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Journal articles on the topic 'Funeral masks'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Hart, W. A. "Limba Funeral Masks." African Arts 22, no. 1 (1988): 60. http://dx.doi.org/10.2307/3336691.

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2

Olariu, Dominic. "BODY AND PORTRAIT IN THE LATE MIDDLE AGES. DEMONSTRATION OF THE BODIES OF DEAD, DEATH MASKS AND MIMETIC FUNERAL IMAGE." Odysseus. Man in History 32-33, no. 1-2 (2024): 195–227. http://dx.doi.org/10.32608/1607-6184-2024-32-33-1-2-10.

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3

Bădocan, Ioana. "De la totemism la mască." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 279–89. http://dx.doi.org/10.47802/amet.2017.31.16.

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At the ancient peoples, the mask is the representation of the spirit of the ancestor, of the totemic animal and is connected with rites of initiation, agrarian and funeral rites. The mask, by its power, imposes on the bearer his own will because it is endowed with his own individuality. Dances with masks take place in agrarian, nuptials, of initiation, or funeral rituals, the participants being both the living and the dead, both divinities and the protective htoniene spirits.

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KOURAOGO, Patrice. "A Sociocultural Approach to Funeral Jokes in the Moaaga Community in Burkina Faso: Analysis of the Forms, Place and Role of Amusements in a Mourning Situation." Advances in Social Science and Culture 6, no. 3 (2024): P72. http://dx.doi.org/10.22158/assc.v6n3p72.

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This study conducted in the moaaga environment in the province of Namentenga in Burkina Faso aims to pinpoint and analyze the forms of jokes taking place during traditional funerals. It is built on research hypotheses which show that during funerals, jokes take many forms, play an important role in relaxing the atmosphere while fulfilling many functions. This study, which is part of the overall framework of the sociology of culture, allows us to identify three types of jokes. On the one hand, there are the jokes involving the retention of corpses, demands for payment of funeral procession pass

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Jordan, Peter, Jenna Ward, and Robert McMurray. "Dealing with the Dead: Life as a Third-Generation Independent Funeral Director." Work, Employment and Society 33, no. 4 (2018): 700–708. http://dx.doi.org/10.1177/0950017018799621.

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This ‘On the Front Line’ article explores the necessary and yet undesirable work undertaken by a third-generation, independent funeral director. Peter’s narrative account of the realities of funeral directing and his journey into the family business offers a poignant insight into the dirty work of death work. Reflecting on his own exposure, experiences and practices Peter offers us an opportunity to see behind the scenes, to hear how he has learnt to cope with death work undertaken by his family. Consequently, we reflect on how performances of emotional neutrality afford funeral directors the

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Tong, Tao, and Linhui Li. "The Himalayan gold masks from the Eurasian perspective." Chinese Archaeology 16, no. 1 (2016): 85–90. http://dx.doi.org/10.1515/char-2016-0007.

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Abstract To date, five gold masks have been found in the middle and western Himalayan region, from the Chuvthag Cemetery in Zanda County and the Gurugyam Cemetery in Gar County in Tibet, China, the Samdzong Cemetery in Mustang, Nepal and the Malari Cemetery in Uttar Pradesh, India. The dates of these gold masks are all around the 1st–2nd centuries CE; they are different in size but all made with the repoussé technique and sewn to textiles. Most of the facial features of the masks are of the Mongoloid race. This burial custom has deep root in the Eurasian Continent; the funeral masks in differe

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Charry, Eric, Pierre Bois, Francois Grund, and Judith Crews. "Mali: The Dogon. Music of the Masks and the Funeral Rituals." Yearbook for Traditional Music 32 (2000): 229. http://dx.doi.org/10.2307/3185280.

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Theodossiev, Nikola. "The dead with golden faces: Dasaretian, Pelagonian, Mygdonian and Boeotian funeral masks." Oxford Journal of Archaeology 17, no. 3 (1998): 345–67. http://dx.doi.org/10.1111/1468-0092.00067.

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9

van Beek, Walter. "Matter in Motion: A Dogon Kanaga Mask." Religions 9, no. 9 (2018): 264. http://dx.doi.org/10.3390/rel9090264.

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Dogon masks have been famous for a long time—and none more so than the kanaga mask, the so-called croix de Lorraine. A host of interpretations of this particular mask circulate in the literature, ranging from moderately exotic to extremely exotic. This contribution will focus on one particular mask situated within the whole mask troupe, and it will do so in the ritual setting to which it belongs: a second funeral, long after the burial. A description of this ritual shows how the mask troupe forms the constantly moving focus in a captivating ritual serving as second funeral. Thus, the mask rite

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10

Mazzeri, Chiara M. "Ancestors at the gate. Form, function and symbolism of the imagines moiorum. A comparative analysis of Etruscan and Roman funerary art." Opuscula. Annual of the Swedish Institutes at Athens and Rome 7 (November 2014): 7–22. http://dx.doi.org/10.30549/opathrom-07-02.

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Scholars have interpreted the imagines maiorum (face-like representations of Roman familial ancestors), such as the ones represented in the famous Barberini statue, as wax masks that were worn by actors who impersonated the dead during funeral processions. Since members of the Roman aristocracy displayed the imagines of their ancestors who had held an important office, most scholars have concluded that the usage of the imagines was merely social and political and therefore devoid of any ritual or symbolic value. My paper, through close analysis of Roman literary and material evidence, argues t

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Ghufran, ullah, and Elahi Fazal. "A SCHOLARLY REVIEW OF THE RULINGS OF CORONA COVID-19 IN THE CONTEXT OF HADITHS ABOUT THE EPIDEMIC." Al-Misbah Research Journal 03, no. 01 (2023): 14–31. https://doi.org/10.5281/zenodo.7742334.

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<strong>  ABSTRACT</strong> <em>Religion is one of the fundamental factors in human life and the practising of it is mandatory too. The issue aroused when the first patient was reported 17 Nov 2019 in Wuhan, china. The deadly virus attacked human and adopted the Shape of pandemic. Millions of people were affected across the Globe. Nearly 198 countries were in the clutches of poisonous-microscopic particle. The medical experts and doctors advised the masses to adopt certain SOPs. While the government tried to implement it in any cost. The Muslims strictly observe their religious duties. th

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Sherkova, T. "Material Sources of Predynastic Egypt in the Context of the Concept of “Cultural Memory”." Bulletin of Science and Practice 6, no. 10 (2020): 387–409. http://dx.doi.org/10.33619/2414-2948/59/35.

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In the pre-written period, the main sources of cultural memory as an important basis for mytho-religious representations of classical ancient Egypt are the material sources: archaeological sites, pictorial texts, their compositions, motifs and images. The sample for analytical work is related to ritual objects. These include painted vessels of type C and D, polychrome panel from the elite burial in Hierakonpolis, slate palettes, funeral masks. The result of the research was the conclusion that these pictorial texts represent a model of the world. The image-symbolic language of pictorial texts

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Bogdanov, E. S., та A. A. Timoshchenko. "Сultural Palimpsest in the Kurgan No. 5 of the Uytag-3 Burial Ground (Republic of Khakassia)". Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 27 (2021): 895–901. http://dx.doi.org/10.17746/2658-6193.2021.27.0895-0901.

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In 2021, as a part of rescue archaeological work in the Askiz district of the Republic of Khakassia a unique burial complex was studied. Kurgan No. 5 at the Uytag-3 burial ground was a cultural-chronological palimpsest. A mound of the Afanasyevo culture with two graves was located at the base of the site. Its territory was used by the Tagar people for the construction of their mound. A powerful fence with corner and paving stones, an earthen platform made of blocks of loam with sod, 4 burial vaults covered with larch logs, and passages were erected. During the Tesinsky stage, another burial va

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Poting, Tatiana. "Mutations and ceremonial transfiguration in times of crisis." Studia Universitatis Moldaviae. Științe Economice și ale Comunicării, no. 11(01) (July 2023): 131–35. http://dx.doi.org/10.59295/sum11(01)2023_18.

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The state of emergency established at the beginning of the Covid-19 pandemic imposed, beyond the restrictions provided for in the regulatory acts, a new perspective on human existence, including the dismantling of some traditions and stereotypes. In the conditions where the restrictive measures issued by the authorities only concerned the activity of public institutions and state-regulated economic sectors, traditional community customs remained outside the epidemiological regulatory acts and ended up in the ungrateful niche of uncertainty and interpretations. Consequently, family rituals were

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Almutairi, Mishaal M., Mohammad Yamin, George Halikias, and Adnan Ahmed Abi Sen. "A Framework for Crowd Management during COVID-19 with Artificial Intelligence." Sustainability 14, no. 1 (2021): 303. http://dx.doi.org/10.3390/su14010303.

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COVID-19 requires crowded events to enforce restrictions, aimed to contain the spread of the virus. However, we have seen numerous events not observing these restrictions, thus becoming super spreader events. In order to contain the spread of a human to human communicable disease, a number of restrictions, including wearing face masks, maintaining social distancing, and adhering to regular cleaning and sanitization, are critical. These restrictions are absolutely essential for crowded events. Some crowded events can take place spontaneously, such as a political rally or a protest march or a fu

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L., Pletneva. "THE STUDY OF BURIAL MOUNDS OF THE TIMIRYAZEVO BURIAL GROUND-1." Teoriya i praktika arkheologicheskikh issledovaniy 36, no. 2 (2024): 52–73. https://doi.org/10.14258/tpai(2024)36(2).-03.

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The article analyses the material remains of ritual actions in the embankments of 62 burial mounds of the Timiryazevo Burial Ground-1 of the 5th–10th centuries of the Upper Ob culture, from the Tomsk Priobye of the south of Western Siberia. The materials of L.M. Pletneva’s excavations in 1971 and 1973 have been reviewed. 8 species have been identified by the composition of material remains. Their analysis shows that they were found in two groups of burial mounds: with human burial (corps position and cremation) and without human burial.To reconstruct the ritual actions, the levels of material

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Bogdanov, E. S., A. A. Timoshchenko, and A. S. Ivanova. "Archaeological Excavations at the “Skalnaya” burial grounds in 2021 (The Republic of Khakassia)." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 27 (2021): 878–87. http://dx.doi.org/10.17746/2658-6193.2021.27.0878-0887.

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In 2021, an excavation team from the Institute of Archaeology and Ethnography SB RAS carried out rescue archaeological works at the “Skalnaya” burial complex (Askiz district of the Republic of Khakassia) as a part of the Preservation project of the archaeological heritage objects during the construction of the second railway line at the Kamyshta - Uytag section of the Krasnoyarsk railway. According to the project requirements, 3 burial mounds were examined; 4296 sq. m. were excavated to terrestrial deposits; 7 burials (grave pits) yielded more than 100 individual finds (items made of bronze, i

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18

Turova, N. P. "Pottery from the Vak-Kur cemetery of the Yudina Culture (based on materials from excavations 3–6)." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2 (49) (June 5, 2020): 83–97. http://dx.doi.org/10.20874/2071-0437-2020-49-2-8.

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Researchers associate the medieval archeological artifacts of the Middle Trans-Urals, whose pottery bears cord impressions, with the Chiyalik, Molchanvo and Yudina Cultures. Despite the large number of artifacts that have been studied, many questions remain open. These include the status, chronology, and interaction of the Molchanovo and Yudina antiquities, as well as the evolution and specifics of their pottery complexes. Publication and analysis of the ceramic collections from Vak-Kur, the largest burial ground of the Yudina Culture, contribute to addressing some problems related to «the Cor

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19

Habberstad, Luke. "TEXTS, PERFORMANCE, AND SPECTACLE: THE FUNERAL PROCESSION OF MARQUIS YI OF ZENG, 433 B.C.E." Early China 37 (October 7, 2014): 181–219. http://dx.doi.org/10.1017/eac.2014.11.

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AbstractThis article analyzes the bamboo strips recovered from the northern chamber of the tomb of Marquis Yi of Zeng (d. 433 b.c.e.). It argues that the strips comprised at least two separate texts that were integral to the organization and performance of the Marquis's funerary cortège. One text lists on individual strips the chariots and horse teams used in the procession, as well as their donors, categorizing them under bureaucratic offices. A second text describes these same chariots one after another, along with their drivers, decorations, and armor. Counting marks next to each of the cha

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20

Perevalova, E. V., and E. N. Danilova. "Cauldrons in the cultural traditions of the Ob Ugrians and Samoyeds: a sacral aspect." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 1(48) (March 2, 2020): 116–26. http://dx.doi.org/10.20874/2071-0437-2020-48-1-10.

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The ritual attitude towards the cauldron as the sacred vessel can be found in all religious practices. Archaeo-logical and ethnographic materials indicate the incredible versatility and polysymbolism of the cauldron in the cul-tures of the Ob Ugrians and Samoyeds. The first part of this research, which was published in the previous issue of the present Journal, covered the archaeological context along with the functional, morphological and social aspects associated with the cauldron as a unique ethnocultural phenomenon. The second part presented here aims to consider the sacral aspect of the c

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21

Blakely, Thomas D., and Pamela A. R. Blakely. "So'o Masks and Hemba Funerary Festival." African Arts 21, no. 1 (1987): 30. http://dx.doi.org/10.2307/3336497.

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22

Kramer, Lawrence. "Chopin at the Funeral: Episodes in the History of Modern Death." Journal of the American Musicological Society 54, no. 1 (2001): 97–125. http://dx.doi.org/10.1525/jams.2001.54.1.97.

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Abstract This essay seeks to shed fresh light on Chopin's all-too-famous Funeral March by exploring its relationship to the social history of death. Virtually from the day of its publication, the march has had a career independent of the Piano Sonata in B Minor, Op. 35, into which Chopin inserted it. It quickly became Western music's paramount anthem of public mourning, a role it played at funerals from Chopin's own to John F. Kennedy's. This civic character, however, at best represents only a fraction of the music's cultural resonance. By consulting the first context of the march, the treatme

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23

Казанцева, О. А. "CREMATION IN THE FUNERARY RITE OF THE KUDASHEVSKIY I BURIAL GROUND (3rd-5th CENTURIES)." Краткие сообщения Института археологии (КСИА), no. 266 (October 4, 2022): 308–20. http://dx.doi.org/10.25681/iaras.0130-2620.266.308-320.

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Впервые рассматриваются кремации Кудашевского I могильника эпохи Великого переселения народов в Среднем Прикамье. В погребальном обряде населения, оставившего курганно-грунтовый памятник, фиксируется ингумация. Аргументом для интерпретации таких могил является наличие жертвенного комплекса - элемента обряда финно-угров. Другой формой погребального обряда, выявленного на памятнике, является кремация, исследованию которой и посвящена статья. Применение методов наблюдения и статистического анализа кремаций позволяет отметить, что находки кремаций в виде кальцинированных костей и углей разнообразн

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Vandenbeusch, Marie, Daniel O’Flynn, and Benjamin Moreno. "Layer by Layer: The Manufacture of Graeco-Roman Funerary Masks." Journal of Egyptian Archaeology 107, no. 1-2 (2021): 281–98. http://dx.doi.org/10.1177/03075133211050657.

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Ptolemaic cartonnage masks were produced by layering textiles – or reused papyrus sheets – with plaster and glue. Despite the use of the same basic components, the process of manufacture could vary depending on shape, size, time and place. This article aims to clarify the production methods and the different phases of manufacture of these masks, using different imagery techniques, such as X-ray, CT and surface scanning. To provide a better understanding of their production, we examined these masks layer by layer, considering the use of a mould to shape the face from inside, the layering of tex

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Yousry Elsherbiny, Dina, Shaaban Abd El Aal, and Naglaa Mahmoud. "Identification of Greco-Roman Wooden Funerary Masks: an analytical study." International Journal of Multidisciplinary Studies in Heritage Research 5, no. 1 (2022): 39–50. http://dx.doi.org/10.21608/ijmshr.2022.259695.

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26

Bogdanov, E. S. "Clay-Plaster “Masks” from Mound-Vault Skalnaya 5, Khakassia." Archaeology, Ethnology & Anthropology of Eurasia 52, no. 4 (2025): 106–16. https://doi.org/10.17746/1563-0110.2024.52.4.106-116.

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Findings of excavations at the burial mound-vault Skalnaya 5 of the Tes stage in Khakassia are presented. The article focuses on ritual aspects of clay-plaster coatings of human crania and their semantics. The coating was applied to cervical vertebrae and trepanned skulls. It consisted of a single type of local clay; sculptural portraits were modeled of plaster (with two main layers and a finishing layer), and pigments were made of ocher with various shades, cinnabar, and charcoal. The masks, apparently made by various artisans, represented unique faces with ethnic features. Female masks had m

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27

Sherkova, T., and N. Kuzina. "Formation of the Personality - Self-consciousness of the Individual in Pre-dynastic Egypt." Bulletin of Science and Practice 6, no. 3 (2020): 505–26. http://dx.doi.org/10.33619/2414-2948/52/61.

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The question of the appropriateness of the use of the term and category of Personality in relation to studies of the model of the world and the model of I in predynastic Egypt is considered. Points of view are given on the scope and application of the concept, both from the point of view of various schools of psychological science, and researchers belonging to a number of humanitarian areas of science who consider the concept of identity in the context of historical development and historical memory. At the same time, it is taken into account that a personality is traditionally defined in psyc

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Bulakova, Ekaterina A., Marina K. Karapetian, Daria V. Kiseleva, Svetlana V. Sharapova, and Artem S. Yakimov. "FUNERAL WARE AND DIETARY STRATEGIES IN THE PAST." Ural Historical Journal 73, no. 4 (2021): 60–70. http://dx.doi.org/10.30759/1728-9718-2021-4(73)-60-70.

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The article continues the publication of the results of multidisciplinary study of the Bronze Age cemetery Nepluyevsky in the Southern Trans-Urals, presenting the experience of studying the soil contents of ceramic vessels from kurgan 1. The pottery collection consists of 95 pots found intact or fragmentated in burials, food offerings pits and cenotaphs, as well as outside structures, i. e. on the ancient surface horizon. All studied structures were attributed to the Srubnaya culture, mainly to its Srubnaya-Alakul variant. The undertaken reconstruction of funeral food is based on comparative a

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Dewi, Resnita, Rita Tandu, Hannah G. Lunkenheimer, Melanie Nyho, Resli Pasoloran, and Roni La’biran. "Tedong (Buffalo): Symbol of Nobility, Humanity, and Entertaiment in Funeral Ceremony in The Indigenous Torajan, Indonesia." International Journal of Religion 5, no. 8 (2024): 179–90. http://dx.doi.org/10.61707/j1qzmj60.

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In the sociocultural life of Toraja people, buffalo are not ordinary animals. If some people in Indonesia make buffalo as farm animals only, then in Toraja, Indonesia, buffalo as a symbol of social status, humanity, and entertaiment. This is in line with the purpose of this research is to reveal the value of the Tedong (Buffalo) in funeral ceremony. This research is a qualitative descriptive study. Data in this study gained in funeral ceremony. Data is collected through observation techniques, records, interviews, and documentation. The results of the research indicated that tedong (buffalo) i

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Ivannikova, Liudmyla. "Traditional Funeral in the Context of the Russian-Ukrainian War: Lamentation for the Fallen Soldiers." Slov'ânsʹkij svìt, no. 22 (December 30, 2023): 3–31. https://doi.org/10.15407/slavicworld2023.22.003.

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Lamentation for the fallen soldiers is an important component of the traditional funeral rite. This tradition is updated in all regions of Ukraine under the influence of the Russian-Ukrainian war of 2014–2023. This is evidenced both by the expedition materials and video recordings made during the soldiers’ funerals published in social networks. The purpose and the task of the article is to trace the dynamics of the tradition of mourning over fallen soldiers during the 20th – 21st centuries and its transformation in the context of the Russian-Ukrainian war. Records made by the authoress and vid

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Téllez Lúgaro, Eduardo. "El “funeral de la patria”. Últimas impresiones de Salvador Allende antes del naufragio." Cuadernos de Historia, no. 61 (November 29, 2024): 367–83. https://doi.org/10.5354/0719-1243.2024.76810.

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Los dos documentos que se publican permiten hacer un contrapunto entre la información oficial que el presidente de Chile, Salvador Allende, transmitió en el discurso que pronunció durante la gran concentración de masas efectuada por los partidarios de la Unidad Popular (la coalición de izquierda en el gobierno), efectuada el 4 de septiembre de 1973 (documento I) , y la evaluación de este acontecimiento, ejecutada el día siguiente por el mismo Allende, ante militantes y jefes de su coalición política, según la versión (documento II) que remitió a las agencias y autoridades de Washington la ofic

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Mgr Qilimuge, Dr.Hasilu, Dr. Erdenetulga Ganchuluun, and Dr.Odpurev Gankhuyag. "Around Chifeng, the Birth of New Traditions and the Splendor of Funerary Art." International Journal of Education and Humanities 19, no. 2 (2025): 62–66. https://doi.org/10.54097/jad48n25.

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The subject of the article concerns the state of Liao (916-1125), existed in Central Asia, occupying the territory of present-day Mongolia, northern China, part of Kazakhstan. They had half nomadic and half agricultural culture. The main idea of the work is to show their rich funerary traditions and its art. Liao dynasty had a very complicated system of burial of the dead and funerary rites. Sometimes not some things remind ancient Egyptian. Under the ground burial chambers found decoration, painting and sculpture, ceramics made by the artist there that period are beautiful and impressive. Clo

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Kropotov, V. "THREE SARMATIAN FUNERAL COMPLEXES FROM THE STEPPE CRIMEA." SCIENTIFIC NOTES OF V. I. VERNADSKY CRIMEAN FEDERAL UNIVERSITY. HISTORICAL SCIENCE 10, no. 2 (2024): 74–88. http://dx.doi.org/10.29039/2413-1741-2024-10-2-74-88.

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The work analyzes three recently discovered burial monuments of the 1st century BC – mid (?) 1st century AD in the Steppe Crimea. Their distinctive features are the use of an older kurgan for burial, the predominant orientation of the deceased to the northern sector, the insignificant depth of the burial, the paucity of grave goods, etc. – typical for early Sarmatian burials of the Northern Black Sea region. Therefore, the complexes under consideration should be correlated specifically with this cultural group. It is important to emphasize that, although large-scale field research in recent ye

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Bolanle Tajudeen, Opoola. "A Sociolinguistic Analysis of Gender Differentiation in Yoruba Burial Rites." Advances in Language and Literary Studies 10, no. 1 (2019): 102. http://dx.doi.org/10.7575/aiac.alls.v.10n.1p.102.

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This paper focuses on socio-hermeneutic study of gender differentiation in Yoruba burial rites. There are many types of oral genres in Yoruba society. These genres have different functions for different occasion. In essence, Ìrèmọ̀jé eré ìṣípà ọdẹ (hunters funeral dirge) and ìsàà ró (women funeral dirge) are used during men and women funeral rites respectively in Yoruba land. Ogun deity is the founder of Ìrèmọ̀jé chant. Ogun was the first hunter with many adherents who were hunters too. Before the death of Ogun, he ordered his adherents to chant Ìrèmọ̀jé during his funeral r

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Jones-Baker, Doris. "Makers' Marks Engraved in Graffito on English Medieval and Post-Medieval Tombs and other Funeral Monuments." Antiquaries Journal 76 (March 1996): 254–57. http://dx.doi.org/10.1017/s0003581500047569.

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36

Iwaszczuk, Urszula. "Animals from the tumuli in el-Detti in Sudan: from bone remains to studying ritual." Polish Archaeology in the Mediterranean 25 (May 15, 2017): 431–46. http://dx.doi.org/10.5604/01.3001.0010.1869.

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Excavation of seven tumuli during the 2015 season in a cemetery of Early Makurian date located in the village of el-Detti yielded an extensive animal bone assemblage, altogether 590 bone fragments, accompanying the other finds. Poor preservation resulted in some 10% of the bones not being identified to species. Bone remains were located likewise in chambers, shafts, tunnels and looters’ trenches. They represented the following species: cattle, ovicaprines and dog. Marks recorded on the bones confirmed that the cuts of meat from cattle and ovicaprines were served as food offerings for the dead.

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Schiavon, Nick, Patricia Panganiban, Sara Valadas, et al. "A Multi-Analytical Study of Egyptian Funerary Artifacts from Three Portuguese Museum Collections." Heritage 4, no. 4 (2021): 2973–95. http://dx.doi.org/10.3390/heritage4040166.

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A diachronic, multi-analytical approach combining EDXRF, µFTIR, µRaman, SEM-EDS, and Py-GC/MS has been adopted with the aim to study for the first time the painting materials used to decorate Egyptian funerary masks and sarcophagi ranging from the Late Period to the Roman Period and stored in the Archaeological National Museum (MNA) and the Carmo Archaeological Museum (MAC) of Lisbon and the Natural History Museum of the University in Oporto (MNH-FCUP). Results indicate that yellow and red ochres, realgar, cinnabar, Egyptian blue, and Egyptian green were used as pigments while chalk served as

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Jones, Olivia A. "Demography and burial exclusion in Mycenaean Achaia, Greece." Journal of Greek Archaeology 3 (January 1, 2018): 75–95. http://dx.doi.org/10.32028/jga.v3i.523.

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The Late Bronze Age period in Greece, known as the Mycenaean period (Figure 1), has been an influential research topic in Greek archaeology since the excavations at Mycenae (Figure 2) by Heinrich Schliemann in the late 19th century. The mortuary record in particular, with exceptional contexts such as the Shaft Graves filled with golden funerary masks, and the elaborately constructed beehive stone-built tholos tombs (pl. tholoi), have encouraged discussions of conspicuous consumption and shifts of power in early Mycenaean (MH III-LH I) Greece.

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Stinnesbeck, Sarah R., Wolfgang Stinnesbeck, Alejandro Terrazas Mata, et al. "The Muknal cave near Tulum, Mexico: An early-Holocene funeral site on the Yucatán peninsula." Holocene 28, no. 12 (2018): 1992–2005. http://dx.doi.org/10.1177/0959683618798124.

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Here, we report on an incomplete human skeleton, soot patches related to anthropogenic fireplaces, and cut marks on the mandible of an extinct peccary, from the submerged Muknal cave southwest of Tulum on the Mexican Yucatán peninsula. The human individual, here named ‘Muknal Grandfather’, was identified as a male based on cranial parameters. The age at the time of death was estimated to be between 40 and 45 years. We propose that the human bones have been brought to the cave during the latest Pleistocene or early Holocene, but not later than 8600 14C yr BP (ca. 9600 cal BP), as a secondary bu

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Erniwati, Erniwati, Yelda Syafrina, and Zulfa Saumia. "KONGSI KEMATIAN DAN PERUBAHAN RITUAL PROSESI KEMATIAN TIONGHOA DI PADANG." Paradigma: Jurnal Kajian Budaya 15, no. 1 (2025): 127–47. https://doi.org/10.17510/paradigma.v15i1.1440.

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This article discusses the changes in the implementation of death rituals organized by ethnic Chinese in Padang city. Documents in the form of photos and bylaws of the death ritual procession, an interview, and observations at the funeral home, crematorium of the Chinese socio-cultural and funeral association Himpunan Tjinta Teman (HTT), Himpunan Bersatu Teguh (HBT), and the Chinese cemetery complex in Bukit Sin Tiong and TPU Bungus Teluk Kabung are the sources of this article. The article’s findings show that the performance of death procession rituals is an important part that marks the iden

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Vasilyeva, Olga A. "‘last days of paganism’: a third-century funerary mask and shroud from the Collection of the Pushkin State Museum of Fine Arts." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2025): 246. https://doi.org/10.31696/s086919080033702-9.

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This paper is the first publication of a fragmentary funerary mask and shroud from storages of Pushkin Museum of Fine Arts (Inv. I. 1а 7165/1,2), once consisting a whole object. The item is from the collection of Professor Adrian V. Prakhov (1846–1916), acquired by him in Egypt in 1881–1882 years; part of this collection entered Pushkin Museum in 1940. This mask and shroud belong to the group of the so called ‘hybrids’ from Deir el-Bahri burials, taken the name from the unusual technical construction: a combination of painted plaster mask mounted on a linen painted shroud. Currently the group

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Gáll, Erwin, Florin Marginean, and Sarah Peter. "Despre problema datarii mormantului cx. 20A de la Pecica-Duvenbeck ai a semnelor de cruce pe vasele ceramice din Bazinul Dunarii mijlocie / On the Question of Dating the Tomb CX. 20A from PECICA-Duvenbeck and the Signs of the Cross on Ceramic Vessels from the Middle Danube Basin." PLURAL. History, Culture, Society 11, no. 2 (2023): 41–60. http://dx.doi.org/10.37710/plural.v11i2_3.

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Rescue excavation from Pecica-Duvenbeck from the year 2018 unearthed 582 complexes related to various periods, among them two groups of graves datable in the 7/8‒9th centuries. In a grave, complex no. 20A, there has been identified a pot, which has under the throat an incised cross sign. The skeleton, partially disturbed at the time of its robbery, seems to have been a woman adultus/maturus, with an estimated age of over 30 years. Besides presenting this interesting discovery, we also proposed a debate on the problem of the radiocarbon dating of the grave, because the same samples of the skele

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Jaeger, Mateusz, Jakub Niebieszczański, and Mateusz Stróżyk. "The first cup marks from the territory of Poland and their archaeological context." Praehistorische Zeitschrift 94, no. 1 (2019): 116–32. http://dx.doi.org/10.1515/pz-2019-0008.

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Abstract Thus far, prehistoric rock art has not been featured in the discourse concerned with the archaeology of Poland due to the absence of finds there belonging to this category. This text presents the very first identified specimens of cup marks in the present-day territory of Poland; all differ significantly in terms of context, which consequently determines the potential for interpreting the finds. The first is a boulder which was put in place as grave-marker at a Wielbark Culture site dated to Late Iron Age. The find appears to overlap with the general pattern of regularities observed i

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Kononchuk, K. V., and A. G. Marochkin. "ARTISTIC METALWORK FOUND NEAR THE TOMSKAYA PISANITSA." Archaeology, Ethnology & Anthropology of Eurasia 46, no. 3 (2018): 83–91. http://dx.doi.org/10.17746/1563-0110.2018.46.3.083-091.

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We describe rare toreutic items found in the 1970s, 1990s, and 2010s near the Tomskaya Pisanitsa rock art site—a zoomorphic fi gurine, two anthropomorphic masks, and an ornithomorphic pendant. Parallels among the ritual and funerary artifacts from Southern and Western Siberia are discussed. The fi gurine representing a horse or an onager resembles certain examples of ritual toreutic art of the Tagar and Kizhirovo cultures (500–300 BC). Anthropomorphic masks represent the Tomsk-Narym variant of late Kulaika toreutics (100 BC to 500 AD) but may be as late as the sixth century, being associated w

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Appuhamy, P. "A Modified Cosmetic Technique for Head and Neck Dissection in Autopsy Especially for Bald-headed Deceased." Medico-Legal Journal of Sri Lanka 11, no. 1 (2023): 34–38. http://dx.doi.org/10.4038/mljsl.v11i1.7472.

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The autopsy is a specialized procedure in which a pathologist performs a thorough external and internal examination including dissection of the organs from different body cavities such as cranial, thoracic, abdominal, and pelvic. In such dissection of an intact dead body, disfiguration and destruction are likely. When viewed during a funeral service, the currently practiced conventional autopsy dissection techniques can result in minimal tell-tale autopsy marks on the body of the deceased, in exposed areas of the head and neck even when the other areas of the body are covered with clothing. We

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Figueredo, Magdalena, and Fabiana Larrobla. "Uruguayan mortuaries and the No Names: the long story of the unidentified bodies found on the coastline of Uruguay during the Condor Plan." Human Remains and Violence: An Interdisciplinary Journal 3, no. 2 (2017): 56–73. http://dx.doi.org/10.7227/hrv.3.2.5.

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Between 1975 and 1979, thirty-one unidentified bodies bearing marks of torture appeared at various locations along Uruguays coastline. These bodies were material proof of the death flights implemented in neighbouring Argentina after the military coup. In Uruguay, in a general context of political crisis, the appearance of these anonymous cadavers first generated local terror and was then rapidly transformed into a traumatic event at the national level. This article focuses on the various reports established by Uruguayan police and mortuary services. It aims to show how,the administrative and f

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Morales-Pérez, Juan V., Domingo C. Salazar-García, Mª Paz de Miguel Ibáñez, et al. "Funerary practices or food delicatessen? Human remains with anthropic marks from the Western Mediterranean Mesolithic." Journal of Anthropological Archaeology 45 (March 2017): 115–30. http://dx.doi.org/10.1016/j.jaa.2016.11.002.

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Filon, Mykola, and Tatiana Shekhovtsova. "The Narrator (Author) and the Hero in T. Shevchenko’s Poem The Funeral Feast •." Studia Slavica Academiae Scientiarum Hungaricae 66, no. 1 (2022): 17–28. http://dx.doi.org/10.1556/060.2021.00002.

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The study deals with the images of the narrator / author and the prophet – the lyrical character in T. Shevchenko’s poem The Funeral Feast [Tryzna]. The purpose of the study is to comprehend the author’s conception and to reveal the whole range of the ways of expressing the author’s “self ”.In this poem, the lyrical subject is variable. He functions as the author proper as well as the narrating author and the lyrical “I”, sometimes getting the features of the lyrical character. At the same time, the narrator and the character have in common the motif of prophetical service, prophetical mission

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De Mulder, Guy, Mark Van Strydonck, Mathieu Boudin, and Ignace Bourgeois. "Unraveling the Occupation History of the Cremation Cemetery at Wijnegem/Blikstraat (Belgium)." Radiocarbon 59, no. 6 (2017): 1645–56. http://dx.doi.org/10.1017/rdc.2017.109.

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ABSTRACTRecently a cremation cemetery was excavated at the site of Wijnegem where 29 cremation graves and 9 funerary monuments were uncovered. Thirty radiocarbon (14C) dates were carried out, mostly on cremated bone but also 10 charcoal samples were dated. Twenty-four cremations were studied. Four ring ditches were dated by charcoal samples from the infill of the ditch. The 14C dates showed an interesting long-term occupation of the cemetery. Different phases were ascertained. The history of the cemetery starts in the northern part of the site around a circular funerary monument. Two cremation

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Díaz-Iglesias LLanos, Lucía Elena. "Commentary on Heracleopolis Magna from the theological perspective (I): The image of the local lakes in the vignette of chapter 17 of the Book of the Dead." Trabajos de Egiptología. Papers on Ancien Egypt 1695-4750 (2005): 31–106. http://dx.doi.org/10.25145/j.tde.2005.04.03.

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The process of endowing a symbolic meaning to the most prominent marks in the landscape can be illustrated by a distinctive feature of Heracleopolis Magna: the sacred lake of the temple of Heryshef. Its dominant position in the city, its relationship with the local temple and its importance in the royal sphere led to its projection from this world to the Beyond. The analysis of funerary texts and vignettes from the First Intermediate Period onwards show that the lakes were considered as a significant place for the purification and rebirth of the deceased.

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