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1

Novitasari, Ayuningtyas, Melia Dewi Judiasri, and Dedi Sutedi. "ANALISIS KESALAHAN MAHASISWA DALAM MENGGUNAKAN VERBA FURU, KUDARU, ORIRU DAN SAGARU SEBAGAI SINONIM." JAPANEDU: Jurnal Pendidikan dan Pengajaran Bahasa Jepang 1, no. 1 (2016): 28. http://dx.doi.org/10.17509/japanedu.v1i1.2649.

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ABSTRAKPenelitian ini merupakan penelitian mengenai analisis kesalahan penggunaan verba furu, kudaru, oriru dan sagaru sebagai sinonim pada mahasiswa tingkat III tahun akademik 2015/2016 Departemen Pendidikan Bahasa Jepang FPBS UPI. Penelitian ini bertujuan untuk mengetahui kesalahan apa saja yang terjadi pada pembelajar bahasa Jepang dalam menggunakan verba furu, kudaru, oriru dan sagaru sebagai sinonim, mencari penyebab terjadinya kesalahan tersebut, dan upaya untuk mengurangi terjadinya kesalahan. Penelitian ini menggunakan metode deskriptif. Objek penelitian ini adalah mahasiswa tingkat II
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Ghazali, Mohd Rumaizuddin. "Adab Perbezaan Pendapat dalam Islam Menurut Taha Jabir Al-Alwani (1935-2016)." Journal of Fatwa Management and Research 9, no. 1 (2018): 39–59. http://dx.doi.org/10.33102/jfatwa.vol9no1.38.

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This article briefly discusses the biography of Taha Jabir al-Alwani and ethics of disagreement that have been espoused in his book, Adab al-Ikhtilaf fi al-Islam. He surveyed the ethics of disagreements and dissension during the time of the Prophet, the Companions and leading scholars (imam) of madhahib until the contemporary era. Differences of opinions in fiqh branches (furu') is natural due to the language factor, the transmissions of ahadith and methodologies (usul fiqh). The differences in the fiqh are considered as blessings (rahmah) which provide space and wealth of knowledge from which
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Ikenushi, Masako. "Reinvigoration and Interrogation of the Political Myth of Kiyū's Suicide in Ariyoshi Sawako's Furu Amerika ni sode wa nurasaji." Journal of Japanese Studies 44, no. 2 (2018): 333–60. http://dx.doi.org/10.1353/jjs.2018.0041.

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Hermanto, Agus. "ISLAM IN REDEFINING A DIFFERENCE." Ri'ayah: Jurnal Sosial dan Keagamaan 4, no. 02 (2019): 216. http://dx.doi.org/10.32332/riayah.v4i02.1884.

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"Islam in Redefining A Difference". Islam is a religion rahmatanlil'alamin, for that Islam can put the situation and conditions. Islam is the religion Hanīf, fairness and tolerance to their ikhtilaf (dissent). In terms of the causes and roots, there are two forms ikhtilaf (dispute), the deviation caused by the character and thought. Unjustified deviation is a deviation in aqidah matter of principle. Deviation is actually a little touch on the basic framework of worship. However, when the jurists began to enter the technical and operational principle that no deviation is irreversible appearance
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Hand, Sean. "The sound and the fury: language in Leiris." Paragraph 7, no. 1 (1986): 102–20. http://dx.doi.org/10.3366/para.1986.0004.

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Furukawa, Toshiaki. "Scott Saft, Exploring multilingual hawaiʻi: Language use and language ideologies in a diverse society". Pragmatics and Society 11, № 3 (2020): 485–88. http://dx.doi.org/10.1075/ps.00031.fur.

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Furukawa, Toshiaki. "Place and membership categorization in a Hawaiian language radio show." Categorization in multilingual storytelling 10, no. 3 (2019): 375–98. http://dx.doi.org/10.1075/ps.18011.fur.

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Abstract Recent articles by prominent scholars of discourse and interaction have renewed the debate over the relationship between membership categorization analysis (MCA) and conversation analysis (CA). Many consider CA and MCA as mutually informing, and that is the position I take in this paper. MCA has been conducted mainly with monolingual data, but in this study I examine Hawaiian language media talk by multilingual speakers. Place formulation is often intertwined with membership categorization, and I investigate how place is used to categorize people. Taking an MCA approach, I analyze the
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Ward, Gale L. "The Fury of Writing Students (After Anne Sexton's "The Fury of Overshoes")." College Composition and Communication 44, no. 1 (1993): 83. http://dx.doi.org/10.2307/358897.

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9

Neyt, V. "The Sound and the Fury: A Hypertext Edition." Literary and Linguistic Computing 19, no. 1 (2004): 137–43. http://dx.doi.org/10.1093/llc/19.1.137.

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Pestell. "Kindly Terror and Civic Fury: Eumenides and the Language of Myth." Comparative Literature Studies 54, no. 2 (2017): 305. http://dx.doi.org/10.5325/complitstudies.54.2.0305.

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Witt, John Fabian. "Jennifer Egan's Dive for the Inarticulate." PMLA/Publications of the Modern Language Association of America 134, no. 2 (2019): 412–15. http://dx.doi.org/10.1632/pmla.2019.134.2.412.

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Forty years ago, the poet and literary critic William Harmon distinguished between two ways in which language can fail. Writing in these pages, Harmon observed that speechlessness and silences can be markers of frustration, incapacity, and failed connections. Think of the disjointed language of William Faulkner's Benjy Compson in The Sound and the Fury or, more recently, the silences of the ghostly character Given who haunts Jesmyn Ward's Sing, Unburied, Sing. Alternatively, spaces beyond the horizons of language can embody a tranquility so thorough and full of meaning that words would mar the
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Álvarez Huerta, Olga. "La primera traducción del llatín al asturianu: el Fueru de Lleón / The first Latin translation into Asturian: the Fueru de Lleón (the Code of Law of León)." Lletres Asturianes, no. 122 (March 20, 2020): 41–62. http://dx.doi.org/10.17811/llaa.122.2020.41-62.

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L’oxetivu principal d’esti trabayu ye analizar tolos aspeutos relativos al procesu de traducción a llingua romance d’un fueru llatinu del que la primer copia caltenida remonta al primer cuartu del sieglu XII y atópase na Catedral d’Uviéu. Del testu romance llegaron a nós tres versiones llixeramente distintes, toes elles del sieglu XIII. La comparanza d’eses tres versiones col testu llatinu dexa concluyir que son resultáu d’un únicu procesu de traducción en que’l traductor caltúvose escrupulosamente fiel al testu orixinal, pero esforzóse tamién n’afaer la sintaxis llatina al romance. Como hai c
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Higginbotham, Virginia. "Sounds of Fury: Listening to Poeta en Nueva York." Hispania 69, no. 4 (1986): 778. http://dx.doi.org/10.2307/342595.

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Weaver, Harlan. "Monster Trans: Diffracting Affect, Reading Rage." Somatechnics 3, no. 2 (2013): 287–306. http://dx.doi.org/10.3366/soma.2013.0099.

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This article examines the somatechnics of the monstrous anger and intense feelings that move, wave-like, through Mary Shelley's Frankenstein and Susan Stryker's ‘My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage’. Throughout, I examine how these feelings diffract through nodes in the texts and map out not only important differences between them, but also larger diffraction patterns that touch and move their readers: monstrous genders, language as a tool for resistance to abjection, queer kinships that lead to transformation, and a monstrous fury that r
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Ikuta, Shoko. "Hiroko Tanaka, Turn-taking in Japanese conversation: A study in grammar and interaction. (Pragmatics and Beyond New Series, 56.) Philadelphia: John Benjamins, 1999. Pp. xiv, 242. Hb $87.00; Hiroko Furo, Turn-taking in English and Japanese: Projectability in grammar, intonation and semantics. New York: Routledge, 2001. Pp. xvi, 247. Hb $70.00." Language in Society 31, no. 5 (2002): 803–7. http://dx.doi.org/10.1017/s004740450228505x.

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Both volumes under review cover the same topic, turn-taking in Japanese in comparison with English. While Furo compares Japanese and English data, Tanaka focuses on the analysis of Japanese data, but nonetheless keeps a cross-cultural perspective on turn-taking. Both are dealing with a now flourishing area, the interface of grammar and interaction, based on the model of turn-taking proposed by Sacks, Schegloff & Jefferson 1974 and the work by Ford & Thompson 1996. Through the study of turn-taking, Tanaka aims at exploring the interrelationship of grammar and interaction, and Furo attem
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Wu, Qing. "Interaction Between Language and the Mind Through Translation: A Perspective from Profile/Base Organization." Meta 47, no. 4 (2004): 532–63. http://dx.doi.org/10.7202/008035ar.

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Abstract Profile/base organization in cognitive linguistics emphasizes a hierarchy of salience ­imposed on construal by usage events of some concept. Shift in terms of profile/base alignment is highly likely to occur in a cross-linguistic/cultural context. Granted two definitive features of translation, i.e., accountability of a TT to the ST’s textually-grounded intention, unless the TT has an otherwise stated intention, and systematicity attained within the TT itself, whether the shift(s) in a translation are explainable and how fall within our concern. This paper has examined the profile/bas
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Furuya, Kaori. "Structure and inference in Japanese right dislocation." Language and Linguistics / 語言暨語言學 21, no. 4 (2020): 557–80. http://dx.doi.org/10.1075/lali.00070.fur.

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Abstract This paper explores the syntactic nature of Japanese Right Dislocation Constructions (RDCs) by illuminating the ellipsis sites in the postverbal domains of the constructions via pragmatic inference. Although the most prevailing bi-clausal analysis of RDCs adopts the perspective that the repetition of the antecedent clause occurs in collocation, this paper shows that the same surface strings are potentially ambiguous since right dislocation is a heterogeneous phenomenon. It proposes additional types of a bi-clausal structure and discusses evidence that suggests that even when the surfa
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Wagner, Anne, and Wei Yu. "Machiavellian Apparatus of Cyberbullying: Its Triggers Igniting Fury With Legal Impacts." International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique 34, no. 4 (2021): 945–63. http://dx.doi.org/10.1007/s11196-021-09841-x.

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19

Burton, Stacy. "Rereading Faulkner: Authority, Criticism, and "The Sound and the Fury"." Modern Philology 98, no. 4 (2001): 604–28. http://dx.doi.org/10.1086/493002.

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Sánchez Montes, María José. "Teatro e imagen. El perfil de Instagram de La fura dels baus." Pasavento. Revista de Estudios Hispánicos 7, no. 2 (2019): 353–63. http://dx.doi.org/10.37536/preh.2019.7.2.730.

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A lo largo de estas páginas tratamos de seguir reflexionando sobre las posibilidades y ramificaciones de la idea de un teatro transmedia. En esta ocasión no pretendemos especular sobre el fenómeno como tal, ni desde el punto de vista teórico ni sobre sus intersecciones con lo teatral, sino desde la presencia en redes sociales y en concreto en Instagram de una compañía, La Fura dels Baus. Pensaremos también acerca de las implicaciones de esta presencia en relación con sus puestas en escena. En ese sentido nos preguntamos ¿qué construye La Fura a través de sus fotografías?, ¿qué nos invita a ver
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Bakshutova, E. V., and T. K. Rulina. "CONFRONTATIONAL ATTITUDES OF DISCUSSION COMMUNITIES OF THE RUSSIAN-LANGUAGE FACEBOOK SECTOR." Вестник Удмуртского университета. Социология. Политология. Международные отношения 3, no. 4 (2019): 402–8. http://dx.doi.org/10.35634/2587-9030-2019-3-4-402-408.

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The article actualizes the socio-psychological problems of modern socially virtual mediated communication. A level model of escalation of tension and aggressiveness under conditions of unconscious provocative manipulation is discussed. The authors analyze confrontational attitudes, which are the intention in network discussions, which, whatever the topic, are of a trigger character, reflecting the irreconcilable communicative conflict of the scriptors. The paper analyzes 1341 comments in 20 network trigger discussions on history, politics, economics, ethnic and gender relations, literature and
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Määttä, Simo K. "Dialect and point of view." Target. International Journal of Translation Studies 16, no. 2 (2004): 319–39. http://dx.doi.org/10.1075/target.16.2.06maa.

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This article is an analysis of translations into French of non-standard literary dialect, in particular the speech of African Americans, in William Faulkner’s The sound and the fury. It shows that the contingency of dialect variation upon narrative point of view (focalization) is not taken into account in translation, an omission that alters the ideological framework of the novel. In addition, it argues that the maintenance of this variation, when systematic, should be at least as important a concern as, for instance, the most accurate translation of single dialectal or non-standard words and
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Witczak, Krzysztof Tomasz. "Rozważania nad etymologią gromu." Poradnik Językowy 2020, no. 10/2020(779) (2020): 9–19. http://dx.doi.org/10.33896/porj.2020.10.1.

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The Polish appellative grom m. ‘thunderclap’ (< Proto-Slavic *gromъ m. ‘thunder, thunderclap, roar of a thunder’) should be associated with Greek βρόμος m. ‘any loud noise; crackling of fi re; roar of a thunder; roaring of a storm; rage, fury’. Both these nouns derive from the Proto-Indo-European archetype *gu̯ rómos m. ‘loud noise; thunder, thunderclap, roar of a thunder’ (originally nomen actionis with the meaning ‘roaring; thundering’, derived from the root *gu̯ rem- ‘to roar, to thunder’, cf. Gk. βρέμω ‘to roar; to clash, ring (of arms); to shout, rage (of men)’, pol. grzmieć ‘to thunde
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Friis, Ronald J. ""The Fury and the Mire of Human Veins": Frida Kahlo and Rosario Castellanos." Hispania 87, no. 1 (2004): 53. http://dx.doi.org/10.2307/20062973.

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Kępiński, Marcin. "American war movies. David Ayer’s Fury as mythologisation of war and soldiers." Acta Universitatis Lodziensis. Folia Sociologica, no. 73 (June 30, 2020): 21–36. http://dx.doi.org/10.18778/0208-600x.73.02.

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Both pop culture and modern Hollywood cinema are mainly intended for entertainment. American war films are not free from this vice. A researcher of culture should shun attempts to find hidden symbols, myths and flashes of meanings from distant traditional culture in such films. Contemporary popular mythologies do not represent the same mythical pattern that Eliade wrote about. Popular culture consists of ideas on various topics, borrowings, quotations and fragments of meanings, all patched together. In my view, however, Fury goes beyond pop culture and entertainment. After all, there is also g
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Hauser, David J., and Megan E. Fleming. "Mother Nature’s Fury: Antagonist Metaphors for Natural Disasters Increase Forecasts of Their Severity and Encourage Evacuation." Science Communication 43, no. 5 (2021): 570–96. http://dx.doi.org/10.1177/10755470211031246.

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Natural disasters are often described as having antagonistic qualities (e.g., wildfires ravage). The information deficit model presumes that when people assess the risk of weather hazards, they ignore irrelevant metaphoric descriptors. However, metaphoric frames affect reasoning. The current research assessed whether antagonist metaphors for natural disasters affect perceptions of the risk they pose. Three studies ( N = 1,936) demonstrated that participants forecasted an antagonist-framed natural hazard as being more severe, and intended to evacuate more often, than a literal-framed natural ha
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Bockting, Ineke. "Mind Style as an Interdisciplinary Approach to Characterisation in Faulkner." Language and Literature: International Journal of Stylistics 3, no. 3 (1994): 157–74. http://dx.doi.org/10.1177/096394709400300301.

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The brothers Benjy, Quentin and Jason Compson from William Faulkner's The Sound and the Fury are among the most memorable characters in American literature. They are startlingly ‘real’ and at the same time works of art, constructed out of linguistic material. This article examines one of the tools that Faulkner uses to create the ‘realness’ of his characters: that of attributive style. Through the methods of psychostylistics, which combines the findings of narrative psychology and psychiatry with those of literary stylistics in general and mind style in particular, the wider implications for c
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Rey, Pierre-Louis. "« Obscur à soi-même », obscur au lecteur ?" Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 1 (2017): 20–30. http://dx.doi.org/10.1075/rro.52.1.03rey.

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Abstract Though Camus admires Faulkner, he differs from him in his accomplished novels, in as far as he lets no doubt emerge about his characters’ identity or the reality of events revealed in the plot. This is all the more evident because the short sentences in his novel L’Étranger contrast with the intricate and often abstruse parts of The Sound and the Fury. However, when Camus explores the most indefinable aspects of his self in the last chapter of Le Premier Homme, he regenerates his écriture in such a way that the resemblance critics had found with the American writer, in retrospect, see
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Aazam, Fareeha, Fatima Zafar Baig, Tanveer Baig, et al. "A Critical Discourse Analysis of ‘Fire and Fury: Inside the Trump White House’ by Michael Wolff." International Journal of English Linguistics 9, no. 4 (2019): 192. http://dx.doi.org/10.5539/ijel.v9n4p192.

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Language plays a pivotal role in constructing identity and ideology. It shapes the people’s ideas and beliefs about specific perspectives. This research is mainly concerned with constructed ideologies through discourse. The present study is based on the book “Fire and Fury: Inside the Trump White House” written by Michael Wolff. The approach for present research is qualitative in nature and for analysis; different extracts are taken from the book. It adopts Fairclough’s (1992) three-dimensional model for analysis which includes textual, discursive practi
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Al-Harahsheh, Ahmad Mohammad, and Mariam Al-Omari. "Self-Translation: A Faithful Rendition or a Rewriting Process? Haikal’s Autumn of Fury as an Example." 3L The Southeast Asian Journal of English Language Studies 25, no. 1 (2019): 144–57. http://dx.doi.org/10.17576/3l-2019-2501-11.

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van Wolde, Ellen. "Sentiments as Culturally Constructed Emotions: Anger and Love in the Hebrew Bible." Biblical Interpretation 16, no. 1 (2008): 1–24. http://dx.doi.org/10.1163/156851508x247602.

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AbstractThis article explores the language of the sentiments of anger and love in biblical Hebrew, English and Japanese, where sentiments are defined as emotions that are culturally defined and organized. Its leading questions are: To what extent do people in different societies experience the same and different emotions because of their cultural backgrounds? And what does language reveal about emotional thought and its cultural construction in the Hebrew Bible? It is argued that anger in biblical texts is related to the mouth, nose or face and expresses an uncontrollable fury in someone's hea
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Websdale, Neil. "Of Nuclear Missiles and Love Objects: The Humiliated Fury of Kevin Jones." Journal of Contemporary Ethnography 39, no. 4 (2010): 388–420. http://dx.doi.org/10.1177/0891241610371112.

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Almiro, Francisca Gilmara da Silva, and Roniê Rodrigues da Silva. "SUBJETIVAÇÕES RIZOMÁTICAS E A IDEIA DE CORPO SEM ÓRGÃOS EM A FÚRIA DO CORPO, DE JOÃO GILBERTO NOLL." Revista Graphos 21, no. 1 (2019): 261–75. http://dx.doi.org/10.22478/ufpb.1516-1536.2019v21n1.46549.

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O trabalho apresenta uma leitura da obra A Fúria do corpo, de João Gilberto Noll, a partir dos conceitos de Corpo sem Órgãos e Rizoma propostos pelos filósofos franceses Gilles Deleuze e Félix Guattari. Nesse sentido, objetiva estudar a construção identitária das personagens da referida narrativa, estabelecendo uma associação com essas noções filosóficas, problematizando, sobretudo, a errância das personagens e a linguagem utilizada para a composição da obra. Ao longo da leitura crítica, destacaremos como o texto de Noll nos desafia à construção de sentidos através de uma subjetividade constit
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Linde, E., and D. H. Steenberg. "Intertekstualiteit en die Bose in Kroniek van Perdepoort (Anna M. Louw)." Literator 7, no. 2 (1986): 20–38. http://dx.doi.org/10.4102/lit.v7i2.879.

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In Anna M. Louw’s novel Kroniek van Perdepoort the primal conflict between good and evil is an important constituent element. Well-known authors in world literature have been fascinated by this problem, and it is an enriching experience to bring together allusions and to investigate points of contact with authors such as Feodor Dostoyevsky, Thomas Mann. William Faulkner and Patrick White. In Kroniek van Perdepoort there is a meeting between Klaas Kamer and the devil. Similarities between this meeting and similar meetings in Dr Faustus (Thomas Mann) and The Brothers Karamazov (Dostoyevsky) are
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Kryukova, E. B., and O. A. Koval. "The Literary Madness: Language as an Indicator of Insanity in the Fiction of the 20th Century (1920s)." Critique and Semiotics 39, no. 1 (2021): 316–38. http://dx.doi.org/10.25205/2307-1737-2021-1-316-338.

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The article is devoted to the phenomenon of insanity in the artistic discourse of the 1920s. Such a literary reception is interesting because, on the one hand, it goes against the dominant clinical approaches at that time, which emphasized the medical aspect of the problem, and on the other hand, it anticipates the antipsychiatric philoophical theories, whereby the marginal figure of the madman was gradually included in the social space. Using the example of three iconic works of modernist literature, the article demonstrates how innovative techniques of working with language make the speech o
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Stefanopoulou, Evdokia. "The rhetoric of ecology in the post-apocalyptic cinematic landscape." "Res Rhetorica" 8, no. 2 (2021): 38–54. http://dx.doi.org/10.29107/rr2021.2.3.

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Contemporary post-apocalyptic films portray a world ravaged by ecological catastrophes, and humanity on the brink of extinction. Such films echo the urgent environmental discourses of the Anthropocene, while offering instances of a post-anthropocentric perspective and the new subject-formations it engenders. The article argues that the central rhetorical device that generates an ecocritical perspective in such films is the post-apocalyptic landscape. Cinematic space shapes the meaning of all films, and this is even more emphatic when setting is transformed into landscape (Lefebvre 2006). What
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Dahlgren Thorsell, Marta. "Innocence or experience? A critical reading of some recent translations of William Faulkner." Babel. Revue internationale de la traduction / International Journal of Translation 43, no. 3 (1997): 193–205. http://dx.doi.org/10.1075/babel.43.3.02dah.

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Abstract William Faulkner's novels have been translated into Spanish on many occasions by different publishing houses, mainly in Latin America, but Spanish publishers have been commissioning new translations in recent years. Two of these relatively recent publications have been examined and compared with earlier translations for two reasons: to find the extent to which the cultural background of the translator has coloured his or her choice of linguistic options, and to determine whether there seems to be any evidence that it might be prudent for a translator to be familiar with the literary c
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Hoogervorst, Tom, and Melita Tarisa. "‘The Screaming Injustice of Colonial Relationships’." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 177, no. 1 (2021): 27–61. http://dx.doi.org/10.1163/22134379-bja10020.

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Abstract An insensitive poem published in 1935 sparked a wave of outrage among the Indies Chinese students in the Netherlands. Titled The yellow peril, it had started as an inside joke among Leiden’s Indologists, yet quickly aroused the fury of both moderates and radicals. Their anti-colonial activism flared up for months, attracting numerous allies and eventually taking hold in the Netherlands Indies. After the Indologists had apologized, the number of activists willing to push for more structural change dwindled. As such, this microhistory lays bare some broader dynamics of anti-racism. We a
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Laidler, Gita J., and Theo Ikummaq. "Human geographies of sea ice: freeze/thaw processes around Igloolik, Nunavut, Canada." Polar Record 44, no. 2 (2008): 127–53. http://dx.doi.org/10.1017/s0032247407007152.

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ABSTRACTSea ice has been, and continues to be, an integral component of life in the Inuit community of Igloolik, Nunavut. Located on an island of the same name off the northeastern coast of Melville Peninsula, extensive ice formation occurs in Fury and Hecla Strait. This creates an important travel and hunting platform, and enables access to Baffin Island, the mainland, moving ice, hunting and fishing grounds, and nearby communities. With the combined importance, dynamism, and continuous use of this frozen ocean environment, local Inuit elders and hunters have developed a detailed and nuanced
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Lundblad, Michael. "From Animal to Animality Studies." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 496–502. http://dx.doi.org/10.1632/pmla.2009.124.2.496.

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When Jack London's human characters interact with dogs and wolves in texts such as the call of the wild (1903) and White Fang (1906), erotic fireworks often light up the wild. The love between the dog Buck and his human partner, John Thornton, in The Call of the Wild is characterized as “[l]ove, genuine passionate love. … love that was feverish and burning, that was adoration, that was madness” (59–60). In White Fang, the half wolf of the title experiences a love for Weedon Scott that “manifested itself to [White Fang] as a void in his being—a hungry, aching, yearning void that clamored to be
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NISBET, TIM. "Meaning, metaphor, and argument structure." Journal of Linguistics 56, no. 3 (2019): 629–62. http://dx.doi.org/10.1017/s002222671900029x.

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This paper challenges what it calls the semantic determinist hypothesis (SDH) of argument licensing, according to which the syntactic realisation of a verb’s arguments is a function of its semantic properties. Specifically, it takes issue with ‘event schema’ versions of the SDH applied to the English ditransitive alternation (give/send {Jesse the gun/the gun to Jesse}), which claim a systematic, syntactically predictive distinction between ‘caused possession’ and ‘caused motion’. It is first shown that semantic and syntactic irregularities among the alternating verbs disconfirm such a mapping.
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Mironov, Arseny S. "Rethinking of the Pan-Epic Value Category “Heroic Anger” in Russian Bylinas: The Knight’s “Fury / Resentment” as a Christian Concept." Vestnik NSU. Series: History and Philology 20, no. 2 (2021): 57–75. http://dx.doi.org/10.25205/1818-7919-2021-20-2-57-75.

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Purpose. The article examines the concept of anger, which should be placed among the central concepts of the world’s folk epics. Results. According to axiological analysis, pre-Christian epic poetry renders anger as a certain “indicator” of heroic nature peculiar to this or that character: the epic hero is “obliged” to feel this emotion when public evaluation of his personal honor (the one made either by his relatives or his bride, lord, rival, etc.) does not meet his own idea of those honors which should be granted to him as a possessor of miraculous strength. Such an underestimation is treat
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Werlen, Hans-Jakob. "From geschlechtscharakter to geschlecht und charakter: The ?nature? of ?woman? debate in Sacher-Masoch's Venus in Furs." Neophilologus 80, no. 1 (1996): 1–10. http://dx.doi.org/10.1007/bf00430014.

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Michailidis, Melanie. "Samanid Silver and Trade along the Fur Route." Medieval Encounters 18, no. 4-5 (2012): 315–38. http://dx.doi.org/10.1163/15700674-12342119.

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Abstract While much scholarly attention has been devoted to cultural exchange in recent years, most of the focus has been on the Mediterranean Sea and the land and sea routes connecting China to the Islamic world and beyond to Europe. In the tenth century, another major trading route also flourished between Central Asia and northeastern Europe. Furs and slaves were sent from Scandinavia, Russia and Eastern Europe in exchange for silver which was mined in the realm of the Samanids in Central Asia. Not only were Samanid coins used as currency by the Vikings, but Samanid luxury metalwork objects
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Kreiman, Jody. "On Peer Review." Journal of Speech, Language, and Hearing Research 59, no. 3 (2016): 480–83. http://dx.doi.org/10.1044/2016_jslhr-s-16-0043.

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Purpose This letter briefly reviews ideas about the purpose and benefits of peer review and reaches some idealistic conclusions about the process. Method The author uses both literature review and meditation born of long experience. Results From a cynical perspective, peer review constitutes an adversarial process featuring domination of the weak by the strong and exploitation of authors and reviewers by editors and publishers, resulting in suppression of new ideas, delayed publication of important research, and bad feelings ranging from confusion to fury. More optimistically, peer review can
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Fossett, Judith Jackson. "Sold Down the River." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 325–30. http://dx.doi.org/10.1632/pmla.2007.122.1.325.

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in that city foreign and paradoxical, with its atmosphere at once fatal and languorous, at once feminine and steel-hard—William Faulkner, Absalom, Absalom! (1936)Do you know what it means to miss New OrleansAnd miss it each night and dayI know I'm not wrong, the feeling's getting strongerThe longer I stay awayDo you know what it means to miss New OrleansSince that's where you left your heart(And there's something more)I miss the one I care for more than I miss New Orleans—Louis Alter (music) and Eddie DeLange (lyrics),“Do You Know What It Means to Miss New Orleans” (1946)BOMBARDED BY THE DISCO
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Kwak, Hyun-suk. "A study on East-Asian designations of pufferfish." Journal of Chinese Writing Systems 5, no. 1 (2021): 77–86. http://dx.doi.org/10.1177/2513850221980066.

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In ancient Korea, pufferfish were called “복” or “복어,” whereas they have been called “hétún” (河豚) since the Ming dynasty in China, and were called “fugu” in ancient Japan. Since the introduction of the Chinese term “hétún” (河豚) into Korean and Japanese, pufferfish in Korea, China, and Japan have all been named “河豚.” Besides “하돈” (the Korean pronunciation of 河豚), pufferfish have been given various designations, such as the following: “후태” (鯸鮐) or “반어” (斑魚) based upon body patterns; “후이” (鯸鮧)” or “호이” (鰗鮧) by shape; and “기포어” (氣泡魚), “취두어” (吹肚魚), and “布久” by the look of its swollen belly. Other de
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Day, Peggy. "THE BITCH HAD IT COMING TO HER: Rhetoric and Interpretation in Ezekiel 16." Biblical Interpretation 8, no. 3 (2000): 231–54. http://dx.doi.org/10.1163/156851500300044666.

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AbstractEzek. 16:35-43 describes the punishment invoked upon personified Jerusalem for breach of covenant. Virtually all modern scholars maintain that the description is modelled on real life punishments for adultery in ancient Israel. This paper argues that the role played by Jerusalem's metaphoric lovers, who participate in the punishment rather than, as adulterers themselves, being subject to it, proves that the dominant interpretation of the passage is untenable. The paper proposes that the rhetorical dynamics of the passage have been a powerful influence in leading scholars to maintain th
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Chasanah, Ida Nurul. "Migrasi simbolik wacana kuasa tubuh: menguak wacana tubuh dalam Ode untuk Leopold Von Sacher-Masoch karya Dinar Rahayu." Masyarakat, Kebudayaan dan Politik 27, no. 4 (2014): 184. http://dx.doi.org/10.20473/mkp.v27i42014.184-194.

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The presence of Indonesian women writers with the dominant discourse of the power of body, presenting the pros and cons that would not go over. Female body is the language of women that can be poured through the writing of literary works. Helene Cixous brought the spirit of "writing the body" to motivate women authors to express himself through written discourse, which so far has been dominated by men. Cixous spirit is also promoted by Dinar Rahayu appear in the novel Ode untuk Leopold Von Sacher-Masoch. Dinar Rahayu voicing complexity of urban women's voices in this novel through several migr
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Fatih, Muhammad. "Pendidikan Seks dalam Al-Qur’an; Perspektif Tafsir Tarbawi tentang Larangan Mendekati Zina." Ta'dibia: Jurnal Ilmiah Pendidikan Agama Islam 8, no. 2 (2019): 7–14. http://dx.doi.org/10.32616/tdb.v8.2.176.7-14.

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Al-Qur'an contains many terms that contain sexual content both directly (mubasyarah) and symbolic (kinayah), including furuj (genitals), semen (sperm), nuthfah (mixing of male and female sperm), arham (womb), al-mass (contact, conjugal relationship), al-lams (contact, conjugal relationship), preacher (contact, conjugal relationship), rafats (words and actions that lead to bodily relationships) , bigha '(prostitution), adultery, fahisyah (vile deeds), abkar (virgin), murawadah (seducing), and so forth. In general the mention of the above terms in the Qur'an covers four contexts; first, the cont
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