Relevant bibliographies by topics / Future in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Future in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Future in art"

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Parmankulov, Isamiddin, Sherzod Khusanov, and Alibek Charshanbiev. "Photographic Art of Uzbekistan: Origin, Development, Future." International Journal of Psychosocial Rehabilitation 24, Special Issue 1 (2020): 774–88. http://dx.doi.org/10.37200/ijpr/v24sp1/pr201217.

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Khan, Mohammad Salman. "State-of-the-Art and Future Directions." Journal of Current Trends in Computer Science Research 3, no. 4 (2024): 01–05. http://dx.doi.org/10.33140/jctcsr.03.04.04.

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In our daily lives, smart AI-powered devices including computers are becoming more common. But the problem is that sometimes these AI systems make decisions that seem like magic, making it hard for us to know how they work and also, we are not able to predict the future (like after making a decision, we are not able to predict whether the result will be positive or negative). This research paper is all about fixing this issue and making the AI strong enough to make a decision and learn each positive and negative thing from the surroundings. We dive into the world of Explainable Artificial Inte
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SK, Bothra. "Embracing the Future of Robotics with ART." Advances in Robotic Technology 2, no. 2 (2024): 1. http://dx.doi.org/10.23880/art-16000118.

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Thomas, Beth A. "Traditional Futures: Prospective Art Teachers’ Possible Future Selves." Art Education 73, no. 5 (2020): 32–37. http://dx.doi.org/10.1080/00043125.2020.1766923.

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Bell, Jacqueline. "ART + CARE = A FUTURE." Public 26, no. 52 (2015): 256–58. http://dx.doi.org/10.1386/public.26.52.256_5.

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Cummins, Thomas B. F. "Pre-Columbia: Wherefore Art Thou Art?" Latin American and Latinx Visual Culture 1, no. 1 (2019): 94–99. http://dx.doi.org/10.1525/lavc.2019.000007a.

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Following an introductory essay, six short contributions by academics and museum curators in the United States (US) and Europe tackle the current state and future of Pre-Columbian visual culture studies. They explore the field’s impressive growth in this century, as well as some of the dangers it currently faces as a result of that growth. Several trace its present state to its origins and the part played by early Mexican and US nationalism, the popularity of world’s fairs, and the civil rights movement, among other factors. Also considered are problems inherent in the late nineteenth- and ear
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Donnelly, Nora P. "Regarding art and regarding future teachers regarding art." Irish Educational Studies 22, no. 1 (2003): 89–104. http://dx.doi.org/10.1080/0332331030220109.

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Keshavjee, Shafique. "Lung Transplantation : State of the Art and Future Challenges." Journal of the Japanese Association for Chest Surgery 19, no. 3 (2005): 280. http://dx.doi.org/10.2995/jacsurg.19.280.

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Page, Joanna. "Art for a Future Planet." Environmental Humanities 13, no. 1 (2021): 159–80. http://dx.doi.org/10.1215/22011919-8867252.

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Abstract Joanna Zylinska proposes a “feminist counterapocalypse,” which would resist the anthropocentric, technicist perspectives that shape apocalyptic narratives of climate crisis. Like Anna Tsing’s exploration of collaborative survival, Zylinska’s counterapocalypse is founded on the notion of precarity as a shared condition of life in the postindustrial world. This article focuses on art-science projects by Joaquín Fargas (Argentina) and Paul Rosero Contreras (Ecuador) that imagine environmental futures. In contrasting their projects the author asks how they endorse or subvert the anthropoc
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Gorglione, Nancy, and Brigitte Burgmer. "Holographic Art: Perception, Evolution, Future." Leonardo 22, no. 3/4 (1989): 439. http://dx.doi.org/10.2307/1575414.

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Dissertations / Theses on the topic "Future in art"

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Dooley, Jeffrey. "Revisiting the future." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/14151.

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Revisiting the future re-examines some ideas of the Italian Futurist painters Boccioni, Balla, Carra, Russolo and Severini. These ideas included multiplied sensations and states of mind, interpenetration and superimposition, lines of force, and placing the spectator at the center of the painting. These ideas are then examined in relation to the senses and to contemporary art practice. I present ideas on how images for the various senses can operate both individually and collectively to create interactive, multi-sensory communication surfaces. The works I produced are my response to the challen
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Gray, Pamela Clelland, University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "Public learning and the art museum : future directions." THESIS_CAESS_HUM_Gray_P.xml, 2002. http://handle.uws.edu.au:8081/1959.7/354.

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The question of the art museum's failure to engage wider audiences remains relatively unexamined and has neither widely catalysed nor changed professional practice either in curatorial, educational, or public program domains. In this study, the educational aim of the art museum is discussed. The work of Pierre Bourdieu is examined. Bourdieu argues that museum display principles, interpretive strategies, and educational techniques, propagated within the paradigm of modernism, implicitly assume possession of cultural literacy skills which are the sole privilege of the educated.The author conclud
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Gray, Pamela Clelland. "Public learning and the art museum : future directions." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/354.

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The question of the art museum's failure to engage wider audiences remains relatively unexamined and has neither widely catalysed nor changed professional practice either in curatorial, educational, or public program domains. In this study, the educational aim of the art museum is discussed. The work of Pierre Bourdieu is examined. Bourdieu argues that museum display principles, interpretive strategies, and educational techniques, propagated within the paradigm of modernism, implicitly assume possession of cultural literacy skills which are the sole privilege of the educated.The author conclud
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Gray, Pamela Clelland. "Public learning and the art museum : future directions /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030407.154108/index.html.

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Silva, Milton Machado da. "After 'History of the future' : (art and its exteriority)." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312090.

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Reibel, Shannon. "THE FUTURE OF AESTHETICS IN/AND VISUAL CULTURE ART EDUCATION IN 21ST CENTURY ART EDUCATION." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1752.

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This grounded theory project researches and analyzes publications from 1990-2008 assessing the debate over aesthetics in/and VCAE in 21st century art education. Through a series of visual models, a working theory and its supporting evidence assess this contested subject. Within the context of Modern and Postmodern paradigm conflict, art educators’ debate over aesthetics in/and VCAE fundamentally deals with differing conceptions of identity and freedom. Although commonly sharing the goal of fostering the formation of student identity through the provision and exercise of freedom, art educato
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Gladston, Paul. "Art history after deconstruction : is there any future for a deconstructive attention to art historical discourse?" Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/12638/.

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Over the past two decades institutionally dominant art history has been strongly influenced by the theory and practice of deconstruction. While many art historians have embraced deconstruction as a productive means of unsettling and remotivating standard forms of art historical discourse, others have raised concerns over what they see as a widespread departure from the most basic tenets of art historical discourse; that is to say, not only the belief that there is a circumscribed category of aesthetic experience (art), but also that it is possible to arrive at a truthful representation of the
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Thompson, Matthew. "Fragments from a future archive." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/23891/.

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This PhD introduces new ways to configure the archive as a source of knowledge. This is because it is based in an art practice whose field of interest is institutional critique which determines that knowledge is both contingent and uncertain as different social and political factors come into play. The project pursues a line of inquiry which absorbs the artist, where the artist is seen to affect and be affected by the materials of an existing archive. The inquiry produces new connections and layers of meaning in relation to the archive whilst exposing and recording the precise methods and moti
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Aisha, Al-Sowaidi. "Finding History In The Future." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3140.

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Change and development over an extremely fast period of time in Qatar have shifted the atmospheric sense of the country. The distance created by the skyscrapers and their scale to people has a great impact on the behavior and interaction between the people and the city. In my research, I aim to incorporate the old experiences and behaviors with contemporary design in objects used within the house to maintain the feeling of being home through reliving the fading behaviors and traditions as well as bringing closer the modern city into the home through the use of materials. Through experimentatio
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Folkesson, Patrik, and Robert Lönnroos. "Construction Automation : Assessment of State of the Art and Future Possibilities." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-39553.

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The world of automation has grown rapidly for the last four decades and it is driven by higher demands from users, technology development and maturity of technologies of industrial processes. Companies all over the world have automated their manufacturing processes which have led to billions of dollars in productivity and quality improvements. In the construction industry innovation transpires extremely slowly and a reluctance to implement new strategies and a low research and development budget also contribute to the slow innovation rate. Because of this, technical innovations such as automat
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Books on the topic "Future in art"

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England), Stan's Cafe (Birmingham, ed. Future art symposia. Stan's Cafe, 2001.

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Bilbao, Alhóndiga. Art futura XXI: Etorkizuna berraztertzen = repasando el futuro = reviewing the future. AlhóndigaBilbao, 2011.

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Sanz, Jean-François. Futur antérieur: Rétrofuturisme, steampunk, archéomodernisme = Future perfect. Mot et le reste, 2012.

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Schechner, Richard. The Future of Ritual. Taylor & Francis Group Plc, 2004.

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Fangling, Tseng. Tracce nel futuro: Footprints into the future. Electa Napoli, 2007.

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Monash University. Museum of Art, ed. Future eaters. Monash University Museum of Art, 2017.

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Bremer, Stanley, Aggie Langedijk, and Gaston Melis. Future pass 3.0. Wereldmuseum Art Publishers, 2014.

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Kiwere, Nathan. Affirmative art: Drawing your future. SISI Africa, 2018.

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1969-, Niermann Ingo, and Neues Museum Weimar, eds. Future of art: A diary. Sternberg Press, 2012.

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Getty Center for Education in the Arts., ed. Education in art: future building. Getty Center for Education in the Arts, 1989.

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Book chapters on the topic "Future in art"

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Brown, Brian A. "Digitized Street Art." In Future City. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15153-3_13.

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Konijnendijk, Cecil C. "A Work of Art." In Future City. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75076-7_7.

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Marchese, Francis T. "The Art of Urban Engagement." In Future City. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15153-3_11.

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Matott, Drew Luan, and Gretchen M. Miller. "Future Thoughts and Directions." In The Art and Art Therapy of Papermaking. Routledge, 2023. http://dx.doi.org/10.4324/9781003216261-12.

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Mohs, Johanne. "Back to the future." In Practicing Art/Science. Routledge, 2018. http://dx.doi.org/10.4324/9781315175881-11.

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Horton, Ian, and Maggie Gray. "Conclusion: Future Directions." In Art History for Comics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07353-3_12.

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Mazzola, Guerino, Jason Noer, Yan Pang, et al. "Art Making as Research." In The Future of Music. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39709-8_18.

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Gloag, John. "The Future of the Designer." In Industrial Art Explained. Routledge, 2022. http://dx.doi.org/10.1201/9781003332503-8.

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Burns, Leland S., and John Friedmann. "Puerto Rico’s Economic Future." In The Art of Planning. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4613-2505-5_9.

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Rubenstein, Betty Rogers. "The Fine Art of Remembrance." In Remembering for the Future. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-66019-3_194.

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Conference papers on the topic "Future in art"

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Malinetskiy, Georgy, and Ilya Volnov. "Heralds of the Future. Art, Science, and Science Art." In 2nd International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2019. http://dx.doi.org/10.20948/future-2019-25.

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Volnov, Ilya Nikolaevich. "Art, science, time." In 4th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/future-2021-7.

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The main forms of time and models of their association are considered. A criterion for the symmetry of the triple balance of time as a degree of harmony in the system is proposed. Examples of degenerate, deformed, and symmetric balances are given. Art is designated as the most important tool for restoring the balance of symmetry in various fields of knowledge.
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"[Cover art]." In 2009 International Conference on Future Networks, ICFN. IEEE, 2009. http://dx.doi.org/10.1109/icfn.2009.68.

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Kozlov, Dmitri. "Knots: Art, Mathematics, Structures." In 2nd International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2019. http://dx.doi.org/10.20948/future-2019-24.

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Volnov, Ilya Nikolaevich. "Science and art. Personalization." In 5th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/future-2022-22.

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The crisis of the scientific format of thinking is considered and one of its manifestations is personalization, which takes place today in all basic forms of human activity. On the basis of structural dynamics and an appeal to ancient ideas about time, it is shown that Kuznetsov’s writing – a vivid example of modern visual media, is a new form of personalized art and an adequate response to the crisis of the scientific format of thinking.
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Neale, Reginald N. "Future interpretation: Art to science?" In SEG Technical Program Expanded Abstracts 1991. Society of Exploration Geophysicists, 1991. http://dx.doi.org/10.1190/1.1889174.

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Duchêne, Yves, Sébastien Seret, Vincent de Ville de Goyet, Jérome Ligot, Edouard Verstraelen, and Arnaud Philippart. "The Arc Majeur, when art challenges technology." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.1658.

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<p>The “Arc Majeur” is a curved metal boxes with a square section of 2,25 m culminating about 60 m high. The square section of the arc is likely to produce vortex-induced vibrations in the direction perpendicular to that of the wind. The main arc is therefore equipped with a "Tuned Mass Damper" (TMD).</p><p>In the case of the “Arc Majeur”, the proper functioning of the damper is essential because the amplitudes of vibrations reached under vortex-induced vibrations would cause the arc to break. A monitoring system continuously records the vibrations of both the damper and the
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Kolesnikov, Andrey Vitalievich. "Nonlinear images as art objects." In 6th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2023. http://dx.doi.org/10.20948/future-2023-15.

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Thanks to a powerful calculating tool - a computer, as well as the development of mathematical modeling methods, synergetics for the first time in the history of science began to describe and reproduce the processes of self-organization and development. On this path, magnificent, previously unseen images began to appear - strange attractors, fractals, cellular automata, which to a large extent contributed to the popularity of synergetics in the scientific and philosophical community. The article is devoted to images that arise in models, experiments and computational experiments developed and
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"[Cover art]." In 2009 International Conference on Future Computer and Communication (ICFCC). IEEE, 2009. http://dx.doi.org/10.1109/icfcc.2009.155.

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"[Cover art]." In 2010 Second International Conference on Future Networks (ICFN 2010). IEEE, 2010. http://dx.doi.org/10.1109/icfn.2010.105.

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Reports on the topic "Future in art"

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Moorman, John R. The Future Role of Information Operations in Operational Art. Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada405639.

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Jaster, Jeffrey F. Robotic Technologies for the Future Force - The ART ATO. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada465618.

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Cook, Patricia J. Applying Sun Tzu's Ancient Art of War" to the Future.". Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada363888.

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Haith, Michael E. CINC-ronization (Synchronization): The Critical Tenet in Future Operational Art. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada234163.

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Fein, Robert A., Paul Lehner, and Bryan Vossekuil. Educing Information - Interrogation: Science and Art, Foundations for the Future. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada476454.

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Xochihua, Alexis. Looking to the Future of Education: A Social Art Practice Pedagogy. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.302.

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Thornburg, Nicholas. Reaction Engineering: A Lost (and Found) Art for a Decarbonized Future. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2341525.

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Gattenhof, Sandra, Ulvund Marit, and Cecilie Haagensen. #YoungArt and Future Skills Report. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244541.

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#Youngart & Future Skills research project had two main foci. One was to develop and investigate models for collaboration between the art and education sectors, and the second to inquire whether the art programs and teacher/artist collaboration promotes the future skills of Creativity, Collaboration, Critical Thinking, and Communication. Two art programs were carried out in Norwegian secondary schools in 2022 and 2023. Art program A was developed by a theater company in collaboration with a teacher and four artists in a large secondary school class with 45 students in Trondheim. Art progra
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Parks, Wayne A. Operational-Level Deep Operations: A Key Component of Operational Art and Future Warfare. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada357809.

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Lee, Yu Hsuan, Ravi Kumar, Jacob Benz, HaliAnne McGee-Hilbert, Geoffrey Hollinger, and Camille Palmer. Autonomous Inspection of Geologic Repositories: Current State of the Art and Future Directions. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1824167.

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