Relevant bibliographies by topics / Furniture design

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Furniture design'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Furniture design"

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Li, Xue Lian, and Jian Ming Chen. "Research of Intelligent Furniture Design." Applied Mechanics and Materials 182-183 (June 2012): 729–33. http://dx.doi.org/10.4028/www.scientific.net/amm.182-183.729.

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Firstly,the article discessed intelligent furniture’s concept, characteristics and composition of the form.Secondly,it classified the intelligent furniture from different angles.According to the characteristics of intelligent furniture,we summed up the general design principles and methods of how to design the intelligent furniture.Finally,by the different function of use ,the design of intelligent furniture products were analyzed in detail.
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Huang, Yan Li, Wen Lin Zeng, and Guo Dong Song. "User-Oriented Furniture Design: Lovers’ Furniture Design." Applied Mechanics and Materials 101-102 (September 2011): 25–28. http://dx.doi.org/10.4028/www.scientific.net/amm.101-102.25.

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As a unique aspect of the furniture design, the lovers’ furniture design which features and value are different from other furniture design is analyzed deeply. Through investigation on the demands and expressing methods of love, “expressing emotion by materials” is a conventional way of passing and expressing love to other people. The application of material on the design of lovers’ furniture is discussed based on a detailed introduction on the history state, classification, characteristics and design principles of the lovers’ furniture.
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Różańska, Anna, Joanna Szymczyk, Ludwika Kujawa, and Karolina Balcerzak. "Classics of Polish Design. Furniture Icons from the Polish People's Republic (PRL)." Annals of WULS, Forestry and Wood Technology 116 (December 30, 2021): 61–77. http://dx.doi.org/10.5604/01.3001.0015.6648.

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Classics of Polish Design. Furniture Icons from the Polish People's Republic (PRL) presents a review of the best Polish furniture designs from the Polish People's Republic: the 1950s and 1960s. The paper continues the series devoted to the "Classical Polish Design", presenting the results of research on Polish post-war furniture and the icons of Polish design, carried out within the framework of dissertations in the Department of Wood Technology in the Warsaw University of Life Sciences (SGGW). Some of the innovative furniture designs have been analysed in the hereby article. We present a chronologically organised review of designs that aspired to become breakthrough and timeless (design icons), with the author's background and the furniture's style, structure and materials.
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Gunawan, Irena Vanessa, and Citra Amelia. "KAJIAN FURNITURE PADA RUMAH HUNIAN KOLONIAL BELANDA." Idealog: Ide dan Dialog Desain Indonesia 3, no. 2 (October 29, 2018): 38. http://dx.doi.org/10.25124/idealog.v3i2.1489.

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The era of Colonization in Indonesia left many architecture and interior influence. For many years, colonizers especially Dutch and English have developed many architectural building which included their interior elements. Bandung, is one of the cities which enjoyed massive influence of Dutch colonialism design. However the change of people way of living and conducting business, change the city area planning. Most of residential areas now have becoming commercial/business area. Houses area are being leased or sold to be transformed into offices, cafes, restaurant or being entirely demolished into new buildings. There are still residential buildings from this era which are being kept as it is.Either by the owner and endorsed by the appeals of communities intended to preserve them as historical buildings. However there are not yet efforts to preserve the interior elements, especially the furnitures. Hence there are little knowledge about the development of furnitur design as a result of living culture of this period. The ones left are difficult to study as furnituer has shorter life span than building so it could be already altered, moved or sold. And in the meantime new furnitures could be acquired.Hence, it is the intention of this research to study what is left of furnitur from colonialization era in this paticular residential house. To try to documents and analyze what style and influence the commonly called “Dutch Furniture” by Indonesian antique dealers and also by the people in general.. This research will try to find out how and why this particular style still exist through the colonialism era in Indonesia to be compared to the development of styles in the European world.
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Hasırcı, Deniz, Zeynep Tuna Ultav, Hande Atmaca, and Seren Borvalı. "Learning from Turkish modern furniture design." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 126–34. http://dx.doi.org/10.18844/gjhss.v2i1.289.

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Cohen, Stuart, Denise Domergue, Richard Ball, Peter Campbell, Cara Greenberg, and Sharon Darling. "Artists Design Furniture." Design Issues 2, no. 2 (1985): 77. http://dx.doi.org/10.2307/1511424.

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Zhou, Jie, and Xuejin Chen. "Convertible furniture design." Computers & Graphics 70 (February 2018): 165–75. http://dx.doi.org/10.1016/j.cag.2017.07.033.

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Georgy, Dalia. "Toy Furniture Design." International Design Journal 11, no. 2 (March 1, 2021): 527–40. http://dx.doi.org/10.21608/idj.2021.153642.

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Peng, Zhe, and Yichen Du. "Computer Digital Technology-Based Educational Platform for Protection and Activation Design of Ming Furniture." Wireless Communications and Mobile Computing 2021 (December 17, 2021): 1–8. http://dx.doi.org/10.1155/2021/3000011.

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Chinese Ming-style furniture is the first of the three major furnitures in the world, which has high artistic value and complete structural system. The protection of Ming-style furniture and making its design show vitality that has always been a research topic in China and even in the world. Based on 3D virtual simulation technology, this paper uses 3D scanning reverse data acquisition technology and intelligent operation of computer engine to realize big data simulation and develops the design software of Ming furniture. By means of computer information technology, we interpret and present the structural thinking and design concept of Ming furniture and transform it into design program software. This has formed a system-wide educational software operation platform for knowledge reserve, thinking training, design and application, and achievement transformation. By applying the mechanism strategy of production and teaching to the talent training plan of colleges and universities, the underlying logic of talent training, technical management, and production management that can open up the innovative industry of Ming furniture is also constructed. After experimenting with the platform software, students are able to understand the relationship between the structure and form of Ming furniture and can design new styles that fit the logic of Ming furniture shapes as they prefer.
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Hasırcı, Deniz, Zeynep Tuna Ultav, Hande Atmaca, and Seren Borvalı. "Learning from Turkish modern furniture design." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 126–34. http://dx.doi.org/10.18844/prosoc.v2i1.289.

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Furniture, as a design element is an important part of design theory as well as design history. It has acted both as a part of the architectural context and individually in history. It reflects the context of the time, lifestyles, choice and behavior. The manifestation of modernism at the beginning of the 20th century can be indicated as a milestone regarding the whole history of furniture. However, when the history of furniture in Turkey during this time is analyzed, it is observed that one can only come across limited literature. Departing from this lack of historic writing and rewriting, a scientific research project, “DATUMM: Documenting and Archiving Turkish Modern Furniture”, was initiated based on exhibiting, documenting and archiving the history of modern furniture design in Turkey. The aim of this project is to highlight the modern furniture designed and produced in Turkey in the modern periods that can be defined as 1930’s “Cubism” or “Functional Architecture Period”, and the period of “International Style” in 1950s, 1960s and the 1970s. The sense of a comprehensive experience was needed to tell this story, and that is why it is composed of a variety of methods and related outcomes. With the array of outcomes planned to take its place in memory, the aim is to enable a remembered and developing process filled with significant moments to not only put together a collection, but to provide an inclusive impression. The methods and products -online archive, documentary film, catalog, colloquium, and exhibition work together to fulfill this aim. The first stage of the project has now been completed and has brought designers as well as furniture designs of the time together. The paper includes the assessment of the process, as well as the strategies for the future to enable the continuation of the success of the project.Keywords: Turkish modern furniture design, design heritage, design history, archiving, documentation, exhibition
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Dissertations / Theses on the topic "Furniture design"

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Xinyi, Lin. "Recycled Posthuman Furniture-What has furniture become." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85799.

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Recycled Posthuman Furniture – What has furniture become is a project that aims to explore the relationship between humans and furniture from the post-humanist perspective. Post-humanism is understood here as our capacity of giving non-human items the sense of humanity in terms of ethics and effects. Accordingly, we might consider the furniture has some certain human values. Therefore, this paper aims to demonstrate a new relationship compared with current states through a transdisciplinary design and speculative design with the goal of changing people’s understanding towards discarded furniture. Through the knowledge of current issues, this paper is tended to bring different perspectives of thoughts and questions in order to be aware of surrounding issues with the hope of changing current states to deliver a better future by chance. As the result, this paper puts forward a new sustainable lifestyle which advocates equality and inclusiveness among human and nonhuman and thus helps to solve survival crisis. Human is not the almighty of the world and all the existences are valuable as well. As humans, we must change our thinking patterns and begin accepting and treating other nonhuman equally. We are required to wake emotions that are hiding deep down in our heart and apply them on furniture and treat rejected and abandoned furniture as human. Only in this way can we decrease environmental pressure, reduce the discharge of solid waste and deal with the global crisis. Taking furniture as a start, humans should open their emotions and care for all objects that are living on the earth, focus on collective interest instead of individual interest.
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Mu, Shuai. "How Traditional Chinese Furniture Instructs Modern Office Furniture Design." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212280408733.

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Burton, Kenneth S. "Duality in furniture design /." Online version of thesis, 1988. http://hdl.handle.net/1850/11517.

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Kim, Joan. "Folding mechanism in furniture design." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6159.

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I have an interest in creating furniture with a mechanism that makes the furniture move functionally. Therefore, this paper explains the process and outcomes of designing a chair and a set of furniture with a coatrack, an accent table, and a stackable stool. All the furniture packs flat for storage and shipping purpose with a folding mechanism. The folds happen with fabric hinges that have been experimented with different materials, machinery, and fundamentals.
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Lin, Mu-En. "UP : Grow up with your furniture." Thesis, Konstfack, Industridesign, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7835.

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In Taiwan, even though we have sets of desks and chairs in different sizes for school children, due to the inconsistency of purchases and the number of students in the year, many students did not have the opportunity to use desks and chairs that fit their height. In such an environment, students have incorrect postures, cannot concentrate in class, and begin to neglect or even destroy the tables and chairs they use. In this project, I designed the furniture to be adjustable in height. It solves the inconvenience of school procurement and provides students with a more comfortable learning environment. Besides, I also introduced the concept of "Wood education" to cultivate students' understanding of Taiwan's native natural resources and develop the feeling of cherishing the furniture that students use from assembling their wooden furniture.
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Buck, Lyndon. "Furniture design with composite materials." Thesis, Bucks New University, 1997. http://bucks.collections.crest.ac.uk/9977/.

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This thesis examined the feasibility of fibre composite reinforcement in the furniture industry. The development of post war furniture design was reviewed, with particular emphasis on the main design movements and the use of new materials and technologies. The use of fibre composite materials in contemporary furniture was discussed in terms of technical development, environmental effects and psychological acceptance. Fibre reinforcements and adhesives were compared, as were fabrication techniques applicable to the existing British furniture industry. Particular emphasis has been placed on the fibre reinforcement of laminated timber sections as a method of overcoming many of the manufacturing problems of composites. Methods of analysing the behaviour under load of fibre reinforced laminated wood were reviewed. Resistance among the furniture buying public to modem, non-traditional furniture design was discussed, along with ways of making composite materials more aesthetically acceptable. Experimentation to determine the mechanical properties of fibre composite reinforced wood against wood control samples was undertaken, along with methods used to analyse the results for flat and curved samples. Modulus of elasticity, modulus of rupture and impact strength were measured, as was the level of distortion of the samples before and after testing. A full size chair form was produced to demonstrate the behaviour of the material on a larger scale. The development of the design was discussed in terms of ergonomic requirements, aesthetics, practicality and environmental concerns. The problem of predicting the behaviour of complex shapes was discussed and a finite element analysis of the form is carried out to gain an accurate picture of the composite's performance. Production of fibre reinforced materials was discussed, along with the furniture industry's reluctance to invest in new materials and technologies. The feasibility of adapting traditional furniture making skills and equipment to the production of fibre composite reinforced wood has been assessed.
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Holden, Allison Marissa. "Creativity in children's furniture design." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2519.

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Research shows the importance of a childhood home environment encouraging of creative and imaginative play. I designed a set of children's furniture that, in addition to being play toys, stimulates creativity, interactivity and understanding of design construction. When a child understands how furniture is assembled and is encouraged to be creative in play, he or she gains valuable learning experiences while having fun. Together, a child and adult can easily assemble all the pieces of furniture without any need for tools. Much like a puzzle, the child has fun assembling the furniture while, at the same time, learns valuable lessons of spatial relationships and structural stability. This also leads to an understanding of safety in play. The added element of a portable three-inch LED orb encourages interaction once all pieces are assembled. Abstract design elements were used to stimulate imagination during play. Using basic Gestalt design principles, the furniture series was constructed to not only be structural but to be beautiful in design. The curved abstract shapes encourage the child to take control and imagine the furniture as integral components of their play scene.
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Ahn, Sooyun. "Furniture for children /." Online version of thesis, 1988. http://hdl.handle.net/1850/11491.

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Topping, Marisa Khe. "Revealing the relationship between furniture and play: an informative tool for designers." Thesis, Atlanta, Ga. : Georgia Institute of Technology, 2008. http://hdl.handle.net/1853/24683.

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Whaley, Christopher S. "Sculptural forms and furniture." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1204204.

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The primary objective of this creative project was the exploration into designing and creating sculptures that combine various materials in a visually pleasing way. Could these sculptures emphasize excellence in craftsmanship and sophistication of surface? Could the inherent properties of these materials be manipulated and combined in an engaging manner, which would enhance the beauty of both materials?This body of work required a variety of metalsmithing techniques including forging, mokumegane, and metal forming. This body of work also required various woodworking skills such as lathe turning and wood joint construction. There were several materials used such as exotic and domestic woods, and ferrous and non-ferrous metals. This body of work challenged my technical and conceptual abilities making me a better artist and designer, not only in metalsmithing, but also woodworking.
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Books on the topic "Furniture design"

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Bartashevich, Aleksandr, Vladimir Onegin, Sergey Trofimov, and Sergey Gayduk. Design furniture. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1025973.

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Reviewed all types of furniture and the basic requirements to it, the history of its development, structural and style features modern furniture, basics of design engineering design. A General characteristic properties of production materials and normative-reference data necessary for the development of interiors and furniture. In detail the questions of automation of designing of furniture. Considered furniture in the interior and analyzed all aspects of engineering products for various purposes for premises of residential and public buildings. For students of higher educational institutions trained on specialities "Technology of logging and wood processing industries" and "Design". Will be useful to students of colleges, higher and secondary vocational and technical schools woodworking profile. Can serve as a reference book for architects, designers, and all production workers in the furniture industry.
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Postell, James Christopher. Furniture design. Hoboken, N.J: John Wiley & Sons, 2007.

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Smardzewski, Jerzy. Furniture Design. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9.

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Patricia, Bueno, ed. Design furniture. Barcelona: Atrium Group, 2003.

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Francisco, Asensio Cerver, and Montes Cristina, eds. Furniture design =: Möbel Design. New York, NY: TeNeues, 2002.

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Bartashevich, Aleksandr. Furniture and joinery design. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1083295.

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The textbook discusses the types, classification of furniture, joinery and requirements for them; the methodology and process of furniture design, its organizational forms; the basics of design design: functional, ergonomic, technological, composite; General technical conditions for furniture, fittings, joinery, etc. Types of product quality control are described. The basics of automating the design of Cabinet furniture are described. For students of institutions that implement educational programs of secondary vocational education in the specialty "woodworking technology".
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Williams, Gareth. The furniture machine: Furniture since 1990. London: V & A, 2006.

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C, Stoddard Brooke, ed. Design secrets: Furniture. Gloucester, Mass: Rockport Publishers, 2006.

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Bartashevich, Aleksandr. Composition and design of furniture. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1027238.

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The book outlines the types of composition, its basic properties and quality. We consider the means of compositional shaping and fundamentals of design. The role of the analysis of the composition of the furniture in the design practice. Contains a large number of pictures on formal composition and the composition of the furniture. Designed for students enrolled in the specialty "Technology of logging and wood processing industries". Will be useful to students of the faculties of training and retraining students of colleges and technical schools woodworking profile, as well as specialists and designers of furniture enterprises.
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1898-1976, Aalto Alvar, Suomen Rakennustaiteen Museo, and Suomen Taideteollisuusyhdistys, eds. Alvar Aalto furniture. Cambridge, Mass: MIT Press, 1985.

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Book chapters on the topic "Furniture design"

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Smardzewski, Jerzy. "The History of Furniture Construction." In Furniture Design, 1–45. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_1.

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Smardzewski, Jerzy. "Classification and Characteristics of Furniture." In Furniture Design, 47–95. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_2.

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Smardzewski, Jerzy. "Ergonomics of Furniture." In Furniture Design, 97–184. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_3.

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Smardzewski, Jerzy. "Introduction to Engineering Design of Furniture." In Furniture Design, 185–283. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_4.

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Smardzewski, Jerzy. "Technical Documentation." In Furniture Design, 285–317. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_5.

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Smardzewski, Jerzy. "Stiffness and Strength Analysis of Skeletal Furniture." In Furniture Design, 319–455. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_6.

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Smardzewski, Jerzy. "Stiffness and Strength Analysis of Case Furniture." In Furniture Design, 457–571. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_7.

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Smardzewski, Jerzy. "Stiffness and Strength Analysis of Upholstered Furniture." In Furniture Design, 573–649. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19533-9_8.

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Ratnasingam, Jegatheswaran. "Furniture Design and Innovation." In Furniture Manufacturing, 13–20. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9412-7_2.

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Ratnasingam, Jegatheswaran. "Strength Design and Furniture Testing." In Furniture Manufacturing, 137–53. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9412-7_12.

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Conference papers on the topic "Furniture design"

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MALUF, Marina Kosovski, João de SOUZA LEITE, and Cláudio Freitas de MAGALHÃES. "Lightness and beauty in furniture design." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-118.

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Das, Supradip, and Amarendra Kumar Das. "INTRODUCING DESIGN HEURISTICS FOR FURNITURE DESIGN IN A FURNITURE DESIGN COURSE." In 23rd International Conference on Engineering and Product Design Education. The Design Society, 2021. http://dx.doi.org/10.35199/epde.2021.22.

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Benhua Tang and Weiping Hu. "Inspiration on modern furniture design in China from Nordic furniture design concept." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681388.

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Ai, Junyan. "Interactive Cat Furniture Design." In 2021 International Conference on Culture, Design and Social Development (CDSD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220109.009.

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OLIVEIRA, A. A. A. "Brasil Nomadic Furniture 4.0." In 1º Seminário de Pesquisa em Design do Programa de Pós-Graduação em Design da FAUUSP. São Paulo: Editora Blucher, 2018. http://dx.doi.org/10.5151/spddesign-0033.

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Xia, Yukun, Yingrui Ji, Yan Gan, and Zijie Ding. "Applying Ming furniture features to modern furniture design using deep learning." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004197.

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Ming-style furniture is a type of classical Chinese furniture that originated during the Ming Dynasty and has developed and evolved through the Ming and Qing Dynasties to become one of the major schools of classical Chinese furniture. Traditional Ming furniture design is labour-intensive and time-consuming, and designers need to have a wealth of experience and knowledge to create high-quality pieces. However, with the rapid development of computer technology and advances in deep learning algorithms, it is now possible to use computer-aided design techniques and deep learning algorithms to extract and apply features of Ming furniture quickly and accurately.This paper proposes a new method based on deep learning and computer-aided design techniques for applying features of Ming furniture to modern furniture design. By collecting and filtering existing physical images of Ming-style furniture, we use a generative adversarial network algorithm (DCGAN) for image recognition and feature extraction, and generate modern furniture designs. The experimental results show that the algorithm can significantly improve the efficiency of designers and has good feature recognition to extract target contours and accurately obtain design features. As the number of extracted feature samples increases, the clarity of the generated images becomes higher and their generation accuracy also tends to increase. The furniture products generated by the deep learning approach have both modern aesthetics and Ming furniture characteristics, which is conducive to the inheritance and development of traditional Chinese furniture culture. The evaluation shows that the newly generated furniture products meet modern aesthetic standards. The method provides a new way of thinking and approach to the field of furniture design, with high academic and practical application value.
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Gamito, Margarida, and Fernando Moreira da Silva. "Urban Furniture − Colour and Inclusivity." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0060.

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Yu, Di. "Interesting Design of Modern Furniture." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.53.

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Ciobanu, Florin. "RAM SYMBOLISIM IN FURNITURE DESIGN." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.048.

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Qi, Yue, and Sun Yang. "Mass Customized Furniture Product Design." In Advanced Software Engineering & Its Applications 2014. Science & Engineering Research Support soCiety, 2014. http://dx.doi.org/10.14257/astl.2014.74.20.

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Reports on the topic "Furniture design"

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Kolesnikova, Olga. Oil paints in modern furniture design. Intellectual Archive, May 2024. http://dx.doi.org/10.32370/iaj.3120.

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В настоящее время в промышленности , в условиях инновационного дизайна для развитого серийного производства в том числе и для дизайна мебельных комплектов изготавливается множество типов устройств для вихревого смешивания , - газов с газами , газов с жидкостями и жидкостей с порошками Дисперсность подаваемого по тангенциальным каналам вихревых генераторов аэрозольного , газообразного или жидкого материала определяет и тип полученной смеси в диапазоне от нано- композита с трёхмерным капсулированием до обычных смесей При этом перед выводом смеси из зоны формирования , все её компоненты представляют собой классическую вихревую трубу. На этом этапе уместно задать вопрос , - а для чего нужны такие сложности , что бы получить масляную краску. Масляные краски производятся в больших количествах по отработанной технологии и на существующем оборудовании и , казалось бы , не требуют инновационного вмешательства для внедрения новых методов смешивания Так ли это в реальности ? Автор настоящей публикации предлагает всё таки рассмотреть целесообразность инновационного преобразования процесса изготовления особо гомогенных красок , для , например реставрационных работ , в которых вопросы качества и долговечности применяемых материалов являются решающими.
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2

Andersson, Elise. Proceedings of the symposium Woodworking Tools and Techniques –Past, Present and Future, Stockholm 16-19 September 2022. Linköping University Electronic Press, November 2023. http://dx.doi.org/10.3384/9789180754149.

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The 3rd Swedish Symposium on Furniture Technology& Design was held in Stockholm the 16th through the19th of September 2022, this time arranged by MalmstensAlumni in collaboration with the Swedish History Museum,Skokloster Castle and LiU Malmstens.
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Mahat, Marian, Vivienne Awad, Christopher Bradbeer, Chengxin Guo, Wesley Imms, and Julia Morris. Furniture for Engagement. University of Melbourne, February 2023. http://dx.doi.org/10.46580/124374.

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The aim of the study was to explore the impact of furniture and spatial settings on teachers and students. Drawing on a case study action research approach involving surveys, two primary schools (Frangipani and Jasmine Primary School) within the Sydney Catholic Schools were involved as case study sites. This report provides a summary of the findings of the impact of furniture and spatial settings on teacher efficacy, teacher mind frames, student learning and student engagement as well as perceptions of students on the furniture and spatial settings. In summary, teachers’ perceptions of their mind frames, student learning and engagement increased after the introduction of furniture in the prototype learning environment. For one teacher, the perception of their efficacy did not improve after the implementation of the prototype space and furniture. In terms of students’ perceptions of the furniture, a large proportion of students agreed that they enjoyed learning and are more motivated to learn because of the new furniture. At Jasmine Primary School, a fifth of students felt that they were not motivated to learn because of the new furniture. Further in-depth study is required to find out the underlying reasons for this. Key themes that emerged from the qualitative data on the furniture and spatial settings focus on characteristics of furniture that afforded comfort, improved concentration and auditory qualities, supported collaboration, and capacity for choice. These are important considerations to drive decisions in school designs and furniture purchases. The importance of good furniture in a learning space cannot be underestimated. New learning environments and furniture demand and create new possibilities for teacher practices and student learning. The findings of the study, whilst limited in its scale, provides three crucial considerations relating to the importance of prototyping, professional learning and longitudinal data. These carry ramifications for wider understanding and future research. Future inquiry in these three key areas can provide the much-needed evidence to support schools’ transition into new learning environments.
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Mahat, Marian, and Vivienne Awad. The 2022 Sophia Program. University of Melbourne, February 2023. http://dx.doi.org/10.46580/124373.

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The Sophia Program is a one year professional learning program established by Sydney Catholic Schools in collaboration with the University of Melbourne. The professional learning program is unique, in that it not only involves the acquisition of knowledge and theory of school learning environments but also action-oriented evidence-based research within a professional learning community where groups of educators work collaboratively at the school- and system-level to improve student outcomes. Thirty five participants from six Sydney Catholic Schools participated in the 2022 program. This report provides a summary of aggregated findings around teacher efficacy, teacher mind frames, student learning and student engagement, perceptions of students on the prototype learning environments and furniture, as well as overall evaluation of the program by participants in the inaugural cohort. Lessons learnt from the Sophia Program have found seven important characteristics of effective professional learning. In summary, effective professional learning is one that is: ● contextualised, i.e. aligned with school goals, priorities and values, and addresses the learning needs of staff and students. ● includes the engagement of a strong leader with a committed group of educators. ● is longer in duration, reinforced over a longer period of time. ● includes establishing a prototype that enables educators and students to test and evaluate both design and pedagogy. ● includes multiple forms of active learning. ● includes forms of action research that enable evidence-based improvements. ● can be delivered virtually and face-to-face. In essence, the world-first Sophia program illustrates what a high-quality professional learning could look like—one that is ongoing, connected to both content knowledge and teacher practice, incorporates active learning and research-based practices, and encourages networking, collaboration, mentoring and time for practice, feedback, and reflection. The report concludes with directions for future practice that provides important school- and system-level implications.
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5

Stakes, Keith, and Joseph Willi. Study of the Fire Service Training Environment: Safety, Fidelity, and Exposure -- Acquired Structures. UL Firefighter Safety Research Institute, March 2019. http://dx.doi.org/10.54206/102376/ceci9490.

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Previous FSRI led research projects have focused on examining the fire environment with regards to current building construction methods, synthetic fuel loading, and best-practices in firefighting strategies and tactics. More than 50 experiments have been previously conducted utilizing furniture to produce vent-limited fire conditions, replicating the residential fire environment, and studying the methods of horizontal ventilation, vertical ventilation, and positive pressure attack. Tactical considerations generated from the research are intended to provide fire departments with information to evaluate their standard operating procedures and make improvements, if necessary, to increase the safety and effectiveness of firefighting crews. Unfortunately, there still exists a long standing disconnect between live-fire training and the fireground as evident by continued line of duty injury and death investigations that point directly to a lack of realistic yet safe training, which highlights a continued misunderstanding of fire dynamics within structures. The main objective of the Study of the Fire Service Training Environment: Safety, Fidelity, and Exposure is to evaluate training methods and fuel packages in several different structures commonly used across the fire service to provide and highlight considerations to increase both safety and fidelity. This report is focused on the evaluation of live-fire training in acquired structures. A full scale structure was constructed using a similar floor plan as in the research projects for horizontal ventilation, vertical ventilation, and positive pressure attack to provide a comparison between the modern fire environment and the training ground. The structure was instrumented which allowed for the quantification of fire behavior, the impact of various ventilation tactics, and provided the ability to directly compare these experiments with the previous research. Twelve full scale fire experiments were conducted within the test structure using two common training fuel packages: 1) pallets, and 2) pallets and oriented strand board (OSB). To compare the training fuels to modern furnishings, the experiments conducted were designed to replicate both fire and ventilation location as well as event timing to the previous research. Horizontal ventilation, vertical ventilation, and positive pressure attack methods were tested, examining the proximity of the vent location to the fire (near vs. far). Each ventilation configuration in this series was tested twice with one of the two training fuel loads. The quantification of the differences between modern furnishings and wood-based training fuel loads and the impact of different ventilation tactics is documented through a detailed comparison to the tactical fireground considerations from the previous research studies. The experiments were compared to identify how the type of fuel used in acquired structures impacts the safety and fidelity of live-fire training. The comparisons in this report characterized initial fire growth, the propensity for the fire to become ventilation limited, the fires response to ventilation, and peak thermal exposure to students and instructors. Comparisons examined components of both functional and physical fidelity. Video footage was used to assess the visual cues, a component of the fire environment that is often difficult to replicate in training due to fuel load restrictions. The thermal environment within the structure was compared between fuel packages with regards to the potential tenability for both students and instructors.
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6

Some factors affecting design of a furniture calorimeter hood and exhaust. Gaithersburg, MD: National Institute of Standards and Technology, 1993. http://dx.doi.org/10.6028/nist.ir.5298.

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7

Design in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, February 1997. http://dx.doi.org/10.18235/0006404.

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Fifty objects, from original bronzes and maquettes by Antoni Gaudí, to modern furniture and appliances, and Cobi, Javier Mariscal's design adopted for the mascot of the Olympic Games in 1992. The exhibit was developed with Barcelona architects Juli Capella and Quim Larrea, and presented in honor of the 38th Annual Meeting of the IDB Board of Governors held in March, 1997 in Barcelona. Most of the important 20th century Catalonian designers were represented, including Monegal, Sert, Bonet, Ricard, Tusquets, Lluscà, and Tresserra. Works were loaned from the Gaudí Museum at the Temple of the Holy Family, the Museum of Decorative Arts; the Museum of Arts, Industries and Popular Traditions; the National Museum of Catalonian Art, the Catalonian College of Architects, and the private collection of Juli Capella.
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