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Books on the topic 'Futurisme – Influence'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Bargehr, Brigitte. Marketing in der öffentlichen Verwaltung: Ansatzpunkte und Entwicklungsperspektiven. M & P Verlag für Wissenschaft und Forschung, 1991.

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2

Futurismo: L'avanguardia delle avanguardie. Giunti, 2009.

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3

Un secolo futurista. Nemapress, 2009.

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4

Nazzaro, Gian Battista. Futurismo e politica. JN editore, 1987.

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5

Harrison, Andrew. D.H. Lawrence and Italian futurism: A study of influence. Rodopi, 2001.

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6

D.H. Lawrence and Italian futurism: A study of influence. Rodopi, 2003.

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7

Giovanna, Tomassucci, and Tria Massimo, eds. Gli altri futurismi: Futurismi e movimenti d'avanguardia in Russia, Polonia, Cecoslovacchia, Bulgaria e Romania : atti del convegno internazionale, Pisa, 5 giugno 2009. Plus-Pisa University Press, 2010.

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8

Bossaglia, Rossana. Antonio Fiore: Un futurista d'oggi. Edizioni Bora, 1999.

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9

Mayakovsky's cubo-futurist vision. Rice University Press, 1986.

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10

Mafarka il futurista: Epos e avanguardia. Gedit, 2005.

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11

Der Sturm e il futurismo. Edizioni della Laguna, 2010.

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12

Edwards, Folke. Den barbariska modernismen: Futurismen och 1900-talet. Liber, 1987.

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13

Peter, Demetz. Italian futurism and the German literary avant-garde. Institute of GermanicStudies, University of London, 1987.

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14

Peter, Demetz. Italian futurism and the German literary avant-garde. Institute of Germanic Studies, University of London, 1987.

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15

1955-, Lodola Marco, Fiz Alberto, and Lodoli Marco, eds. Marco Lodola: Le ballet plastique. Fabbri, 1993.

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16

Preziosi, Giuseppe. Giuseppe Preziosi. Guerra edizioni, 2001.

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17

Oliva, Achille Bonito. Prampolini: Opere dal 1913 al 1956 : Enrico Prampolini, 1894-1956. Edizioni Galleria Marescalchi, 1985.

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18

Futurizm i sovremennoe vizualʹnoe iskusstvo. Sovpadenie, 2006.

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19

Silvente, Ma Jesús Martínez. La mirada cambiante de Ardengo Soffici: Futurismo y crónicas sobre Picasso. Servicio de Publicaciones e Intercambio Científico de la Universidad de Málaga, 2002.

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20

Julius, Evola. Julius Evola e l'arte delle avanguardie: Tra futurismo, aada e alchimia. Fondazione Julius Evola, 1998.

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21

L'Europa futurista: Simultaneità, costruttivismo, montaggio. Mimesis, 2015.

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22

Marinetti i futuryzm w Polsce 1909-1939: Obecność, kontakty, wydarzenia. Instytut Sztuki Polskiej Akademii Nauk, 2012.

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23

Accademia di belle arti (Florence, Italy), ed. Futur1sm00ggi. Pacini, 2010.

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24

Jorge, Cordonet, ed. La esquiva huella del futurismo en el Rio de la Plata: A cien años del primer manifiesto de Marinetti. Patricia Rizzo Editora, 2009.

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25

editor, Giacomelli Milva, Godoli Ezio editor, and Pelosi Alessandra editor, eds. Il Manifesto dell'architettura futurista di Sant'Elia e la sua eredità. Universitas studiorum s.r.l. - casa editrice, 2014.

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26

Vukčević, Nikola. Uticaj filma na pozorište novih formi: Italijanski futiristi, ruski futuristi, Mejerholjd, Piskator, Ajzenštajn i Breht. CID, 2001.

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27

Futurismo, dadaismo e avanguardia romena: Contaminazioni fra culture europee (1909-1930). L'Harmattan Italia, 2006.

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28

Futurismi in Spagna: Metamorfosi linguistiche dell'avanguardia italiana nel mondo iberico, 1909-1928. Aracne editrice S.r.l., 2014.

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29

Belli, Gabriella. Depero a futurista: Museo di Arte Moderna e Contemporanea di Trento e Rovereto és a Magyar Nemzeti Galéria kiállítása : [Magyar Nemzeti Galéria, 2010. június 4-augusztus 22. Magyar Nemzeti Galéria, 2010.

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30

David, Emilia. Interventismo e anti-interventismo nelle produzioni grafico-tipografiche del futurismo e del dadaismo. Aracne, 2009.

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31

Interventismo e anti-interventismo nelle produzioni grafico-tipografiche del futurismo e del dadaismo. Aracne, 2009.

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32

Barros, Orlando de. O pai do futurismo no país do futuro: (as viagens de Marinetti ao Brasil em 1926 e 1936). E-papers, 2010.

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33

Oliva, Achille Bonito. Fontana, artista totale. Nuova Prearo Editore, 1988.

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34

Oliva, Achille Bonito. Fontana, artista totale. Nuova Prearo Editore, 1988.

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35

Cohen, Jean-Louis. Scenes of the world to come: European architecture and the American challenge, 1893-1960. Flammarion, 1995.

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36

Ciampi, Alberto. Futuristi e anarchici--quali rapporti?: Dal primo manifesto alla prima guerra mondiale e dintorni (1909-1917). Edizioni Archivio famiglia Berneri, 1989.

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37

Ciampi, Alberto. Futuristi e anarchici--quali rapporti?: Dal primo manifesto alla prima guerra mondiale i dintorni (1919-1917). Edizione Archivio Famiglia Berneri, 1989.

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38

Marco, Cugno, and Lefter Ion Bogdan, eds. Influențe ale futurismului italian asupra avangardei românesti: Sincronie și specificitate. Paralela 45, 2004.

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39

Futurizam u Hrvatskoj: Dossier. Matica hrvatska, Ogranak Pazin, 1995.

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40

Suvini-Hand, Vivienne. Mirage and camouflage: Hiding behind Hermeticism in Giuseppe Ungaretti's 'L'Allegria'. Troubador, 2000.

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41

Schmidt-Bergmann, Hansgeorg. Die Anfänge der literarischen Avantgarde in Deutschland über Anverwandlung und Abwehr des italienischen Futurismus: Ein literarhistorischer Beitrag zum expressionistischen Jahrzehnt. M & P Verlag, 1991.

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42

Cohen, Jean-Louis. Scènes de la vie future: L'architecture européenne et la tentation de l'Amérique, 1893-1960. Flammarion, 1995.

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43

1927, Kitazawa Shūichi d., and Maeda Hajime 1895-1978, eds. Sekushuariti. Yumani Shobō, 2006.

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44

Andersson, Jenny. The Future of the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814337.001.0001.

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The book is devoted to the intriguing post-war activity called—with different terms—futurism, futurology, future research, or futures studies. It seeks to understand how futurists and futurologists imagined the Cold War and post-Cold War world and how they used the tools and methods of future research to influence and change that world. Forms of future research emerged after 1945 and engaged with the future both as an object of science and as an object of the human imagination. The book carefully explains these different engagements with the future, and inscribes them in the intellectual histo

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45

Luciano, De Maria, and Dondi Laura, eds. Marinetti e i futuristi. Garzanti, 1994.

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46

Renato, Barilli, Museo d'arte moderna e contemporanea di Trento e Rovereto., and Galleria nazionale d'arte moderna (San Marino), eds. Nuovo futurismo: Abate, Innocente, Lodola, Plumcake, Postal. Electa, 1994.

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47

V, Menichi Carlo, and Studio Kronos, eds. Marinetti il futurista. Tellini, 1988.

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48

Kershner, Jon R. Influences and Comparisons. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190868079.003.0008.

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This chapter explores influences on Woolman, especially his Quaker tradition and the books he read. Then, he is compared with key contemporaneous Quaker reformers. However, Woolman made innovations upon these influences in a way that pertained to his eighteenth-century context. Both Woolman’s reading and his Quaker tradition emphasized the immanence of Christ, and Woolman resonated with this message as he incorporated it into his vision of Christ’s government. Moreover, Woolman differed from most of his peers in his this-worldly eschatology. His peers were more futurist in their orientation an

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49

1969-, Black Jonathan, Estorick Collection, and Whitworth Art Gallery, eds. Blasting the future!: Vorticism in Britain 1910-1920. Philip Wilson, 2004.

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50

La Mirada Cambiante de Ardengo Soffici: Futurismo y Cronicas Sobre Picasso (Textos Minimos). Servicio de Publicaciones E Intercambio Cient, 2003.

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