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Journal articles on the topic 'Funerary monument'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Tuccinardi, Stefania. "Una nota sul monumento di Marcus Virtius Ceraunus dal territorio dell’antica Stabiae." Quaderni di ACMA, no. 1 (September 18, 2024): 193–213. http://dx.doi.org/10.69590/km7npw64.

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Questo contributo è dedicato al monumento funerario del praefectus fabrum Marcus Virtius Ceraunus, scoperto nel 1826 presso il ponte di San Marco, nel fondo di proprietà Pellicano, lungo la direttrice viaria Nuceria-Stabias. Del monumento oggi restano solo tre lastre decorate a rilievo recanti l’iscrizione di dedica. Vengono esaminate le vicende relative alla scoperta, il dibattito sulla cronologia, le caratteristiche stilistiche e tecniche delle lastre con lo scopo di presentare in maniera critica questa importante testimonianza dell’antica Stabia. Si propongono, infine, alcune ipotesi sulla

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Divincenzo, Mariagrazia. "Epigramma in memoria dei caduti ateniesi nella battaglia di Potidea." Axon. Iscrizioni storiche greche 6, 2, 2022, no. 12-12-2022 (2022): 7–27. https://doi.org/10.30687/Axon/2532-6848/2022/02/001.

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The stele belongs to a funerary monument placed on the Demosion Sema, the road outside the city of Athens that linked the Dipylon to the Academia. The inscrip‑ tion is made of epigrams and was part of a funerary monument erected in honour of soldiers fallen in the battle of Potidaea. Discovered in 1810 in the Kerameikos area, the stele is important to better understand the memory of the war dead, the structure of funerary monuments, and the perception of honour given to soldiers who sacrificed their lives for their country.

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Nemeti, Sorin. "Observations on the Funerary Constructions at Potaissa (Turda, Cluj County)." Studia Universitatis Babeș-Bolyai Historia 67, no. 2 (2023): 129–46. http://dx.doi.org/10.24193/subbhist.2022.2.05.

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"We are publishing here two fragmentary funerary monuments discovered during the archaeological monitoring for the development works in and around the fortress of the Legion V Macedonica at Potaissa in 2021. The two monuments discovered in and near the fortress probably come from a necropolis located nearby and document the existence of large funerary constructions in ancient Potaissa. The first monument, a fragment of a rectangular coping, belongs to the so-called ""pilaster-type funerary constructions"", while the second, the pediment fragment, must be linked to the aedicula-type funerary co

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Fenichel, Emily A. "Michelangelo’s Pietà as Tomb Monument: Patronage, Liturgy, and Mourning." Renaissance Quarterly 70, no. 3 (2017): 862–96. http://dx.doi.org/10.1086/693883.

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AbstractIn focusing on Michelangelo’s signature, recent scholarship on his “Pietà” in St. Peter’s has separated the sculpture from its spiritual intent. In contrast, this article will consider how the sculpture group spoke to its original religious context, principally as the funerary monument of Michelangelo’s powerful French patron, Cardinal Lagraulas. The Rome “Pietà” was an important part of the funeral rites for the cardinal that mirrors and amplifies the liturgy surrounding death, particularly the hour of vespers. Reconstructing the sculpture’s relationship to its liturgical and funerary

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Sifei, Li. "Iranian Religious Elements in Chinese Medieval Art: Remarks on “Zoroastrian Protective Spirits”." Iran and the Caucasus 25, no. 1 (2021): 13–28. http://dx.doi.org/10.1163/1573384x-20210104.

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This article aims at discussing the possible origin and meaning of winged fantastic creatures, which appear quite often in the 6th century A.D. Sogdian funerary monuments in China and specifically on the Shi Jun 史君 one (580 A.D.). It cannot be ruled out that composite creatures like the one on the Shi Jun funerary monument originated from the Greek ketos and hippocampus that were introduced into Persia, Central Asia and northwestern India after the conquest of the Persian Empire by Alexander the Great. The impact of Chinese cultural elements on this little investigated group of funerary monume

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Cifani, Gabriele. "Un nuovo monumento funerario dal suburbio occidentale di Leptis Magna." Libyan Studies 37 (2006): 21–29. http://dx.doi.org/10.1017/s0263718900003988.

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AbstractA funerary monument dating from the second half of the second century ad was discovered in 1997 in the western suburbs of Leptis Magna. The Latin inscription engraved on the monument states that it was dedicated to two brothers, Pompeius Nabor and Pompeius Ba[rea], by their father. The monument is an interesting example of small-scale funerary buildings which imitated the large mausolea of the Tripolitanian interior and which are associated with the middle class citizenry of Leptis.

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Estrin, Seth. "Cold Comfort: Empathy and Memory in an Archaic Funerary Monument from Akraiphia." Classical Antiquity 35, no. 2 (2016): 189–214. http://dx.doi.org/10.1525/ca.2016.35.2.189.

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Focusing on a single funerary monument of the late archaic period, this paper shows how such a monument could be used by a bereaved individual to externalize and communalize the cognitive, perceptual, and emotional effects of loss. Through a close examination of the monument’s sculpted relief and inscribed epigram, I identify a structural framework underlying both that is built around a disjunction between perception and cognition embedded in the self-identified function of the monument as a mnema or memory-object. Through the analysis of other epigrams and literary passages, this disjunctive

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Romashko, Vladimir, and Sergeï Skorÿï. "Aristocratic Burial-Mound Bliznets-2 on the West Bank of the Dnieper above the Rapids." Ancient Civilizations from Scythia to Siberia 17, no. 2 (2011): 169–224. http://dx.doi.org/10.1163/157005711x595121.

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Abstract This article is devoted to the Bliznets-2 Burial-mound which is one of the largest Scythian funerary monuments of the 5th century BC and which was excavated on the southern edge of the town of Dnepropetrovsk in 2007. Along with the structural features of the burial-mound, the funerary rite and range of artefacts discovered in it are analysed. The role of the monument among the Scythian élite burial-mounds in the North Pontic region is defined and certain aspects of the dynastic history of the Scythians are discussed.

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Di Valerio, Eugenio. "The Western Necropolis of Cyrene: the Wadi Belghadir road." Libyan Studies 50 (July 2, 2019): 137–46. http://dx.doi.org/10.1017/lis.2019.17.

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AbstractThe Western Necropolis represents one of the most monumental and spectacular sections of the Cyrene cemeteries, with rock-cut monuments, still quite well preserved, along a funerary road. The earliest examples of monumental tombs in this context date to the second half of the sixth and the beginning of the fifth centuries BC, with tombs displaying rock-cut porticos in Doric, Aeolic or Ionic styles, and with the slightly later tombs having architectonic facades characterized by false ‘contracted’ porticos and overhanging lintels ending with twoacroteria, mainly dating to the fifth centu

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Millis, Benjamin W. "An Inscribed Funerary Monument from Corinth." Hesperia 76, no. 2 (2007): 359–64. http://dx.doi.org/10.2972/hesp.76.2.359.

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Taylor, Laurel. "“Reading the Ritual”: Representation and Meaning on an Etruscan Funerary Monument in Perugia." Etruscan Studies 23, no. 1-2 (2020): 3–28. http://dx.doi.org/10.1515/etst-2019-0009.

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AbstractAn unusual circular funerary monument in the National Archaeological Museum in Perugia (inv. no. 634) depicts a remarkable, multifigured narrative combining generic and unique scenes of Etruscan funerary ritual. Despite its singular character, this Archaic-period monument has never been the focus of an in-depth study. The monument features a frieze with two distinct scenes, each composed around a central focal point. On one side appears a prothesis scene in which a corpse occupies the central space with figures aligned on each side of the funerary bed. On the opposite side, figures are

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Honigman, Sylvie, and Gilles Gorre. "Dynastic Genealogies and Funerary Monuments: Nectanebo, Alexander, and Judas Maccabee and the Evidence of Ptolemaic Influence on the Hasmoneans." Journal of Ancient History 10, no. 1 (2022): 68–98. http://dx.doi.org/10.1515/jah-2020-0026.

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Abstract When we compare the genealogical strategies of the Ptolemies, Seleukids, and Hasmoneans, those of the Ptolemies and the Hasmoneans display striking parallels, while the Seleukids followed a different policy. This article explores one facet of the parallels, the combined use of funerary monuments, festivals, and narratives (mythical and historical) to create prestigious dynastic ancestors. We commence with Alexander the Great and Nectanebo II, the last native king to rule before the Persian conquest of Egypt, who became putative ancestors of the Ptolemies by way of Alexander’s Sema in

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Popović, Goran. "Dva rimska nadgrobna spomenika iz istočne Bosne / Two Roman Tombstones from Eastern Bosnia." Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, no. 8 (December 31, 2024): 61–74. https://doi.org/10.54524/2490-3930.2024.61.

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This paper investigates Roman funerary monuments in Bosnia and Herzegovina, with a particular focus on the tombstones from Raševo and Konjević Polje. Thestudy analyzes two monuments: a rectangular stele from Raševo and a fragmentary stele with a triple-arched niche from Konjević Polje. On the Raševo stele, two figures are depicted in the upper niche. Although the inscription field has been damaged by natural elements, the last two lines of the inscription are partially reconstructable. This funerary monument is dated to the 3rd century. In contrast, the stele from Konjević Polje is preserved o

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Busuladžić, Adnan. "Pine Cones Motive on two Monuments from Humac near Ljubuški." Godišnjak Centra za balkanološka ispitivanja, no. 46 (January 6, 2022): 168–84. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-46.92.

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Two stone monuments in the shape of pine cones have been found at Humac near Ljubuški, Bosnia and Herzegovina. Pine cones are a fairly common motif, mainly on funerary monuments. They also occur in relief on certain everyday objects, on stele, and in particular on Liburnian cippi, where pine cones were a decorative feature on the calotte-shaped top of the monument. These were small in size, to about 15 cm. Larger pine cones, up to a metre, such as those on tombstones from the Dardanian region, are less common. The stone pine cones from Humac are fairly large, up to half a metre, similar to tho

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Polinskaya, Irene. "A New Inscribed Funerary Monument from Aigina." Hesperia 71, no. 4 (2002): 399–413. http://dx.doi.org/10.2972/hesp.2002.71.4.399.

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Polinskaya, Irene. "A New Inscribed Funerary Monument from Aigina." Hesperia 71, no. 4 (2002): 399. http://dx.doi.org/10.2307/3182043.

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Mérai, Dóra. "Memories Carved in the Wall : A 16th-Century Type of Funerary Monuments in Transylvania." Hungarian Archaeology 10, no. 1 (2021): 41–49. http://dx.doi.org/10.36338/ha.2021.1.3.

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Graves for the deceased were usually cut into the floor of churches, created in churchyard cemeteries or in the newly established public cemeteries in Transylvania in the sixteenth century. Not all graves were marked with stone funerary monuments. Wooden memorials were presumably widespread, but no contemporary sources inform about these. Grave markers from the cemeteries are simple or coped headstones and coffin-shape stones, preserved for example in Cluj (Kolozsvár) and Târgu Mureş (Marosvásárhely). These gravestones display commemorative inscriptions and simple imagery. A funerary inscripti

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Alapont, Llorenç, Rachele Cava, Joaquin Alfonso Llorens, et al. "Archaeological Analysis of the Newly Discovered Tomb with a Relief of a Couple at the Funerary Area of Porta Sarno in Pompeii." Heritage 8, no. 5 (2025): 174. https://doi.org/10.3390/heritage8050174.

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In July 2024, the “Investigating the Archaeology of Death in Pompeii Research Project” carried out a scientific and methodical excavation of the areas outside two of the gates to the city of Pompeii. One of them is the funerary area of Porta Nola (next to the tomb of Obellio Firmo) and the other is outside Porta Sarno area (east of the tomb of Marcus Venerius Secundius). The investigated funerary area to the east of Porta Sarno corresponds with the area excavated in 1998 for the construction of the double Circumvesuviana rails. The 1998 excavations recorded the presence of more than 50 cremati

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Wilson, Peter. "Pronomos and Potamon: two pipers and two epigrams." Journal of Hellenic Studies 127 (November 2007): 141–49. http://dx.doi.org/10.1017/s0075426900001671.

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Abstract:Although he was one of the most famous musicians of Classical antiquity, the pipe-player (auletes) Pronomos of Thebes has never attracted serious scholarly attention in his own right. This contribution seeks to address this neglect by attempting to establish a basic chronological framework for his life. In doing so, it introduces a new item of evidence, the inscribed funerary monument of one Potamon of Thebes, a contemporary and colleague of Pronomos in the art of auletike. A close relationship is shown to exist between the epigram on this funerary monument, found in Athens, and that

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Jordán Montés, Juan Francisco, and Aurora Jordán de la Peña. "Cenotafios improvisados en las montañas." Revista Murciana de Antropología, no. 31 (December 23, 2024): 143–72. https://doi.org/10.6018/rmu.587681.

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Analysis of some spontaneous and popular cenotaphs found in the mountains of Albacete and Murcia (Spain), their ethnographic meanings and their parallels. Cenotaphs are a unique funerary monument intended to commemorate the memory of a particular person or a character. In addition to solemn cenotaphs, with a long historical tradition, we also find popular expressions that, in a more or less ephemeral way, evoke the memory of the deceased. Análisis de algunos cenotafios espontáneos y populares hallados en las montañas de Albacete y Murcia (España), de sus significados etnográficos y de sus

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Colombo, Stefano. "Baldassarre Longhena’s funerary monument to Doge Giovanni Pesaro." Word & Image 35, no. 1 (2019): 48–65. http://dx.doi.org/10.1080/02666286.2018.1533332.

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Gavrilovic-Vitas, Nadezda, and Jelena Andjelkovic-Grasar. "A message from beyond the grave: Hercules rescuing Hesione on a Stojnik funerary monument." Starinar, no. 70 (2020): 111–25. http://dx.doi.org/10.2298/sta2070111g.

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The research of this study is dedicated to a unique iconographical scene in the territory of the Central Balkan Roman provinces, of Hercules rescuing Hesione from a sea-monster (ketos), depicted on a funerary monument found in 1931 at the site of Stojnik, in the vicinity of Belgrade, antique Singidunum, and now displayed in the lapidarium of the National Museum in Belgrade. The funerary monument was erected for the deceased, a veteran of cohors II Aurelia nova, Publius Aelius Victorinus, by his wife Aurelia Rufina and their son Publius Aelius Acutianus. The rich iconography of the monument mak

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SİMON, Zsolt. "Karca ś(j)as ve σοῦα(ν)". Gephyra 25 (15 травня 2023): 1–7. http://dx.doi.org/10.37095/gephyra.1202238.

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The similarity of two terms of Carian funerary terminology, ś(j)as ‘funerary monument’ (attested in Carian inscriptions) and σοῦα(ν) ‘tomb’ (preserved by Stephan of Byzantium) was recognized long ago, but their connection, if it exists at all, is unclear. This paper argues that both forms go back to the same underlying word by regular phonological and morphological processes.

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Caspari, Gino, Timur Sadykov, Jegor Blochin, Manuel Buess, Matthias Nieberle, and Timo Balz. "Integrating Remote Sensing and Geophysics for Exploring Early Nomadic Funerary Architecture in the “Siberian Valley of the Kings”." Sensors 19, no. 14 (2019): 3074. http://dx.doi.org/10.3390/s19143074.

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This article analyses the architecture of the Early Iron Age royal burial mound Tunnug 1 in the “Siberian Valley of the Kings” in Tuva Republic, Russia. This large monument is paramount for the archaeological exploration of the early Scythian period in the Eurasian steppes, but environmental parameters make research on site difficult and require the application of a diversity of methods. We thus integrate WorldView-2 and ALOS-2 remote sensing data, geoelectric resistivity and geomagnetic survey results, photogrammetry-based DEMs, and ortho-photographs, as well as excavation in order to explore

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Nemeti, Irina, and Sorin Nemeti. "ARA MARTIS. NOTES ON AN ANEPIGRAPHIC ALTAR FROM DACIA." Acta Musei Napocensis 61 (December 10, 2024): 191–201. https://doi.org/10.54145/actamn.i.61.08.

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The study analyzes a monument published in 1916 by Buday Árpád, who considered it a funerary altar. It is mentioned that it belonged to the museum’s old collection, without any reference to the place of discovery, only that it came from Transylvania. All the interpretations from previous publications are unanimous in considering this altar as funerary, despite the absence of any funerary symbolism. The shape and decoration of the altar, as well as the presence of the focus, are typical for votive altars in the province of Dacia. The altar belongs to the category of altars with the capital deco

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Kovács, Péter, and Péter Prohászka. "A Roman funerary inscription from Smederevo." Starinar, no. 66 (2016): 59–63. http://dx.doi.org/10.2298/sta1666059k.

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In this short paper the authors publish a Hungarian wartime postcard from Smederevo (Serbia), from 1916. It is reported that a Roman gravestone was found on the banks of the Danube and the text of the lost stone monument was also added. The authors intend to interpret the funerary text that was incorrectly transcribed.

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Maršić, Dražen. "Crtice o palimpsest reljefu apostola Ivana iz crkvice sv. Jere na Marjanu." Miscellanea Hadriatica et Mediterranea 3, no. 1 (2017): 157. http://dx.doi.org/10.15291/misc.1356.

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The relief depicting John the Evangelist which was once embedded in the Church of St. Jerome on Marjan is a palimpsest of a Roman funerary monument. Since the removal, it has been visible from all sides, and this paper first presents their description. The upper side is particularly interesting as it bears the remains of an insertion groove. In the author's opinion, the figure of the saint was made by reworking a portrait of a woman in the Eumachia-Fundilia statue type. This means that the hair was also re-carved from some characteristic female coiffure and that the object in the left hand (et

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Ma, John. "Chaironeia 338: topographies of commemoration." Journal of Hellenic Studies 128 (November 2008): 72–91. http://dx.doi.org/10.1017/s0075426900000069.

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Abstract:This article examines two funerary monuments associated with the battle of Chaironeia in 338: first, the mound, covering a mass cremation, by the Kephissos; second, near the town of Chaironeia, the mass burial surrounded by a stone enclosure and topped by a colossal stone lion. The accepted identifications are confirmed (the mound is that of the Macedonian dead, the lion monument that of Theban dead, in all probability the Sacred Band), and two propositions developed: the mound does not relate to the tactical dispositions of the battle, and hence the generally accepted reconstruction

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Shalakhov, E. G. "Ust-Vetluga burial ground in 2022 (some results of the study)." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 17 (2022): 183–86. http://dx.doi.org/10.37386/2687-0584-2022-17-183-186.

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This article discusses the current problems of studying the Ust-Vetluzhsky burial ground of the Seyma-Turbino type, which is one of the basic monuments of the Bronze Age archeology of Northern Eurasia. From the introduction into scientific circulation of individual items and inventory complexes identified by the author in 2000-2008 at the Ust-Vetluga burial ground, to the analysis of the landscape features of the funerary monument and its rituals during the period of functioning — this is the range of scientific topics covered in articles and theses published in the last decade.

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Dalton, Matthew, Jane McMahon, Melissa A. Kennedy, et al. "The Middle Holocene ‘funerary avenues’ of north-west Arabia." Holocene 32, no. 3 (2021): 183–99. http://dx.doi.org/10.1177/09596836211060497.

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The desert regions of the Arabian Peninsula and Levant are criss-crossed by innumerable pathways. Across large areas of north-west Arabia, many of these pathways are flanked by stone monuments, the vast majority of which are ancient tombs. Recent radiometric dating indicates that the most abundant of these monuments, elaborate and morphologically diverse ‘pendant’ structures, were constructed during the mid-to-late third millennium BCE. Thousands of kilometres of these composite path and monument features, ‘funerary avenues’, can be traced across the landscape, especially around and between ma

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Christin, Lucie, Franck Ducreux, Carole Fossurier, et al. "Crémations et monument funéraire campaniformes à Genlis « le Nicolot » (Côte-d’Or, France)." Bulletin de la Société préhistorique française 118, no. 4 (2021): 643–69. http://dx.doi.org/10.3406/bspf.2021.15248.

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The building of the high-speed rail track linking the Rhine to the Rhone led to the discovery of two Bell Beaker burials in an Iron Age cemetery located in the plain to the east of Dijon. The Tilles plain is an alluvial environment, shaped by the valleys of the Tille and the Ouche and populated since Late Prehistory, particularly during the Bell Beaker and Early Bronze periods, which have yielded settlements located on the rivers. These burials are the first funerary features discovered in the area. The two Bell Beaker cremation burials excavated at Genlis “ le Nicolot” are remarkable, as stil

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Gui, Monica. "Some notes on the military equipment illustrated by two 3rd century rider monuments from Dacia Superior." Acta Musei Napocensis 55 (December 12, 2018): 151–66. http://dx.doi.org/10.54145/actamn.i.55.08.

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The present paper discusses two funerary monuments from Alba county (Romania) depicting riders. These had been published before, but only summarily, without taking note of the details of military equipment illustrated on them. This is surprising because depictions of soldiers in full battle equipment are very rare in Dacia, not to mention that both monuments were dated to the 3rd century, a period in which such representations are scarce throughout the Empire. Therefore, the traditional art-historical approach to the study of Roman stone monuments will be by-passed and, instead of focusing on

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Gómez-Ferrer, Mercedes. "El sepulcro del Venerable Domingo Anadón en el convento de Santo Domingo de Valencia (1609), obra genovesa encargo del Conde de Benavente = The Tomb of the Venerable Domingo Anadon in the Dominican Convent of Valencia (1609), A Genoese Work Commissioned by the Count of Benavente." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 8 (November 17, 2020): 397. http://dx.doi.org/10.5944/etfvii.8.2020.27240.

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El presente texto confirma que el monumento funerario encargado en 1609 por Juan Alfonso Pimentel, conde-duque de Benavente a los genoveses Giuseppe Carlone y Oberto Casella fue para la sepultura del fraile Domingo Anadón en el convento de Santo Domingo de Valencia. Se analizan las vicisitudes de este sepulcro junto al de fray Juan Micó en la capilla de San Luis Beltrán del convento, en el marco de la llegada de piezas genovesas a España en época Moderna.AbstractThis text confirms that the funerary monument commissioned in 1609 by Juan Alfonso Pimentel, count-duke of Benavente to the genoese s

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Limón, Belén María, and Rodríguez Juan Manuel Román. "Dos inscripciones latinas inéditas en urnas procedentes de Carmona (Sevilla)." Epigraphica. Periodico internazionale di epigraphia 74 (June 7, 2022): 609–20. https://doi.org/10.5281/zenodo.14711340.

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El presente artículo edita y estudia dos inscripciones inéditas contenidas por sendas urnas cinerarias. Ambas proceden de una tumba hipogea de época romana que fue encontrada en 2019 en Carmona (Sevilla) durante una intervención arqueológica de urgencia, intacta y en excepcionales condiciones de conservación. Dicho monumento funerario se sitúa a las afueras del casco histórico del pueblo, dentro del área que comprendía la necrópolis occidental de la antigua Carmo. This article edits and studies two unpublished inscrip

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Scholten, Frits. "De apotheose van de held: Bartholomeus Eggers en het monument voor Jacob van Wassenaer Obdam in Den Haag, I667." Oud Holland - Quarterly for Dutch Art History 109, no. 1-3 (1995): 63–88. http://dx.doi.org/10.1163/187501795x00359.

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AbstractIn I665 Jacob van Wassenaer Obdam, admiral of the Dutch fleet, was killed while waging the Battle of Lowestoft against the English. Almost immediately after Holland's defeat, the States General decided to honour the admiral with a monument. In the light of this defeat and the harsh criticism of Van Wassenaer's leadership, the initiative may be seen as a political ploy to camouflage the debacle. A design submitted by the sculptor Rombout Verhulst was rejected in favour of one by the younger and less experienced Bartholomeus Eggers, who was given a fairly unexpected chance to submit an a

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O'Bryhim, Shawn. "An Oracular Scene from the Pozo Moro Funerary Monument." Near Eastern Archaeology 64, no. 1-2 (2001): 67–70. http://dx.doi.org/10.2307/3210821.

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Del Hoyo Calleja, Javier, Javier Moralejo Ordax, and Mariano Rodríguez Ceballos. "Los soldados acechan desde las ventanas. Nuevos testimonios de militares en Clunia (Burgos) = Soldiers Lurk from the Windows. New Testimonies of Roman Soldiers in Clunia (Burgos)." Espacio Tiempo y Forma. Serie II, Historia Antigua, no. 31 (November 27, 2018): 73. http://dx.doi.org/10.5944/etfii.31.2018.22544.

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Presentamos dos inscripciones inéditas procedentes de Clunia, conservadas en una casa de Peñalba de Castro (Burgos). Se trata de dos bloques contextualizados, que han sido reutilizados en los muros de una vivienda de dicha bados en un tipo de monumento sepulcral característico de la Clunia romana.This paper presents two new Roman inscriptions coming from Clunia and actually preserved in Peñalba de Castro (Burgos). They are two .descontextualized blocks wich have been reused as wallbricks in a local house. Both of them contains traces of epitaphs belonging to both soldiers and engraved in a pre

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De Mulder, Guy, Mark Van Strydonck, Mathieu Boudin, and Ignace Bourgeois. "Unraveling the Occupation History of the Cremation Cemetery at Wijnegem/Blikstraat (Belgium)." Radiocarbon 59, no. 6 (2017): 1645–56. http://dx.doi.org/10.1017/rdc.2017.109.

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ABSTRACTRecently a cremation cemetery was excavated at the site of Wijnegem where 29 cremation graves and 9 funerary monuments were uncovered. Thirty radiocarbon (14C) dates were carried out, mostly on cremated bone but also 10 charcoal samples were dated. Twenty-four cremations were studied. Four ring ditches were dated by charcoal samples from the infill of the ditch. The 14C dates showed an interesting long-term occupation of the cemetery. Different phases were ascertained. The history of the cemetery starts in the northern part of the site around a circular funerary monument. Two cremation

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Caya, Aimee. "“So shall yoe bee:” Encountering the Shrouded Effigies of Thomas Beresford and Agnes Hassall at Fenny Bentley." Contemporaneity: Historical Presence in Visual Culture 8 (October 30, 2019): 23–38. http://dx.doi.org/10.5195/contemp.2019.280.

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The Beresford Monument from the Church of St Edmund at Fenny Bentley in Derbyshire is a funerary monument that has received relatively little attention from scholars due to its unusual imagery and the lack of documentary evidence regarding its creation. The alabaster monument depicts Thomas Beresford (d. 1473) and Agnes Hassall (d. 1467) as fully shrouded three-dimensional effigies. Incised around the base of the monument are enshrouded representations of their twenty-one children. This paper analyzes the impact that veiling the bodies of Thomas Beresford and Agnes Hassall has on the effective

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Bourgeois, Quentin P. J., and David R. Fontijn. "The Tempo of Bronze Age Barrow Use: Modeling the Ebb and Flow in Monumental Funerary Landscapes." Radiocarbon 57, no. 1 (2015): 47–64. http://dx.doi.org/10.2458/azu_rc.57.17925.

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The thousands of Bronze Age burial mounds of northwestern Europe often have complex histories, with multiple construction phases and secondary burials added to these mounds. It can be difficult to understand the dynamic nature of these events and the ebb and flow of activities in these monumental funerary landscapes. This article presents chronological models of five Bronze Age barrows from two sites. A total of 41 radiocarbon-dated cremation burials were fitted into several chronological sequences. The results from the chronological models at both sites suggest that the creation of a burial m

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Ciută, Marius-Mihai, and Radu Ota. "A Figurative Roman Period Monument Recently Recorded into the Collection of the National Union Museum Alba Iulia. Considerations Regarding its Significance." Ephemeris Napocensis 31 (February 10, 2022): 151–64. http://dx.doi.org/10.33993/ephnap.2021.31.151.

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The scope of this scientific endeavour is the analysis of the Roman funeral monument, recently recovered by the judicial bodies from a certain individual from Alba Iulia. Upon the presentation of the method of recovery of the monument, the authors refer to an unfortunate implications’ phenomenon for the cultural heritage, which is occurring in Alba Iulia, where under lies the largest urban concentration within the former Roman province, namely Dacia. We are referring to the urban centre Apulum where, each year, numerous vestiges come to light, because of archaeological exploitations. Unfortuna

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Horsley, G. H. R., and R. A. Kearsley. "A paramone Text on a Family Funerary bomos at Burdur Museum." Anatolian Studies 47 (December 1997): 51–55. http://dx.doi.org/10.2307/3642899.

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Accessed in late 1964 into Burdur Museum not long after the latter had been formally constituted, inv. no. 292 is the only inscribed monument there which bears the word paramone. This rectangular marble bomos with a phiale top, corner acroteria and a decorative moulding around its outer edge, carries relief decoration and text on all four faces. The monument warrants a little more discussion than can be allowed in the catalogue which we are preparing of the inscriptions in that Museum. No provenance is stated in the Museum Inventory register; we must settle on a general origin within the provi

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Perea Yebenes, Sabino. "The Cinerary Urn of the Haruspex M. Titius Stephanus." Gerión. Revista de Historia Antigua 42, no. 2 (2024): 439–48. http://dx.doi.org/10.5209/geri.93216.

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We present a study on a Roman funerary urn, with the Latin inscription mentioning a hitherto uncatalogued haruspex in the sacerdotes romani lists. The monument presents a complex and varied decoration, topical images of the urns, and some dionysiac instruments.

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Nováková, Mgr PhD Lucia, and Mgr Monika Pagáčová. "Dexiosis: a meaningful gesture of the Classical antiquity." ILIRIA International Review 6, no. 1 (2016): 209. http://dx.doi.org/10.21113/iir.v6i1.213.

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Dexiosis is a modern term referring to the handshaking motif appearing in ancient Greek art, which had specific meaning and symbolism. Though it was a characteristic iconographic element of the Classical antiquity, its roots can be traced back to the Archaic period. Dexiosis was not merely a compositional element connecting two people, but carried a deeper meaning. Most often, the motif was associated with funerary art of the Classical Athens. On funerary monuments the deceased were depicted in the circle of their families, which reflected the ideals of contemporary society. Particularly notab

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Bigi, Francesca, Ginette Di Vita-Evrard, Sergio Fontana, and Gianluca Schingo. "The Mausoleum of Gasr Doga." Libyan Studies 40 (2009): 25–46. http://dx.doi.org/10.1017/s0263718900004490.

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AbstractThe mausoleum of Gasr Doga in the Tarhuna area was a grand funerary monument erected, by a member of the local Libico-Punic élite, in a strategic position on the limits of the provincial territory. Its architectural articulation recalls the dynastic Numidian monuments, while its decoration shows elements of the local tradition combined with motifs imported from Italy. In Late Antiquity and the Islamic period the mausoleum was surrounded by a fortified village, almost entirely built of spolia coming from the mausoleum itself. In an attempted reconstruction, the elevation of the third st

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Cupcea, George, and Radu Zăgreanu. "Guarding the Eagle. Soldier membership in the First Cohort of the legion in a revisited inscription from Potaissa." Acta Musei Napocensis 55 (December 12, 2018): 141–50. http://dx.doi.org/10.54145/actamn.i.55.07.

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The reading of the seventh line of the inscription on a funerary monument from Potaissa (CIL III 908) has not been cleared up to this moment. Taking into account the changes in the designation process of the legionary cohorts and centuriae in the 3rd century AD, we propose here a new reading of the abbreviated text. It seems therefore that the soldier, who set the funerary stone for his father and uncle, had served in the first cohort of the legion in the centuria headed by the primus pilus.

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Wright, Brian J. "The First-Century Inscription of Quintus Sulpicius Maximus: An Initial Catalog of Lexical Parallels with the New Testament." Bulletin for Biblical Research 27, no. 1 (2017): 53–63. http://dx.doi.org/10.5325/bullbiblrese.27.1.0053.

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Abstract This study is an examination of a first-century funerary monument. The study begins by describing the monument, supplying the bilingual inscription, and offering an English translation. From there, the study examines the monument in relation to the NT by way of lexical parallels. I argue that the broad lexical overlap between this inscription and the NT enhances our understanding of lexicography in the first century AD, while possibly shedding light on many important words, passages, and larger portions of the canonical NT. By offering a modest collection of parallels, this study also

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Benabdelhadi, Mohammed, Lalla Khadouje Benlamine, and Aïcha Oujaa. "City of Stones in the Moroccan Middle Atlas: Special Funeral Rites." BIO Web of Conferences 115 (2024): 08002. http://dx.doi.org/10.1051/bioconf/202411508002.

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The Middle Atlas and particularly the Boulmane region is full of pre-Islamic funerary monuments. The overwhelming majority of them are circular tumuli. However, two burials from the “City of Stones” are completely different from this common pattern and are exceptional in many respects. They are an extension of each other. Each is topped by an imposing horizontal sandstone slab which gives it a megalithic appearance although they are natural formations in reality. The underlying cavity was used as a burial chamber. The first CPSI site displayed the incomplete skeleton of 3 individuals. One of t

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Mustață, Silvia. "Coarse ware jugs in funerary context: technical and functional observations on the pottery from the cemeteries at Alburnus Maior." Cercetări Arheologice 30, no. 1 (2023): 145–68. http://dx.doi.org/10.46535/ca.30.1.08.

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This study analyses a specific category of Roman ceramic vessels identified in the funerary inventories from Alburnus Maior: 26 coarse ware jugs present in the graves from the cemeteries at Tăul Corna, Tăul Găuri – Hop, Tăul Secuilor/Pârâul Porcului and in the area of the circular funerary monument. They all share specific morphological and technological characteristics, and at least a part of them are imitations in ceramic of bronze vessels. From a functional point of view they can be framed in the category of cooking ware and were produced from coarse fabrics. The vessels were produced local

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Zăgreanu, Radu. "A Roman funerary aedicula wall with an erotic (?) scene from Porolissum." Acta Musei Napocensis 57 (December 12, 2020): 233–45. http://dx.doi.org/10.54145/actamn.i.57.12.

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During the archaeological research carried out in 1982 at the Roman auxiliary fort on the Pomăt Hill from Porolissum, in the walls near the area of the porta praetoria, several sculptural fragments belonging to a funerary construction of the aedicula type with two columns in front were reused. Although the fragments have been restored since their discovery, until recently, they were not considered as part of the same monument. The enquiry however clearly shows that the side walls do possess scenes that can be deciphered. On the inside the image of the two servants participating in the funeral

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