Relevant bibliographies by topics / Furniture, Rococo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Furniture, Rococo'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Furniture, Rococo"

1

Tornier, Etienne. "« This new-born word is rococo » Généalogie et fortune du rococo aux États-Unis." Zeitschrift für Kunstgeschichte 80, no. 4 (2017): 498–514. http://dx.doi.org/10.1515/zkg-2017-0026.

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Abstract This article deals with the use of the term ‘rococo’ in the English language and more specifically in the United States, where it is today used to describe both the style of eighteenth-century cabinetmakers, and American mid-nineteenth-century furniture. Yet, the term was not favored by furniture makers and dealers before the end of the nineteenth century. Offering a precise analysis of the roots of the term in the United States, this article sheds light on its semantic evolution since the 1830s, through a variety of sources including newspapers, art journals, and ephemera, and in rel
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Гарин, V. Garin, Разиньков, Egor Razinkov, Чернышев, and Aleksandr Chernyshev. "History of furniture in the rococo style." Forestry Engineering Journal 4, no. 3 (2014): 192–98. http://dx.doi.org/10.12737/6287.

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History of furniture in the rococo style
 The architecture in this period finally loses all signs of monumentality and tectonics of form: there is no longer division by carrying and carried. Walls and ceilings are made into decorative planes dissected by various panels with a frame. Ornamental forms are asymmetric and always curvilinear; without being subject to any rules, they cover almost entirely the surface of walls and ceilings. The very walls, wood-paneled, are crumbled in choicest light blue, light green, pink and white colors, set off by a gilded ornamentation and hanged on with l
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Brovko, Ekaterina Mikhailovna. "Japanning as Imitation Technique to Produce the French Rococo Furniture." Manuskript, no. 8 (March 2021): 1698–702. http://dx.doi.org/10.30853/mns210272.

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GHEORGHE, Alina. "TOURISM MANAGEMENT EXPLAINED BY THE CORRELATION BETWEEN THE AVERAGE TOTAL INCOME PER PERSON AND THE NUMBER OF OVERNIGHT STAYS IN ACCOMMODATION UNITS." Business Excellence and Management 14, no. 3 (2024): 58–64. http://dx.doi.org/10.24818/beman/2024.14.3-04.

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In Romania’s tourism industry, in the last decade, following the European trend, small dimensioned accommodation units have appeared, bearing the name of boutique guesthouses or boutique hotels, depending on their accommodation capacity. The boutique guesthouses offer both accommodation services in rooms with traditional Romanian boyar characteristics, with Saxon and Szechuan influences, as well as food services with the same culinary characteristics. A particularity of these accommodation units is that each room had been furnishing according to a traditional noble theme, using either furnitur
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ANDAÇ GÜZEL, Tuğba, and Hacı Hasan EFE. "EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 282–300. http://dx.doi.org/10.7456/11101100/016.

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Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place,
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ANDAÇ GÜZEL, Tuğba, and Hacı Hasan EFE. "EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 282–300. http://dx.doi.org/10.7456/11001100/016.

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Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place,
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7

ANDAÇ GÜZEL, Tuğba, and Hacı Hasan EFE. "EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 282–300. http://dx.doi.org/10.7456/11101100/016.

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Abstract:
Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place,
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8

ECKERT, CLAUDIA M., and ELLEN YI-LUEN DO. "Special Issue: Understanding, representing, and reasoning about style." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 20, no. 3 (2006): 163–65. http://dx.doi.org/10.1017/s0890060406060148.

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Style is a word that people think they understand. Most people recognize artifacts like buildings and clothes as being exemplars of particular styles, and they know words like Rococo and Art Deco as names for styles. They can recognize stylistic similarities not only in one sort of artifact but also across wide ranges of different things, such as buildings, furniture, artworks, clothes, music, and even manners. However, “style” is a slippery notion: the word has been used in a variety of senses since the ancient Greeks first thought about the differences in how people wrote or painted, and it
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Bulgakova, Alina Viacheslavovna. "Attribution of the Sené dynasty seating furniture based on author’s stamps: Experience and challenges." Pan-Art 4, no. 4 (2024): 443–57. https://doi.org/10.30853/pa20240060.

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The study aims to determine the authorship of furniture from the ASG Large Collection of Fine Arts based on the analysis of author’s marks of representatives of the Sené dynasty. The study examines 18th-century Parisian ébéniste furniture from state collections, auctions, and galleries. The results of attributing eight Rococo and Neoclassical-era armchairs and two canapés from the ASG collection are presented. The study is novel in that it is the first one to publish photographs of Sené family marks on objects from the collection. The study reveals the SENE mark, which may be a late 19th-centu
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Cecilia Espinosa, Mariano, and Gemma Ruiz Ángel. "EL MOBILIARIO DE SACRISTÍA EN LA IGLESIA PARROQUIAL DE SANTIAGO DE ORIHUELA: DEL ROCOCÓ AL ACADEMICISMO Vestry Furniture in the Parish Church of Santiago de Orihuela: from Rococo to Academicism." Res Mobilis 8, no. 9 (2019): 35. http://dx.doi.org/10.17811/rm.8.9.2019.35-47.

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La iglesia parroquial de Santiago de Orihuela, construida en las postrimerías del Gótico, experimentó una renovación decorativa a finales del siglo XVIII marcada por el academicismo, y en concreto, por las directrices de la academia valenciana. Este nuevo clasicismo presente en el ámbito arquitectónico interior del templo, en la escultura o la pintura de sus capillas, se reflejará en el ámbito del mobiliario, como es el caso de la cajonería de su sacristía renacentista, obra de uno de los grandes maestros del Renacimiento español, Jerónimo Quijano, aspecto que evidencia como los cambios estéti
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Dissertations / Theses on the topic "Furniture, Rococo"

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Jeffroy-Meynard, Marie-Nicole. "FROM BAROQUE TO ROCOCO: PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.

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I will build an argument utilizing the Hôtel de Soubise as a case study for the way in which the division between exteriors and interiors depicts the shifting cultural fabric of 18th-century French society.
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Lindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

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Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 17
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Valente, Maria Adelina Nogueira. "Matrizes inglesas no mobiliário português da segunda metade do século XVIII." Doctoral thesis, 2014. http://hdl.handle.net/10400.14/15771.

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A marcenaria portuguesa da segunda metade de Setecentos foi influenciada pela chegada da exportação inglesa de mobiliário, que decorreu ao longo de todo o século XVIII. As tipologias inglesas, desenhadas por riscadores com novas ideias, foram executadas numa escala menos ostentatória que as de utilização na corte e nas residências da nobreza, destinando-se a um novo modo de vida em que a sociabilidade era protagonista. O grande comércio dos negócios intercontinentais gerava movimento relevante de pessoas e de circulação de capitais, e os comerciantes ingleses e portugueses – nomeadamente
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Books on the topic "Furniture, Rococo"

1

Langer, Brigitte. Die französischen Möbel des 18. Jahrhunderts. Prestel, 1995.

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Dobler, Uwe. Barockmöbel: Bürgerliche Möbel aus zwei Jahrhunderten. Battenberg, 1992.

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Schwartz, Marvin D. The furniture of John Henry Belter and the rococo revival: An inquiry into nineteenth-nentury furniture design through a study of the Gloria and Richard Manney collection. Antiques and Books by Lise Bohm, 2000.

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4

Haaff, Rainer. Louis-Philippe möbel furniture: Middle-class furniture of the historicism. Arnoldsche, 2004.

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5

editor, Hanneryd Ola author, Appelgren Olof author, Strandin Marianne author, and Ulväng Marie author, eds. Härjedalsrokoko under två sekler: Om schatullmakaren Jöns Ljungberg och hans landskap. Agrenshuset Forlag, 2021.

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Alvar, González-Palacios, and Valeriani Roberto, eds. Pietro Piffetti: E gli ebanisti a Torino 1670-1838. Umberto Allemandi, 1992.

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7

Brigitte, Langer. Die deutschen Möbel des 16. bis 18. Jahrhunderts. Prestel, 1996.

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8

Colle, Enrico. Il mobile rococò in Italia: Arredi e decorazioni d'interni dal 1738 al 1775. Electa, 2003.

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9

Ambras, Schlosssammlung. Möbel. Kunsthistorisches Wien, 1987.

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10

Schatt, Christian. Barock- und Rokoko-Möbel: Mobiliar aus Bürgenhäusern und Herrensitzen des 17. und 18. Jahrhunderts. Battenberg, 2000.

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Book chapters on the topic "Furniture, Rococo"

1

Oates, Phyllis Bennett. "5: Rococo and Palladian Elegance." In The Story of Western Furniture. New Amsterdam Books, 1998. https://doi.org/10.5771/9781461636281-105.

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Jackson-Beckett, Michelle. "Einfacher Hausrat." In Vienna and the New Wohnkultur, 1918-1938. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198879497.003.0002.

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Abstract This chapter argues that the commodifications of “simple” living and rural vernacular furniture were used as propagandistic tools by the Viennese furniture trade and related magazines, organizations, and retailers in constructing new and refashioning old definitions of Austrian modernity. Specifically, they hoped to sell the idea of Viennese charm to an international audience and shore up cultural and economic stability in the wake of World War I. The centerpiece of this effort was a series of exhibitions titled Einfacher Hausrat (Simple Household Goods) that took place at the Austria
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Chasen, Jessica, Arlen Heginbotham, and Michael Schilling. "The Analysis of East Asian and European Lacquer Surfaces on Rococo Furniture." In French Rococo Ébénisterie in the J. Paul Getty Museum. J. Paul Getty Trust, The, 2021. http://dx.doi.org/10.2307/jj.6142259.7.

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"Glossary of Woods Used in French Furniture from the J. Paul Getty Museum Collection." In French Rococo Ébénisterie in the J. Paul Getty Museum. J. Paul Getty Trust, The, 2021. http://dx.doi.org/10.2307/jj.6142259.4.

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