implementation; increasing industry understanding of systems, sensors, software, controllers; and minimizing the overwhelming variety of sensor calibration procedures and automaker targets. Additionally, this report addresses the liability concerns that are challenging the industry as it seeks to move forward safely.
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Shaver, Greg, and Miles Droege. Develop and Deploy a Safe Truck Platoon Testing Protocol for the Purdue ARPA-E Project in Indiana. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317314.

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Hilly terrain poses challenges to truck platoons using fixed set speed cruise control. Driving the front truck efficiently on hilly terrain improves both trucks fuel economies and improves gap maintenance between the trucks. An experimentally-validated simulation model was used to show fuel savings for the platoon of 12.3% when the front truck uses long horizon predictive cruise control (LH-PCC), 8.7% when the front truck uses flexible set speed cruise control, and only 1.2% when the front truck uses fixed set speed cruise control. Purdue, Peloton, and Cummins have jointly configured two Peterbilt 579 trucks for relevant combinations of: (1) coordinated shifting, (2) constant or variable platoon gap controls, (3) flexible or constant speed setpoint cruise control of the front trucks, and (4) long-horizon predictive cruise control (LHPCC) of the front truck. Confirmation of this functionality during platooning was demonstrated at the Continental Test track in Uvalde, Texas. In Indiana, on-road experiments were limited to single truck operation with long-horizon predictive cruise control, flexible set speed cruise control, and constant setpoint cruise control. Data from all of the above was used to improve the fidelity of simulations used to arrive at the fuel savings and gap control findings for hilly terrain per what is summarized in the findings section. Additionally, in early summer 2020, Purdue submitted to, and received improvement from, INDOT for a safe truck platoon testing protocol (located in this report’s appendix), which could not be implemented in Indiana before the end of the project because of COVID-19. Presentations of the subject matter at COMVEC, MAASTO, Purdue Road School, and the Work Truck Show are listed in the appendix.
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Appleyard, Bruce, Jonathan Stanton, and Chris Allen. Toward a Guide for Smart Mobility Corridors: Frameworks and Tools for Measuring, Understanding, and Realizing Transportation Land Use Coordination. Mineta Transportation Institue, December 2020. http://dx.doi.org/10.31979/mti.2020.1805.

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The coordination of transportation and land use (also known as “smart growth”) has been a long-standing goal for planning and engineering professionals, but to this day it remains an elusive concept to realize. Leaving us with this central question -- how can we best achieve transportation and land use coordination at the corridor level? In response, this report provides a review of literature and practice related to sustainability, livability, and equity (SLE) with a focus on corridor-level planning. Using Caltrans’ Corridor Planning Process Guide and Smart Mobility Framework as guideposts, this report also reviews various principles, performance measures, and place typology frameworks, along with current mapping and planning support tools (PSTs). The aim being to serve as a guidebook that agency staff can use for reference, synergizing planning insights from various data sources that had not previously been brought together in a practical frame. With this knowledge and understanding, a key section provides a discussion of tools and metrics and how they can be used in corridor planning. For illustration purposes, this report uses the Smart Mobility Calculator (https://smartmobilitycalculator. netlify.app/), a novel online tool designed to make key data easily available for all stakeholders to make better decisions. For more information on this tool, see https://transweb.sjsu.edu/research/1899-Smart-Growth-Equity-Framework-Tool. The Smart Mobility Calculator is unique in that it incorporates statewide datasets on urban quality and livability which are then communicated through a straightforward visualization planners can readily use. Core sections of this report cover the framework and concepts upon which the Smart Mobility Calculator is built and provides examples of its functionality and implementation capabilities. The Calculator is designed to complement policies to help a variety of agencies (MPOs, DOTs, and local land use authorities) achieve coordination and balance between transportation and land use at the corridor level.
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Murphy, Joe J., Michael A. Duprey, Robert F. Chew, Paul P. Biemer, Kathleen Mullan Harris, and Carolyn Tucker Halpern. Interactive Visualization to Facilitate Monitoring Longitudinal Survey Data and Paradata. RTI Press, May 2019. http://dx.doi.org/10.3768/rtipress.2019.op.0061.1905.

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Surveys often require monitoring during data collection to ensure progress in meeting goals or to evaluate the interim results of an embedded experiment. Under complex designs, the amount of data available to monitor may be overwhelming and the production of reports and charts can be costly and time consuming. This is especially true in the case of longitudinal surveys, where data may originate from multiple waves. Other such complex scenarios include adaptive and responsive designs, which were developed to act on the results of such monitoring to implement prespecified options or alternatives in protocols. This paper discusses the development of an interactive web-based data visualization tool, the Adaptive Total Design (ATD) Dashboard, which we designed to provide a wide array of survey staff with the information needed to monitor data collection daily. The dashboard was built using the R programming language and Shiny framework and provides users with a wide range of functionality to quickly assess trends. We present the structure of the data used to populate the dashboard, its design, and the process for hosting it on the web. Furthermore, we provide guidance on graphic design, data taxonomy, and software decisions that can help guide others in the process of developing their own data collection monitoring systems. To illustrate the benefits of the dashboard, we present examples from the National Longitudinal Study of Adolescent to Adult Health (Add Health). We also discuss features of the dashboard to be developed for future waves of Add Health.
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Bauer, Andrew, James Forsythe, Jayanarayanan Sitaraman, Andrew Wissink, Buvana Jayaraman, and Robert Haehnel. In situ analysis and visualization to enable better workflows with CREATE-AV™ Helios. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/40846.

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The CREATE-AV™ Helios CFD simulation code has been used to accurately predict rotorcraft performance under a variety of flight conditions. The Helios package contains a suite of tools that contain almost the entire set of functionality needed for a variety of workflows. These workflows include tools customized to properly specify many in situ analysis and visualization capabilities appropriate for rotorcraft analysis. In situ is the process of computing analysis and visualization information during a simulation run before data is saved to disk. In situ has been referred to with a variety of terms including co-processing, covisualization, coviz, etc. In this paper we describe the customization of the pre-processing GUI and corresponding development of the Helios solver code-base to effectively implement in situ analysis and visualization to reduce file IO and speed up workflows for CFD analysts. We showcase how the workflow enables the wide variety of Helios users to effectively work in post-processing tools they are already familiar with as opposed to forcing them to learn new tools in order post-process in situ data extracts being produced by Helios. These data extracts include various sources of information customized to Helios, such as knowledge about the near- and off-body grids, internal surface extracts with patch information, and volumetric extracts meant for fast post-processing of data. Additionally, we demonstrate how in situ can be used by workflow automation tools to help convey information to the user that would be much more difficult when using full data dumps.
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